1983-04-12 | Grateful Dead

View NotesNotes:
- Thanks to David Gans for the PCM clone
- Thanks to Charlie Miller for the transfer
- PCM clone patched out of a cassette deck
- Thanks to the folks responsible for the shnid93961 sennheiser 421 source for a 0:21 patch at the beginning of "Drums"
- Other One space included in "The Other One"
- All copies in general circulation emanate from this PCM clone


Transfer by Charlie Miller
Mastered by Scott Clugston
11/25/17

Transferrer: Matrix by dusborne

2:56:21

SBD

gd1983-04-12.124253.mtx.dusborne.flac16

Source:

3 Source Matrix by Dusborne: Soundboard (shnid:17264) Set 1SBD > Cassette master > Dats > CDR > SHN by drgseeds, Soundboard (shnid:30808) Set 2 Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:93961) Source: MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford.

Transferrer: Charlie Miller

gd83-04-12.set2.pcm-sbd.miller.30808.sbeok.flacf

Source:

flac16 SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat

Lineage:

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC

Taper Notes:

View Notes<b>flac16</b>; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC

Source 4 of 20

gd1983-04-12.sbd.drgseeds.17264.shnf

Source:

SBD > Cassette master > Dats > CDR > SHN

Taper Notes:

View NotesI was very excited to see the PCM seed for this show at etree back on 6-12-02.  
Unfortunately the etree seed was not a pure digital SBD.  There is obvious hiss
on the quite portions in between songs.  This was the first dat I got way back 
1989 and was labeled as dat of cassette master.  I compared wavs from my dat to 
the wavs from the etree PCM seed the sound and is almost identicle.  Fortunately my tape had drums and space in their entirety and had no diginoise.  So I decided to redo the show using my SBD dat and the etree audience seed for patching.  This seed is the result.  My tape did suffer from most of the of the level drops in the right channel the previous sbd seed had and I fixed them the same way by replacing the right channel with the left in effect making those portions mono.  Dupree's did not have the drop out the previous seed did.  I also made many patches whith the audience recording they can be found on the following tracks.

d1t01        00:00.00    -->   00:10.70
d1t06        05:49.35    -->   06:42.18
d1t07        00:00.00    -->   00:01.23
d1t08        00:00.00    -->   00:12.81
             08:21.22    -->   09:36.53
d1t09        00:00.00    -->   00:03.20
             04.37.95    -->   05:11.23
d1t10        00:00.00    -->   00:16.60
             12:19.05    -->   12.30.66
d2t01        00:00.00    -->   00:52.23
d2t03        11:06.43    -->   11:51.66
d2t04        00:00.00    -->   00:03.42
d2t07        00:03.20    -->   00:29.94
d3t01        00:28.85    -->   00:31.20  

Please don't let all theses patches scare you off, most will go unnoticed.  This is a great show!  I believe this is probably the best SBD version of this show out there and is a definate up grade from the previous SBD seed because it is a more complete SBD and also has patches.  If any one has a better copy please get it out there.  I would love to get an even better version.  As always a big thanks to my friend Bob Harrell for getting me both of the etree seeds Rob Eaton for the SBD dat and for making the great audience recording.  No noise reduction of any kind was used in the production of these discs.  Any questions or comments please feel free to contact me at drgseeds@hotmail.com

Source 5 of 20

gd83-04-12.sbd.dodd.10075.sbeok.shnf

Source:

SBD>PCM>DAT>CDR (Has Analog Gen)

Taper Notes:

View NotesSBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd

Taper: Rob Eaton

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1983-04-12.163638.senn441.neumann.u87.miller.clugston.flac2496

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Rick Colyard and Alex Ford for the Sennheiser 421 source which supplies a 5:48 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2022

Taper: Rob Eaton

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1983-04-12.163637.senn441.neumann.u87.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Rick Colyard and Alex Ford for the Sennheiser 421 source which supplies a 5:48 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-12.162700.senn421.blend.vita.miller.clugston.flac2496

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to David Gans and Charlie Miller for the soundboard source which supplies a 0:22 patch in "Drums" (audience patch source not available 08/2022)
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-12.162699.senn421.blend.vita.miller.clugston.flac1648

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to David Gans and Charlie Miller for the soundboard source which supplies a 0:22 patch in "Drums" (audience patch source not available 08/2022)
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Taper: Unknown

3:00:12

Transferrer:

Rick Gastwirt;Charlie Miller;Joe Noel

SHNID:

gd1983-04-12.138560.Senn421.FOB.Gastwirt.Miller.Noel.t-flac16

Lineage:

Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack : Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info: 
source #9947; Jim Wise Senn FOB recording
- Let It Grow - 11:37 - end
Source #134998; Brian Schley Nak FOB recording
- Drums - 0:00 - 00:46 & 7:09 - 7:24
Source #93961; Rick "Coyote" Colyard Senn FOB recording
- encore break - 0:25 - 0:47

Notes:
- Bama comes in hot, minor levels adjust made, things settles nicely
- a couple of bumps, cuts & incidental splices have been smoothed over 
- love is in the air after Baby Blue
- Broome County Arena - 6,925 seating capacity
- a real nice '83 listening experience

Taper: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney

2:43:30

Taper:

Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1983-04-12.141633.senn421.executive-crew.holbrook.flac2448

Source:

flac24/48 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA Marked as patched out of Jim Wise.

Lineage:

JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View Notes//  tape flip
//# Tape Swapped from 1st tape to 2nd tape
/   cut  or pause between tracks

Taper: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney

2:43:30

Taper:

Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1983-04-12.141632.senn421.executive-crew.holbrook.flac1644

Source:

flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA Marked as patched out of Jim Wise.

Lineage:

JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View Notes//  tape flip
//# Tape Swapped from 1st tape to 2nd tape
/   cut  or pause between tracks

Taper: Doug Lamarre

gd1983-04-12.140087.aud.lamarre.berger.flac24

Source:

aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger

Taper: Doug Lamarre

gd1983-04-12.140086.aud.lamarre.berger.flac16

Source:

aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger

Source 15 of 20

Taper: Brian Schley

gd1983-04-12.134998.nak300.schley.flac1644

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Fuji Metal (S1) and TDK MA-Metal (S2). Set up FOB, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016

Taper Notes:

View NotesNote: Master tapes suffering from wear and tear, with fluttering 
in spots, and minor damage audible in Alabama and Terrapin. Patches 
from AUD sources were added to second set to make it seamless; tape 
flip in Terrapin, all of Drums, and tape flip after Not Fade Away.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Dave Barfield and David Lane

Dave Barfield and David Lane

Transferrer:

Dave Barfield

SHNID:

gd1983-04-12.nak300.barfield-lane.103166.flac24

Source:

nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette

Lineage:

master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)

Taper: Rick "Coyote" Colyard

Rick "Coyote" Colyard

Transferrer:

Alex Ford

SHNID:

gd1983-04-12.fob.senn421.colyard.ford.93961.flac16

Source:

(FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center.

Lineage:

Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > FLAC16 (level eight)

Taper Notes:

View Notes- SBE Free
- * entire song from shnid=9947.
- shnid=9947 also supplies tape flips patches and other patches. 
- Master Audience Cassettes graciously provided by Muletaper.  
- Last but not least, thanks to Jamie W. for his guidance in mastering this recording.

Source 19 of 20

gd83-04-12.wise.sacks.9947.sbeok.shnf

Source:

Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR

Taper Notes:

View NotesJim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks

Source 20 of 20

gd83-04-12.set2-aud.dodd.9764.sbeok.shnf

Source:

AUD>MC>DAT>CDR

Taper Notes:

View Notes2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd