1984-04-30 | Grateful Dead

Rob Eaton

Rob Eaton, Scott Clugston, Charlie Miller

gd1984-04-30.167105.neumann.u87.eaton.miller.clugston.flac2496

Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Chris Ladner and Bill Koucky for the Sennheiser 441 source which supplies a 0:57 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Rob Eaton

gd1984-04-30.167104.neumann.u87.eaton.miller.clugston.flac1648

Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Chris Ladner and Bill Koucky for the Sennheiser 441 source which supplies a 0:57 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Jim Vita

gd1984-04-30.164613.senn441.vita.miller.clugston.flac2496

Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassette
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the Sennheiser 441 source which supplies a 0:19 patch in "Space"
- Other One space included in "The Other One"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Jim Vita

gd1984-04-30.164612.senn441.vita.miller.clugston.flac1648

Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

gd1984-04-30.senn421.pauline.miller.91165.sbeok.flac16

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassette
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the Sennheiser 441 source which supplies a 0:19 patch in "Space"
- Other One space included in "The Other One"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Rick Pauline

Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) D

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

View NotesPatch Info:
Sennheiser 441 -> Cassette Master -> CD (shnid=5302) supplies:
Deal (0:00 - 0:06)
Drums (5:33 - end of track)
Space (0:00 - 1:35)
Not Fade Away (5:47 - end of track)
Brokedown palace (4:29 - end of track)

Notes:
-- Set 2 is seamless
-- Recorded By Rick Pauline
-- Show will fit on 2 discs if you move disc change

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

2:25:30

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

gd1984-04-30.149983.mke2002.holbrook.flac2448

Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM.

View NotesNOTE: This fileset updates SHN ID 149176, second set upgrade from different source masters.
^ Missed start of song, maybe 7-10 seconds
# You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!"
/ tape paused between songs to save tape
// tape flip

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

2:25:30

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

gd1984-04-30.149982.mke2002.holbrook.flac1644

Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM.

View NotesNOTE: This fileset updates SHN ID 149176, second set upgrade from different source masters.
^ Missed start of song, maybe 7-10 seconds
# You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!"
/ tape paused between songs to save tape
// tape flip

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Executive Crew; Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

2:25:18

Executive Crew; Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

gd1984-04-30.149695.beyerm201.holbrook.flac2448

Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.

View Notes/+    First 40 seconds major level adjustments on master, smoothed out using envelope tool
//    tape flip
# You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!"

Taper: Executive Crew; Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

2:25:18

Executive Crew; Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

gd1984-04-30.149692.beyerm201.holbrook.flac1644

Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.

View Notes/+    First 40 seconds major level adjustments on master, smoothed out using envelope tool
//    tape flip
# You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!"

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

2:28:11

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

gd1984-04-30.149177.mke2002.holbrook.flac2448

1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK.

View Notes* left channel intermittent thumps; must be from pre-amp malfunction.
# You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!"

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

2:28:11

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

gd1984-04-30.149176.mke2002.holbrook.flac1644

1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK.

gd1984-04-30.123922.chasingwilma.flac24

View Notes* left channel intermittent thumps; must be from pre-amp malfunction.
# You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!"

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: chasingwilma

lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Da Weez

gd1984-04-30.109497.beyer-senn-daweez.D5scott.flac16

source: 2 Beyer M160 & 1 Sennheiser 421 microphones (17th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;

Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper: Bill Koucky

gd1984-04-30.senn441.koucky.ladner.34687.sbeok.flac16

FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes > Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)

gd84-04-30.senn.lai.5302.sbeok.shnf

View Notes-  last 7 seconds of d1t08 (Deal) patched from previous source.
-  07:53 - 07:57 of d2t06 (Throwing Stones) patched from previous source.

Source 16 of 16

aud> senn 441> cassette master> cdr