Supplication | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	29	5
30d	95	16

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	21	3
7d	57	7
30d	511	72

Playback	Listens	Hours
48h	146	19
7d	500	66
30d	2.3k	303

Playback	Listens	Hours
48h	5.6k	577
7d	16.1k	1.7k
30d	131.1k	13.5k

542 shows

1,059 tapes

Blind Melon

Playback	Listens	Hours
48h	67	6
7d	174	14
30d	1k	77

62 shows

76 tapes

Blueground Undergrass

233

Playback	Listens	Hours
48h	4	11m
7d	15	1
30d	233	22

Playback	Listens	Hours
48h	139	14
7d	557	62
30d	2.3k	252

Playback	Listens	Hours
48h	430	57
7d	1.1k	136
30d	7.2k	923

306 shows

506 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	12	2

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	35m

Playback	Listens	Hours
48h	49	8
7d	268	44
30d	927	150

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	7	46m
30d	63	7

Playback	Listens	Hours
48h	196	18
7d	286	25
30d	1.1k	99

Playback	Listens	Hours
48h	21	2
7d	224	26
30d	773	82

Playback	Listens	Hours
48h	39	2
7d	42	2
30d	676	39

Playback	Listens	Hours
48h	15	2
7d	29	4
30d	313	40

Playback	Listens	Hours
48h	11	36m
7d	131	9
30d	438	31

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	19m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	3	12m
7d	0	0m
30d	4	1

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	91	18
7d	319	69
30d	1.5k	332

Playback	Listens	Hours
48h	31	7
7d	85	18
30d	727	152

Playback	Listens	Hours
48h	4	23m
7d	85	7
30d	508	42

Playback	Listens	Hours
48h	96	14
7d	80	12
30d	573	90

Playback	Listens	Hours
48h	239	33
7d	484	69
30d	4.5k	650

Playback	Listens	Hours
48h	242	32
7d	706	93
30d	4.2k	579

786 shows

1,037 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	6

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	165	18

Playback	Listens	Hours
48h	4.4k	705
7d	6.6k	1.1k
30d	36.3k	5.7k

Playback	Listens	Hours
48h	17	1
7d	35	4
30d	334	33

Playback	Listens	Hours
48h	78	5
7d	174	11
30d	1.2k	74

Playback	Listens	Hours
48h	104	13
7d	221	27
30d	1.7k	201

Playback	Listens	Hours
48h	812	170
7d	2.7k	563
30d	13.1k	2.8k

Playback	Listens	Hours
48h	11	1
7d	82	9
30d	252	25

Playback	Listens	Hours
48h	202	36
7d	637	107
30d	3.7k	616

Playback	Listens	Hours
48h	17	5
7d	77	24
30d	143	38

Playback	Listens	Hours
48h	107	10
7d	373	38
30d	1.8k	185

Playback	Listens	Hours
48h	14	2
7d	28	5
30d	186	33

Playback	Listens	Hours
48h	197	17
7d	503	44
30d	2.6k	234

Playback	Listens	Hours
48h	67	13
7d	152	28
30d	820	146

376 shows

530 tapes

Eddie Roberts

Playback	Listens	Hours
48h	14	3
7d	2	21m
30d	10	2

Playback	Listens	Hours
48h	111	21
7d	489	91
30d	1.8k	347

145 shows

277 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	175	24
7d	680	96
30d	3.3k	459

827 shows

1,046 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	1	1
30d	46	15

Playback	Listens	Hours
48h	56	3
7d	101	6
30d	812	46

Playback	Listens	Hours
48h	5	1
7d	56	8
30d	307	45

122 shows

179 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	7	2
7d	2	32m
30d	20	3

Playback	Listens	Hours
48h	25	3
7d	23	2
30d	107	13

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	28m

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	162	16

Playback	Listens	Hours
48h	24	2
7d	38	2
30d	201	13

Playback	Listens	Hours
48h	16	1
7d	48	4
30d	395	31

Playback	Listens	Hours
48h	6	20m
7d	23	1
30d	409	25

Playback	Listens	Hours
48h	583	90
7d	1.5k	239
30d	10.4k	1.7k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	25m

14 shows

15 tapes

G. Love and Special Sauce

798

Playback	Listens	Hours
48h	1	2m
7d	83	8
30d	798	72

Playback	Listens	Hours
48h	85	10
7d	349	39
30d	1.6k	179

Playback	Listens	Hours
48h	2	17m
7d	21	3
30d	106	12

Playback	Listens	Hours
48h	0	0m
7d	75	15
30d	423	88

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	0m
7d	4	36m
30d	17	3

Playback	Listens	Hours
48h	12	2
7d	4	38m
30d	106	20

Playback	Listens	Hours
48h	72	10
7d	220	26
30d	762	91

374 shows

506 tapes

Godspeed You Black Emperor!

442

Playback	Listens	Hours
48h	38	12
7d	97	22
30d	442	106

Playback	Listens	Hours
48h	44	6
7d	0	0m
30d	439	67

Playback	Listens	Hours
48h	2.8k	566
7d	6.2k	1.3k
30d	40.5k	8.3k

Playback	Listens	Hours
48h	31	3
7d	16	2
30d	111	11

362 shows

594 tapes

Grahame Lesh and Friends

3.5k

Playback	Listens	Hours
48h	181	26
7d	624	101
30d	3.5k	563

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	133	18

Playback	Listens	Hours
48h	297	35
7d	878	99
30d	5.4k	640

Playback	Listens	Hours
48h	93	10
7d	306	34
30d	1.2k	138

223 shows

309 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	56	8

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	32m

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	2

Playback	Listens	Hours
48h	27	2
7d	57	4
30d	492	36

748 shows

1,027 tapes

Hard Working Americans

172

Playback	Listens	Hours
48h	3	25m
7d	7	43m
30d	172	20

Playback	Listens	Hours
48h	45	6
7d	110	18
30d	476	73

186 shows

225 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	24	2
30d	68	5

Playback	Listens	Hours
48h	5	27m
7d	67	7
30d	179	18

678 shows

851 tapes

Infamous Stringdusters

1.3k

Playback	Listens	Hours
48h	148	13
7d	178	16
30d	1.3k	118

627 shows

1,014 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	5

15 shows

17 tapes

Jack Johnson

Playback	Listens	Hours
48h	239	14
7d	513	32
30d	5k	325

Playback	Listens	Hours
48h	8	54m
7d	117	13
30d	437	45

364 shows

490 tapes

Jazz Mandolin Project

273

Playback	Listens	Hours
48h	6	55m
7d	35	5
30d	273	41

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	51	4

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	7

34 shows

47 tapes

Jeff Austin Band

Playback	Listens	Hours
48h	18	3
7d	206	25
30d	1k	131

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	129	20
7d	346	63
30d	2.5k	420

1,123 shows

1,518 tapes

Jerry's Middle Finger

4.2k

Playback	Listens	Hours
48h	298	45
7d	1k	136
30d	4.2k	601

251 shows

301 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	2	11m
7d	0	0m
30d	36	5

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

28.3k

Playback	Listens	Hours
48h	1.8k	334
7d	6k	1.1k
30d	28.3k	5.1k

Playback	Listens	Hours
48h	77	9
7d	209	21
30d	936	119

460 shows

744 tapes

John Mayer

Playback	Listens	Hours
48h	114	11
7d	544	53
30d	3k	277

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	2	13m
7d	23	2
30d	36	3

Playback	Listens	Hours
48h	22	2
7d	8	31m
30d	154	11

78 shows

96 tapes

Karina Rykman

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	74	8

71 shows

104 tapes

306

Playback	Listens	Hours
48h	15	2
7d	58	12
30d	306	49

Playback	Listens	Hours
48h	234	21
7d	549	49
30d	3.5k	341

Playback	Listens	Hours
48h	3	49m
7d	18	3
30d	203	28

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.2k

Playback	Listens	Hours
48h	830	110
7d	2.7k	366
30d	14.2k	1.9k

Playback	Listens	Hours
48h	113	17
7d	318	49
30d	2.5k	350

Playback	Listens	Hours
48h	2	19m
7d	62	9
30d	111	16

Playback	Listens	Hours
48h	25	4
7d	76	14
30d	624	117

76 shows

133 tapes

LaMP

Playback	Listens	Hours
48h	25	3
7d	83	10
30d	1k	125

Playback	Listens	Hours
48h	276	27
7d	620	63
30d	3.4k	339

971 shows

1,305 tapes

Lettuce

Playback	Listens	Hours
48h	137	20
7d	425	60
30d	3k	421

Playback	Listens	Hours
48h	432	42
7d	994	94
30d	6.3k	582

Playback	Listens	Hours
48h	104	9
7d	203	15
30d	1.2k	90

Playback	Listens	Hours
48h	89	18
7d	200	37
30d	1.8k	331

Playback	Listens	Hours
48h	10	1
7d	47	4
30d	184	18

Playback	Listens	Hours
48h	115	13
7d	294	29
30d	1.5k	161

Playback	Listens	Hours
48h	2	16m
7d	10	1
30d	168	21

349 shows

448 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	9	45m
30d	46	3

Playback	Listens	Hours
48h	215	38
7d	1.2k	182
30d	5.9k	921

Playback	Listens	Hours
48h	106	5
7d	43	3
30d	665	35

Playback	Listens	Hours
48h	7	31m
7d	45	5
30d	253	26

Playback	Listens	Hours
48h	36	1
7d	14	21m
30d	349	11

Playback	Listens	Hours
48h	218	14
7d	504	33
30d	2.2k	150

21 shows

25 tapes

moe.

Playback	Listens	Hours
48h	576	101
7d	1.7k	294
30d	9k	1.5k

Playback	Listens	Hours
48h	3	17m
7d	28	3
30d	126	15

379 shows

479 tapes

Moon Taxi

Playback	Listens	Hours
48h	12	54m
7d	0	0m
30d	97	7

Playback	Listens	Hours
48h	404	40
7d	1k	104
30d	5.4k	538

411 shows

598 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	30m

Playback	Listens	Hours
48h	3	23m
7d	32	3
30d	102	11

Playback	Listens	Hours
48h	22	3
7d	153	23
30d	568	82

136 shows

248 tapes

Nels Cline

Playback	Listens	Hours
48h	16	3
7d	12	2
30d	50	9

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	77	6
7d	315	26
30d	1.8k	146

410 shows

603 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	78	8
7d	270	26
30d	1.4k	138

Playback	Listens	Hours
48h	38	4
7d	42	4
30d	613	67

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	6	28m
30d	9	1

Playback	Listens	Hours
48h	0	0m
7d	24	5
30d	231	42

Playback	Listens	Hours
48h	3	32m
7d	10	1
30d	163	22

Playback	Listens	Hours
48h	78	13
7d	209	35
30d	1.3k	225

687 shows

916 tapes

Phil Lesh and Friends

21.9k

Playback	Listens	Hours
48h	1.1k	198
7d	3.2k	566
30d	21.9k	4k

788 shows

2,857 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	54	9
7d	249	37
30d	1.7k	249

Playback	Listens	Hours
48h	225	28
7d	616	78
30d	4.7k	594

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	60m

Playback	Listens	Hours
48h	205	27
7d	653	82
30d	3.7k	468

1,234 shows

2,199 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	5	4
30d	14	5

Playback	Listens	Hours
48h	7	56m
7d	80	15
30d	384	60

Playback	Listens	Hours
48h	913	113
7d	1.5k	197
30d	9.1k	1.2k

Playback	Listens	Hours
48h	92	6
7d	144	14
30d	1.5k	118

Playback	Listens	Hours
48h	87	7
7d	143	11
30d	1.1k	91

Playback	Listens	Hours
48h	96	7
7d	363	30
30d	2.1k	181

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	2	7m
7d	2	8m
30d	22	2

Playback	Listens	Hours
48h	250	23
7d	631	61
30d	3.2k	293

129 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	4	17m
7d	40	6
30d	94	13

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	43m

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	5	33m
7d	1	9m
30d	78	9

Playback	Listens	Hours
48h	143	11
7d	161	14
30d	950	82

Playback	Listens	Hours
48h	134	26
7d	512	90
30d	2.5k	392

Playback	Listens	Hours
48h	45	12
7d	317	69
30d	1.3k	294

Playback	Listens	Hours
48h	8	36m
7d	35	2
30d	214	13

Playback	Listens	Hours
48h	15	2
7d	20	3
30d	182	25

201 shows

243 tapes

Steve Kimock

Playback	Listens	Hours
48h	71	11
7d	151	26
30d	1k	146

Playback	Listens	Hours
48h	138	29
7d	250	57
30d	1.5k	333

Playback	Listens	Hours
48h	178	25
7d	514	66
30d	2.4k	313

667 shows

1,142 tapes

String Cheese Incident

12.8k

Playback	Listens	Hours
48h	667	107
7d	2.6k	413
30d	12.8k	2.1k

1,275 shows

2,066 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	50	5

Playback	Listens	Hours
48h	13	2
7d	53	9
30d	530	97

Playback	Listens	Hours
48h	14	2
7d	21	3
30d	214	28

Playback	Listens	Hours
48h	61	7
7d	45	5
30d	534	61

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	12	50m

Playback	Listens	Hours
48h	1.1k	131
7d	3.6k	432
30d	20.3k	2.4k

Playback	Listens	Hours
48h	0	0m
7d	25	1
30d	479	30

Playback	Listens	Hours
48h	171	21
7d	272	36
30d	1.5k	193

Playback	Listens	Hours
48h	23	4
7d	32	5
30d	352	49

473 shows

629 tapes

The California Honeydrops

549

Playback	Listens	Hours
48h	75	9
7d	147	17
30d	549	66

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	140	21
7d	619	92
30d	3.3k	497

Playback	Listens	Hours
48h	30	3
7d	51	5
30d	333	28

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	9	1

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	3	22m

Playback	Listens	Hours
48h	85	14
7d	12	1
30d	245	40

657 shows

746 tapes

The Motet

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	73	11

Playback	Listens	Hours
48h	37	2
7d	119	7
30d	1.4k	73

Playback	Listens	Hours
48h	0	0m
7d	138	11
30d	656	49

Playback	Listens	Hours
48h	76	13
7d	156	26
30d	504	93

Playback	Listens	Hours
48h	77	7
7d	289	30
30d	1.4k	146

Playback	Listens	Hours
48h	42	6
7d	300	42
30d	1.9k	270

Playback	Listens	Hours
48h	353	33
7d	960	96
30d	6.1k	597

1,450 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	38m

Playback	Listens	Hours
48h	50	5
7d	193	19
30d	1.1k	111

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	26	5

Playback	Listens	Hours
48h	38	5
7d	234	25
30d	1.2k	123

221 shows

282 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	130	9
7d	262	17
30d	1k	70

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	4	35m
30d	17	2

Playback	Listens	Hours
48h	357	47
7d	1.1k	146
30d	5.6k	808

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	3	19m
7d	2	12m
30d	27	2

Playback	Listens	Hours
48h	88	15
7d	395	60
30d	1.7k	281

Playback	Listens	Hours
48h	479	71
7d	1k	155
30d	4.6k	698

Playback	Listens	Hours
48h	1	4m
7d	235	18
30d	661	53

Playback	Listens	Hours
48h	252	17
7d	945	70
30d	2.5k	185

Playback	Listens	Hours
48h	910	80
7d	2.5k	195
30d	12.4k	1k

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	135	9

Playback	Listens	Hours
48h	9.8k	1.2k
7d	25.4k	3k
30d	163.5k	19.6k

Playback	Listens	Hours
48h	56	8
7d	80	12
30d	836	109

1,416 shows

2,242 tapes

Yonder Mountain String Band

13.1k

Playback	Listens	Hours
48h	567	53
7d	1.8k	167
30d	13.1k	1.2k

Playback	Listens	Hours
48h	42	6
7d	117	18
30d	1.4k	213

15 shows

19 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	5m

Playback	Listens	Hours
48h	99	18
7d	204	38
30d	1.5k	273

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	478	67
7d	1.6k	226
30d	9.7k	1.3k

Playback	Listens	Hours
48h	452	65
7d	1.4k	199
30d	9.3k	1.3k

Playback	Listens	Hours
48h	682	90
7d	2k	261
30d	13.2k	1.7k

Playback	Listens	Hours
48h	349	47
7d	923	124
30d	6.9k	901

Playback	Listens	Hours
48h	3k	409
7d	8.7k	1.2k
30d	35k	4.8k

Playback	Listens	Hours
48h	2.4k	314
7d	12.9k	1.6k
30d	40.9k	5.3k

Playback	Listens	Hours
48h	2.4k	303
7d	12.6k	1.5k
30d	72.2k	8.8k

Playback	Listens	Hours
48h	1.1k	133
7d	4.1k	485
30d	47.9k	5.5k

Playback	Listens	Hours
48h	6.3k	686
7d	5.2k	590
30d	48.6k	5.6k

Playback	Listens	Hours
48h	1.3k	159
7d	4k	440
30d	25.6k	3k

Playback	Listens	Hours
48h	1.2k	145
7d	3.6k	422
30d	37.6k	4.4k

Playback	Listens	Hours
48h	2.7k	339
7d	11.7k	1.4k
30d	63.9k	8.3k

Playback	Listens	Hours
48h	1.1k	140
7d	3.4k	450
30d	52.8k	6.8k

Playback	Listens	Hours
48h	1.1k	128
7d	2.8k	349
30d	43.2k	5.5k

Playback	Listens	Hours
48h	6.2k	820
7d	12.8k	1.6k
30d	51.7k	6.5k

Playback	Listens	Hours
48h	3.3k	396
7d	12.3k	1.5k
30d	43.7k	5.1k

Playback	Listens	Hours
48h	3k	450
7d	8k	1.1k
30d	29.8k	4.2k

Playback	Listens	Hours
48h	4.5k	606
7d	13.8k	1.8k
30d	103.6k	13.5k

Playback	Listens	Hours
48h	40.7k	5.9k
7d	65.9k	9.7k
30d	188.3k	26.8k

Playback	Listens	Hours
48h	1.3k	173
7d	4k	535
30d	36k	4.8k

Playback	Listens	Hours
48h	223	22
7d	1k	107
30d	6.1k	608

Playback	Listens	Hours
48h	2.1k	277
7d	6.6k	855
30d	48.8k	6.2k

Playback	Listens	Hours
48h	3.3k	413
7d	9.2k	1.2k
30d	59.9k	7.7k

Playback	Listens	Hours
48h	4.5k	537
7d	13.8k	1.7k
30d	84k	10.1k

Playback	Listens	Hours
48h	1.6k	166
7d	4.8k	545
30d	71.9k	8.2k

Playback	Listens	Hours
48h	1.7k	186
7d	7.3k	877
30d	38.1k	4.2k

Playback	Listens	Hours
48h	929	139
7d	2.9k	420
30d	31.3k	4.5k

Playback	Listens	Hours
48h	329	40
7d	904	109
30d	5.8k	740

Playback	Listens	Hours
48h	97	13
7d	912	109
30d	2.3k	288

Playback	Listens	Hours
48h	168	11
7d	1k	64
30d	4.6k	319

Playback	Listens	Hours
48h	26	2
7d	130	8
30d	564	35

1977

Playback	Listens	Hours
48h	1	2
7d	1	2
30d	30	46

453

Playback	Listens	Hours
48h	23	4
7d	98	15
30d	453	68

317

Playback	Listens	Hours
48h	18	3
7d	37	6
30d	317	49

712

Playback	Listens	Hours
48h	71	8
7d	164	20
30d	712	87

1.4k

Playback	Listens	Hours
48h	29	4
7d	123	15
30d	1.4k	170

Playback	Listens	Hours
48h	86	9
7d	128	16
30d	2k	244

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

496

Playback	Listens	Hours
48h	4	25m
7d	22	3
30d	496	63

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

660

Playback	Listens	Hours
48h	49	6
7d	134	17
30d	660	86

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

289

Playback	Listens	Hours
48h	12	2
7d	56	8
30d	289	39

Playback	Listens	Hours
48h	18	2
7d	111	15
30d	249	34

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

286

Playback	Listens	Hours
48h	32	4
7d	42	6
30d	286	37

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

838

Playback	Listens	Hours
48h	13	2
7d	103	14
30d	838	113

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

233

Playback	Listens	Hours
48h	0	0m
7d	54	8
30d	233	32

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

552

Playback	Listens	Hours
48h	35	5
7d	99	15
30d	552	81

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

Playback	Listens	Hours
48h	2	15m
7d	7	1
30d	95	13

Playback	Listens	Hours
48h	63	8
7d	45	6
30d	433	60

Playback	Listens	Hours
48h	24	3
7d	28	3
30d	296	33

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

446

Playback	Listens	Hours
48h	32	4
7d	76	11
30d	446	66

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

330

Playback	Listens	Hours
48h	17	2
7d	85	10
30d	330	44

Playback	Listens	Hours
48h	4	28m
7d	21	3
30d	114	19

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

313

Playback	Listens	Hours
48h	9	1
7d	43	6
30d	313	43

Playback	Listens	Hours
48h	51	7
7d	56	8
30d	1.1k	136

Playback	Listens	Hours
48h	10	1
7d	89	11
30d	400	49

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

178

Playback	Listens	Hours
48h	29	4
7d	50	9
30d	178	31

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

169

Playback	Listens	Hours
48h	12	1
7d	41	6
30d	169	23

Playback	Listens	Hours
48h	164	25
7d	285	38
30d	1.9k	261

1.8k

Playback	Listens	Hours
48h	139	18
7d	244	30
30d	1.8k	234

Playback	Listens	Hours
48h	35	5
7d	158	21
30d	1.2k	178

1.7k

Playback	Listens	Hours
48h	146	21
7d	179	27
30d	1.7k	234

Playback	Listens	Hours
48h	74	9
7d	20	2
30d	282	34

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

Playback	Listens	Hours
48h	177	28
7d	174	25
30d	1.2k	180

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

Playback	Listens	Hours
48h	154	21
7d	241	33
30d	1.2k	165

Playback	Listens	Hours
48h	135	19
7d	317	43
30d	1.5k	206

Pembroke Pines, FL, USA

2.6k

Playback	Listens	Hours
48h	331	47
7d	386	56
30d	2.6k	376

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

894

Playback	Listens	Hours
48h	92	12
7d	173	23
30d	894	119

Playback	Listens	Hours
48h	270	38
7d	422	61
30d	1.6k	233

Playback	Listens	Hours
48h	65	10
7d	227	33
30d	1.2k	169

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

2.1k

Playback	Listens	Hours
48h	164	22
7d	379	50
30d	2.1k	276

Playback	Listens	Hours
48h	135	18
7d	118	15
30d	943	122

Playback	Listens	Hours
48h	108	14
7d	224	29
30d	1k	129

Playback	Listens	Hours
48h	48	6
7d	117	15
30d	264	34

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

4.4k

Playback	Listens	Hours
48h	703	94
7d	451	59
30d	4.4k	591

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

8.2k

Playback	Listens	Hours
48h	20.7k	3k
7d	2.1k	307
30d	8.2k	1.2k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

21.7k

Playback	Listens	Hours
48h	9.8k	1.5k
7d	15.3k	2.3k
30d	21.7k	3.3k

Playback	Listens	Hours
48h	2.6k	389
7d	16.4k	2.4k
30d	20.7k	3k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

12.9k

Playback	Listens	Hours
48h	652	98
7d	11k	1.6k
30d	12.9k	1.9k

Playback	Listens	Hours
48h	510	84
7d	9.2k	1.5k
30d	11.3k	1.8k

Playback	Listens	Hours
48h	165	20
7d	950	118
30d	4.4k	523

Playback	Listens	Hours
48h	65	9
7d	295	37
30d	5k	642

Playback	Listens	Hours
48h	69	8
7d	331	40
30d	5.4k	614

Playback	Listens	Hours
48h	88	13
7d	276	40
30d	4.2k	621

Playback	Listens	Hours
48h	71	11
7d	249	39
30d	5.9k	923

Playback	Listens	Hours
48h	11	2
7d	64	9
30d	1.1k	145

Playback	Listens	Hours
48h	76	9
7d	213	24
30d	5.2k	584

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

25.8k

Playback	Listens	Hours
48h	381	54
7d	1.7k	228
30d	25.8k	3.6k

Philadelphia, PA, USA

7.3k

Playback	Listens	Hours
48h	82	13
7d	300	46
30d	7.3k	1.2k

Playback	Listens	Hours
48h	71	10
7d	175	25
30d	1.2k	171

1.4k

Playback	Listens	Hours
48h	88	14
7d	169	27
30d	1.4k	215

Robertson Gym, UC Santa Barbara

2.2k

Playback	Listens	Hours
48h	143	21
7d	345	50
30d	2.2k	314

Playback	Listens	Hours
48h	11	3
7d	18	5
30d	84	20

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

375

Playback	Listens	Hours
48h	20	2
7d	23	3
30d	375	43

San Bernardino, CA, USA

5.3k

Playback	Listens	Hours
48h	507	68
7d	873	120
30d	5.3k	726

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

156

Playback	Listens	Hours
48h	31	5
7d	14	1
30d	156	18

Playback	Listens	Hours
48h	25	3
7d	68	8
30d	311	36

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive