1982-09-17 | Grateful Dead

View NotesNotes:
-- Set 2 is now complete from the GDH production disc (thanks David & Charlie!)
-- Set 2 is missing from the GD vault.  Funny thing is that this show has circulated on DAT for many years.

Transferrer: Rob Harrison, Andy Lemieux

2:43:40

SBD

Transferrer:

Rob Harrison, Andy Lemieux

SHNID:

gd1982-09-17.167526.sbd.fm.harrison.lemieux.sbeok.flac1644

Source:

Set 1. Recording: SBD > Dolby B metal cassette master. Set 2. Recording: FM (GDH #545 on 1999-03-01) > Rotel RB 1050 > Nakamichi DR-1 > Master Cassette

Lineage:

Set 1. Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > FLAC; Set 2 Playback: Nakamichi DR-1 > Sony PCM R500 > HB 800 > CDR > Xact > .WAV > FLAC Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is now complete.
-- Set 1 was xferred from the physical CD master from the GD vault.  Me & My Uncle>Big River was recorded as a single track that I split in Soundforge.
-- Set 2 is missing from the GD vault.  Funny thing is that this show has circulated on DAT for many years.

Taper: Brian Schley

gd1982-09-17.135446.nak300.schley.flac1644

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016

Taper Notes:

View NotesNote: ID-18985 patches; West L.A. 0:00 > 0:08, Drums 4:18 > 6:24. 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Brian Schley

gd1982-09-17.135445.nak300.schley.flac2448

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016

Taper Notes:

View NotesNote: ID-18985 patches; West L.A. 0:00 > 0:08, Drums 4:18 > 6:24. 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Source 5 of 24

gd1982-09-17.mtx.haugh.82208.sbefail.flac16

Source:

(55%SBD + 15%AUD1 + 15%AUD2 + 15%AUD3)

Transferrer: Rob Harrison

gd1982-09-17.sbd.harrison.80770.sbeok.flac16

Source:

Set 1 SBD > Dolby B metal cassette master. Set 2 SBD > ? (likely cassette master)

Lineage:

Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge

Taper Notes:

View NotesRecording/Transfer Info:
Set 1.  
  Recording:  SBD > Dolby B metal cassette master
  Playback:  Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac
Set 2.  
  Recording:  SBD > ? (likely cassette master)
  Playback:  ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac

All Transfers By Rob Harrison
December 5, 2006

Notes:
-- Set 2 missing the first two songs
-- Set 1 was xferred from the physical CD master from the GD vault.  Me & My Uncle>Big River was recorded as a single track that I split in Soundforge.
-- Set 2 is missing from the GD vault.  Funny thing is that this show has circulated on DAT for many years.

Source 7 of 24

1:18:38

SBD

SHNID:

gd82-09-17.pset2-sbd.fishman.18105.sbeok.shnf

Source:

Soundboard

Lineage:

partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN

Taper Notes:

View Notespartial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496

Source:

Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums"
- Other One themed space
- Noodle into Spanish Jam included in "Spanish Jam"
- Awesome capture

Mastered by Scott Clugston
July 2018

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums"
- Other One themed space
- Noodle into Spanish Jam included in "Spanish Jam"
- Awesome capture

Mastered by Scott Clugston
July 2018

Transferrer: Matrix by Hunter Seamons

Matrix by Hunter Seamons

SHNID:

gd1982-09-17.152910.mtx.seamons.ht132.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

Taper Notes:

View NotesNotes:

Jim Wise's older transfer from 2008 was preferred over #142823.

Some initial light tape warbles and mix fluctuations in Bertha. The matrix becomes optimal around when Jerry sings "I went down under the sea . . ."

First performance of Throwing Stones.

Schley and Wise's recordings had a nice complementary sound for the audience-only matrix portion (for Touch Of Grey and Women Are Smarter) given that Schley's tape had very up-front vocals and instrumentation and Wise's was more ambient.

Clicks removed or reduced: 3 in High Time, 2 in Estimated Prophet, 5 in Space, 3 in Spanish Jam, 1 in Morning Dew.

Fantastic recordings and show!

Taper: Doug Lamarre

gd1982-09-17.144658.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b **mics adjusted on 12' stand & sound improves at Dupree's**

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Taper: Doug Lamarre

gd1982-09-17.144657.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b **mics adjusted on 12' stand & sound improves at Dupree's**

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager

2:44:24

Taper:

Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager

Transferrer:

Kyle Holbrook

SHNID:

gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448

Source:

Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on

Lineage:

Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)

Taper Notes:

View Notesrecording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
$ set opens with fluctuating levels
* taper says-"no left signal", when there was one, brief cut as deck was paused for about 1   second at start of song.
//tape flip
& some drums were not recorded; we started back when Jerry took stage and   Space begins
** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam
# slight cut @105:14 due to accidental pause button hit.
% distortion from the PA several times; noted on other AUD masters.
^ overall distortion on Tape AND PA
+ Bobby says "Hey listen, thanks for keeping us alive all these years"

Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager

2:44:24

Taper:

Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager

Transferrer:

Kyle Holbrook

SHNID:

gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644

Source:

Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on

Lineage:

Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48; Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)

Taper Notes:

View Notesrecording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
$ set opens with fluctuating levels
* taper says-"no left signal", when there was one, brief cut as deck was paused for about 1   second at start of song.
//tape flip
& some drums were not recorded; we started back when Jerry took stage and   Space begins
** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam
# slight cut @105:14 due to accidental pause button hit.
% distortion from the PA several times; noted on other AUD masters.
^ overall distortion on Tape AND PA
+ Bobby says "Hey listen, thanks for keeping us alive all these years"

Taper: chasingwilma

gd1982-09-17.nak300.chasingwilma.119075.flac16

Source:

nakamichi 300 fob> d-5sony> mc

Lineage:

nakamichi 300 fob> d-5sony> mc

Taper: Bob Morris

gd1982-09-17.aud.morris.111030.sbeok.flac24

Source:

(FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris

Taper Notes:

View NotesTape flip in Drums spliced at 4:48. 
Recorded on the floor FOB by Bob Morris - thanks to Sam for help.
Transfer (Jun 09) and 2496 conversion / edits (May 10) by Bob Morris.

Taper: Bob Morris

gd1982-09-17.fob.nak300.morris.99888.flac16

Source:

(FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Tim Friend

gd1982-09-17.nak300.friend.andrewf.99679.flac16

Source:

3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard

Lineage:

MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496

Taper Notes:

View NotesNotes: 
- Security heard hassling tapers near start of Candyman. 
- Patch from ID-91483 in Drums from 4:31 to 6:26. 
- 2nd Set disc break is seamless.

Taper: Tim Friend

gd1982-09-17.nak300.friend.andrewf.99678.flac24

Source:

3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard.

Lineage:

MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

Taper Notes:

View NotesNotes: 
- Security heard hassling tapers near start of Candyman. 
- Patch from ID-91483 in Drums from 4:31 to 6:26.

Taper: Jim Wise

gd1982-09-17.aud.wise.91483.sbeok.flac16

Source:

FOB, Sennheiser MD-421's > Sony TC-D5.

Lineage:

CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC.

Taper Notes:

View Notes- Patch from ShnID-18985 in Drums, 5:12 > 5:25. 
- Second set disc break is seamless. 
- THANKS to Jim Wise for the discs!

Transferrer: Dan Haugh

gd1982-09-17.mtx.dts.82184.sbefail.flac16

Taper: Mark Cohen

Mark Cohen, David Minches

SHNID:

gd82-09-17.cohen.minches.18985.sbeok.shnf

Source:

Audience Recording: Nak 700s> Sony D5

Taper Notes:

View NotesNak 700s> Sony D5 recorded by Mark Cohen, A:D by Mark Cohen, D>SHN by David Minches

Source 23 of 24

gd82-09-17.aud.lai.2577.sbefail.shnf

Source:

Audience or Matrix?

Taper Notes:

View Notesset 1, encore; sbd; transfer by Mike Lai from Bruce Fried seed; tracked for 1x80; a later <a href="http://db.etree.org/shninfo_detail.php?shnid=2577" rel="nofollow">expanded</a> shn set with this d1 is complete

Source 24 of 24

gd82-09-17.nak300.clugston.335.sbeok.shnf

Source:

Audience Recording: Nak CM300's

Lineage:

Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassetteplayed back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive >CEP > CDWave > CDRWin > Yamaha CR8424 CDR

Taper Notes:

View NotesMaster FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette
played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive >
CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell