1984-10-11 | Grateful Dead

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2023

Taper: Jim Vita

2:32:07

Taper:

Jim Vita

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-11.168002.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2023

Taper: Mike Guy

Scott Clugston and Charlie Miller

SHNID:

gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496

Source:

Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)

Lineage:

Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mike Guy for the master audience cassette source
- Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2018

Taper: Mike Guy

Scott Clugston and Charlie Miller

SHNID:

gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648

Source:

Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)

Lineage:

Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mike Guy for the master audience cassette source
- Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2018

Taper: Recorded, Transferred & Mastered by Anon

2:35:24

Taper:

Recorded, Transferred & Mastered by Anon

Transferrer:

Edited w/ addl Mastering (Adobe Audition) by Joe Noel October 29, 2022

SHNID:

gd1984-10-11.165102.fob.nak100.photoleon.flac2448

Source:

(FOB) Nakamichi 100 Shotguns > Sony TC-D5m > Master Cassette (TDK MA90s, Dolby B On)

Lineage:

Master Cassette > Nakamichi CR7A (no dolby, azimuth adjusted) > Korg MR2000 (1 bit 5.6 Mhz) > AudioGate > dbx software decode > dolby b software decode > WAV24/48

Taper Notes:

View NotesThanks to;
- Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer.
- Greg Holtz & Tony Bolton for the patch source

Notes;
- tape pauses & flip (s1) were cross faded

Taper: billydee

Joe Noel, Larry Sellers

SHNID:

gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644

Source:

billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

Lineage:

MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info
- Source #132793 (Oade remaster) suplies;
- s1t02; 0:00 - 0:06
- s2t07; 0:06 - 0:27

Notes:
- Crossfades applied to tapes pauses.
- s1t02, levels restored in right channel.
- When the band goes off the beaten path in set 2, its the golden road.
- Sing us a song Brent, woo woo, woo woo.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: billydee

Larry Sellers & the Philly Crew; Joe Noel

SHNID:

gd1984-10-11.139116.FOB.Neumann.billydee.Sellers.Noel.t-flac24

Source:

billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

Lineage:

MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Crossfades applied to tapes pauses.
- s1t02, levels restored in right channel.
- When the band goes off the beaten path in set 2, its the golden road.
- Sing us a song Brent, woo woo, woo woo.

Taper: Doug Lamarre

gd1984-10-11.137265.aud.lamarre.berger.flac16

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger

Taper: Doug Lamarre

gd1984-10-11.137264.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger

Transferrer: Remaster by Dave Usborne

Remaster by Dave Usborne

SHNID:

gd1984-10-11.132793.fob-schoeps.oade.BCE.flac16

Source:

Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5

Taper: Steve Hill

gd1984-10-11.132352.Nak100CP4.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Some tape pauses between first set songs.Another
excellent share from the Hill collection of master
audience recordings and the Grateful Dead's Fall
1984 Tour!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!

Taper: Steve Hill

gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Some tape pauses between first set songs.Another
excellent share from the Hill collection of master
audience recordings and the Grateful Dead's Fall
1984 Tour!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!

Taper: chasingwilma

gd1984-10-11.124355.chasingwilma.flac24

Source:

lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1984-10-11.nak300.morris.113965.flac24

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper Notes:

View NotesNotes:
 - Drums spliced at 0:12, 6:49, & 7:51 via Soundforge 9.0.
 - Recorded by Bob Morris -- thanks to Sam for help.
 - Transfer (Oct 2009) & 2496 conversion / edits (Jan 2011) by Bob Morris.

Taper: Da Weez

gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

Taper: Bob Morris

gd1984-10-11.nak300.morris.crazyfingers.106646.flac16

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Greg Holtz and Tony Bolton

Greg Holtz and Tony Bolton

Transferrer:

JAZ

SHNID:

gd1984-10-11.fob.nak100.holtz-bolton.jaz.100420.flac16

Source:

FOB: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks

Lineage:

MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8

Taper: Steve Rolfe

gd1984-10-11.nak700.rolfe.minches.99190.flac16

Source:

2 Nak 700s> Sony TC-D5

Lineage:

Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding

Taper Notes:

View NotesThis is the 16 bit/44.1 kHz version.

Thanks to Joe B. Jones for pitch correction.

Taper: Andrew F.

gd1984-10-11.fob.senn441.andrewf.94404.sbeok.flac16

Source:

FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Same recording as ShnID-5304, but hugely upgraded. 
- Patch from ShnID-33825, GSET 0:00 > 0:08. 
- Patches from ShnID-17411, Set2 Tuning 2:01 > 2:08, PITB 13:47 > 14:00. 
- Disc break is seamless.

Taper: Tony Suraci

gd1984-10-11.beyerm88.suraci.sbeok.77916.flac16

Source:

Beyer M88's>Sony D5

Lineage:

Sony D5Pro>Lunatec V3>SD722

Taper Notes:

View Notes*thanks to Eugene for the mics.
Notes: This is the 16Bit version. 24Bit is archived on DVDA.

Taper: Derek McCabe

gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16

Source:

FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes)

Lineage:

MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8)

Taper Notes:

View Notes- Tape heads were cleaned and demagged prior to transfering each set.
- Tape bias tuned to +1.
- Recorded to 24 bit/96 KHz WAV with Wavelab 5.0 on P4 1.8 GHz PC with no other apps running/background processes minimized.
- All editing/mastering was done on the 24/96 files prior to rendering to 16 bit.  
- Gapless stereo 24 bit/96 KHz DVD-A rendering was also generated with Discwelder Chrome.
- Waves XNoise Noise reduction:  10 second segment of nonmusical tape noise was "learned" as a noise mask and subtracted at a threshold of 2 dB and 50%.  This resulted in a > 10 dB drop in noise level without coloration.
- Waves L3 Multimaximizer with "Warm" IDR setting, threshold of -4.0 dB, ceiling of -0.1 dB, type I dither, ultra shaping rendered to 16/44.1 KHz.
- Crossfades smoothed gaps between tape pauses between songs and flips.
- Drums is truncated and crossfaded into Space as one track.

Source 22 of 24

gd84-10-11.oade.sacks.17411.sbeok.shnf

Source:

Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).

Taper Notes:

View NotesSource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor

Taper: Oade Brothers

gd1984-10-11.schoeps.oade.sacks.8794.sbefail.shnf

Source:

Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).

Lineage:

DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)

Taper Notes:

View NotesThanks to JJ for the DAT  DAT>CDR x-fer by darrin (dsacks@pcisys.net).
Seeded to etree 4/2002

Enjoy!

Source 24 of 24