Playing In The Band > | 1990-11-01 | Grateful Dead

View NotesNotes:
-- Thanks to Mark Teitlebaum, John Ammons and Joe Noel for the patch source
-- Thanks to Scott Clugston for the pitch correction settings
-- This file set is 16 bit @ 44.1

Transferrer: Charlie Miller

2:38:06

SBD

Transferrer:

Charlie Miller

SHNID:

gd1990-11-01.145544.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Mark Teitlebaum, John Ammons and Joe Noel for the patch source
-- Thanks to Scott Clugston for the pitch correction settings

Transferrer: Matrix by dusborne

gd1990-11-01.125953.mtx.dusborne.flac16

Lineage:

Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC

Taper Notes:

View NotesTagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac 
files. If converted to wav during processing, all tags will be 
stripped, however audio data will remain unaffected. If you must 
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 10-17-2013

Transferrer: Bill Tetzeli

gd1990-11-01.sbd.ladner.tetzeli.fix-8068.34651.sbeok.shnf

Source:

Fix of shnid 8068

Taper Notes:

View NotesI made the transition between CDs 2 and 3 seamless.  Resulting SBEs were fixed and verified using shntool.  Thanks to Tim S. for the overlap between the two CDs that made this fix possible.

Bill Tetzeli (btet@adelphia.net)
4/1/2006

Source 5 of 11

gd90-11-01.sbd.ladner.8068.sbeok.shnf

Source:

SBD > DAT > CDR > WAV > SHNv3

Taper Notes:

View NotesSBD > DAT > CDR > WAV > SHNv3; via Tim S.,  neo_levo

Transferrer: Jeff Romanowski

gd1990-11-01.aud-sbd.romanowski.3861.shnf

Taper Notes:

View Notes*Bruce Hornsby Piano Jam
# Standing on The Moon intro

NOTES on Show: This Show has long been one of my favorites.
After much searching I was finely  able to locate & recive a copy of this show from Karen Benbrook who was also kind enough to do the DAT>CDR transfer for me.  Disc 1 contained a few major flaws in tracks d1t1 d1t2 & d13 which very very hard on the ears, so I edited them out as best I could. I found the end result was much nicer . Hopefully someone out there has a MSDB of the first set and will release a copy for cirulation someday. But untill then  I feel is a very decient copy for a  DAUD 1st set as it stands.
Corrections:
d1t1 removed two "zaps" in Right channel @ 01:03 01:05 patched with good  left channel signal,removed static interference at @ 05:40
d1t2 removed static @ 00:80 & 02:75
d1t3 removed static @ 01:12 & 03:10
d2t1 Has small digital skip during transition from Victim>Touch
DC offset errors removed & normalized on all tracks with Acoustitica 2.1
Track timing and cutting/splicing done with CD Wav. Editor

Taper: Tim Dalton

Sirmick and Charlie Miller

SHNID:

gd1990-11-01.143865.nak300-cp4.dalton.miller.sirmick.flac1648

Source:

Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesThanks to Tim Dalton for lending his masters.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
November 2018

Taper: Dan Liff

Rob Berger and Doug Lamarre

SHNID:

gd1990-11-01.139147.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger

Taper: Mark Teitlebaum

John Ammons and Joe Noel

SHNID:

gd1990-11-01.138689.FOB.BK4011.Teitlebaum.Ammons.Noel.t-flac16

Source:

<b>flac16/48kHz</b>; Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; John Ammons

Lineage:

from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- right channel drop outs repaired (s1t02)

Taper: Recorded by unknown German Taper, Dats provided by David Flaschner

Transfer and Mastered by Bill

SHNID:

gd1990-11-01.cmc54.flaschner.gmb.90994.sbeok.flac16

Source:

DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1

Lineage:

Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0

Taper Notes:

View NotesDiscs 2 and 3 are seamless.

Taper: Andrew F

gd1990-11-01.aud.andrewf.82406.sbeok.flac16

Source:

Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks.

Lineage:

MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC,

Taper Notes:

View NotesNotes: Unfortunately, I didn't have another aud to patch the tape flip 
in Space, which is smack in the middle of Bruce's solo (at 2:30.310), so 
I've mended it together. I've also tracked it for two discs, since I 
prefer to hear the long jam all together, which results in the encore 
getting stuck on the end of disc one. The break between d1t11 and d2t01 
is seamless, so you can reassemble the tracks any way you want...*ENJOY*