1990-07-16 | Grateful Dead

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Internationales Congress Centrum

Internationales Congress Centrum

San Francisco, California

Autzen Stadium, U. of Oregon

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Deer Creek Music Center

Deer Creek Music Center

Carter-Finley Stadium

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Cal State Dominguez Hills

Cal State Dominguez Hills

Spring 1990

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford Civic Center

Recorded by Don Pearson and Dan Healy

Oakland, CA, USA

3:05:48

17 tapes

Sources

Taper: Recorded by Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 28, 2022

gd1990-07-16.158164.UltraMatrix.sbd.cm.miller.t.flac1644

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Recorded by Don Pearson and Dan Healy

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Ultramatrix DAT Master was used to cover the tape flips
-- This is 157718 2496 > 1644

Taper: Recorded by Don Pearson and Dan Healy

3:04:50

SBD

Taper:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 28, 2022

gd1990-07-16.157718.ultramatrix.miller.flac2496

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

gd1990-07-16.sbd.miller.95782.sbeok.flac16

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Ultramatrix DAT Master was used to cover the tape flips

Transferrer: Charlie Miller

SBD -> Dat Master (48k)

Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes

Transferrer: Matrix by Kevin Tobin

2:56:09

SBD

Matrix by Kevin Tobin

gd1990-07-16.162747.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1990-07-16.128387.mtx.nicksmix.flac16

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 11-JAN-2023 - Trader Little Helper
- Tagged 11-JAN-2023 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Matrix by Nick Crump

3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump

gd1990-07-16.sbd.lynn.32018.sbeok.flac16

View Notes3 sources were used in this mix: shnid 95580(aud), shnid 95782(sdb) and shnid 116444(aud)
95580 has a cut which covers most of Drums. Skips in Sugar Magnolias, Hell in a Bucket and Women are Smarter were removed.
116444 has a brief cut during Drums and after Mexicali Blues.

Transferrer: Unknown

Transferrer: Mark Lynn

1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC.

Source 8 of 22

gd90-07-16.sbd.knapp.1316.sbeok.shnf

SBD -> DAT -> CD's -> EAC -> SHN

Sirmick and Charlie Miller

View NotesSBD -> DAT -> CD's -> EAC -> SHN; SHN/upload by Randall Ward, seed via Matt Knapp

Taper: Rich Gastwirt

gd1990-07-16.145658.ultramatrix.gaswirt.miller.sirmicck.flac1648

Utramatrix > Dat (48k) - Provided by Rich Gastwirt

Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648

Charlie Miller and Joe Noel

View NotesNotes:

- There was a noticeable amount of what sounded like crackle in places, this has been removed.

Thanks to Rich Gastwirt for providing this source and Charlie Miller for doing the transfer

edited and mastered
SIRMick
March 2019

Taper: Dave Brotman

gd1990-07-16.143604.FOB.s1.Schoeps.Brotman.Miller.Noel.t-flac1648

Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k)

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > 16/48
November 07, 2018

Patch info:
- shnid (142695) Schoeps supplies
- stt09; 2:50 - end

Notes:
- Master DAT courtesy of Dave Brotman
- Thanks to Charlie for coordinating this effort & the transfer
- Crosby, Stills & Nash opened.
- Final Blow Away

Taper: Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

Charlie Miller and Joe Noel

gd1990-07-16.142695.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

View NotesNotes:
- DAT courtesy of Ted Mattes (may be a clone)
- Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show.
- Thanks to Charlie for the coordinating efforts & the transfer
- Crosby, Stills & Nash opened.
- Final Blow Away
- Truckin' entertains a Mind Left Body jam.

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:56:08

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1990-07-16.162769.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1990-07-16.149401.DAK.boedicker.flac1644

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 11-JAN-2023 - Trader Little Helper
- Tagged 11-JAN-2023 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Dave Boedicker

Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

gd1990-07-16.133997.akg414btl-fob-dantepper.flac16

View NotesNotes:

1)Tape Flip After "Loose Lucy"(No Music Missed On Next Song "Its All Over Now)

2)Tape Flip During Drums

Enjoy!!!

Taper: Dan Tepper

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: Steve Hill

gd1990-07-16.Nak100sSenn421.Hill.Keo.131229.Flac2496

gd1990-07-16.Nak100sSenn421.Hill.Keo.131228.Flac1644

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
A couple of areas with some higher recording 
levels, mostly noted near the end of Sunshine
Daydream. All and all another excellent share
from the Hill collection of masters and the
Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

Taper: Steve Hill

gd1990-07-16.AKG451.Currier.Keo.121581.Flac1644

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
A couple of areas with some higher recording 
levels, mostly noted near the end of Sunshine
Daydream. All and all another excellent share
from the Hill collection of masters and the
Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

Taper: Mr. Currier

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename

gd1990-07-16.AKG451.Currier.Keo.121580.Flac2496

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show!Crowd
noise present through the start of the show but
dwindles by the second half of set 2,also some higher
recording levels present mostly noted in the second 
sets first side of the tape,still an excellent share 
and listen!Punchy full sound as you all know this 
date to have!
AS ALWAYS ENJOY!!!!!!!!!!!!!!

Taper: Mr. Currier

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

gd1990-07-16.Nak300.Senn441.JB.Keo.116445.Flac2496

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show!Crowd
noise present through the start of the show but
dwindles by the second half of set 2,also some higher
recording levels present mostly noted in the second 
sets first side of the tape,still an excellent share 
and listen!Punchy full sound as you all know this 
date to have!
AS ALWAYS ENJOY!!!!!!!!!!!!!!

Taper: JB

gd1990-07-16.Nak300.Senn441.JB.Keo.116444.Flac1644

View NotesComments:Another HUGE thanks out to JB for recording
this show and to our usual crew for the four-mic-mix!
This show was always a favorite of mine with a nice
full punchy sound and my first generation copies were
always close at hand!It was truly a honor to work these 
up to share with everyone.
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: jb

View NotesComments:Another HUGE thanks out to JB for recording
this show and to our usual crew for the four-mic-mix!
This show was always a favorite of mine with a nice
full punchy sound and my first generation copies were
always close at hand!It was truly a honor to work these 
up to share with everyone.
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Greg Holtz

Brion Green and SIRMick

gd1990-07-16.fob.nak100.holtz.lmpp.98919.sbeok.flac16

Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly

mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16

gd1990-07-16.fob.alabamabob.andrewf.95580.flac16

View NotesNotes:

- the tape was paused after "Mexicali Blues", tuning patched in from FOB AUD: Sennheiser MD-441's > Sony TC-D5M >
   TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob (shnid 95580)
- tape flips after "Loose Lucy" and "Sunshine Daydream" crossfaded
- seamless change between discs 2 and 3

Comments:

Another very fine recording from Mr Holtz

Taper: Alabama Bob

FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB.

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644