The Other One > | 1990-09-18 | Grateful Dead

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Internationales Congress Centrum

Internationales Congress Centrum

San Francisco, California

Autzen Stadium, U. of Oregon

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Deer Creek Music Center

Deer Creek Music Center

Carter-Finley Stadium

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Cal State Dominguez Hills

Cal State Dominguez Hills

Spring 1990

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford Civic Center

gd1990-09-18.147781.UltraMatrix.sbd.cm.miller.flac16

Oakland, CA, USA

3:05:48

17 tapes

Sources

Taper: Don Pearson

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

gd1990-09-18.147622.ultramatrix.sbd.miller.flac24

View NotesNotes:
-- Recorded by Don Pearson
-- Tape flips patched with a Dat Master
-- This file set is 16 bit @ 44.1

Taper: Don Pearson

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

gd1990-09-18.sbd.miller.fix-79022.86952.sbeok.flac16

View NotesNotes:
-- Recorded by Don Pearson
-- Tape flips patched with a Dat Master

Transferrer: Charlie Miller

SBD -> Dat (44.1k) D

Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC

gd1990-09-18.sbd.miller.79022.sbeok.flac16

View NotesNotes:

-- 2nd Set is seamless
-- Fixed drop-out in Foolish Heart with SBD Cass Master

Transferrer: Charlie Miller

SBD -> Dat (44.1k) D

Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC

Charlie Miller and Bill Tetzeli

View NotesNotes:
-- 2nd Set is seamless

Transferrer: Charlie Miller and Bill Tetzeli

2:53:38

SBD

Transferrer:

gd1990-09-18.sbd.miller.tetzeli.fix-12885.35162.reflac.flac16

SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN

gd1990-09-18.138069.mtx.photoleon.t-flac16

View NotesCharlie used cool edit pro v1.2 to remove numerous gaps and cuts, and he normalized each disc (before tracking) to 98%.

Bill deleted the overlap between the CDs to make the transition seamless, and  used the AUD on archive.org to patch in a couple of seconds at the end of Picasso Moon, and eliminated a 53 second repeat starting at 5:03 on TOO.

SteveSw removed the REPLAYGAIN flags from the files.

Transferrer: Matrix by Joe Noel

Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC

Transferrer: hansokolow

gd1990-09-18.mtx.hansokolow.96156.flac16

Matrix mix (SBD/AUD)

gd90-09-18.sbd.miller.12885.sbeok.shnf

View Notes-----------------------------------

This is a matrix, done by hansokolow in ProTools, of the following digital sources:

DSBD: shnid=79022
SBD -> Dat (44.1k)

-----------------------------------

DAUD: shnid=9772
Primary Source: DFOB MAD>D>CD 
Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) 
Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 
(MIT reference XLR interconnects). 

Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) 

Secondary Source: 20th row FOB B&K4011's> DAT; DAT> SHN via M1> Zoltrix> Cooledit2k> CDWAV> MKW

Secondary Source used to patch two master dat dropouts in Promised Land and two in Eyes.  Each dropout was approx. one second in length. Dropouts patched/crossfaded in soundforge.

-----------------------------------

My Notes:  One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well.

Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process.  Every disc I make is seamless for longer media.  I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that.  With analog sources there is always some wavering.  Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats.  These are smoothed over and when mixed with another source, undetectable.  There still may be occasional phasing, particularly in the vocals and the cymbals.  Believe me that I do everything I can to minimize problems like that.  That includes cutting out spots of diginoise and blips and things.  Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out.  When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track.  I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe.

I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years.  Thanks, brothers and sisters.
-Tano (hansokolow@gmail.com)

Source 8 of 20

SBD>Cm>Dat>CD>WAV>SHN

View NotesLineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller

Source 9 of 20

2:54:11

SBD

gd1990-09-18.sbd.richey.11811.sbeok.shnf

SBD>DAT MASTER>DATX2>CDR

Master Digital Audience Recording by Dave Brotman & Jeff Metchick

CDR>EAC>MKW>SHN

Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick

3:11:21

Taper:

Transferrer:

Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 22, 2020

gd1990-09-18.150544.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648

(FOB) Schoeps CMC3/MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250/48k). Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5")

Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48

Sirmick and Charlie Miller

View NotesNotes:
- upgrade to shnid 9772
- lineage & location is confirmed by taper & j cards.
* Hornsby on accordion

Taper: Tim Dalton

gd1990-09-18.144893.nak300.cp4.dalton.miller.sirmick.flac1648

Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Charlie Miller and Joe Noel

View NotesThanks to Tim Dalton for another fine recording

Thanks To Charlie miller for the transfer


ediyed and mastered
SIRMick
February 2019

Taper: Ron Ackerman

gd1990-09-18.141167.OTS.AKG.Ackerman.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Rick Katzeff via the Rich Gastwirt Collection

View NotesPatch info:
- shnid #139520 (Schoeps) supplies
- s2t06; 0:04 - 0:41 

Notes:
- portion of this show were officially released as Road Trips Vol 2 No. 1 & So Many Roads
* Hornsby on accordion

Taper: Rick Katzeff via the Rich Gastwirt Collection

3:06:50

Taper:

Transferrer:

Charlie Miller and Joe Noel

gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller

Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT

View NotesNotes:
- The taper's recording information is based on source #9772 & #132709, which raised some questions.  If you listen to the taper narrative that starts the second set of (9/20 - #132709), then compare the voice to the unfortunate comment made by the taper at the very beginning of s1t03 (Loser - 0:01 - #9772), they are the same.  Confirmation is based on previous transfers I have edited, where the taper made the exact remark.  Its well documented that both Katzeff & Tom Darien recorded from the same FOB seats for this entire run with the assistance of "Barry the security guard".  The same utterance can be heard on Darien's recording, amongst other banter.  That said source #9772 could not have been recorded by Dave Bratman/Brotman as stated in the database.  Unless he wants to be credited with the inappropriate observation.  One other note.  Bratman/Brotman has listed his recording location as Section 2, row 15, seat 1.  That, according to SeatGeek, is OTS & some mighty powerful mics that can pick up the Katzeff comment several hundred feet away during a rock concert.  Plus, the Garden as long as I have been a New Yorker has always listed the floor section by letter (A,B,C,etc).
- The transfer is the upgrade & it kills!
- This source may be a clone.
- Rich's DAT was water damaged, parts of 9772 were used to restore damaged segments.
- 9772 was speed corrected & converted to 48(Hz)
- Never ending daydream
* Hornsby on accordion

Source 14 of 20

3:02:53

gd1990-09-18.152738.mtx.seamons.ht130.flac16

Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021

Taper: Mr. Currier

gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename

gd1990-09-18.124767.AT835.Fix.laurentis.flac16

View NotesComments:Another Huge Thanks out to Mr. Currier 
and company for recording and sharing their source 
for this show!Some higher recording levels present 
for the first set and a hour and twenty minutes
long and a very sweet second set as well, though
missing most of the "Drums" portion.All and all 
another excellent share from Mr. Currier's 
master collection and the Grateful Dead's 
1990 fall tour!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: M.Laurentus

Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac

Taper: M Laurentus

gd1990-09-18.at835b.laurentus.fix-96934.97021.flac16

AT835B's > AT 8202's > SONY TCD-5M-Cassette

MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC

gd1990-09-18.at835b.laurentus.96934.flac16

View NotesI do not believe that D1T10 (the promised land) was ever shared as part of this source.

Taper: M Laurentus

AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC

MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC

Taper: tdarian

gd1990-09-18.bk4011.tdarian.french.88968.sbeok.flac16

B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center

Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master

gd90-09-18.schoeps-fob.sacks.9772.sbeok.shnf

View Notes"My primary crowd control weapon: Backstage passes to send the loud
mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side "

20th anniversary of James Marshall Hendrix's death

Source 20 of 20