Drums > | 1989-09-30 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- This is one of the few Healy Mix soundboards from 1989 (no ambient mics)
-- Thanks to Ted Mattes for the patch source
-- 151398 24 -> 16 @ 44.1

Taper: Don Pearson and Dan Healy

2:19:40

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 2, 2021

SHNID:

gd1989-09-30.151398.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK MA-XG)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- This is one of the few Healy Mix soundboards from 1989 (no ambient mics)
-- Thanks to Ted Mattes for the patch source

Transferrer: Charlie Miller

gd1989-09-30.sbd.walker-scotton.miller.81719.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesNotes:
-- 2nd Set is seamless
-- Some static in Row Jimmy
-- Thanks to Paul Scotton and Joani Walker for the tapes

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:19:34

SBD

Transferrer:

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1989-09-30.166903.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 11-FEB-2024 - Trader Little Helper
- Tagged 11-FEB-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Source 5 of 10

gd89-09-30.sbd.8964.sbeok.shnf

Source:

SBD>MC>DAT>CDR

Taper Notes:

View NotesSBD>MC>DAT>CDR; Seeded to etree by Tim W

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1989-09-30.142503.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 1, 2018

Taper: OldNeumanntapr

gd1989-09-30.168517.set2.cm300.cp4.ont.flac1644

Source:

OTS, SEC 202, Row H, Seat 13; Nakamichi CM-300's w/CP-4 Shotguns >Marantz PMD-430

Lineage:

XLIIS Master Transferred; Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Remove & Repair Left-Channel Dropouts In Iko Iko, Minor Edits [Tape Flip], Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53

Taper Notes:

View NotesOldNeumanntapr Notes:
I remember THIS weekend well. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of bay area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm. We ran to the amphitheater carrying all of the recording equipment with the rest of the stragglers and my ex wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment durning the set break. I ran Nakamichi CM-300s with CP-4 shotgun capsules->Marantz PMD-430. Shoreline was always a good venue in which to see live music, and the Dead in particular. I always got good sounding tapes there and this one was no exception. This was my third year recording the Dead at Shoreline. Thanks to Gene for letting me borrow his Nakamichi CM 300s. I recorded two shows each at Cal Expo, Shoreline, and the Oakland Coliseum Arena NYE run in 1989 with his microphones because I felt they sounded better than my Superscope EC7s.

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-09-30.166905.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 11-FEB-2024 - Trader Little Helper
- Tagged 11-FEB-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: --------------------------------------------------------- - Mixed by kevtobin@yahoo.com - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------

2:19:34

Transferrer:

--------------------------------------------------------- - Mixed by kevtobin@yahoo.com - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------

SHNID:

gd1989-09-30.166902.PandP-aud.tobin.flac16

Source:

Patched and pitch corrected audience (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 11-FEB-2024 - Trader Little Helper
- Tagged 11-FEB-2024 - Tag&Rename
---------------------------------------------------------
Patching included some dead air for 1st set that included start of West LA, start of Let It Grow and a 44 second portion of Drums/Space. The recording was slightly fast - about .2 seconds per minute as compared to the video which I used as the timing reference.

Brokedown House Production

Source 10 of 10

2:12:22

SHNID:

gd1989-09-30.097332