15 - Drums > | 1990-03-26 | Grateful Dead

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Internationales Congress Centrum

Internationales Congress Centrum

San Francisco, California

Autzen Stadium, U. of Oregon

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Deer Creek Music Center

Deer Creek Music Center

Carter-Finley Stadium

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Cal State Dominguez Hills

Cal State Dominguez Hills

Spring 1990

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford Civic Center

Oakland, CA, USA

3:05:48

17 tapes

Sources

Taper: Recorded by Don Pearson and Dan Healy

2:29:55

SBD

Recorded by Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 19, 2022

gd1990-03-26.161587.UltraMatrix.sbd.cm.miller.t.flac1644

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- This is 160431 2496 > 1644

Taper: Recorded by Don Pearson and Dan Healy

2:29:54

SBD

Recorded by Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 19, 2022

gd1990-03-26.161120.ultramatrix.miller.flac2496

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper: Recorded by Don Pearson and Dan Healy

2:29:54

SBD

Recorded by Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 19, 2022

gd1990-03-26.160431.ultramatrix.miller.flac2496

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Transferrer: Charlie Miller

gd1990-03-26.135497.sbd.miller.flac16

SBD -> Dat -> Cassette Master (TDK MA-R90)

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16

View NotesNotes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- This is from a custom live recording mix by John Cutler
-- Thanks to Steve Marcus for the tapes
-- This is a pitch corrected version of shnid=87350
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Matrix by Dave Usborne

Matrix by Dave Usborne

gd1990-03-26.127210.mtx.dusborne.flac16

2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger

gd1990-03-26.sbd.miller.87350.sbeok.flac16

View NotesMatrix by dusborne

02-21-2014
-------------------------------------------------------------------------------


Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 02-25-2014

Transferrer: Charlie Miller

SBD -> Dat -> Cassette Master (TDK MA-R90) D

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->

gd90-03-26.sbd.gorinsky.8508.sbeok.shnf

View NotesNotes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- This is from a custom live recording mix by John Cutler
-- Thanks to Steve Marcus for the tapes

Source 7 of 24

24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR

gd1990-03-26.sbd.hollister.7509.shnf

View Notes24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; 
Note- portions of the show appear on Dozin' at the Knick- <a href="http://mars.dead.net" rel="nofollow">go buy it</a>

Transferrer: David Hollister

SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD

CD > EAC > MKW > SHN

gd1990-03-26.sbd.griesman.6697.sbeok.shnf

View NotesThe FC/DD2496 refers to the A/D transfer.  The FC is a Flying Calf external
24-bit A/D converter.  This provided the A/D conversion (@ 44.1KHz) which was
then fed into my Delta DiO 2496 soundcard.  Minor Editing done in Sound Forge

Transferrer: Randy Griesman

SBD>?>CD-r

View Notes*appears on "Dozin' At The Knick"
 final "Built To Last" 

Set 1 has dead air edited for some reason
No other known flaws

Extraction and Shortening on 12/23/2001 by Randy Griesman(randyg@ameritech.net) via EAC and MKW.

Taper: Master Digital Audience Recording by Ted Mattes

2:34:26

REMASTER

Master Digital Audience Recording by Ted Mattes

Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 28, 2020

gd1990-03-26.149395.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648

rom the Teddy Ballgame Archive - a reMaster of shnid 142991 Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250) Location: Sec 5 Row E Seat 7

Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Charlie Miller and Joe Noel

View NotesPatch info:
- shnid 141115 (AKG 460B/CK63 ULS)
- s2t08; 5:03 - 5:55

Notes:
- Thanks to Ted Mattes for recording the show.
- Thanks to Charlie Miller for the transfer.
- Thanks to Ray Ackerman for suppling the patch source.
- last Dupree's: 04-05-89
- last Big RxR Blues: 09-18-88
- final Built to Last
- FM broadcast on WPYX
- upgrade to shnid 13304
- this source is complete.

Taper: Ted Mattes

gd1990-03-26.142991.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller

Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Charlie Miller and Joe Noel

View NotesNotes:
- Many thanks to Ted for recording & sharing.
- Thanks to Charlie for being the go-between.
- Thanks to Ray Ackerman for suppling the patch source.
- last Dupree's: 04-05-89 
- last Big RxR Blues: 09-18-88
- final Built to Last
- FM broadcast on WPYX
- upgrade to shnid 13304
- this source is complete.

Taper: Ray Akerman

gd1990-03-26.141115.OTS.AKG.Akerman.Miller.Noel.t-flac1648

flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

View NotesNotes:
- Thanks to Charlie for being the go-between.
- last Dupree's: 04-05-89 
- last Big RxR Blues: 09-18-88
- final Built To Last
- FM broadcast on WPYX

Taper: Richard Berner friends

2:34:56

Richard Berner friends

bltz

gd1990-03-26.135063.bltz.flac2496

First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right

Craig Hillwig;Lenny Stubbe

View NotesOriginal Master Rescue Project. Master off previously unreleased Audience FOB DAT. SBDs of this are available on CD as a partial on "Dozin at the Knick", from GDP, and "Spring 1990", from the same fine folks.  And, it is a large 96/24 set, in the 3+ GB range.

Judge your choice to download accordingly. If you prefer audience to SBD/CDs, and don't mind having some versions, this is for you.

Taping quality: equivalent to 1961 Bordeaux wine in terms of tape crafting. (1961 was apparently a very good year for Bordeaux.) Band Playing Quality: Row Jimmy and Blow Away are candy, as is most of the rest of this tour, given the large CD release... Some flaws, nach. Enjoy the audience being appreciative. Very 3-D auditory. Nice separation and bass.

Source:  Some fine, fine audience taping work. The provenance is a bit complex, thanks to the "FOB Daredevils":  yet, it was taped in an FOB sweet spot for the most part.

First set, thru Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110º ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX  -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24. 

They seem to have kept the audience around them pretty disciplined; the change in sources is noticeable.

China -> Rider: Schoeps CMC 421 Sub Cardioids, 100º, 1 row in front of soundboard, about 4 seats right. There may or may not be a full-security-body-tackle recorded, just because that crew delights in that kind of thing, then a likely fade-in back-of-board. All provenance bets are off at that point, but it still sounds very nice.

Only posting in 96/24 to keep the sound quality up, feel free to convert it if you like, I hear there are open-source CD-burners that convert on the fly.  Mastered with Bose Quiet-Comfort 20 Headphones with NC on. Thanks, Pete-O!

Recorded by: Richard Berner and Friends
Sown and Seeded by: bltz

Taper: Ted Mattes

gd1990-03-26.133045.122541-fix.mattes.48khz.flac16

flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;

Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of <a href="http://db.etree.org/shn/122541">source ID 122541</a>

gd1990-03-26.FM.Fitzy.Keo.126789.Flac1644

View NotesNotes:
- Levels very conservative at beginning of each set, but quickly pick up
- A 44.1k version exists

Seeded to etree on:

10/24/2012

***fix of SHNID 122541 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. 
Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. 
Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. 
Thanks to Craig for discovering this issue and taking the time to fix. 05/23/2015

**16 bit/48khz**

Taper: Fitzy

gd1990-03-26.FM.Fitzy.Keo.126788.Flac2496

View Notes* End Was Missing From Master FM Tapes, Added From My First Generation Cassette
    Transfer From Master VHS From Broadcast @ 1 Bit/5.6 MHz *

 Comments:Another Huge Thanks out to Fitzy for recording
and sharing his source for this broadcast!There are a few
radio interferences from the initial broadcast but very 
small and comparing my other source for this show they
appear to be the same there as well.Another excellent
share from the Fitzy collection of masters!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Fitzy

DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe

View Notes* End Was Missing From Master FM Tapes, Added From My First Generation Cassette
    Transfer From Master VHS From Broadcast @ 1 Bit/5.6 MHz *

 Comments:Another Huge Thanks out to Fitzy for recording
and sharing his source for this broadcast!There are a few
radio interferences from the initial broadcast but very 
small and comparing my other source for this show they
appear to be the same there as well.Another excellent
share from the Fitzy collection of masters!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Ted Mattes

gd1990-03-26.122542.mk21.sbeok.flac16

Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;

Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe

View Notes- Levels very conservative at beginning of each set, but quickly pick up
- A 48k version exists

Seeded to etree on:

10/24/2012

Taper: Ted Mattes

gd1990-03-26.122541.mk21.48khz.flac16

flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;

gd1990-03-26.AKG451.Berger.Currier.Keo.120943.Flac1644

View Notes- Levels very conservative at beginning of each set, but quickly pick up
- A 44.1k version exists

Seeded to etree on:

10/24/2012

Taper: B.R. And Mr. Currier

Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes

B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

gd1990-03-26.AKG451.Berger.Currier.Keo.120942.Flac2496

View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier
for recording and to Mr. Berger for the initial mic and
deck set up for this show.These are being shared in case 
the master dats don't surface.For me I could never
have too many copies of this run of shows and this is
another excellent recording and share from Mr. Currier's
collection sent to me to work on to share with everyone!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: B.R. And Mr. Currier

Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes

B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

gd1990-03-26.FM.richp.Keo.112093.Flac2496

View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier
for recording and to Mr. Berger for the initial mic and
deck set up for this show.These are being shared in case 
the master dats don't surface.For me I could never
have too many copies of this run of shows and this is
another excellent recording and share from Mr. Currier's
collection sent to me to work on to share with everyone!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Transferrer: Keo

gd1990-03-26.FM.richp.Keo.112092.Flac1644

View NotesHuge thanks to Rich for recording this and sharing
with me!We went to this together and Rich had his VHS recorder
programmed for the start of the broadcast,We worked this up 
the next day or so,can't recall what we used to transfer to 
cassette and I'm sure nothing too fancy or any high end equipment.
This was good enough that I didn't grab my friends master audience
of this night and I know since having the two earlier nights they
were excellent as well.In a few small areas you can hear static or 
interuptions from the broadcast but to be expected from a FM broadcast 
and not too distracting at all.In the start of both sets I believe 
you can hear the SBD mix being added to the audience so maybe a matrix?
To my knowledge this hasn't been shared with many other people other 
than my friend's who I have made copies for and not sure if Rich
had made any copies of his master VHS copy and shared with others
either.Have been out of touch with Rich for a good number of
years (13 or so,too long) and I hope he's doing well and gets to hear 
this transfer of his recording I made!Thanks Buddy!Enjoy!

Taper: richp

gd1990-03-26.sennME80.wklitz.94411.flac16

View NotesHuge thanks to Rich for recording this and sharing
with me!We went to this together and Rich had his VHS recorder
programmed for the start of the broadcast,We worked this up 
the next day or so,can't recall what we used to transfer to 
cassette and I'm sure nothing too fancy or any high end equipment.
This was good enough that I didn't grab my friends master audience
of this night and I know since having the two earlier nights they
were excellent as well.In a few small areas you can hear static or 
interuptions from the broadcast but to be expected from a FM broadcast 
and not too distracting at all.In the start of both sets I believe 
you can hear the SBD mix being added to the audience so maybe a matrix?
To my knowledge this hasn't been shared with many other people other 
than my friend's who I have made copies for and not sure if Rich
had made any copies of his master VHS copy and shared with others
either.Have been out of touch with Rich for a good number of
years (13 or so,too long) and I hope he's doing well and gets to hear 
this transfer of his recording I made!Thanks Buddy!Enjoy!

Taper: Keith Litzenberger

Sennheiser ME-80's>Technics SV-MD1

DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC

Taper: Ted Gidley

gd1990-03-26.aud.gidley.91916.sbeok.flac16

Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC