1984-10-09 | Grateful Dead

View NotesNotes

---I did my best to fix the constant swirling noise during Revolution.
---This is not a digital artifact, it is on all SBD and AUD sources.

---Thank you T. Wiley for your work on the SBD.
---Thank you Andy L. for providing the SBD discs.
---Thank you Willy M. for providing the Aud SHNs for SBD patches.
---Thank you Mike Rice for recording the show.
---Thank you David Dyche for recording and seeding the AUD source.
---Thank you Germain for your advice, encouragement, guidance and seeding.

Matrix by dusborne

04-12-2013
-----------------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 04-12-2013

Source 2 of 20

2:44:22

SBD

Rating:

8.55 / 22 ratings

SHNID:

gd84-10-09.sbd.wiley.14499.sbeok.shnf

Source:

MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley

Taper Notes:

View NotesSBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-09.168001.beyer.m160.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rick Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 6:26 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
April 2023

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-09.168000.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rick Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 6:26 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
April 2023

Taper: Steve Rolfe

gd1984-10-09.nak700.rolfe.miller.94345.flac24

Source:

(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90)

Lineage:

Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24 (1 DVD FLAC)

Taper Notes:

View Notes**THIS IS A 24BIT SOURCE**

Notes:
-- Thanks to Steve Rolfe for lending me his masters

Taper: Steve Rolfe

gd1984-10-09.nak700.rolfe.miller.94344.flac16

Source:

(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90)

Lineage:

Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Steve Rolfe for lending me his masters

Taper: Rick Pauline

gd1984-10-09.senn421.pauline.miller.91410.sbeok.flac16

Source:

Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

Taper Notes:

View NotesPatch Info:
Nakamichi 100/CP4 -> Cassette Master -> CD (shnid=7774) supplies:
Smokestack Lightning (0:04 - 0:16)
Drums (1:42 - 9:08)
Stella Blue (6:32 - 6:41)

Notes:
-- Set 2 is seamless
-- Recorded By Rick Pauline

Taper: Doug Lamarre

gd1984-10-09.135912.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger

Taper: Doug Lamarre

gd1984-10-09.135911.aud.lamarre.berger.flac16

Taper: Steve Hill

gd1984-10-09.132545.Nak100CP4.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!Some tape pauses in
the first set between songs.Another Excellent share from
the Hill collection of masters and the Grateful Dead's
Fall 1984 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: Steve Hill

gd1984-10-09.132544.Nak100CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!Some tape pauses in
the first set between songs.Another Excellent share from
the Hill collection of masters and the Grateful Dead's
Fall 1984 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: chasingwilma

gd1984-10-09.124292.chasingwilma.flac24

Source:

lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: David Dyche

gd1984-10-09.120082.akg.dyche.flac16

Source:

Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche

Taper: Bob Morris

gd1984-10-09.nak300.morris.113964.flac24

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper Notes:

View NotesNotes:
 - Tape flip in drums spliced at 2:46 using Soundforge 9.0.
 - Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris.
 - Thanks to Sam for help.
 - Transfer (Oct 2009) & 2496 conversion / edits (Jan 2011) by Bob Morris.

Taper: Da Weez

gd1984-10-09.110019.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

Taper: Bob Morris

gd1984-10-09.fob.nak300.morris.crazyfingers.106645.flac16

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Recorded FOB from floor Section 3, Row Q, Seat 8

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Greg Holtz and Tony Bolton

Greg Holtz and Tony Bolton

Transferrer:

Jamie Waddell

SHNID:

gd1984-10-09.nak100.holtz-bolton.GEMS.96737.flac16

Source:

Location: FOB Jerry's side roughly 10-12 feet right of center,Recording Equipment: Nakamichi CM-100 mics with CP-4 Shotgun caps > Sony D-5

Lineage:

Master Cassette >Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 file for mastering Editing and Mastering: Weiss Saracon for SRC to 16/44.1 POWR-3 Dither Trac'ed Cdwave Flac'ed level 8 TLH

Taper: Ted Carpenter

Jim Wise and Andrew F.

SHNID:

gd1984-10-09.nak300.carpenter.wise.andrewf.81386.sbeok.flac16

Source:

FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby

Lineage:

MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner) > EAC > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- Tape flip at the start of Let it Grow cross-faded.
- Drop-out in He's Gone patched with ShnID-77880, from 3:07 > 3:17.
- Tape flip in Drums patched with ShnID-77880, from 1:57 > 2:37.
- Set two is seamless for reassembly onto longer media.
- There was a tape-deck malfunction that caused a hi-pitched whine
in a few spots. This was attenuated with the Soundforge EQ, but is
still audible in headphones (near the beginning of Big Railroad,
and the beginning of Smokestack).
- The "whooshing" sound during the second half of Revolution came
from the PA, and is not a problem with the tape recording.

Taper: Tony Suraci

gd1984-10-09.beyerm88.suraci.77880.flac16

Source:

FOB/Beyer M88>Sony D5

Lineage:

Sony D5Pro>Luntaec V3>SD722

Taper Notes:

View Notes* thanks to Eugene for the mics.
#not as close as the first night, but still FOB.
Notes: This is the 16bit version. 24bit is on DVDA.

Taper: Mike Rice

gd1984-10-09.nak100.rice.willy.7774.sbeok.shnf

Source:

Nakamichi CM 100 mics w/ shotgun capsules > Sony D5 cassette deck > MAC

Lineage:

MAC > Nakamichi DR-1 cassette deck > HHB 850 CDR > EAC > HD > Cool Edit Pro > CDWave > CDRWin > Yamaha CRW 8424 CDR