1980-09-06 | Grateful Dead

View NotesRecording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD
Supplies patch at end of d1t06 and also provieds d2t04 through of the show.
(Taped By Jim Wise).  Remastering by Charlie Miller

Transferrer: Joe Samaritano

1:47:00

SBD

gd80-09-06.set1-sbd.samaritano.23371.sbeok.shnf

Source:

Soundboard

Taper: Kathy Sublette

Scott Clugston and Charlie Miller

SHNID:

gd1980-09-06.147840.fob.shure.sm57.sublette.miller.clugston.flac2496

Source:

Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158

Lineage:

Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Kathy Sublette for the Master Audience Cassettes
- Thanks to Ted Mattes for finding the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Kathy Sublette

Scott Clugston and Charlie Miller

SHNID:

gd1980-09-06.147839.fob.shure.sm57.sublette.miller.clugston.flac1648

Source:

Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158

Lineage:

Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Kathy Sublette for the Master Audience Cassettes
- Thanks to Ted Mattes for finding the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1980-09-06.142972.fob.nak700.wise.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition
- There is some minor wind noise noticeable in between some songs
- Thanks to Joe B. Jones for verifying the pitch
- A fun time was had by all

Mastered by Scott Clugston
August 2018

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1980-09-06.142971.fob.nak700.wise.miller.clugston.flac2496

Source:

Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition
- There is some minor wind noise noticeable in between some songs
- Thanks to Joe B. Jones for verifying the pitch
- A fun time was had by all

Mastered by Scott Clugston
August 2018

Taper: Steve Rolfe

gd1980-09-04.fob.nak700.rolfe.miller.93783.sbeok.flac24

Source:

(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II) D

Lineage:

Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24 (1 DVD FLAC)

Taper Notes:

View NotesNotes:
-- Thanks to Steve Rolfe for lending me his masters

Taper: Steve Rolfe

gd1980-09-06.fob.nak700.rolfe.miller.93782.sbeok.flac16

Source:

(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II)

Lineage:

Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Thanks to Steve Rolfe for lending me his masters

Taper: Unknown

3:31:36

Transferrer:

Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel

SHNID:

gd1980-09-06.150981.aud.gems.flac2496

Lineage:

1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496

Taper Notes:

View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air,
hosted by Jim Blackwood and Jamie Waddell on September 6, 2020
and shared to www.shnflac.net

https://spinitron.com/KXCI/pl/11573452/Dead-Air

Taper: Unknown

Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel

SHNID:

gd1980-09-06.150980.aud.gems.flac1648

Lineage:

1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496

Taper Notes:

View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air,
hosted by Jim Blackwood and Jamie Waddell on September 6, 2020
and shared to www.shnflac.net

https://spinitron.com/KXCI/pl/11573452/Dead-Air

16 Bit 48 kHz FLAC Level 8 via dBpoweramp (TPDF dither) from 24 Bit 96 kHz source

Taper: Jim Wise and Steve Rolfe

Jim Wise and Steve Rolfe

Transferrer:

David Minches

SHNID:

gd1980-09-06.136807.fob-nak700.rolfe-wise.minches.t-flac16

Source:

Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding

Taper Notes:

View Notesdownsampled to 44.1/16 bit cda with cdwav 198, sector boundaries checked and fixed with traders little helper, 
recoded to flac 8 with TLH, checksums & shntool with traders little helper on 
September 6, 2016 by MisterMojoRising(mistermojorising2016@outlook.com)

Taper: Jim Wise and Steve Rolfe

Jim Wise and Steve Rolfe

Transferrer:

David Minches

SHNID:

gd1980-09-06.127165.fob-nak700.rolfe-wise.minches.flac2496

Source:

Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding

Taper Notes:

View NotesIn preparaton of circulating this source, I asked Jim to help differtiate this source from 
Chalie Miller's release of Steve Rolfe's recording.
His reply follws:

Steve Rolfe and I taped that show together, my deck (Sony tcd-5) was patched out of Steve's D5, 
same signal but two separate cassette masters... 

The reason this is different from Charlie Miller's release of Steve Rolfe's recording is because 
it's my master, not Steve's master. The main differance is that Charlie Miller did not decode the 
dolby properly (both mine and Steves masters were dolby B encoded). If you listen to the Miller 
transfer of the Rolfe master, you'll hear the artificially equalized shrilly high end that's typical 
when you leave the dolby switch in the "off" position of a tape that was originally dolby encoded.
 
David Minches did mine with a tweaked Nak Dragon and properly decoded the dolby on playback ... 
If you playback this Minches transfer and adjust the high end to be boosted a bit, you'll experience 
a much more natural sounding recording ... especially on higher end gear. That's the whole point 
of having David remaster my work in 24/96 ...our Idea is to allow the end user to enjoy the sound and 
adjust the tonal balance according to his, or her own preference, rather then have someone else 
make those decisions for you during pre-production.
Jim Wise 2/23/2014

Taper: The Commander

Rob Berger and Taperchuck

SHNID:

gd1980-09-06.126539.commander.berger.flac24

Source:

source: aud cassette master taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 > flac; transfer/seed by Rob Berger & Taperchuck

Taper Notes:

View Notesnotes: 
maine music festival, 
Roy Buchanan and Levon Helm also played,

thanks to Chuck for the use of his dragon 
and hosting a great afternoon with the 
Commander and myself.

Taper: The Commander

Rob Berger and taperchuck

SHNID:

gd1980-09-06.126441.commander.berger.flac16

Source:

source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck

Taper Notes:

View Notesnotes: 
maine music festival, 
Roy Buchanan and Levon Helm also played,

thanks to Chuck for the use of his dragon 
and hosting a great afternoon with the 
Commander and myself.

Taper: John Hance

gd1980-09-06.119726.fob.hance.flac16

Source:

FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi

Taper Notes:

View NotesNotes:
The CD's for this show were received in trade several years back by Michael Turi.
This source however seems to have not made it into circulation. This is an excellent 
FOB recording, however specifics on the mics and deck used by John Hance are not 
available. 

Known Flaws:
-There is significant dead air between many non-sequential tracks. Tracks 
 were cut in the middle of these segments causing the dead spaces to end one track and 
 begin the next.
-In several places the recorder was abrubtly paused between tracks, no music was lost.
-After the first few notes of Little Red Rooster the recorder was briefly paused,
 a couple of seconds of music are lost.
-There is a brief cut in the transition between Shakedown Street and Lost Sailor.
-The very ending of Uncle John's Band is faded out.
-Several minutes of Drums is missing.

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 4-03-12

Taper: Bob Morris

gd1980-09-06.aud.morris.106620.flac24

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris

Taper: Bob Morris

gd1980-09-06.fob.nak300.morris.102017.sbeok.flac16

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90);

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View Notes(note: this source was originally seeded with a corrupt d1t02.  A fixed version was seeded on 10/14/2009.)

Taper: Tim Friend

gd1980-09-06.nak300.friend.andrewf.101685.flac16

Source:

2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644

Taper Notes:

View NotesNotes: There is no wind noise on this recording. Tape 
flips patched with ID-93783: Rooster 7:42 > 7:55, crowd 
at end of Saint 6:06 > 6:28, and Drums 12:04 > 12:19.

Taper: Tim Friend

gd1980-09-06.nak300.friend.andrewf.101684.flac24

Source:

2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

Taper Notes:

View NotesNotes: There is no wind noise on this recording. Tape 
flips patched with ID-93783: Rooster 7:42 > 7:55, crowd 
at end of Saint 6:06 > 6:28, and Drums 12:04 > 12:19.

Taper: Jim Wise

gd1980-09-06.aud.rolfe.wise-cribbs.25471.sbeok.shnf

Source:

OB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded)

Lineage:

MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN

Taper Notes:

View NotesTracking and SHN encoding by Sean Cribbs.

Transferrer: Charles Bass

gd1980-09-06.aud.bass.16926.sbeok.shnf

Lineage:

MAC > ? > CD > EAC > SHNv3

Taper Notes:

View NotesEncores are missing from this source

Source 23 of 23

Nak Dragon > Sony PCM r-500 DAT > CDR

Taper Notes:

View NotesNak Dragon > Sony PCM r-500 DAT > CDR