Jack Straw | 1983-10-11 | Grateful Dead

gd1983-10-11.143259.senn421-beyer-m201.holbrook.flac2448

Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD)

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Executive Crew Kyle Holbrook Tom Pinney

View Notes* volume fluctuation ~2:35 >end of tune, some mic pre-amp distortion ,then levels get turned down.
/  paused tape between songs
+  Bobby says: "Jerry's speaker just barked its' heart out, so we're gonna change it"

tour story in text file

Taper: Executive Crew Kyle Holbrook Tom Pinney

Transferrer:

Kyle Holbrook

gd1983-10-11.143258.senn421-beyer-m201.holbrook.flac1644

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

gd1983-10-11.120001.mtx.dusborne.flac16

View Notes3b7924fb39d7bdc2a9260055ba2e04ff *gd1983-10-11msgholbrook-16s1t01.flac
3ecc73998c24a6b52162a74b1c338c40 *gd1983-10-11msgholbrook-16s1t02.flac
7bfbdd4fbd2333f86825db9be0857365 *gd1983-10-11msgholbrook-16s1t03.flac
7935e7373601a2f4298bfc767e5e6715 *gd1983-10-11msgholbrook-16s1t04.flac
dfb11e0ed95a31c222191d129255f1c8 *gd1983-10-11msgholbrook-16s1t05.flac
61ab91778caaec946608d221edd78490 *gd1983-10-11msgholbrook-16s1t06.flac
f72898aec3b4b02377327723c36043cf *gd1983-10-11msgholbrook-16s1t07.flac
e437cfdee62e7e8a5c93a24968fa8319 *gd1983-10-11msgholbrook-16s1t08.flac
78a10aa2b340330baf3c418a152902f3 *gd1983-10-11msgholbrook-16s1t09.flac
494cea665a4b8b7bbf68f5e0a683390e *gd1983-10-11msgholbrook-16s2t01.flac
6b31395c38e6b172b460b0cc108adca7 *gd1983-10-11msgholbrook-16s2t02.flac
73e7e3aaa10a5242a47637ec36c6afc6 *gd1983-10-11msgholbrook-16s2t03.flac
03ff17977bc35720974e4e49f44fe55a *gd1983-10-11msgholbrook-16s2t04.flac
7c6ba6bef56c578d4fc3e0f4f1fd6ed7 *gd1983-10-11msgholbrook-16s2t05.flac
a9ed5552b73d20295665dc01eb3da486 *gd1983-10-11msgholbrook-16s2t06.flac
6f3b8f5113db343aec5d5b9de47dbd4d *gd1983-10-11msgholbrook-16s2t07.flac
5b5513784e3528a7b7f242c2abad6a92 *gd1983-10-11msgholbrook-16s2t08.flac
bb12f15a098b30b40d989a83d47ed9f4 *gd1983-10-11msgholbrook-16s2t09.flac
7d6a70a098cdf69b960e0b0ac91114f5 *gd1983-10-11msgholbrook-16s2t10.flac
2acc7456b857ad1ff5d14e74eb257f6c *gd1983-10-11msgholbrook-16s2t11.flac
4d86c1aae1ee27b35793d096415f6a13 *gd1983-10-11msgholbrook-16s2t12.flac
8318edfb38794267ebe877b3521078f6 *gd1983-10-11msgholbrook-16s2t13.flac

Transferrer: matrix by dusborne

2 source matrix: Soundboard Source(shnid=07372): SBD > Cassette Master > Dat x 2 > CDR > SHN and Audience Source (shnid=344): FOB Sennheiser 441's > Technics PCM master > DAT;

DAT > ZA2 > SoundForge

gd83-10-11.sbd.bertha-ashley.26459.sbeok.flacf

View Notes-----------------------------------------------------------------------------------------

2 source matrix:

Soundboard (shnid=07372):
-----------------------------------------------------------------------------------------
gd83-10-11.07372.sbd.braverman.sbeok.t-flac16

Lineage: SBD > Cassette Master > Dat x 2 > CDR > SHN


Audience (shnid=00344):
------------------------------------------------------------------------------------------
gd83-10-11.00344.fob-senn421.silberman-gustin.sbeok.t-flac16

Source: FOB Sennheiser 441's > Technics PCM master > DAT
Transfer:  DAT > ZA2 > SoundForge

Taper: Jeff Silberman
------------------------------------------------------------------------------------------

-Thank you to Bob Harrell and Peter Braverman for their work on and making available the sbd.
-Thank you Jeff Silberman for recording the show.
-Thank you Andy G. for making the Audience recording available.
-Thanks to germain for everything;seeding,encouragement,advice and tutelage.

Matrix by dusborne using Sound Forge Pro 10.0, Samplitude 11.5 Producer and 
Audacity 2.0 for tracking.

04-25-2012 

------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------------

Notes:

Mix Ratio:
SBD -3 db
Aud  0 db
** some minor mix adjustments here and there when needed **

No noise reduction was used in this matrix.

set 1

---Aud was patched with SBD for 3 seconds in Jack Straw.
---Aud was patched with SBD for 2 seconds during the transition between Uncle->Mex due to
   a sonic anomaly.
---Aud was patched with SBD for 1 second right before Bucket.

set 2

---SBD patched with Aud for 35 seconds during China Doll.
---Aud patched with SBD for 25 seconds during the jam into drums. 
---Aud patched with SBD for 1 minute and 2 seconds during drums.
---SBD patched with Aud for 1 minute and 52 seconds during Touch of Grey.

-----------------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
dusborne 04-25-2012
------------------------------------------------------------------------------------------

Transferrer: Jay Ashley

Soundboard (Bertha remaster)

SBD > MC > DAT x2 > CDA > SHN > DAW (Bertha) > CDA/SHN/FLAC16

gd1983-10-11.sbd.harrell.14525.shnf

View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on July 2, 2004.

After joining the tracks into a single wav file, frequency analysis showed a badly deformed waveform.  This was, likely, due to improper processing with a digital limiter.  This was corrected as best as possible prior to Bertha processing.

-3db of pure sample noise reduction was applied prior to Bertha processing.

Transferrer: Dr. Goodseeds

SBD > Cassette Master

Cassette Master > Dat x 2 > CDR > SHN

gd83-10-11.sbd.braverman.7372.sbeok.shnf

View Notesnotes
- These discs made avaliable to gdlive are identicle in terms of tracking and editing as those seeded on etree but these do have minimal noise reduction.  These are the copies I listen to. I believe there is nothing wrong with NR and many of the folks downloading from gdlive don't have the capablities and or time to perform such procedures.  So if you are worried about a good listen get these.  If you are worried about collectiblity or want to do your own NR and or GE get the etree version. I made several splices to patch cassette flips using the etree audience version of this show and used many different technics to make these splices as transparent as possible.  All editing was done using Cool Edit Pro.  Patches are found on the following tracks:
- patch: d2t01   0:00.00 ->  0:12.20      
- patch: d2t06   3:53.19 ->  4:29.22
- patch: d3t04   2:42.23 ->  4:33.06
- I would like to thank my friend Bob for getting me the etree discs to make the patches and thank Jay Silberman for taking the time to record these wonderful audience tapes. Any questions or commennts feel free to contact me at drgseeds@hotmail.com

Source 7 of 32

Soundboard

SBD > Cassette Master > Dat x 2 > CDR > SHN

gd83-10-11.sbd.harrell.7339.sbeok.shnf

View NotesSbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell

Source 8 of 32

Soundboard

SBD > Cassette Master > Dat x 2 > CDR > SHN

Rob Eaton, Scott Clugston, Charlie Miller

View NotesSbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell

Taper: Rob Eaton

gd1983-10-11.167346.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496

Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496

Rob, Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of "China Cat Sunflower", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2023

Taper: Rob Eaton

gd1983-10-11.167345.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648

Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of "China Cat Sunflower", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2023

Taper: Jim Vita

gd1983-10-11.163829.beyer.m88.vita.miller.clugston.flac2496

Jim Vita's Master (FOB) Audience Cassettes; Beyer M88 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Andy Gustin for the Sennheiser 441 source which supplies a 0:26 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Jim Vita

gd1983-10-11.163828.beyer.m88.vita.miller.clugston.flac1648

Jim Vita's Master (FOB) Audience Cassettes; Beyer M88 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Andy Gustin for the Sennheiser 441 source which supplies a 0:26 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Chris Hecht

gd1983-10-11.148172.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496

Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and Charlie Miller for the shnid32644 (FOB) Beyer M160 source which supplies a 3:41 patch in "Drums > Space"
- Sugar Magnolia tease before "Touch Of Grey"
- Pitch corrected
- Set One tape lost

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1983-10-11.148171.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648

Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and Charlie Miller for the shnid32644 (FOB) Beyer M160 source which supplies a 3:41 patch in "Drums > Space"
- Sugar Magnolia tease before "Touch Of Grey"
- Pitch corrected
- Set One tape lost

Mastered by Scott Clugston
September 2019

Taper: Mark Cohen

gd1983-10-11.143611.fob.nak700.cohen.miller.clugston.flac2496

Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

View NotesNotes:
- Thanks to Mark Cohen for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Eaton, J.J. Clifton and Charlie Miller for the shnid91124 Sennheiser 421 + Neumann U87 blend source which supplies a 0:48 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2018

Taper: Mark Cohen

gd1983-10-11.143610.fob.nak700.cohen.miller.clugston.flac1648

Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

View NotesNotes:
- Thanks to Mark Cohen for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Eaton, J.J. Clifton and Charlie Miller for the shnid91124 Sennheiser 421 + Neumann U87 blend source which supplies a 0:48 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2018

Taper: Jim Wise

gd1983-10-11.143047.beyer.m160.wise.miller.clugston.flac2496

Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard) Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the shnid137301 Sennheiser 421 source which supplies a 0:13 patch in "Drums"
- Pitch Corrected

Mastered by Scott Clugston
August 2018

Taper: Jim Wise

gd1983-10-11.143046.beyer.m160.wise.miller.clugston.flac1648

<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp

gd1983-10-11.137322.senn421.miller.flac16

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the shnid137301 Sennheiser 421 source which supplies a 0:13 patch in "Drums"
- Pitch Corrected

Mastered by Scott Clugston
August 2018

Transferrer: Charlie Miller

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1983-10-11.137301.senn421.miller.flac24

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bits @ 44.1**
  24bits > 16bits with r8brain

Transferrer: Charlie Miller

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1983-10-11.senn441-u87.eaton.miller.91124.sbeok.flac16

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k)

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

gd1983-10-11.beyerM160.wise.miller.32644.sbeok.flac16

View NotesNotes:
-- Disc change is seamless
-- Sugar Magnolia tease before Touch Of Grey
-- Recorded By Rob Eaton
-- Dat provided by J.J. Clifton

Taper: Jim Wise

Beyer M160 -> Cassette Master (Sony D5) -> CD

CD -> EAC -> Samplitude Professional v7.01 -> FLAC

View NotesNotes:
-- Sugar Magnolia tease before Touch Of Grey

Source 23 of 32

2:26:49

gd1983-10-11.168941.mtx.seamons.ht170.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 11, 2024

View NotesNotes:

The SBD was pitch corrected a little faster using Jeff Silberman's PCM Dat as a reference. The speed was increased 0.25% for set 1 through Mexicali Blues, then 0.5% for Bird Song, then 0.6% through the rest of the show, with a couple sections at 0.8%.

Silberman's AUD source via Andy Gustin (shnid=344, 1/31/00), patches breaks between songs in the AUD, including brief cuts at the beginnings of Bird Song, Hell In A Bucket, and China Cat Sunflower. A 20-second section in Bird Song is patched where the Beyer M160 source becomes briefly dampened. Approximately 1:20 is also patched during Drums.

AUD-only cuts between songs were cross-faded.

Some light EQ was used during set two only for the SBD. EQ was also used to address some boominess in the AUD during the second set (the SBD had more bass too). The sound dynamics changed in the SBD source for the second set, with some hotter levels and a more blarey sound for the first several songs, then less apparent as it goes, but still pleasing after being matrixed. Made some initial minor SBD level adjustments.

There is a little static burst hiccup in China Cat at 3:20. A few others occur in set two.

Several clicks removed during Drums, Space, St. Stephen and Throwing Stones.

Source 24 of 32

2:15:00

2 Beyer M160> Sony TCD5M Master Cassette> SHN

gd1983-10-11.135286.Unk-Hill.Keo.Flac2496

View NotesMay 2021: included in the "one more shot" series because as of today, this is a different recording than jim wise recording and also any listed at etree, and I thought it was the best sounding aud on loser, and deserved one more shot to circulate since Jan 2003

Taper: Steve Hill

gd1983-10-11.135285.Unk-Hill.Keo.Flac1644

View NotesComments:Another Huge Thanks out to steve for
recording and sharing his source for this show!
Some tape pauses between songs, some higher
recording levels to start Set 1 and start set 2,
All and all another excellent share from the Hill
Collection of Masters and the Grateful Dead's 
Fall 1983 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: Steve Hill

gd1983-10-11.122215.audio-technia.chaisingwilma.flac24

View NotesComments:Another Huge Thanks out to steve for
recording and sharing his source for this show!
Some tape pauses between songs, some higher
recording levels to start Set 1 and start set 2,
All and all another excellent share from the Hill
Collection of Masters and the Grateful Dead's 
Fall 1983 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: chasingwilma

source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit; <b>Note</b>: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate

Taper: chasingwilma

gd1983-10-11.118673.atm11.chasingwilma.flac16

source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit;

(3)audio technica atm11 fob> optimus> d-5> optimus> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8

Taper: Tom Pinney

gd1983-10-11.beyerm201.pinney.russjcan.103298.flac16

Beyerdynamic M-201's xy 90 w/ Marantz CD-320 No nr Maxell XL II S 90 Recorded from directly in front of the board ,center

Master>Nak CR-3A<Audigy SE>Audacity>CDWave>TLH

gd1983-10-11.fob.atm11.chasingwilma.fix.102106.sbeok.flac16

View NotesFirst track from first gen source,next deck in line.
 it's cut but not as much as the master

Taper: chasingwilma

Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5; Recording Location: FOB dead center; Recorded By: chasingwilma;

sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper; presumably a fix of <a href="http://db.etree.org/shn/101949">source ID 101949</a>

Taper: chasingwilma

gd1983-10-11.fob.atm11.chasingwilma.101949.sbeok.flac16

3 audio technica atm 11 > sony d-5, FOB dead center

master cassette > cd > eac > flac; sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper

Taper: Jeff Silberman

gd83-10-11.silberman.gustin.344.sbeok.shnf

Audience: Sennheiser 441's

Sennheiser 441's (FOB) > Technics PCM master > DAT > ZA2 > Soundforge > SHN/FLAC16