1981-08-28 | Grateful Dead

Bands

Featured

Bob Weir

278 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

150 shows

181 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,119 shows

1,510 tapes

Jerry's Middle Finger

241 shows

289 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

401 shows

585 tapes

North Mississippi Allstars

Phil Lesh and Friends

787 shows

2,825 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,273 shows

2,041 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1981

Los Angeles and San Francisco, CA

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Fiesta Hall, San Mateo County Fairgrounds

Events Center, U. of Colorado

Des Moines Civic Center

Indianapolis, IN, USA

Assembly Hall, U. of Illinois

Amsterdam, Netherlands

Amsterdam, Netherlands

Amsterdam, Netherlands

War Memorial Auditorium

Stabler Arena, Lehigh U.

Compton Terrace Amphitheatre

McArthur Court, U. of Oregon

Portland Memorial Coliseum

Seattle Center Coliseum

Salt Lake City, UT, USA

McArthur Court, University Of Oregon

McNichols Sports Arena

McNichols Sports Arena

Alpine Valley Music Theatre

St. Paul Civic Center

Kansas City Municipal Auditorium Arena

Oklahoma City, OK, USA

San Francisco, CA, USA

Onondaga County War Memorial

Barton Hall, Cornell University

Athletic Center, Rutgers U

New Brunswick, NJ, USA

Providence Civic Center

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Glenns Falls Civic Center

Glenns Falls, NY, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Veterans' Memorial Coliseum

Utica Memorial Auditorium

Madison Square Garden

Madison Square Garden

Cole Field House, U. of Maryland

College Park, MD, USA

Sources

Transferrer: Charlie Miller

gd1981-08-28.sbd.miller.113680.flac16

Source:

SBD -> Cassette Master -> ? -> CD

Lineage:

CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Numerous flaws removed from recording
-- Thanks to Joe B. Jones for his help with the pitch correction

Source 2 of 10

gd81-08-28.sbd-patched.painoman.9572.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>?>CD (patched with AUD>MC>DAT>CD)

Taper Notes:

View Notes* First "Never Trust A Woman"

SBD>?>CD; w/ patches from AUD>MC>DAT>CD; upgrade to previous <a href="http://db.etree.org/shninfo_detail.php?shnid=8670" rel="nofollow">Paino</a> seed; via Willy; Chris Cantergiani; 
Patches by PainoMan 
Seeded to etree by PainoMan - May 2002

Source 3 of 10

gd81-08-28.sbd.painoman.8670.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN)

Taper Notes:

View NotesSBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan

Taper: Jim Vita

Scott Clugston and Charlie Miller

SHNID:

gd1981-08-28.153337.nak304.vita.miller.clugston.flac2496

Source:

Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Frank Streeter and the folks responsible for the Sennheiser 421 source which supplies a 0:07 patch in "Never Trust A Woman"
- Thanks to Todd Ellner and the MOTB folks for the Nakamichi 700 source which supplies a 6:56 patch in "Drums", as well as a 0:10 patch in the "Truckin' > Wharf Rat" transition
- Pitch corrected

Mastered by Scott Clugston
August 2021

Taper: Jim Vita

Scott Clugston and Charlie Miller

SHNID:

gd1981-08-28.153336.nak304.vita.miller.clugston.flac1648

Source:

Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Frank Streeter and the folks responsible for the Sennheiser 421 source which supplies a 0:07 patch in "Never Trust A Woman"
- Thanks to Todd Ellner and the MOTB folks for the Nakamichi 700 source which supplies a 6:56 patch in "Drums", as well as a 0:10 patch in the "Truckin' > Wharf Rat" transition
- Pitch corrected

Mastered by Scott Clugston
August 2021

Taper: Master Cassette Recording by Frank Streeter

Master Cassette Recording by Frank Streeter

Transferrer:

DSD Transfer by Charlie Miller;Edited & reMastered w/ Adobe Audition by Joe Noel

SHNID:

gd1981-08-28.149185.FOB.Senn.Streeter.Miller.Noel.reMaster.t-flac2496

Source:

(FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M)

Lineage:

Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96

Taper Notes:

View NotesPatch info;
- shnid # 91231 (Nak cm700, Ron Elner) supplies
- s2t03; start - 0:16

Notes;
- tape flips & pauses cross faded
* first performance

reMaster Notes;
- shnid 139526 was not normalized or pitch corrected.
- This source has been normalized, pitch corrected & eq'd.
- Thanks to Charlie Miller & Scott Clugston for their assistance.

Taper: Frank Streeter

Charlie Miller and Joe Noel

SHNID:

gd1981-08-28.141136.FOB.Senn.Streeter.Miller.Noel.t-flac1644

Source:

Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesNotes:
- tape flips & pauses cross faded
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
* first performance

Taper: Frank Streeter

Charlie Miller and Joe Noel

SHNID:

gd1981-08-28.139526.FOB.Senn.Streeter.Miller.Noel.t-flac24

Source:

Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- tape flips & pauses cross faded
* first performance
Grateful for:
- Fran Streeter's recording efforts.
- Charlie Miller's DSD transfer.

Source 9 of 10

gd1981-08-28.mtx.painoman.92893.sbeok.flac16

Taper Notes:

View NotesMatrix Mix

SBD Source: SBD>?>CD>WAV (100%)
AUD Source: MAC>DAT>CD>WAV (50%)
2008 Update:  Encore Source:  Barry Glassberg's master audience recording (shnid=91231).

Taper: Ron Ellner

MAC Supplied By: Barry Glassberg, Transfer by Adam Egert, Mastering by Bill Koucky

SHNID:

gd1981-08-28.fob.ellner.motb.91231.sbeok.flac16

Source:

2 x Nakamichi CM-700 => Sony TC-D5 >> MAC

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesMastering Notes
-- Discs 2 and 3 are seamless.
-- d2t07 - Used gd81-08-28.sbd-patched.painoman.9572.sbeok.shnf (shnid=9572) as patch source for tape flip during "Never Trust A Woman"; 2:46 - 2:57.
-- Crossfades were applied during first set pauses and for tape flip after "Little Red Rooster".
-- Crossfades were applied for tape flips at the end of "Drums" and before "U.S. Blues". 
-- Several large microphone taps were edited out at the beginning of the sets, while minor taps remain; crossfades were applied.