gd82-07-31 t09 It's All Over Now | 1982-07-31 | Grateful Dead

View NotesNotes:
- Thanks to Frank Streeter for the 1st generation Reels 
- Thanks to Tim Dalton for the PCM source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Martin and Jack Warner for the shnid19017 Nakamichi 700 source which supplies a 0:17 patch in "Eyes Of The World", a 0:09 patch in "One More Saturday Night", as well as the crowd and first note of "Don't Ease Me In" (0:04 total)

Mastered by Scott Clugston
March 27, 2018

Transferrer: Charlie Miller

2:59:07

SBD

gd82-07-31.sbd.miller.31002.sbeok.flacf

Source:

Soundboard

Lineage:

SBD > Cassette Master > DAT (44.1khz) > Sony R500 > SEK'D Prodif Plus > Samplitude Professional v7.02 > FLAC16

Taper Notes:

View Notes<b>flac16</b>; SBD -> Cassette Master -> Dat (44.1k)

Transferred and Edited By Charlie Miller

Transferrer: Matrix by Kevin Tobin

3:08:37

SBD

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1982-07-31.167919.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View NotesBoth SBD and AUD were patched with the following sources:
AUD (shnid = 019017)
MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)

A > D by Steven Martin
EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)

BHP Video original audience soundtrack (no shnid) - mostly dead air between songs during the 1st set so that this audio matches the video
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 28-JUN-2024 - Trader Little Helper
- Tagged 28-JUN-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Jamie Waddell

gd1982-07-31.112575.sbd.LATVALA.GEMS.flac16

Source:

fkac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz

Transferrer: Chris Chappell

gd1982-07-31.mtx.chappell.sb11.30625.sbeok.flac16

Source:

SBD: (shn ID 3415); AUD: (shn ID 19017)

Lineage:

SRCS > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8)

Taper Notes:

View NotesThis show is simply smokin', definately top 5 '82 along with 9-17, 4-6, 8-10
and 8-3. Apparently, post drums is actually after midnight, thus Jerry's birthday,
which a few people remind him during the mellow part of the Dew.  The crowd
certainly got treated to "one of those shows" this night at the racetrack.

Transferrer: Jeff M and Chris Perkins

3:00:56

SBD

Transferrer:

Jeff M and Chris Perkins

SHNID:

gd1982-07-31.sbd.jeffm.13310.sbeok.shnf

Source:

Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN

Taper Notes:

View Notes*** Jerrys guitar is low in the mix during Alabama, but gets better quick and for the rest of the show it is fine.

Email Jeff M. at above email with any flaw notation additions

*** Chris Perkins - notes & minor changes 08/01 ***
-split Alabama Getaway into a Tuning & song track using CD Wav
-split Scarlet > Fire using CD Wav and re-encoded to Shn
-renumbered disc 1 & 2 tracks to reflect above
-deleted 0.56 second silent gap at 4.8 seconds of Sat Nite, essentially turning a drop-out into a splice.
there may have been more than 0.56 seconds missing.
-merged new version of Sat Nite with Don't Ease and re-cut on sector boudaries
-all of Set 1 will fit on an 80 minute disc
-other flaws
- d2t05 (Eyes): small dropout at 11:48
- d3t02 (UJB): some amp noise, primarily a buzz in right channel, 3:15-3:39
- d3t05 (Dew): a few volume changes and some distortion, 4:08-4:25

Transferrer: Jeff M.

gd82-07-31.sbd.martinson.3419.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > Master Cassette > Cassette > DAT > CDR > EAC > SHN

Taper Notes:

View NotesSoundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.

Taper: Rodney Michael

Tim McKenzie;Charlie Miller;Scott Clugston

SHNID:

gd1982-07-31.167996.senn421.beyer.blend.michael.mckenzie.miller.clugston.flac1644

Lineage:

Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1)
- Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Vita (RIP) for the Beyer M88 source which supplies the first 0:48 of "Alabama Getaway", a 0:09 patch in "Eyes Of The World", a 7:06 patch in "Drums", a 0:28 patch in "Uncle John's Band", a 0:24 patch in "Truckin'", as well as a 0:55 patch in "Morning Dew" (patches in UJB, Truckin' and Morning Dew due to an issue with the left channel on the master cassette)
- Pitch corrected

Mastered by Scott Clugston
June 2024

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1982-07-31.158063.beyer.m88.vita.miller.clugston.flac2496

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Martin and Jack Warner for the Nakamichi 700 source which supplies a 12:43 patch in "Drums > Space"
- Most likely courtesy of Rip Tompkins and Richie Stankiewicz
- Occasional slight wind noise
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1982-07-31.158062.beyer.m88.vita.miller.clugston.flac1648

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Martin and Jack Warner for the Nakamichi 700 source which supplies a 12:43 patch in "Drums > Space"
- Most likely courtesy of Rip Tompkins and Richie Stankiewicz
- Occasional slight wind noise
- Pitch corrected

Mastered by Scott Clugston
March 2022

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

3:08:37

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1982-07-31.167921.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View NotesBoth SBD and AUD were patched with the following sources:
AUD (shnid = 019017)
MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)

A > D by Steven Martin
EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)

BHP Video original audience soundtrack (no shnid) - mostly dead air between songs during the 1st set so that this audio matches the video
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 28-JUN-2024 - Trader Little Helper
- Tagged 28-JUN-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Michael Gardner

gd1982-07-31.156440.gardner.suraci.nak300.flac16

Source:

Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet*

Lineage:

Transfer: Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac16

Taper: Michael Gardner

gd1982-07-31.156439.gardner.suraci.nak300.flac24

Source:

Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet*

Lineage:

Transfer: Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac16

Taper: Executive Crew: Kyle Holbrook & Olvy Johnson

2:46:58

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-07-31.138617.beyerm201.holbrook.flac2448

Source:

flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View NotesNotes:

*     Missing start
++    slight distortion (t01@2' & t03 @12')
//    tape flip
/   / # cut twice after flip near end of drums-missing
      some drums, starts when Jerry, Bob, Phil, and
      Brent came on stage.
&     After first verse-odd static from PA lasts about 12 seconds.
/     general note: Our practice at the time was to stop the recorder after
      every time the band stopped. The theory was saving batteries and tape
      space. We would learn to record the entire show by Spring 83!

Manor Downs Raceway, near Austin TX July 31 1982
Mic location: About 85 feet from stage near center
We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.

Taper: Executive Crew: Kyle Holbrook & Olvy Johnson

2:46:58

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-07-31.138616.beyerm201.holbrook.flac1644

Source:

flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View NotesNotes:

*     Missing start
++    slight distortion (t01@2' & t03 @12')
//    tape flip
/   / # cut twice after flip near end of drums-missing
      some drums, starts when Jerry, Bob, Phil, and
      Brent came on stage.
&     After first verse-odd static from PA lasts about 12 seconds.
/     general note: Our practice at the time was to stop the recorder after
      every time the band stopped. The theory was saving batteries and tape
      space. We would learn to record the entire show by Spring 83!

Manor Downs Raceway, near Austin TX July 31 1982
Mic location: About 85 feet from stage near center
We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.

Taper: Steven Martin

gd82-07-31.aud-nakcm700.martin.warner.19017.sbeok.shnf

Source:

Audience: modified Nakamichi CM-700's

Lineage:

modified Nak CM-700's > Sony TC-D5M > Nak Dragon > HHB CDR 800 > CDR > Samsung SW-232B > EAC v0.9 beta 4 > CD Wave > shntool > SHN

Taper Notes:

View NotesMAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD 
Wave) > sector boundary verification (shntool v1.01) > .shn encoding 

(mkwACT v0.97 beta 1)