18 Encore Break | 1990-12-28 | Grateful Dead

Bands

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Grateful Dead

2,078 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

210 shows

263 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,114 shows

1,496 tapes

Jerry's Middle Finger

231 shows

278 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

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New Riders of the Purple Sage

396 shows

579 tapes

North Mississippi Allstars

Phil Lesh and Friends

783 shows

2,815 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,272 shows

2,039 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

Grateful Dead

1990

12/31

SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Internationales Congress Centrum

Internationales Congress Centrum

San Francisco, California

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Deer Creek Music Center

Deer Creek Music Center

Carter-Finley Stadium

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Cal State Dominguez Hills

Cal State Dominguez Hills

Spring 1990

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford Civic Center

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:05:48

17 tapes

12/28/90

Sources

Transferrer: Charlie Miller

gd1990-12-28.140247.UltraMatrix.sbd.cm.miller.flac1644

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit

Transferrer: Charlie Miller

gd1990-12-28.140147.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete

Transferrer: Charlie Miller

gd1990-12-28.sbd.miller.114440.flac16

Source:

SBD -> Dat (48k)

Lineage:

Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless

Source 4 of 9

gd90-12-28.sbd-matrix.wiley.11498.sbeok.shnf

Source:

(Healy Mix)SBD>??>DAT>CDR

Taper: OldNeumanntapr

gd1990-12-28.168850.nakcm300.cp4.ont.flac1644

Source:

Set 1: Nakamichi CM 300x3; Two CP 4 Shotguns + 1 CP 1 Cardioid >Boss BX4 Mixer >Sony WM-D6C [MX 90] Set 2: Nakamichi CM 300 CP4 Shotguns >Sony TC-153SD [XLIIS 100]

Lineage:

Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

Taper Notes:

View NotesOldNeumanntapr Notes;
This was the second show in the 1990 NYE run and I had just purchased my Nakamichi CM 300s, second hand from my friend John Lech. I decided to experiment with running a different microphone configuration for each set on this particular night, to see which I liked best, and at the last minute I decided to partake in some party favors.
My 12/28/90 second set master got messed up because of the inclusion of too much mushroom ingestion. I always thought that it was during the middle of 'St. Of Circumstance’, but in fact it was near the beginning of 'China Cat Sunflower'. The mushrooms were coming on strong toward the end of the set break, and when the second set started, it APPEARED my tape was running way too slow, or running backwards, or something to that effect. The tape spools were doing weird things! In fact, it was my BRAIN that was running too fast! Instead of just sitting back and leaving well enough alone, I stopped the deck and opened up the cassette well for examination. Consequently, My master is missing about two minutes out of the start of the second set. (I had reconfigured the mics at the set break and was only running the two CM-300 CP-4 Shotguns for the second set, and switched decks from the D6 to the 153, as I was trying to experiment with seeing how different mic set ups sounded.) That was the last time I mixed party favors with taping, especially after my other taper friends had a good laugh at my expense! Well, Dave always has a good laugh at my expense and he's Not a taper, just a smart ass.

I never shared my second set recording because of the flaw in 'China', but I was able to patch it with a FOB recording that was up on the LMA. (A big Thanks to those tapers.)  My second set recording starts with Garcia's vocal 'Diamond Eye Jack' in 'China Cat Sunflower'. You can hear the change between the two recordings because the patch source was a FOB and mine was from the tapers section. The patch was almost two minutes, not counting the tuning to open the second set.

My first set has been shared before and uploaded from CDs made with my HHb CDR 800 PRO, but I decided to do a complete new transfer from the master cassettes this time.

Taper: Rob Darroch;Rick Katzeff;John Ammons

2:41:49

Taper:

Rob Darroch;Rick Katzeff;John Ammons

Transferrer:

Joe Noel

SHNID:

gd1990-12-28.138057.BK4011.Schoeps.Darroch.Katzeff.Ammons.flac1648

Source:

<b>flac16/48kHz</b>; Set I: B&K 4011 > Schoeps T-bar @ 100 degrees ORTF > ProLink Cables > Mod Neumann PS > Panasonic SV255; hand held by Rob Darroch; Set 2: Schoeps CMC 34 > Schoeps T-bar @ 100 degrees ORTF > MIT Cables >Oade PS > Panasonic SV250; with stand through drums; hand held by Rick Katzeff from Space;

Lineage:

Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave by John Ammons; Wave > Audacity > labeled > patched > export multiple > flac 16/48 (level 8); Checksum & tags created in xACT; Tracking, patch, checksum & tags by Joe Noel

Taper Notes:

View Notespatch: Set 2 source = shnid 116114 supplies Black Muddy River (0.27 - 0.33)

Taper: Chris Dusio

gd1990-12-28.136762.dusio.flac16

Source:

<b/>flac16: </b> Recorded by Chris DusioAT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity

Taper: Jeff Bowen

gd1990-12-28.s1.127432.nak300.bowen.flac16

Source:

Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (MX-S 90)

Lineage:

MX-S 90 Master Transferred: Sony TC-D5M > HHb CDR 800 PRO > CD Master > FLAC (Level 8) Via xACT 2.25

Taper Notes:

View NotesLocation:  OTS; Exact Row, Seat # Not Recorded

Taper Notes:
Set I only.  My 12/28/90 second set master got messed up because of the inclusion of too much 
mushroom ingestion.  I seem to remember, during the middle of St. Of Circumstance, that my tape 
was running way too slow,or running backwards, or something to that effect.  In fact, it was my 
BRAIN that was running too fast!  Instead of just sitting back and leaving well enough alone, I 
stopped the deck and opened up the cassette well for examination.  Consequently, My master is 
missing about two minutes out of the middle of Saint.  (I had reconfigured the mics at the set 
break and was only running the two CM-300 CP-4 Shotguns for the second set, as I was trying to 
experiment with seeing how different mic set ups sounded.)  That was the last time I mixed party 
favors with taping, especially after my other taper friends had a good laugh at my expense!

Taper: Da Weez

gd1990-12-28.116114.NeumannKMF4.daweez.d5scott.flac16

Source:

source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notesnote:  ** is missing
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
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