1982-07-28 | Grateful Dead

View NotesSoundforge was used to make fades, and to patch-in the first
five seconds of Shakedown from the AUD source taken from LMA.
The missing segment of drums could not be patched-in since the
same segment was missing from the AUD source.

There was a rain storm during this show, which seems to have
caused some sound problems in the mix. Both Jerry and Bob's
guitars drop in and out of the mix during the first set, and
are almost gone at times. These moments occur in spots between
TLEO and Women Are Smarter. There's also light static in the
right channel at a few spots, and a few brief moments where the
vocals go out, and the bass pops. All of these are likely due
to the rain storm, and not a problem with the transfer or your
download. Still, it's a great source, so don't let that scare
you away. There's minimal cuts and hiss, so I'm guessing this
is a low-gen source, or possibly a reel source. Big thanks to
Joey Browning and Jake Feinberg for the cassettes. ENJOY!

Taper: Scott Wiseman

2:47:48

Taper:

Scott Wiseman

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1982-07-28.167177.senn421.wiseman.miller.clugston.flac2496

Source:

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)

Lineage:

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Big Railroad Blues" (0;26 total), a 0:30 patch in "Lazy Lightning", the first 0:41 of "Man Smart (Woman Smarter)", a 0:27 patch in "Truckin', as well as some crowd and beginning of "It's All Over Now, Baby Blue"
- Thanks to Frank Streeter for the Nakamichi 700 source which supplies some crowd and first few notes of "Althea" (0:11 total), as well as a 0:19 patch in "Drums"
- Spanish Jam space included in "Spanish Jam"
- Pitch corrected

Mastered by Scott Clugston
September 2023

Taper: Scott Wiseman

Scott Clugston, Charlie Miller

SHNID:

gd1982-07-28.167176.senn421.wiseman.miller.clugston.flac1648

Source:

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)

Lineage:

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Big Railroad Blues" (0;26 total), a 0:30 patch in "Lazy Lightning", the first 0:41 of "Man Smart (Woman Smarter)", a 0:27 patch in "Truckin', as well as some crowd and beginning of "It's All Over Now, Baby Blue"
- Thanks to Frank Streeter for the Nakamichi 700 source which supplies some crowd and first few notes of "Althea" (0:11 total), as well as a 0:19 patch in "Drums"
- Spanish Jam space included in "Spanish Jam"
- Pitch corrected

Mastered by Scott Clugston
September 2023

Transferrer: Charlie Miller

gd1982-07-28.134511.nak700.streeter.miller.flac24

Source:

(FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90)

Lineage:

Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Three mic blend with 2 cardioids and 1 omni
-- There seems to be some distortion at points

Taper: Frank Streeter

gd1982-07-28.134510.nak700.streeter.miller.flac16

Source:

(FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90)

Lineage:

Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Three mic blend with 2 cardioids and 1 omni
-- There seems to be some distortion at points

Taper: Jim Wise

gd1982-07-28.fob.senn421.wise.miller.102571.flac16

Source:

(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 disc change is seamless
-- Recorded By Jim Wise
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Scott Clugston

gd1982-07-28.172642.senn421.clugston.flac2496

Source:

Master (FOB, near lip of stage)) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK-MA-C90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to our benefactors, who wish to remain anonymous, for the master cassette recording and transfer
- Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in "Truckin'", as well as some crowd and start of "It's All Over Now, Baby Blue" (0:29 total)
- Thanks to Frank Streeter for the Nakamichi 700 source which supplies a 0:17 patch in "Drums"
- Spanish Jam space included in "Spanish Jam"
- Pitch corrected

Mastered by Scott Clugston
June 2019

Transferrer: Scott Clugston

gd1982-07-28.172641.senn421.clugston.flac1648

Source:

Master (FOB, near lip of stage)) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK-MA-C90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to our benefactors, who wish to remain anonymous, for the master cassette recording and transfer
- Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in "Truckin'", as well as some crowd and start of "It's All Over Now, Baby Blue" (0:29 total)
- Thanks to Frank Streeter for the Nakamichi 700 source which supplies a 0:17 patch in "Drums"
- Spanish Jam space included in "Spanish Jam"
- Pitch corrected

Mastered by Scott Clugston
June 2019

Taper: Marc Severson & Anonymous

2:48:27

Taper:

Marc Severson & Anonymous

Transferrer:

Joe Noel and John Ammons and Philly Crew

SHNID:

gd1982-07-28.142567.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644

Source:

Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew

Lineage:

PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44

Taper Notes:

View NotesPatch info:
- shnid 135514 (Nak 300's)
- s2t07; 01:15 - 01:31

Notes:
- Thanks to John Ammons for sharing his beta with us
- Props to the Philly Crew, they get it done.
- Thanks to Doug Lamarre & Rob Berger for the patch source
- originally mastered to PCM with portable DBX box to decode, by Sean Weber Small
- clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson
- emphasis decoded
- dc offset removed
- minor eq'ing in Nuendo & Waves q10
- additional processing done in Audacity
- cross fades applied to tape pauses & flips
- Red Rocks in the rain

Taper: Executive Crew: Kyle Holbrook & Olvy Johnson

2:25:13

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-07-28.138613.beyerm201.holbrook.flac2448

Source:

<b/>flac24 48khz</b> Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View NotesNotes:
Rained most of set 1; stopped at start of set 2
Set 1 flip, missed ~15 seconds of Big RR Blues
## before TLEO Bob says "Don't be surprised if you see us go up in sparks"
* flipped at end of Truckin- missed end of Truckin' jam & Drums,
starts again with space as Jerry, Bob, Phil, and Brent take stage.
/ Our practice at the time was to stop the recorder after
every time the band stopped. The theory was saving
batteries and tape space. We would learn to record the
entire show by Spring 83! I cut dead space or faded down/up at those cuts
but there are a few harsh stops/starts-apologies from my 21 year old self!

// Tape Flip
# before starting Bob says they are experiencing technical difficulties
&- St. Stephen tease at 7:00 (53:50)
% missed start


Red Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982
mic location- 50 feet from stage dead center
This day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS!

It rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.

Taper: Executive Crew: Kyle Holbrook & Olvy Johnson

2:25:13

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-07-28.138612.beyerm201.holbrook.flac1644

Source:

<b/>flac16 44.1khz</b>Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View NotesNotes:
Rained most of set 1; stopped at start of set 2
Set 1 flip, missed ~15 seconds of Big RR Blues
## before TLEO Bob says "Don't be surprised if you see us go up in sparks"
* flipped at end of Truckin- missed end of Truckin' jam & Drums,
starts again with space as Jerry, Bob, Phil, and Brent take stage.
/ Our practice at the time was to stop the recorder after
every time the band stopped. The theory was saving
batteries and tape space. We would learn to record the
entire show by Spring 83! I cut dead space or faded down/up at those cuts
but there are a few harsh stops/starts-apologies from my 21 year old self!

// Tape Flip
# before starting Bob says they are experiencing technical difficulties
&- St. Stephen tease at 7:00 (53:50)
% missed start


Red Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982
mic location- 50 feet from stage dead center
This day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS!

It rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.

Taper: Doug Lamarre

gd1982-07-28.135515.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger

Taper: Doug Lamarre

gd1982-07-28.135514.aud.lamarre.berger.flac16

Source:

source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger

Taper: Mason B. Taylor

gd1982-07-28.naks.mason.129707.flac16

Source:

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550

Taper Notes:

View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

Taper: Jim Wise

gd82-07-28.fob-senn421.wise.4980.sbefail.shnf

Source:

Audience Recording: Sennheiser 421's

Lineage:

FOB - Senn 421's> Sony TC-D5 (at mouth of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR

Taper Notes:

View Notesnearly same info as <a href="http://db.etree.org/shninfo_detail.php?shnid=4980" rel="ugc nofollow">previous</a> shn set, but checksums differ for d1t1, d2t1, d3t1,6; unspecified editing or reDAE?; hosted by Mike Lai