Hell In A Bucket | 1984-04-23 | Grateful Dead

Transferred/Edited by Charlie Miller

gd1984-04-23.sbd.walker-scotton.miller.32536.sbeok.flac16

SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Transferred/Edited by Charlie Miller

View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes
-- Drums and Encore patched from (FOB) ATM2s-> Cass Master -> CD
-- Seamless transition between discs 2 and 3
-- This is an upgrade to all previous circulating sbd's

Taper: Transferred/Edited by Charlie Miller

gd1984-04-23.sbd.miller.32240.sbeok.flac16

SBD -> Master Cassette -> Reel -> Dat -> CD -> EAC -> Samplitude Professional v7.02 -> FLAC

gd84-04-23.set2-sbd.miller.14949.sbeok.shnf

View Notes-- Seamless transition betwen Discs 2 and 3
-- Drums and Encore patched from (FOB) ATM2?s-> Cass Master -> CD
-- Not the best sounding sbd, but better than what circulates.

Transferrer: Charlie Miller

Soundboard (set 2 only)

SBD > Cm > Reel > DAT > CD

View Notes2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller

Transferrer: Jacob Feinberg

Soundboard (set 1 only)

SBD > Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > TLH > CD-Wave > FLAC16

Scott Clugston, Charlie Miller

View NotesThe first 12 seconds of Jack Straw, and the last 45 seconds of Might as Well are patched-in from the AUD source taken from the archive. I used Sourdforge for some repairs to do the following: add the AUD patches, repair drop-outs, remove some tape hiss, and even-out the levels throughout.

Taper: Jim Vita

gd1984-04-23.164527.senn441.vita.miller.clugston.flac2496

Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to D5scott for the Beyer M160 + Sennheiser 421 blend source which supplies some crowd and first few notes of "Iko Iko" (0:16 total)
- Thanks to Chasingwilma for the ATM11 source which supplies a 1:47 patch in the "Uncle John's Band > Only A Fool" transition, as well as a 8:44 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Jim Vita

gd1984-04-23.164526.senn441.vita.miller.clugston.flac1648

Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to D5scott for the Beyer M160 + Sennheiser 421 blend source which supplies some crowd and first few notes of "Iko Iko" (0:16 total)
- Thanks to Chasingwilma for the ATM11 source which supplies a 1:47 patch in the "Uncle John's Band > Only A Fool" transition, as well as a 8:44 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Doug Lamarre

gd1984-04-23.155350.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Jack Straw" (0:08 total)
- Thanks to Tim Friend and Joe Morrone for the Nakamichi 304 (x3) source which supplies some crowd and the first few notes of "Iko Iko" (0:15 total), some crowd and the tuning into "Lost Sailor" (0:23 total), an 0:08 patch in "Only A Fool", a 8:43 patch in "Drums > Space", as well as some crowd and the first few notes of "Keep Your Day Job"
- Pitch Corrected

Mastered by Scott Clugston
December 2021

Taper: Doug Lamarre

gd1984-04-23.155349.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Jack Straw" (0:08 total)
- Thanks to Tim Friend and Joe Morrone for the Nakamichi 304 (x3) source which supplies some crowd and the first few notes of "Iko Iko" (0:15 total), some crowd and the tuning into "Lost Sailor" (0:23 total), an 0:08 patch in "Only A Fool", a 8:43 patch in "Drums > Space", as well as some crowd and the first few notes of "Keep Your Day Job"
- Pitch Corrected

Mastered by Scott Clugston
December 2021

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

1:47:11

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

gd1984-04-23.149582.beyerm201s.holbrook.flac2448

Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

View NotesThe band must have had equipment problems more than once; but after Jack Straw they take almost 3 minutes.
//       Tape Flip
/        drums cut to save tape
** From mke2002 Sennheiser binaural source

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

gd1984-04-23.149581.beyerm201s.holbrook.flac1644

Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.

View NotesThe band must have had equipment problems more than once; but after Jack Straw they take almost 3 minutes.
//       Tape Flip
/        drums cut to save tape
** From mke2002 Sennheiser binaural source

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

1:05:48

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

gd1984-04-23.149175.mke2002.holbrook.flac2448

MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.

View Notes# Day Tripper tease before Sugaree
They must have had equipment problems more than once; but after Jack Straw they take almost 3 minutes.

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

1:05:48

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

gd1984-04-23.149174.mke2002.holbrook.flac1644

MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.

Tim Friend and Joe Morrone

View Notes# Day Tripper tease before Sugaree
They must have had equipment problems more than once; but after Jack Straw they take almost 3 minutes.

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Tim Friend and Joe Morrone

Andrew F

gd1984-04-23.s2.nak300.friend-morrone.126316.flac1644

2nd set only. AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013

gd1984-04-23.123463.chasingwilma.flac24

View NotesNote: ID-123463 Patches; Only a Fool 2:42 > 2:59, and Drums 0:02 > 7:50.

Taper: chasingwilma

source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Da Weez

gd1984-04-23.109416.beyer-senn-daweez.D5scott.flac16

source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;

Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

gd84-04-23.atm.willy.14563.sbeok.shnf

View Notes** Tape flip gap filled in with: Mark Horvath FOB ATM2’s>Sony TC-D5

Taper: Mark Horvath

Audience: ATM2's

ATM2's (FOB) > Sony TCD-D5 > MC > CDR