1989-07-10 | Grateful Dead

View NotesNotes:
-- Two sets of master were used to make this show complete
-- Light static from the PA before Tennessee Jed
-- Drums and Iko Iko through end of show with mebers of The Neville Brothers
-- This is 138789 24 bit -> 16 bit

Transferrer: Charlie Miller

57:45

SBD

Transferrer:

Charlie Miller

SHNID:

gd1989-07-10.138791.set1.sbd.miller.flac1644

Source:

SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD

Lineage:

CD -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Large static burst from PA before Tennessee Jed

Transferrer: Charlie Miller

gd1989-07-10.138789.sbd.miller.flac24

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- Light static from the PA before Tennessee Jed
-- Drums and Iko Iko through end of show with mebers of The Neville Brothers

Transferrer: Kevin Tobin

gd1989-07-10.138781.5-1.tobin.flac1648

Lineage:

MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin

Taper Notes:

View Notes5.1 LPCM Surround Sound Mix (48k)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-JUL-2017 - Trader Little Helper
- Tagged 13-JUL-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

Transferrer: Kevin Tobin

gd1989-07-10.138770.dts.tobin.flac16

Lineage:

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1989-07-10.138762.mtx.tobin.flac16

Lineage:

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-JUL-2017 - Trader Little Helper
- Tagged 13-JUL-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

Taper: Patched and pitch corrected soundboard

2:48:25

SBD

Taper:

Patched and pitch corrected soundboard

Transferrer:

Kevin Tobin

SHNID:

gd1989-07-10.138761.upg-sbd.tobin.flac16

Taper Notes:

View NotesSome major patching including 5 minutes of Drums. Speedwise the soundboard was a shade fast when compared to other recordings - .4 seconds per minute.

Brokedown House Production

Transferrer: Matrix by dusborne

gd1989-07-10.124499.mtx.dusborne.flac16

Transferrer: Darryl Hinko

gd89-07-10.sbd.16071.sbeok.shnf

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1989-07-10.142467.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- "Drums" thru end of the show with The Neville Brothers

Mastered by Scott Clugston
June 27, 2018

Source 11 of 20

2:50:12

SHNID:

gd1989-07-10.153414.MTX.photoLeon.t-flac16

Source:

A photoLeon Matrix

Taper Notes:

View NotesNotes:
- First 1:24 of s1t01 is Source #2 + Source #3
- First 0:27 of s2t01 & 0:03 of s2t02 are Source #1 only
- Source #1 (set 1 & encore break) were edited in post production.
- Source #2 fills in were source #1 was edited.
- Source #3 has been pitch corrected
$ w/ William Green; drums, * percussion
$ w/ Art Neville; organ
$ w/ Brian Stoltz guitar

Thanks to:
- Dan Tepper for the AKG 414-BTL recording & transfer
- Ted Mattes for the Schoeps CMC4/MK2S recording & Scott Clugston for processing it.
- Charlie Miller for the board & Schoeps source transfer
- Thanks to Jack Schlottman for the critique

Taper: Dan Tepper

gd1989-07-10.133774.akg414btl-fob-dantepper.flac16

Source:

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Lineage:

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: Ted Mattes

Willl Petty and Lance Deal

SHNID:

gd1989-07-10.132698.cmc42S.fob.mattes.deal.petty.flac16

Source:

Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal;

Lineage:

Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty

Taper: fitzy

gd1989-07-10.Nak300CP4.Fitzy.Keo.125292.Flac1644

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* With Members Of The Neville Brothers *

 # Most of "Sugar Magnolia" and all Of "Knockin' On Heaven's Door" 
    Missing On Fitzy's Masters.Transferred/Added From Mr. Baker's 
     2nd set Master Nak300/CP4 > Sony D6, Tape: Maxell XLII-S 90
      Same Transfer Information as above #

 Comments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
Some higher recording levels in a couple of
songs mostly in "Franklin's Tower" and "Foolish
Heart".You can hear some of the thunder, rain
and the crowds reaction from the storm, still
all in all another excellent share from the
Fitzy collection of masters and GD summer 1989!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: fitzy

gd1989-07-10.Nak300CP4.Fitzy.Keo.125291.Flac2496

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* With Members Of The Neville Brothers *

 # Most of "Sugar Magnolia" and all Of "Knockin' On Heaven's Door" 
    Missing On Fitzy's Masters.Transferred/Added From Mr. Baker's 
     2nd set Master Nak300/CP4 > Sony D6, Tape: Maxell XLII-S 90
      Same Transfer Information as above #

 Comments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
Some higher recording levels in a couple of
songs mostly in "Franklin's Tower" and "Foolish
Heart".You can hear some of the thunder, rain
and the crowds reaction from the storm, still
all in all another excellent share from the
Fitzy collection of masters and GD summer 1989!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: John Bleich

gd1989-07-10.nak300.bleich-sirmick.109588.sbeok.flac16

Source:

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac

Lineage:

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

Taper Notes:

View Notes- tape flips crossfaded except Drums 10:57 - 11:04 and Sugar Magnolia 3:57 - 4:07, patched with 
  Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's (shnid 76249)

Comments:

Neville Brothers opened
* with members of the Neville Brothers

Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick

Taper: Tim Alexander

gd1989-07-10.akg414s.alexander.79608.flac24

Source:

FOB (AKG 414s > Sony D5 (Dolby B) > MAC)

Lineage:

Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC

Taper Notes:

View NotesKnown flaws:
- Tape flips in Drums and transition to Sugar Magnolia
- Very beginning of Foolish Heart is cut

Many thanks to Tim Alexander for loaning me his masters!

Taper: Tim Alexander

gd1989-07-10.akg414s.alexander.79598.flac16

Source:

FOB (AKG 414s > Sony D5 (Dolby B) > MAC

Lineage:

Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC

Taper Notes:

View NotesKnown flaws:
- Tape flips in Drums and transition to Sugar Magnolia
- Very beginning of Foolish Heart is cut

Many thanks to Tim Alexander for loaning me his masters!

Taper: Andrew F

gd1989-07-10.aud.andrewf.76249.sbeok.flac16

Source:

Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side.

Lineage:

MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC.

Taper Notes:

View NotesNotes: Due to the inclement weather, the tape was not paused between 
songs, plus I recorded all the drums. The result is that this tape is 
aprx ten minutes longer than the Healy-mix soundboard (Shn-ID 16071). 
I used that source to cover two of the tape flips: Tennessee Jed from 
6:10 thru 6:27, and Sugar Magnolia from 0:00 thru 0:10. Other than 
the awkward tape flips, the only other flaws are some spots where the 
vocals are over-saturated, mainly noticeable in Franklin's Tower and 
Foolish Heart. 

Shn-ID 16071 was also missing the same segment of Drums where I had to 
flip my tape, so aprx five or ten seconds are missing. I joined the cut 
together as seamlessly as possible with a small fade and minor editing. 
If anyone has another source and wants to patch that part to make it 
complete, the cut occurs in d2t06, at track time 11:26.923. The break 
between D2 and D3 is seamless for reassembly onto longer media. 

With my personal thanks to everyone who helped me out while I made this 
tape in the middle of a downpour and lightning storm. Enjoy, everyone!

Transferrer: Patrick White

gd1989-07-10.aud-set2.white.13053.sbeok.shnf

Taper Notes:

View NotesSHN'd and seeded to etree on 11/11/02 by Patrick White
Email: notfadeaway69@netscape.net

Thanks to Tom Goshaw for the seed disk