1984-12-29 | Grateful Dead

Joani Walker and Paul Scotton

Charlie Miller

gd1984-12-29.sbd.walker-scotton.miller.106169.flac16

SBD -> ? -> Cassette (Maxell XLII-S90)

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16

Scott Clugston, Charlie Miller

View NotesNotes:
-- Set 2 is seamless
-- Tapes were labeled "Broadcast Mix"
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Bob Wagner

gd1984-12-29.167181.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Bob Wagner for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies 1:12 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2024

Taper: Bob Wagner

gd1984-12-29.167180.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies 1:12 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2024

Taper: Mark Severson

gd1984-12-29.152536.nak700.severson.miller.clugston.flac2496

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Mark Severson for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:07 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2020

Taper: Mark Severson

gd1984-12-29.152535.nak700.severson.miller.clugston.flac1648

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Mark Severson for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:07 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2020

Taper: Chris Hecht

gd1984-12-29.148400.fob.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Kisrchner and Charlie Miller for the shnid95694 Sony ECM220t source which supplies the crowd and first notes of "One More SAturday Night" (0:40 total), an 0:26 patch in "Drums", as well as a 0:08 patch in the "Not Fade Away > Brokedown Palace" transition
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Chris Hecht

gd1984-12-29.148399.fob.neumann.km84i.hecht.miller.clugston.flac1648

Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Kisrchner and Charlie Miller for the shnid95694 Sony ECM220t source which supplies the crowd and first notes of "One More SAturday Night" (0:40 total), an 0:26 patch in "Drums", as well as a 0:08 patch in the "Not Fade Away > Brokedown Palace" transition
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Jim Wise and Robert Bryant patched out of Oade Brothers

2:34:57

Jim Wise and Robert Bryant patched out of Oade Brothers

Charlie Miller and Scott Clugston

gd1984-12-29.140187.fob.cmc4-mk41.oade.bryant.wise.miller.clugston.flac1644

1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1

gd1984-12-29.fob.sonyECM220t.kirschner.miller.95694.sbeok.flac16

View NotesNotes:
- Thanks to Robert Bryant for the 1st Set master cassette source (patched out of the Oade brothers)
- Thanks to Jim Wise for the 2nd Set source
- Thanks to Charlie Miller for the 1st set transfer & the 2nd set source
- Thanks to the folks responsible for the shnid132520 Schoeps PCM source which supplies the crowd and first 0:04 of "One More Saturday Night"
- Between song transitions smoothed

Mastered by Scott Clugston
December 9, 2017

Taper: Michael Kirschner

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/FujiMetal Tape/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) ->Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16

gd1984-12-29.167388.naks.mossa.flac2496

View NotesPatch Info:
(FOB) Schoeps CMC4/MK4 -> Cassette Master -> Dat -> CD (shnid=24294) supplies:
My Brother Esau (0:00 - 0:06)
Not Fade Away (8:02 - 8:14)

Notes:
-- Set 2 is seamless
-- Thanks to Michael Kirschner for lending me his masters

Taper: mossa

NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi)

master tapes -> Sony TDC5-M -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2023-03 (24-96)

View Notes-  "Brokedown Palace": cable connection problems for a second (at beginning)

Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode

2:30:21

Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode

Kyle Holbrook

gd1984-12-29.151202.mke2002.holbrook.flac2448

Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head

View NotesSet 2 liner notes mention the mics plugged into a "multi-box" then the Sony TCD5M. This was a box which took one pair of mic inputs having either 4 or 6 stereo pair arranged in parallel so everyone got the same output signal in order to get as many "lead decks" as it had outputs.
# From end of Stella Blue through Not Fade Away, batteries were running out so tape speed slowed, so playback got faster until it sounds like Mickey Mouse toward the end. The Not Fade Away track borrowed from the below cite.
# Substituted shnid: 95694, track d3t04 NFA (Kirshner|Miller AUD (FOB) Sony ECM-220T) for damaged NFA t09

Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode

2:30:21

Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode

Kyle Holbrook

gd1984-12-29.151201.mke2002.holbrook.flac1644

gd1984-12-29.150895.fm.waddell.haines.clugston.flac2448

View NotesSet 2 liner notes mention the mics plugged into a "multi-box" then the Sony TCD5M. This was a box which took one pair of mic inputs having either 4 or 6 stereo pair arranged in parallel so everyone got the same output signal in order to get as many "lead decks" as it had outputs.
# From end of Stella Blue through Not Fade Away, batteries were running out so tape speed slowed, so playback got faster until it sounds like Mickey Mouse toward the end. The Not Fade Away track borrowed from the below cite.
# Substituted shnid: 95694, track d3t04 NFA (Kirshner|Miller AUD (FOB) Sony ECM-220T) for damaged NFA t09

Taper: Jamie Waddell

FM Broadcast Mix > (?PCM?) > Cassettes

Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448

gd1984-12-29.150894.fm.waddell.haines.clugston.flac1648

View Notes- Thanks to Jamie Waddell for the source cassettes and Jay Haines for the transfer
- eBay tape liberation
- Thanks to Chris Hecht for the (FOB) Neumann KM84i source which supplies the crowd and beginning of "Samson & Delilah" (0:31 total)
- All tape flips were overlapped, leading to speculation that this derives from a PCM master
- Pitch corrected

Mastered by Scott Clugston
January 2020

Taper: Jamie Waddell

FM Broadcast Mix > (?PCM?) > Cassettes

Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448

Dan McDonald and Dave Usborne

View Notes- Thanks to Jamie Waddell for the source cassettes and Jay Haines for the transfer
- eBay tape liberation
- Thanks to Chris Hecht for the (FOB) Neumann KM84i source which supplies the crowd and beginning of "Samson & Delilah" (0:31 total)
- All tape flips were overlapped, leading to speculation that this derives from a PCM master
- Pitch corrected

Mastered by Scott Clugston
January 2020

Taper: Oade Brothers

gd1984-12-29.132520.fob-schoeps.Oade.BCE.flac16

Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne

gd1984-12-29.Senn421.Darby.118252.Flac1644

View NotesThe Wav files for Set I was corrupt and unreadable/unplayable. I read Set I into DC8.5 Forensics 
software, and rewrote the header so that it was listed as 16 bits/44.1kHz. It then played and 
sounded right. After that, the only processing was a little bit of editing (fade in at the beginning 
of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly 
below 100 hz to cut down on the boominess.

patches:
(FOB Schoeps CMC 441 > Oade M118 > Sony TC D5)> DATs > CDR > WAV > SHN (24294)
106 - Cassidy (entire track)
107 - Althea (entire track)
108 - Let It Grow (entire track)
201 - Samson & Delilah (drop out just before first verse)
BCE de-emphasis curve (modified PCM de-emphasis) applied

AUD> ? > CDR > EAC > SHN > WAV(re-tracked) > SHN (12296)
206 - Drums (from about 1:00-12:50)

Taper: Mike Darby

Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

gd1984-12-29.Senn421.Darby.118251.Flac2448

View NotesComments:Another Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
Another excellent recording and performance!
As always ENJOY!!!!!!

Taper: Mike Darby

Greg Holtz and Tony Bolton

View NotesComments:Another Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
Another excellent recording and performance!
As always ENJOY!!!!!!

Taper: Greg Holtz and Tony Bolton

JAZ

gd1984-12-29.nak100.holtz-bolton.jaz.105032.flac16

Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. Front Row Balcony

Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename

Transferrer: Chris Ladner

View NotesComments:  Very clean transfer.  This recording arrived on CDR
already mastered to take full adavantage of the CD dynamic range,
seamless, and expertly tracked.  Originally tracked on 3 discs with
set 1 on a single disc and the second set split between space and
truckin'.  Either way it was seamless so you can burn three discs
if you prefer.  End of Brokedown is brokedown at 05:03 with the
remainder of the song provided by a multianalog generation SBD
recording from the show.

Thanks to Jim Powell for providing the CDR source.
DAE(EAC) and SHN encoding via  Chris Ladner.
TMNSP 5/05.

Taper: Mark McCue

gd1984-12-29.senn421.mccue.ford.81758.sbeok.flac16

MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s

MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16

gd84-12-29.oade-schoeps.ladner.24294.sbeok.shnf

View Notes- * d2t02 Samson And Delilah mic stand bumped @ 01:57 through 01:58
- d2t05 Drums tape flip left as is.
- # d3t05 Not Fade Away patched from 08:37 through 09:57 with Oade recording
(FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
http://db.etree.org/shninfo_detail.php?shnid=24294
- 24 bit 96kHz files archived

Taper: Doug Oade

Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN

gd84-12-29.aud.12926.sbefail.shnf

View NotesOade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
Very clean transfer.  This recording arrived on CDR already mastered to take full adavantage of the CD dynamic range, seamless, and expertly tracked.  Originally tracked on 3 discs with set 1 on a single disc and the second set split between space and truckin'.  Either way it was seamless so you can burn three discs if you prefer.  End of Brokedown is brokedown at 05:03 with the remainder of the song provided by a multianalog generation SBD recording from the show.

Source 23 of 23

AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN