The Might Quinn (Quinn the Eskimo) | 1989-07-02 | Grateful Dead

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	25m

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48h	155	28
7d	227	41
30d	1.2k	213

461 shows

663 tapes

Zoofunkyou

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48h	0	0m
7d	15	2
30d	60	8

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	612	86
7d	4k	570
30d	21.1k	2.9k

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48h	801	110
7d	4.1k	565
30d	20.3k	2.8k

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48h	1.1k	149
7d	4.4k	569
30d	31.2k	4k

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48h	518	69
7d	1.3k	168
30d	23.1k	3k

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48h	3.4k	479
7d	10.3k	1.4k
30d	41.2k	5.8k

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48h	3.2k	420
7d	9.9k	1.3k
30d	114.8k	14.7k

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48h	10.1k	1.2k
7d	17.5k	2.1k
30d	49.7k	6.1k

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48h	3.4k	367
7d	11.8k	1.3k
30d	51.2k	5.9k

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48h	6.4k	700
7d	12.2k	1.4k
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48h	710	80
7d	2.9k	331
30d	21.5k	2.5k

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48h	2.8k	310
7d	14.1k	1.6k
30d	46.2k	5.5k

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48h	1.7k	215
7d	7.3k	893
30d	25.4k	3.2k

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48h	7.1k	791
7d	3.3k	432
30d	25.1k	3.1k

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48h	4.8k	567
7d	11.4k	1.4k
30d	35.9k	4.6k

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48h	1.8k	234
7d	5.1k	644
30d	56.1k	7.1k

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48h	2.3k	266
7d	5.6k	644
30d	35.5k	4.1k

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48h	1.9k	263
7d	4.1k	557
30d	24.3k	3.3k

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48h	8.7k	1.2k
7d	14.4k	1.9k
30d	41.2k	5.6k

Playback	Listens	Hours
48h	6.3k	878
7d	16.5k	2.3k
30d	110.7k	15.6k

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48h	1.8k	240
7d	4.4k	594
30d	24.2k	3.2k

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48h	440	47
7d	1k	102
30d	7.4k	792

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48h	3.7k	467
7d	8.6k	1.1k
30d	52.5k	6.6k

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48h	3.3k	424
7d	10.4k	1.3k
30d	99.8k	12.2k

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48h	5.2k	670
7d	12.2k	1.5k
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48h	4k	466
7d	19k	2.1k
30d	44.8k	5k

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48h	3.1k	364
7d	4.3k	463
30d	26.9k	2.9k

Playback	Listens	Hours
48h	1k	149
7d	6.3k	890
30d	19.6k	2.8k

Playback	Listens	Hours
48h	499	57
7d	1.1k	133
30d	7.4k	900

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	120	14
7d	468	56
30d	4k	435

Playback	Listens	Hours
48h	264	22
7d	1.1k	75
30d	6.1k	443

Playback	Listens	Hours
48h	13	46m
7d	65	4
30d	503	30

2 shows

2 tapes

1989

12/31SBD

754

Playback	Listens	Hours
48h	71	9
7d	127	16
30d	754	101

5:39:09

17 tapes

12/30SBD

161

Playback	Listens	Hours
48h	3	20m
7d	6	1
30d	161	21

2:51:09

15 tapes

12/28SBD

123

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48h	9	1
7d	13	1
30d	123	15

2:36:17

15 tapes

12/27SBD

196

Playback	Listens	Hours
48h	2	11m
7d	27	3
30d	196	24

2:44:54

12/10SBD

142

Playback	Listens	Hours
48h	19	2
7d	60	7
30d	142	18

5:11:22

12/09SBD

Playback	Listens	Hours
48h	18	2
7d	38	5
30d	80	10

2:32:27

11 tapes

12/08SBD

137

Playback	Listens	Hours
48h	35	5
7d	31	4
30d	137	17

5:21:35

12/06SBD

155

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48h	11	2
7d	41	6
30d	155	22

Playback	Listens	Hours
48h	7	1
7d	74	12
30d	383	69

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48h	17	2
7d	46	6
30d	175	24

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48h	33	4
7d	49	6
30d	236	31

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48h	1	15m
7d	58	8
30d	182	24

263

Playback	Listens	Hours
48h	29	4
7d	107	14
30d	263	36

371

Playback	Listens	Hours
48h	4	19m
7d	125	13
30d	371	40

173

Playback	Listens	Hours
48h	24	3
7d	58	8
30d	173	25

351

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48h	57	7
7d	94	11
30d	351	41

136

Playback	Listens	Hours
48h	6	46m
7d	23	3
30d	136	18

177

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48h	22	3
7d	63	7
30d	177	21

231

Playback	Listens	Hours
48h	11	1
7d	31	4
30d	231	32

222

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48h	50	7
7d	32	4
30d	222	30

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48h	42	6
7d	197	27
30d	1.2k	157

Playback	Listens	Hours
48h	28	3
7d	118	13
30d	859	96

5:02:28

18 tapes

10/01SBD

419

Playback	Listens	Hours
48h	33	4
7d	103	13
30d	419	53

2:36:21

8 tapes

9/30SBD

Playback	Listens	Hours
48h	52	7
7d	34	5
30d	74	10

2:20:25

9/29SBD

Alpine Valley Music Theatre

143

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48h	21	2
7d	57	7
30d	143	18

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30d	239	33

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48h	2	22m
7d	8	1
30d	157	21

Playback	Listens	Hours
48h	8	59m
7d	64	7
30d	268	29

2:45:58

7 tapes

7/19SBD

East Troy, WI, USA

1.1k

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48h	80	11
7d	190	27
30d	1.1k	148

5:33:06

17 tapes

7/18SBD

Alpine Valley Music Theatre

East Troy, WI, USA

Playback	Listens	Hours
48h	60	7
7d	219	24
30d	1k	116

5:08:53

14 tapes

7/17SBD

Alpine Valley Music Theatre

East Troy, WI, USA

1.8k

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48h	149	17
7d	434	51
30d	1.8k	204

2:49:35

7/15SBD

Deer Creek Music Center

Noblesville, IN, USA

474

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48h	9	2
7d	67	9
30d	474	64

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48h	1	7m
7d	19	3
30d	170	25

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48h	21	3
7d	51	6
30d	351	45

379

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7d	70	9
30d	379	47

604

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48h	40	6
7d	144	20
30d	604	84

2:50:34

18 tapes

7/07SBD

John F Kennedy Stadium

1.7k

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7d	187	28
30d	1.7k	250

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7d	287	34
30d	1.2k	138

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7d	134	17
30d	526	67

2:44:28

21 tapes

6/21SBD

521

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7d	44	5
30d	521	66

3:16:36

13 tapes

6/19SBD

245

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7d	17	2
30d	245	31

3:03:42

9 tapes

6/18SBD

230

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30d	230	32

3:04:24

Oakland-Alameda County Stadium

5/27SBD

433

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7d	3	24m
30d	113	15

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48h	18	2
7d	80	10
30d	307	37

2:40:47

Metropolitan Sports Center

4/17SBD

Minneapolis, MN, USA

287

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7d	53	6
30d	287	33

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30d	286	34

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7d	61	8
30d	615	78

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48h	106	13
7d	141	18
30d	2.9k	350

2:33:19

Club Front - Grateful Dead Studio

3/01SBD

San Rafael, CA

150

Playback	Listens	Hours
48h	1	1m
7d	30	1
30d	150	5

1:26:05

1 tape

2/12SBD

430

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48h	71	8
7d	95	11
30d	430	49

2:41:03

13 tapes

2/11SBD

373

Playback	Listens	Hours
48h	36	5
7d	52	6
30d	373	45

2:44:52

2/10SBD

Henry J. Kaiser Convention Center

316

Playback	Listens	Hours
48h	9	1
7d	78	11
30d	316	43

2:40:26

12 tapes

2/07SBD

Henry J. Kaiser Convention Center

482

Playback	Listens	Hours
48h	39	5
7d	119	15
30d	482	60

2:39:25

7 tapes

2/06SBD

Henry J. Kaiser Convention Center

235

Playback	Listens	Hours
48h	2	10m
7d	84	9
30d	235	27

2:28:06

8 tapes

2/05SBD

Ante Up - Built to Last interview

1.2k

Playback	Listens	Hours
48h	84	10
7d	409	49
30d	1.2k	143

2:31:14

17 tapes

1/01

Various, Various

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48h	0	0m
7d	10	19m
30d	43	1

23:08

1 tape

Sources

Transferrer: Charlie Miller

gd1989-07-02.138306.mtx.miller.flac16

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1989-07-02.138287.sbd.miller.flac24

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138287 24 bit -> 16 bit

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

View NotesNotes:
-- Two sets of master were used to make this show complete

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:39:53

SBD

Transferrer:

gd1989-07-02.150431.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1989-07-02.fob.nak300.andrewf.99912.flac16

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644

gd1989-07-02.fob.nak300.andrewf.99911.flac24

View NotesNotes: 
- Patch from ID-8243 in Drums 03:12 > 03.17. 
- 2nd Set disc break is seamless.

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.

Source 6 of 21

2:42:24

gd1989-07-02.153412.MTX.photoLeon.t-flac16

A photoLeon Matrix

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View NotesMatrix Created in Adobe Audition by Joe Noel
July 2, 2021

Notes:
- Los Lobos opened
- last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200]
- last 1st-set "Crazy Fingers": 04-04-86 [225]
- first 24 seconds of s2t01 is source #1 only
- Source #2 was pitch corrected
- EotW (00:13 - 00:49) is missing vocals

Thanks to:
- Ted Mattes for the stellar FOB recording
- John Ammons for the top shelf transfer
- Charlie Miller for the board source & transfer
- Thanks to Jack Schlottman for the critique
- Sabrina & her Mom

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:39:51

Transferrer:

gd1989-07-02.150433.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1989-07-02.149202.Dak.boedicker.flac1644

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Dave Boedicker

Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette

Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down")

2)Tape Flip During Drums

Taper: Ted Mattes

John Ammons and Joe Noel

gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16

Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons

from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

gd1989-07-02.134395.MOTB.droncit.flac16

View Notespatch info:
*  s1t01: all
** s1t02: 0:20 - 0:23 & 1:05 - 1:09

* (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend)

** (133781) AKG 414-BTL FOB, DAT

notes:
- Los Lobos opened
- Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel.
- This was a quintessential New England summer day.  I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm.  It was a nice vantage point to hear Los Lobos.  Mind you, I was sore I was missing them.  Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket.  Her mom said "She insisted you have it."  I will never forget it.  Not because I got miracle'd but because of the smile on this young girls face.  It's forever etched into my memory.  While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped.  She thought it was beautiful & like that, Mom was off in Sabrina's tow.  I saw them later on during The Wheel & Sabrina came & danced with us.  When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along.  When Hey Jude broke, she erupted again.  But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it.  She picked up on the theme immediately & danced like a soldier would march.  She was our pied piper there & it was a simple & pure moment. - Joe.

Grateful to:
- Ted Mattes for this stellar recording
- John Ammons for sharing his Archives with us
- Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts
- Droncit for his efforts on the Thompson pull
- Sabrina & her Mom

Transferrer: Remaster by droncit

Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;

FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe

gd1989-07-02.133781.akg414btl-fob-dantepper.flac16

View NotesDroncit Notes:
This was a request for an interesting show in need of an upgrade/restoration.  This is my attempt.  The original has vocals dominating and the music sounds like it's more in the background.  I've tried to bring it up front.  
I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser.  I also concatenated the tracks and re-cut them.  All work with DC8.5 Forensics and Traders Little Helper.
9/28/15

Taper: Dan Tepper

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: John Bleich

gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

gd1989-07-02.nak300.morris.crazyfingers.106586.flac16

View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns)
  1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243)


Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick

Taper: Bob Morris

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Danny Thomson

Derek McCabe , mastered by Chris Ladner

gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24

FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.

Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.

Derek McCabe , mastered by Chris Ladner

View NotesMastering Notes:
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- First notes of FOTD/start of second set missing.  On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.

Taper: Danny Thomson

gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16

Audience FOB Recording

gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24

View NotesNotes: 
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- first notes of FOTD/start of second set missing.  on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

gd1989-07-02.fob.senn421s.alexander.77444.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV)

Transferred and seeded by Bill Tetzeli (btet@adelphia.net)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :14
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now.  IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC

gd1989-07-02.schoepsmk2.30364.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :13
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Source 18 of 21

<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

gd1989-07-02.akg414.30363.flac16

View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

Taper: Unknown

AKG c414>?>DAT>CD(1gen)>EAC>FLAC

gd89-07-02.nak.8243.sbefail.shnf

View Notesnotes:  this source is just as good as the other 
aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB.
Well, I think the schoeps source is marginaly better, but 
that is on a refference system w/a critical ear and a matter 
of taste.
I tried to extract my schoeps dics, but was having too much trouble
with one of them so i moved on to this one.
~enjoy
(~):}

Taper: Jill and Rob R

3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

gd1989-07-02.aud.gastwirt.1110.sbefail.shnf

View NotesDigital Audience - Jill & Rob R
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

Taper: Rich Gastwirt

Schoeps CMC42s spaced omnis > Sony SL-2000PCM