Space > | 1983-05-14 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the source Dat
- Thanks to Charlie Miller for the transfer
- According to Rob's list, the entire show is MSC>RR, his Dat begs to differ (1st set sbd/2nd set audience)
- Clean "Feel Like A Stranger" - copies in general circulation are missing the tuning and first 1:29
- Noodle into "Bertha" starts as a soundboard, Jerry hits a sour note and a few seconds later, the soundboard cuts until the first verse
- Thanks to the folks responsible for shnid94396 Sony ECM220t source which supplies a 0:05 patch in the beginning of "Bertha", a 0:11 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia"
- Weir stays on stage and jams with the drummers after "Playin' In The Band"
- Wheel space included in "The Wheel"
- "At this time, we've selected for everyone, a couple of fine shoot 'em up polkas"

Mastered by Scott Clugston
12/27/2017

Taper: See info file

48:55

SBD

gd1983-05-14.sbd-set1.samaritano.tetzeli.patch-25407.91136.sbeok.flac16

Source:

Repatched edit of shnid 25407

Lineage:

See info file

Taper Notes:

View Notes-------------------------------------------------------------------------------
Repatched edit of shnid 25407

I smoothed out the patch at the beginning of Stranger and patched the tape flip in the beginning of Bertha.  AUD patch source was pitch and volume adjusted and 1 second crossfades were used.  Thanks to both Joe Samaritano for the SBD source and to Gustin for the Senn patch source.  The repatching resulted in the need to fix SBE errors starting from the first file, so all files were converted to flac.  FLAC audio data verify using a .cfp checksum created from the repatched t01, t08 and original .shn files t02-t07.  

Bill Tetzeli (laptaper@gmail.com)
3/31/2008
-----------------------------------------------------------------

Source 3 of 17

gd83-05-14.set1-sbd.samaritano.25407.sbeok.shnf

Source:

*Set 1 Only* Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN.Transfer, editing, and SHN by Joe Samaritano

Taper Notes:

View Notes*Set 1 Only* <br />
Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude 
v7.02 Professional->.wav->mkw->SHN.
Transfer, editing, and SHN by Joe Samaritano

Taper: Ken Kelley

Scott Clugston, Charlie Miller

SHNID:

gd1983-05-14.168030.beyer.m201.kelley.miller.clugston.flac2496

Source:

Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)

Lineage:

Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496

Taper Notes:

View NotesNotes:
- Thanks to Ken Kelley for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Powell and J. Barnes for the Sennheiser 421 source which supplies a 0:12 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
November 2023

Taper: Ken Kelley

Scott Clugston, Charlie Miller

SHNID:

gd1983-05-14.168029.beyer.m201.kelley.miller.clugston.flac1648

Source:

Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)

Lineage:

Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496

Taper Notes:

View NotesNotes:
- Thanks to Ken Kelley for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Powell and J. Barnes for the Sennheiser 421 source which supplies a 0:12 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
November 2023

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-05-14.163384.nak304.vita.miller.clugston.flac2496

Source:

Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jamie Porris and Mark Severson for the Nakamichi 700 source which supplies the first 0:05 of "Bertha"
- Thanks to Rango Keshavan and Charlie Miller for the Sony ECM220t source which supplies a 1:06 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-05-14.163383.nak304.vita.miller.clugston.flac1648

Source:

Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jamie Porris and Mark Severson for the Nakamichi 700 source which supplies the first 0:05 of "Bertha"
- Thanks to Rango Keshavan and Charlie Miller for the Sony ECM220t source which supplies a 1:06 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Unknown

Charlie Miller and SIRMick

SHNID:

gd1983-05-14.138938.schoeps.miller.sirmick.sbeok.flac16

Taper Notes:

View NotesThanks to Rango for the patches and Charlie for providing this source.


edited and mastered
SIRMick
August 2017

Taper: Rango Keshavan

gd1983-05-14.fob.sonyecm220t.keshavan.miller.fix.94515.sbeok.flac16

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16

Taper Notes:

View NotesPatch Info:
(FOB) Beyer M201 -> Cassette Master -> CD (shnid=33502) supplies:
Drums (6:31 - 6:40)

Notes:
-- Disc change is seamless
-- Thanks to Rango Keshavan for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Rango Keshavan

gd1983-05-14.fob.sonyecm220t.keshavan.miller.94396.sbeok.flac16

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
(FOB) Beyer M201 -> Cassette Master -> CD (shnid=33502) supplies:
Drums (6:31 - 6:40)

Notes:
-- Disc change is seamless
-- Thanks to Rango Keshavan for lending me his masters

Taper: xecutive Crew Tom Pinney Kyle Holbrook John Hance

2:14:04

Taper:

xecutive Crew Tom Pinney Kyle Holbrook John Hance

Transferrer:

Kyle Holbrook

SHNID:

gd1983-05-14.141946.beyerm201.executivecrew-holbrook.flac1644

Source:

flac16/44.1 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View NotesShow notes
5 PM start
# cut start
* Actual Kreutzmann Birthday is May 7
One of my favorite GD shows. The Shakedown and Morning Dew are standouts.

Recording Notes
// Tape Flip
& Missed first few seconds
//* Tape swap
Encore was on set 1 tape

Taper: Executive Crew Tom Pinney Kyle Holbrook John Hance

2:14:03

Taper:

Executive Crew Tom Pinney Kyle Holbrook John Hance

Transferrer:

Kyle Holbrook

SHNID:

gd1983-05-14.141945.beyerm201.executivecrew-holbrook.flac2448

Source:

flac24/48 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View NotesShow notes
5 PM start
# cut start
* Actual Kreutzmann Birthday is May 7
One of my favorite GD shows. The Shakedown and Morning Dew are standouts.

Recording Notes
// Tape Flip
& Missed first few seconds
//* Tape swap
Encore was on set 1 tape

Taper: anonymous taper, Jamie Poris, Mark Severson

2:14:35

Taper:

anonymous taper, Jamie Poris, Mark Severson

Transferrer:

Brian Green and SIRMick

SHNID:

gd1983-05-14.nak700.anon-severson-poris.LMPP.96570.flac16

Source:

3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B )

Lineage:

MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16

Taper Notes:

View NotesNotes:

- crossfades after Mexicali Blues and Tennessee Jed
- the bass on this recording was extremely heavy and has been toned down.  There is some distortion
   from time to time, and it's especially noticeable during the first few seconds of Feel Like A Stranger
- seamless change between discs 2 and 3

patches:

Happy Birthday Billy 0:37 - 0:53 
Drums 3:45 - 3:53

patch source: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) (shnid 94515)

Transferrer: Kyle Holbrook

gd1983-05-14.beyerm201.holbrook.33502.sbeok.flac16

Source:

Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) 85 feet from stage, DFC

Lineage:

Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed.

Taper Notes:

View NotesComments:
One of my favorite GD shows.  The Shakedown and Morning Dew are standouts.

Taper: Dave Kramer & Matt Field

2:21:48

Taper:

Dave Kramer & Matt Field

Transferrer:

Jim Powell and J. Barnes

SHNID:

gd1983-05-14.fob.senn421.barnes-powell.18225.sbeok.shnf

Source:

FOB Sennheiser 421s>Sony PCM F-1>DAT

Lineage:

DAT>CDR>EAC(secure)>SHN

Taper Notes:

View Notesnotes from jim powell:
- Dave Kramer & Matt Field FOB MAP > D > CD  
- 3 Sennheiser 421s > Sony PCM F-1.  
- We fixed a couple minor glitches in the Playin on second disc using  Rango's FOB MAC.

Taper: Jeff Silberman

DAT(fostex d10)>CDR>DAE (via EAC)>CDR-WAV (for Tracking)>MKW>SHN encoded by Jeff Fishman, via Dougal Donaldson

SHNID:

gd83-05-14.senn.fishman.15387.sbeok.shnf

Source:

FOB: Sennheiser 421's > Sony PCM-F1

Lineage:

Master AUD:PCM > DAT > CDR > EAC > SHN

Taper Notes:

View NotesFOB: Sennheiser 421's > Sony PCM-F1  (Jeff Silberman's PCM Master) encoded by Jeff Fishman

Source 17 of 17

gd83-05-14.sennheiser.gustin.342.sbeok.shnf

Source:

FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer

Taper Notes:

View NotesFOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion:
3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known
flaw: very end of Bertha is cut