1981-03-06 | Grateful Dead

View NotesNotes:
-- This is a remaster of shnid=14019
-- I removed the dolby, balanced levels and pitch corrected it
-- Thanks to Mason Taylor for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings

Source 2 of 15

1:33:23

SBD

SHNID:

gd1981-03-06.175137.set2.sbd.miller.phase-repair.flac1644

Taper: seaweed

gd1981-03-06.166099.s2.sbd.seaweed.flac2448

Source:

SBD > ? > Cassette

Lineage:

Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesID-129552 patch, Drums 1:31 > 2:13. THANKS to Seaweed1010 for sharing his old tape!

Source 4 of 15

gd81-03-06.set2-sbd.fink.14019.sbeok.shnf

Source:

Soundboard

Lineage:

S : MC > C > D > CDR > EAC > SHN

Taper Notes:

View NotesSet 2, minus encore; S : MC > C > D > CDR > EAC > SHN
Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.

Taper: Bob Wagner

Scott Clugston, Charlie Miller

SHNID:

gd1981-03-06.169229.nak700.wagner.miller.clugston.flac2496

Source:

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mason Taylor and Mark Radnor for the Nakamichi 700 source which supplies an 0:08 patch in "Deal", the first 0:41 of "Samson & Delilah", a 0:03 patch in "Estimated Prophet", as well as an 0:18 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2024

Taper: Bob Wagner

Scott Clugston, Charlie Miller

SHNID:

gd1981-03-06.169228.nak700.wagner.miller.clugston.flac1648

Source:

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mason Taylor and Mark Radnor for the Nakamichi 700 source which supplies an 0:08 patch in "Deal", the first 0:41 of "Samson & Delilah", a 0:03 patch in "Estimated Prophet", as well as an 0:18 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2024

Taper: Frank Streeter

Charlie Miller and Scott Clugston

SHNID:

gd1981-03-06.139742.fob.beyer.m160.streeter.miller.clugston.flac2496

Source:

Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston

Taper Notes:

View Notes- Thanks to Frank Streeter for the source cassettes
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid83827 nak700 source which provides the outro of "Row Jimmy" and the transition into "Little Red Rooster" (0:16), the crowd after "Deal" and a patch in "Drums" from x:xx thru x:xx
- Between song transitions smoothed
- Tape flip in "Drums" has been edited and is transparent

Taper: Frank Streeter

Charlie Miller and Scott Clugston

SHNID:

gd1981-03-06.139741.fob.beyer.m160.streeter.miller.clugston.flac1644

Source:

Taper Notes:

View Notes- Thanks to Frank Streeter for the source cassettes
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid83827 nak700 source which provides the outro of "Row Jimmy" and the transition into "Little Red Rooster" (0:16), the crowd after "Deal" and a patch in "Drums" from x:xx thru x:xx
- Between song transitions smoothed
- Tape flip in "Drums" has been edited and is transparent

Source 9 of 15

3:00:08

SHNID:

gd1981-03-06.174922.Bernstein.MasterCassettes.t-flac2496

Taper: ismokeweed

gd1981-03-06.169387.nak300.cm.ismokeweed.flac2448

Source:

this is a digital copy of a master stereo audience recording made with 2xnak300 mics into a sony tcd5m.

Taper Notes:

View Notesi recorded about 10 grateful dead shows from 1978-1981. some have
disappeared. i always assumed someone made a better tape than i
did so i never uploaded them. i might have made copies for people.

this is a pretty good recording. i think i made it just under the balcony.
the crowd is quiet, no real intrusions.  the 2nd set sound changed at
the beginning. not sure if it was my equipment of the pa system.
this show is a solid 3 hours.

i do remember that i security guard saw me at some point either
before the show or  at set break and demanded $ to record.
i think  i gave him $5 or $10.

as always, might not be tracked correctly, might blow out your
speakers or ear drums.

Taper: Mason B. Taylor

gd1981-03-06.naks.mason.129552.flac16

Source:

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; mics spread 15' on lip of lower balcony onto Maxell Metal tapes

Taper Notes:

View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

Taper: Jim Wise

gd1981-03-06.128664.senn421.wise.minches.flac2496

Source:

Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding (24/96 version)

Taper: Jim Wise

gd1981-03-06.128579.senn421.wise.minches.flac16

Source:

Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding

Taper Notes:

View NotesNote:
Deal will fit on the end of disc 1 with about an 18 second overburn.

Tagging notes:
Show information is embedded within the headerof each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 5/04/2014

Taper: Mason Taylor and Mark Radnor

Mason Taylor and Mark Radnor

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1981-03-06.nak700.taylor-radnor.gross.gems.83827.flac16

Source:

NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal > HHB Porta-a-DAT

Lineage:

DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio -> (S/PDIF in) -> Wavelab 6.0 (Ozone & L2)

Taper Notes:

View Notes-set one tuning and encore supplied from jim wise encore
-static at start of Jack straw repaired to listenable point
-small glitch at start of little redrooster
-digizit repaired to listenability in the other one, artifacts still present
-set one and two are seemless
-tape pauses between each song, set one. No/Little music lost

Taper: Jim Wise

gd81-03-06.wise.lutch.3921.sbeok.shnf

Source:

Audience Recording: Sennheiser 421>D5 set up loge center

Lineage:

Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC > Soundforge > CD WAV > SHN

Taper Notes:

View NotesAudience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; <a href="http://groups.yahoo.com/group/dankseeds/files/gd81-03-06/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds//" rel="ugc nofollow">dankseeds</a>