1978-10-22 | Grateful Dead

View NotesPatch Info:
Notes:
-- All disc changes are seamless
-- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam
-- Hamza el-Din on Ollin Arrageed
-- Lee Oskar (harmonica) on Drums
-- John Cipollina (guitar) on Not Fade Away and GDTRFB
-- Patch material supplied by Pat Lee and transferred by Matt Smith
-- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck (AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD)
-- Patch supplies: Goin' Down The Road Feeling Bad (3:28 - 4:08)

Transferrer: Hunter Seamons

2:58:47

SBD

Transferrer:

Hunter Seamons

SHNID:

gd1978-10-22.mtx.seamons.99496.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes*Matrix* 

----------------------------------------------------
SBD (shnid=92567):

Recording Info:
SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) ->
Sony R500 (A>D Only) -> Peak -> AIFF

Transfer Info:
AIFF -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 3, 2008

----------------------------------------------------
AUD (shnid=94605):

OTB Release: 0018 16/44.1
Release Date: 2008-09-25
Band: Grateful Dead
Date: 1978-10-22 (Sunday)
Venue: Winterland
Location: San Fransico, CA
Analog Audience Source: Aud Master Cassettes (MAC)
Medium Stock Brands: MAC = 3 x Maxell UDXL II
Analog Lineage: 2 x  AKG d224e => Sony TC 158 >> MAC
Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Reinhart Hohlwein
Transfer By: Bob Menke
Mastering By: Derek McCabe
Tagged by: Jeff Thomas
Special: Rhinotrocity #5

---------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Reinhart Hohlwein for recording  the show,
and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer.

Notes:

1) Not Fade Away contains a Mind Left Body Jam, Caution Jam, and Mojo Jam.

Transferrer: nugs.net

gd1978-10-22.sbd.nugs.21247.flac16

Source:

SBD>Master Reel>Cassette>DAT>WAV

Taper Notes:

View NotesHamza El Din plays solo until the Dead join in for Ollin Arageed
Drums tith Lee Oskar on harmonica
"NFA" through "GDTRFB" wtih John Cipollina on guitar

SOURCE INFORMATION: SBD>Master Reel>Cassette>DAT>WAV
Despite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips.

Source 4 of 10

gd78-10-22.sbd.kempa.299.sbeok.shnf

Source:

Soundboard

Lineage:

Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (CoolEdit 2000)> Cdwav> SHN

Taper Notes:

View NotesSbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool
Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also
done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed
5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3

Taper: Reinhart Hohlwein

gd1978-10-22.166113.aud.remaster.acetboy.flac1644

Source:

remaster of shn #94604 audience recording by Reinhart Hohlwein

Taper Notes:

View NotesThis is a remaster of shn #94604.
I re-patched Not Fade Away with an audience recording.
The source of the patch is shn #102076.  Thanks to those who shared it.

Thanks to the taper and the MOTB people and all who bring this stuff to share.

All of the work I do is in ocenaudio and Harrison Mixbus.
Everything I do is basically about levels.  Keeping them the same in both channels
throughout the frequency range.  When I speak of levels I mean RMS levels.  Average levels.
I also tighten up phase issues when needed. Clear up any gaps that may be found.
If original files are high res, I have done most of the work at the higher sample frequency
and bit depths.  Then towards the end I've converted to 44.1 16 bit.

About the screen grabs:

One can not see everything I do in these images but it shows something about
how the audio has changed between before and after.

If I'm working from high res files the before FFT and Spectral images look
quite a bit different inherently.  But you can still see how they differ otherwise.

acetboy 2023-10-22

Taper: Mike Martin and Mark Bunton

Mike Martin and Mark Bunton

Transferrer:

Mike Martin

SHNID:

gd1978-10-22.sonyecm280.martin-bunton.102077.flac24

Source:

Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape

Lineage:

Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)

Taper Notes:

View NotesFifty-Nine distracting  ôout of syncö claps deleted on disc 1 track 4.
The tape was flipped during Olin Arageed and the two pieces were spliced together (disc 1 track 4 at 17:00).
A microphone became unplugged during Olin Arageed and a psudo stereo mix was created (disc 1 track 4 from  18:45 to 19:30).
A piece of applause from an earlier track has been tacked onto the applause after New Minglewood Blues (disc 1 track 9 from 4:50 to 5:24).
The tape was again flipped during Fire On The Mountain .
To fill in the missing section 12 seconds from an alternate source recorded by Reinhart Hohlwein was inserted (disc 2 track 6 from 11:35 to 11:47).
Finally the last tape flip is during Not Fade Away (disc 3 track 6 at 0:36).
These breaks were spliced together with NERO wave editor.
NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time.
Finally the FLAC conversion was performed at level 8.
As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz.
No Eq or Noise reduction used.
There is a slight fluttering noise in the master cassettes during the quieter sections.
Thanks to John Musgrave for the use of his recording equipment.
Mike Martin September 2009

Taper: Mike Martin and Mark Bunton

Mike Martin and Mark Bunton

Transferrer:

Mike Martin

SHNID:

gd1978-10-22.sonyecm280.martin-bunton.102076.flac16

Source:

2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center.

Lineage:

Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8).

Taper: a friend of a friend

gd1978-10-22.aud.pantagruel.96700.flac16

Source:

audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics

Lineage:

master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav

Taper Notes:

View Notes* with Hamza el Din
& with Lee Oskar
# with John Cippolina

Notes:

I assume there are better audience recordings of this show, but I got tired of waiting for one of them to appear.  This was recorded by the same crew that did the recent seeds of the 01/07/78 San Diego show and the 01/11/78 LA show.  I just love the sound of Cipollina on this recording, so I'm cuttin' it loose.  If you got a better, bring it on.

The sound is a little distant and quiet at the beginning, but it gets better as the show goes on.  It was hard to hit a good balance between the delicate, quiet parts and the ragingly hot parts, but I did my best.  You can hear a bit of noise in the really quiet parts due to the analog generations.

There are flaws.  The deck was stopped or paused between many songs, which accounts for some of the odd little tuning/crowd tracks.  I tried to clean these up a bit, but I didn't want to get into a lot of fancy editing just for that.  Plus, I think that fewer crossfades might make it easier in case somebody out there wants to have a crack at a matrix (HINT, HINT). Ollin Arageed cuts in, I don't know how much is missing.  There's a cut in Ollin Arageed at about 11:18.  I left it alone.  The sound goes monaural in Ollin Arageed @ about 13:15 though 14:00 due to a temporary silence in the right channel.  There was a brutal tape flip at about 30 seconds into Not Fade Away.  I did a crossfade to minimize the pain.

Taper: Reinhart Hohlwein

Bob Menke and Derek McCabe and Jeff Thomas

SHNID:

gd1978-10-22.aud.rhinotrocity6.motb-0018.94605.flac16

Source:

2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II

Lineage:

Master Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View Notes** with Lee Oskar
*** with John Cipollina

-- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam

Patch info:
"Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16

Taper: Reinhart Hohlwein

Bob Menke and Derek McCabe and Jeff Thomas

SHNID:

gd1978-10-22.aud.rhinotrocity6.motb-0018.94604.flac24

Source:

2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II

Lineage:

Master Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View Notes** with Lee Oskar
*** with John Cipollina

-- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam

Patch info:
"Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16