1984-07-03 | Grateful Dead

View NotesNotes:
- Thanks to Stephen Thomas for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Stephen Thomas

2:25:30

Taper:

Stephen Thomas

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1984-07-03.163308.nak304.thomas.miller.clugston.flac1648

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Robert Bryant patched out of Oade Brothers

2:27:37

Taper:

Robert Bryant patched out of Oade Brothers

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644

Source:

Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info:
- source #123823 (nak300> cp4> d5 no dolby)
- s1t07; 6:50 - end
- s1t08; 0:00 - 0:10
- s2t06; 6:52 - 6:57

Notes:
- tape pauses cross faded
- pitch corrected
- balloon pops removed
- push play
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

2:27:37

Taper:

Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496

Source:

Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD

Lineage:

Taper Notes:

View NotesPatch info:
- source #123823 (nak300> cp4> d5 no dolby)
- s1t07; 6:50 - end
- s1t08; 0:00 - 0:10
- s2t06; 6:52 - 6:57

Notes:
- tape pauses cross faded
- pitch corrected
- balloon pops removed
- push play

Taper: Executive Crew - Tom Pinney, Kyle Holbrook

2:28:22

Taper:

Executive Crew - Tom Pinney, Kyle Holbrook

Transferrer:

Kyle Holbrook

SHNID:

gd1984-07-03.150308.beyerm88.holbrook.flac2448

Source:

MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up

Lineage:

Nakamichi LX5 > Marantz PMD661|SD

Taper Notes:

View Notes/       tape stopped between tracks to conserve tape
//      tape flip

Taper: Executive Crew - Tom Pinney, Kyle Holbrook

2:28:23

Taper:

Executive Crew - Tom Pinney, Kyle Holbrook

Transferrer:

Kyle Holbrook

SHNID:

gd1984-07-03.150307.beyerm88.holbrook.flac1644

Source:

MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up

Lineage:

Nakamichi LX5 > Marantz PMD661|SD

Taper Notes:

View Notes/       tape stopped between tracks to conserve tape
//      tape flip

Source 9 of 16

2:29:06

SHNID:

gd1984-07-03.123823.nak300.flac16

Source:

nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8

Taper: Mike Darby

gd1984-07-03.FOB.Senn421.Darby.118238.Flac1644

Source:

Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Darby for
recording and sharing his source for this excellent
show!
As always ENJOY!!!!!!!!!

Taper: Mike Darby

gd1984-07-03.FOB.Senn421.Darby.118236.Flac2448

Source:

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Darby for
recording and sharing his source for this excellent
show!
As always ENJOY!!!!!!!!!

Taper: Greg Holtz

gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16

Source:

Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes);

Lineage:

MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz

Taper Notes:

View NotesSpecial thanks to indydarkstar for use of the UA-5.

I named the tracks so that the encore can be placed at the end of set one in order for the show to fit on two discs.  It can also be placed at the end of the show if that is your preference.  Each set has a crowd fade out, and the encore has a crowd fade in at the beginning, so it should work either way.

Taper: Tony Suraci; Eugene D'alessandro

Tony Suraci; Eugene D'alessandro

Transferrer:

Tony Suraci

SHNID:

gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16

Source:

Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks

Lineage:

Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16

Taper: Ted Carpenter

Jim Wise and Andrew F.

SHNID:

gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16

Source:

FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby

Taper Notes:

View NotesThe drums were missing 3:05 up to the start of space. I grabbed that part from the version posted at LMA and used Soundforge to patch it in with cross-fades. I used TLH to verify SBE-OK and make checksums, and FLAC Frontend for lossless compression.

Healy's PA mix during Alabama Getaway is way off for the first minute. Jerry departs after Fire and does not play on the Jam > Don't Need Love portion.

Taper: Bill Reutelhuber

gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf

Source:

Nak CM100 shotgun mics > Sony TCD5M (lead deck) > Dolby B noise reduction > MAC (Maxell MX 90 Metal tape)

Lineage:

MAC > Nakamichi DR-1 > Mytek Digital 8x96 ADC > Steinberg Nuendo (Waves Q10) > Waves L2 Ultramaximizer

Source 16 of 16

gd84-07-03.aud.willy.14909.sbeok.shnf

Source:

AUD>MC>??>DAT>CDR

Taper Notes:

View NotesAUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy