1982-08-07 | Grateful Dead

View NotesNotes:
- Thanks to Frank Streeter for the 1st generation Reels
- Thanks to Tim Dalton for the PCM source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the shnid137625 soundboard source which supplies the first 0:24 of "The Music Never Stopped"
- Wheel space included in "The Wheel"
- Pitch corrected
- Transitions smoothed

Mastered by Scott Clugston
April 12, 2018

Transferrer: Charlie Miller

2:36:27

SBD

Transferrer:

Charlie Miller

SHNID:

gd1982-08-07.137625.sbd.miller.flac16

Source:

SBD > Cassette Master > Dat (44.1k)

Lineage:

Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this complete

Source 3 of 11

gd82-08-07.sbd.serafin.7720.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > PCM > ? > D > Serafin Station mastering> CD

Taper Notes:

View NotesSBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

Source 4 of 11

SBD : MC > MR > DAT > CDR

Taper Notes:

View NotesSBD : MC > MR > DAT > CDR
Transfer done by Jim Wise

Source 5 of 11

2:35:56

SBD

SHNID:

gd82-08-07.sbd.popi.6148.sbeok.shnf

Source:

Soundboard

Lineage:

sbd> mc> pcm> dats> wave> shn

Taper Notes:

View Notessbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT

Source 6 of 11

2:41:11

SHNID:

gd1982-08-07.165372.mtx.seamons.ht162.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2023

Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!

1:17:31

Taper:

Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!

Transferrer:

Transferred by Andrew F. 04/2022

SHNID:

gd1982-08-07.156561.s1.beyer.tompkins.flac2448

Source:

BeyerDynamic mics > Sony TC-D5M > TDK MA-90

Lineage:

Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesNote: Sorry, Tape #2 from this source is missing in action...

Taper: Executive Crew Kyle Holbrook & Phil Schuman

1:18:06

Taper:

Executive Crew Kyle Holbrook & Phil Schuman

Transferrer:

Kyle Holbrook

SHNID:

gd1982-08-07.138623.beyerm201.holbrook.flac2448

Source:

<b/>flac24 48khz</b> Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)

Lineage:

Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook

Taper Notes:

View Notesrecording notes:
* 2 second cut (accidental pause button hit?)
// tape flip    (42:01)
+ Abrubt level increase (44:50)
# levels on master lowered at start

Alpine Valley Music Center AUgust 7 & 8 1982
Microphone locations (In front of soundboard)
We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.

Taper: Executive Crew Kyle Holbrook & Phil Schuman

Executive Crew Kyle Holbrook & Phil Schuman

Transferrer:

Kyle Holbrook

SHNID:

gd1982-08-07.138622.beyerm201.holbrook.flac1644

Source:

<b/>flac16 44.1khz</b> Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)

Lineage:

Taper Notes:

View Notesrecording notes:
* 2 second cut (accidental pause button hit?)
// tape flip    (42:01)
+ Abrubt level increase (44:50)
# levels on master lowered at start

Alpine Valley Music Center AUgust 7 & 8 1982
Microphone locations (In front of soundboard)
We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.

Taper: Ohr Weinberg

gd1982-08-07.aud.ohr.92183.flac16

Source:

2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B (20th row, center, 8ft stand)