Big River | 1983-08-26 | Grateful Dead

View NotesNotes:
- Thanks to Mark Severson for the master (FOB) source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ernie Dodd for the shnid12258 Sennheiser 421 source which supplies a 0:06 patch in "Drums"
- First "Wang Dang Doodle"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
January 2020

Taper: Mark Severson

2:47:38

Rating:

Scott Clugston and Charlie Miller

SHNID:

gd1983-08-26.148832.fob.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90)

Lineage:

Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master (FOB) source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ernie Dodd for the shnid12258 Sennheiser 421 source which supplies a 0:06 patch in "Drums"
- First "Wang Dang Doodle"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
January 2020

Taper: Kyle Holbrook & Chris Kidwell

Kyle Holbrook & Chris Kidwell

Transferrer:

Kyle Holbrook

SHNID:

gd1983-08-26.142901.beyerm201.holbrook.flac2448

Source:

<b/>flac24/48khz </b> ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC

Lineage:

Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5MPlayback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notesrecording notes:
// tape flip
# Sound is rough for first few minutes, took them a while to dial the PA in.
  Overall Sound quality not as good on set 1, surely due to distance from PA;
  does seem to get "better" in the middle of Minglewood.
& paused between songs
* very long stop between Woman and He's Gone (must have been equipment problems)
% First time played (h/t dead.net)
+ extra reverb in Bob's vocals adds odd echoness to Sugar Magnolia
Tour story in the setlist file

Taper: Kyle Holbrook & Chris Kidwell

Kyle Holbrook & Chris Kidwell

Transferrer:

Kyle Holbrook

SHNID:

gd1983-08-26.142900.beyerm201.holbrook.flac1644

Source:

<b/>flac16/44.1khz </b> ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC

Lineage:

Taper Notes:

View Notesrecording notes:
// tape flip
# Sound is rough for first few minutes, took them a while to dial the PA in.
  Overall Sound quality not as good on set 1, surely due to distance from PA;
  does seem to get "better" in the middle of Minglewood.
& paused between songs
* very long stop between Woman and He's Gone (must have been equipment problems)
% First time played (h/t dead.net)
+ extra reverb in Bob's vocals adds odd echoness to Sugar Magnolia
Tour story in the setlist file

Taper: Daweez

gd1983-08-26.110903.Sennheiser421-daweez.D5scott.flac16

Source:

2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes

Lineage:

Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files

Taper Notes:

View Notes** 1st time played
-------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  We sure do miss him!
-------------------------------------------------------------

Source 6 of 6

gd83-08-26.sennheiser.dodd.12258.sbeok.shnf

Source:

AUD (Senn. 421Âs)> MC >DAT>CDR

Taper Notes:

View NotesAUD (Senn. 421Âs)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd