Trio Jam -> | 1990-09-19 | Grateful Dead

View NotesPatch Info:
(FOB) Schoeps > Dat (shnid=1664) supplies:
Franklin's Tower (13:29 - end of track)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 24, 2019

Notes:
-- Recorded by Don Pearson
-- Set 2 tape flip patched with a Dat Master
-- This file set is 16 bit @ 44.1

Taper: Don Pearson

2:57:07

SBD

gd1990-09-19.147623.ultramatrix.sbd.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps > Dat (shnid=1664) supplies:
Franklin's Tower (13:29 - end of track)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 24, 2019

Notes:
-- Recorded by Don Pearson
-- Set 2 tape flip patched with a Dat Master

Transferrer: Charlie Miller

gd1990-09-19.sbd.miller.85003.sbeok.flac16

Source:

Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD DSet 2: SBD -> Dat Master -> Sonic Solutions -> CD D

Lineage:

CD -> Samplitude Professional v9.1.1 -> FLAC

Taper Notes:

View NotesOriginal Transfer and Mastering By David Gans
Additional Editing and Tracking By Charlie Miller
charliemiller87@earthlink.net
May 9, 2007

Notes:
-- Set 2 is seamless

Transferrer: Matrix by Joe Noel

gd1990-09-19.138055.mtx.photoleon.t-flac16

Source:

<b>flac16/48kHz</b>; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC

Transferrer: hansokolow

gd1990-09-19.mtx.hansokolow.fix-96157.97641.flac16

Source:

matrix of DSBD: shnid=85003 and DAUD: shnid=11664

Taper Notes:

View NotesThis is a redo of a show I already made a matrix of, but this is using Charlie Miller's superior SBD source, which has an analog generation in set 1, but set 2 is all digital.  I used Dave Brotman's FOB Schoeps source, as it was the clearest to my ears, and the glitches in the first track were fairly easy to fix.  No music is lost in these glitches, in fact music is doubled, so I cut out what was unnecessary and blended the rest.  There is a lot of taper banter and crowd noise in the first track of each set that I left in, almost 6 minutes for set 1 and about 4:30 for set 2.  The first set of the SBD has a cassette generation, so time stretching was needed.  Much of the crowd noise between songs is cut out of the SBD, including the last drumbeat of Memphis Blues.

Transferrer: hansokolow

gd1990-09-19.mtx.hansokolow.96157.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes-----------------------------------

This is a matrix, done by hansokolow in ProTools, of the following digital sources:

DSBD: shnid= 3373
SBD>DAT>CDR>EAC>SHN

-----------------------------------

DAUD: shnid=11664
FOB-AUD(Scheops)>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Taper: Dave Brotman
Location: 15th row, center.

Remastering: SHN>WAV>WaveLab5.0>Steinberg Mastering Edition Enhanced>CDWAV>WAV>SHN

-----------------------------------

My Notes:  One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well.

Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process.  Every disc I make is seamless for longer media.  I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that.  With analog sources there is always some wavering.  Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats.  These are smoothed over and when mixed with another source, undetectable.  There still may be occasional phasing, particularly in the vocals and the cymbals.  Believe me that I do everything I can to minimize problems like that.  That includes cutting out spots of diginoise and blips and things.  Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out.  When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track.  I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe.

I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years.  Thanks, brothers and sisters.
-Tano (hansokolow@gmail.com)

Source 7 of 16

gd90-09-19.sbd.wiley.26081.sbeok.shnf

Source:

amalgam of 2 previous seeds <a href=

Taper Notes:

View Notesamalgam of 2 previous seeds <a href="http://db.etree.org/shn/3373" rel="nofollow">A</a> and <a href="http://db.etree.org/shn/11664" rel="nofollow">B</a>, remastered by Tim Wiley; see info file for details

Source 8 of 16

gd90-09-19.sbd.ashley.14674.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>SHN

Taper Notes:

View NotesJay Ashley remaster of previous sbd source.

SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN

Source 9 of 16

gd90-09-19.sbd.jeffm.3373.sbeok.shnf

Source:

SBD> DAT> CDR> WAV> SHN

Taper Notes:

View NotesSBD> DAT> CDR> EAC> SHN; via Jeff M.

Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick

Master Digital Audience Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 23, 2019

SHNID:

gd1990-09-19.150545.remaster.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648

Source:

Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48

Taper Notes:

View NotesNotes:
- remaster of shnid 149583
- upgrade to shnid 11664
- lineage & location is confirmed by taper & j cards.
- An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby"
- PitB through Trio Jam is officially released as part of Road Trips 2.1
- last second-set "Let It Grow": 12-31-86 [289]

Taper: George Sterry (OTS)

Charlie Miller and Joe Noel and David Beckwith

SHNID:

gd1990-09-19.143131.OTS.ECM-909A.Sterry.Beckwith.Noel.Miller.t-flac2496

Source:

Sony ECM-909A > Cassette Master (Sony TC-158SD)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96

Taper Notes:

View NotesPatch info:
- shnid 00998 (B&K's)
- s1t03; 04:46 - 05:18
- s1t05; 02:05 - end
- s1t06; start - 02:49 & 04:18 - 04:35
- s1t07; 08:37 - 09:44 (crowd banter)
- s2t07; 05:32 - 05:45 & 07:22 - 08:27
- s2t08; 09:03 - 09:44
- s2t13; all (taper banter)

Notes:
- Thanks to George Sterry for recording the show
- Thanks to David Beckwith for liberating these tapes from eBay
- Thanks to Charlie for the DSD transfer
- Thanks to Tom Darien for providing the patch source
- partial d/o in Bertha, fixed
- The tape flip faux pas that took out the end of Big River & start of IMHBTR has been fixed.
- right channel d/o in IMHBTR has been fixed
- end of Memphis Blues Again was clipped (tape flip) has been fixed
- level fluctuations during PITB (intro), smoothed best as possible
- 2 cuts in the Jam, post LIG, have been fixed
- cut in drums (tape flip) has been fixed
- transition between Stella > R&R has been fixed
- pitch corrected

Source 12 of 16

3:09:09

SHNID:

gd1990-09-19.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Taper: M Laurentus

gd1990-09-19.at835b.laurentus.96927.flac16

Source:

AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC

Lineage:

MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC

Taper: tdarian

gd1990-09-19.bk4011.tdarian.french.88969.sbeok.flac16

Source:

B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center

Lineage:

Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700

Source 15 of 16

gd90-09-19.schoeps-fob.wiley.11664.sbeok.shnf

Source:

Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR>WAV>SHN

Taper Notes:

View NotesDave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley

Source 16 of 16

gd90-09-19.bk.sacks.9988.sbeok.shnf

View NotesMAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks