Candyman | 1980-11-29 | Grateful Dead

View NotesNotes:
-- Thanks to Sean Kutzko for the tape
-- This is all that is currently available from the soundboard
-- Thanks to Jim Wise for the patch source
-- Thanks to Joe B. Jones for his input on the pitch correction
-- This is 139321 24 bit -> 16 bit

Transferrer: Charlie Miller

1:42:50

SBD

Transferrer:

Charlie Miller

SHNID:

gd1980-11-29.139321.set2.sbd.miller.flac24

Source:

SBD > Multi-Gen Cassette (Maxell XLII 90)

Lineage:

Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Sean Kutzko for the tape
-- This is all that is currently available from the soundboard
-- Thanks to Jim Wise for the patch source
-- Thanks to Joe B. Jones for his input on the pitch correction

Source 3 of 17

1:42:53

SBD

SHNID:

gd1980-11-29.175074.set2.sbd.miller.vocal-phase-repair.flac2496

Taper: Recorded By Bob Wagner

Recorded By Bob Wagner

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net July 14, 2022

SHNID:

gd1980-11-29.157406.fob.nak700.cm.wagner.miller.t.flac1644

Source:

(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded By Bob Wagner
-- Patch source recorded by Jim Wise
-- This is 157370 2496 > 1644

Taper: Bob Wagner

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net July 14, 2022

SHNID:

gd1980-11-29.157370.fob.nak700.wagner.miller.flac24

Source:

(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded By Bob Wagner
-- Patch source recorded by Jim Wise

Taper: Jim Wise

gd1980-11-29.beyerm160.wise.miller.101722.flac16

Source:

Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Recorded By Jim Wise (mics were set up at soundboard)
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Bob Wagner

gd1980-11-29.nak700.wagner.miller.90104.sbeok.flac16

Source:

(FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby DB) D

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->

Taper Notes:

View NotesPatch Info:
(FOB) Beyer M-160 -> Cassette Master -> Alesis Masterlink -> CD supplies:
Truckin' (4:38 - 4:56)
Good Lovin' (5:17 - 5:29)

Notes:

-- Set 2 is seamless
-- Thanks to Bob Wagner for lending me his masters
-- Patch source recorded by Jim Wise (shnid=2409)

Taper: Ohr Weinberg

gd1980-11-29.155787.ohr-sony-ecm23f-nak550-flac16

Source:

Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell UD-XLII 90 Cassettes), Dolby B

Lineage:

Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC

Taper: Richie Stankiewicz

gd1980-11-29.145665.beyerM-88.stankiewicz.flac16

Source:

Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"

Lineage:

Transfer MAC>Nakamichi 1000II>USBPre 2

Taper: Brian Schley

gd1980-11-29.134704.aud.schley.flac1644

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015

Taper Notes:

View NotesNote: This recording does not match any of the currently posted 
versions. There were several issues with the 2nd Set tape; a big 
drop-out (Estimated), mangled tape-flips (Truckin, Drums, & Good 
Lovin) and the tape ran out on last note of the encore. These were 
all patched with 24-bit segments taken from Jim Wise's ID-132457.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Brian Schley

gd1980-11-29.134703.aud.schley.flac2448

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015

Taper Notes:

View NotesNote: This recording does not match any of the currently posted 
versions. There were several issues with the 2nd Set tape; a big 
drop-out (Estimated), mangled tape-flips (Truckin, Drums, & Good 
Lovin) and the tape ran out on last note of the encore. These were 
all patched with 24-bit segments taken from Jim Wise's ID-132457.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Jim Wise

gd1980-11-29.132457.wise.aud.flac24

Source:

Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise

Transferrer: Jim Wise

gd1980-11-29.132456.aud.flac16

Source:

<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise

Taper: Richie Stankiewicz

gd1980-11-29.127229.beyer.stankiewicz.flac2496

Source:

Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz

Taper: Jim Wise

gd1980-11-29.beyer160.wise.gmb.89938.sbeok.flac16

Source:

Beyer M-160's > Sony TC-D5 > CDR > DAT

Lineage:

Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] > iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC

Taper Notes:

View NotesCrossfades applied between most first set tunes and before Truckin� for tape flip and before Space.
Slight diginoise at end of Stella Blue. Discs 2 and 3 are seamless.

Taper: Jim Wise

gd80-11-29.wise.sacks.2409.sbeok.shnf

Source:

Audience Recording: Beyer M-160's

Lineage:

FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink

Taper Notes:

View NotesFOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to <a href="http://db.etree.org/shninfo_detail.php?shnid=325" rel="nofollow">previous</a> shn set

Transferrer: D. Barrick

gd1980-11-29.aud.barrick.325.shnf

Source:

Audience