Drums -> | 1978-11-20 | Grateful Dead

View NotesNotes:
-- This is an upgrade to shnid=95244
-- Source 2 may have extra cassette gen in it
-- There is a tape flip in Looks Like Rain
-- This is far from perfect, but is much better than other circulating copies
-- Thanks to Matt Smith for the new Set 1 tape
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

2:30:51

SBD

gd1978-11-20.sbd.miller.95244.sbeok.flac16

Source:

Source 1: SBD -> ? -> Cassette -> CD DSource 2: SBD -> Master Cassette -> Dat -> CD DSource 3: Nakamichi 300 -> Reels? -> Dat -> CD DSource 4: SBD -> Master Reel -> Cassette -> Dat -> CD

Lineage:

CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Sources 1 and 3 from shnid=21727
-- Source 2 may have extra cassette gen in it
-- This is far from perfect, but is much better than other circulating copies
-- Thanks to Joe B. Jones for his help with the pitch correction

Source 3 of 10

gd78-11-20.sbdpatched.knott.21727.sbeok.shnf

Source:

Soundboard

Lineage:

Set1: SBD> ??> CAS> CD> EAC> WAV; set 2 misc SBD, AUD sources

Taper Notes:

View NotesComplete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.

Source 4 of 10

Soundboard with audience patches

Lineage:

Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches

Taper Notes:

View Notescomplete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?

Source 5 of 10

gd78-11-20.sbd.mcleod.301.sbeok.shnf

Source:

Soundboard

Lineage:

MR> Cass Master> Lynxone 24 bit A/D converter> CD

Taper Notes:

View Notespartial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer

Taper: Kathy Sublette

Scott Clugston and Charlie Miller

SHNID:

gd1978-11-20.148952.2nd.set.shure.sm57.sublette.miller.clugston.flac2496

Source:

Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Kathy Sublette for the Master Audience Cassettes
- Thanks to Ted Mattes for finding the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition
- Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue)
- Pitch corrected

Mastered by Scott Clugston
February 2020

Taper: Kathy Sublette

Scott Clugston and Charlie Miller

SHNID:

gd1978-11-20.148951.2nd.set.shure.sm57.sublette.miller.clugston.flac1648

Source:

Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Kathy Sublette for the Master Audience Cassettes
- Thanks to Ted Mattes for finding the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Darrin Sacks for the audience (Nakamichi 300) source which supplies a 0:24 patch in the "Shakedown Street > If I Had The World To Give" transition
- Sound stage changes after "Jack-A-Roe" (as if Kathy moved from towards the back of the hall, to the front of the venue)
- Pitch corrected

Mastered by Scott Clugston
February 2020

Taper: seaweed1010

gd1978-11-20.s1.s2p.aud.seaweed.117661.flac1644

Lineage:

XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011

Taper: See info file

gd1978-11-20.mtx-set2.chappell.sb16a.32489.sbeok.flac16

View NotesGeneral Notes:

When the LlaMA had to pull the SBDs, one source I never got was the updated
multiple SBD source (shnid=21727) that included the first set. Also mentioned
is the Scott Jones AUD which runs through Jack-a-roe but is not listed in the
db, and I have not seen either source circulate as of late (hint hint).  If
both sources surface I can then put together the first set as well, so for 
now this fileset is Sick Bits Vol. 16a and the first set would be Vol. 16b 
(I'm naming this fileset "a" hoping that there will be a "b"). 

This SBD is not that bad (fast though), but Jerry's tone gets very big when 
coupled with the added dimension of the AUD, which, all in all, is fairly 
decent for the time period.  The SBD has some holes and finally cuts for
good before the Playin' Reprise.

The first set is about 76 mins. in length whereas this second set is about 65
mins. without an encore.  One of the strangest second sets in terms of format,
song selection, and plain old jamming - they essentially start with Space and
play two distinctive jams (the second with Jerry using the Mutron) sandwiched 
around Drumz before finally settling into Jack A Roe, a 17 month rezi, 8th 
time played, only version of 1978, and only version which involves a segue.  
After they stop playing after the Jack A Roe (the only break in the set), 
Weir can clearly be heard on the SBD laying out the sequence: Playin > 
Shakedown > World To Give > Playin (it's unclear if he mentions Round & Round) 
- so this is very much planned, most likely because this is only the 5th 
Shakedown (no reprise) and the third and final If I Had The World To Give.  
Also, according to those that were there, Weir was ill for the early part of 
this set, so they opened with "jam".

Thanks to whomever recorded the AUD, to Rob Bertrando for converting it to
digital, and Darrin Sacks for encoding and seeding it. Since the SBD source
is a mystery, thanks to all of you who had a hand in the lineage.

Enjoy!
Chappy

Taper: Rob Bertrando

gd78-11-20.set2-aud.sacks.302.sbefail.shnf

Source:

Audience Recording: Nak 300's?