Morning Dew | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

507

Playback	Listens	Hours
48h	21	2
7d	29	6
30d	507	58

27 shows

29 tapes

Bernie Worrell Orchestra

100

Playback	Listens	Hours
48h	1	7m
7d	9	1
30d	100	13

Playback	Listens	Hours
48h	22	3
7d	150	21
30d	674	97

346 shows

514 tapes

Billy & the Kids

Playback	Listens	Hours
48h	83	11
7d	398	52
30d	2k	265

Playback	Listens	Hours
48h	6.2k	635
7d	12.2k	1.2k
30d	103.7k	10.6k

Playback	Listens	Hours
48h	177	14
7d	175	13
30d	2.1k	152

62 shows

76 tapes

Blueground Undergrass

253

Playback	Listens	Hours
48h	5	30m
7d	53	5
30d	253	25

Playback	Listens	Hours
48h	100	10
7d	234	26
30d	2.2k	247

Playback	Listens	Hours
48h	471	62
7d	1k	133
30d	7.5k	981

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	101	14
7d	140	22
30d	860	143

Playback	Listens	Hours
48h	6	32m
7d	21	2
30d	172	19

Playback	Listens	Hours
48h	27	3
7d	102	9
30d	970	90

Playback	Listens	Hours
48h	17	2
7d	204	20
30d	871	92

Playback	Listens	Hours
48h	42	2
7d	84	5
30d	803	46

Playback	Listens	Hours
48h	36	5
7d	69	8
30d	675	88

Playback	Listens	Hours
48h	133	8
7d	29	2
30d	418	28

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	4	42m
7d	0	0m
30d	14	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	2	5m
7d	3	11m
30d	25	3

79 shows

93 tapes

Circles Around The Sun

G. Love and Special Sauce

Playback	Listens	Hours
48h	130	27
7d	193	37
30d	1.6k	330

Playback	Listens	Hours
48h	7	1
7d	78	15
30d	465	86

Playback	Listens	Hours
48h	41	4
7d	103	9
30d	960	78

Playback	Listens	Hours
48h	140	20
7d	41	7
30d	836	118

Playback	Listens	Hours
48h	310	49
7d	536	73
30d	4.4k	661

Playback	Listens	Hours
48h	420	56
7d	850	115
30d	6.4k	861

783 shows

1,033 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	31	6

Playback	Listens	Hours
48h	12	1
7d	46	6
30d	378	39

Playback	Listens	Hours
48h	1.9k	306
7d	3.8k	602
30d	30.6k	4.9k

Playback	Listens	Hours
48h	67	6
7d	32	4
30d	411	47

Playback	Listens	Hours
48h	72	5
7d	169	11
30d	1.3k	80

Playback	Listens	Hours
48h	129	15
7d	148	17
30d	1.8k	220

Playback	Listens	Hours
48h	839	171
7d	1.9k	383
30d	12.3k	2.6k

Playback	Listens	Hours
48h	8	42m
7d	78	8
30d	510	50

Playback	Listens	Hours
48h	186	30
7d	313	51
30d	2.1k	332

Playback	Listens	Hours
48h	13	2
7d	14	3
30d	126	25

28 shows

28 tapes

Donna the Buffalo

Playback	Listens	Hours
48h	79	8
7d	172	17
30d	2k	205

Playback	Listens	Hours
48h	23	4
7d	104	17
30d	588	93

Playback	Listens	Hours
48h	226	20
7d	359	32
30d	2.7k	240

Playback	Listens	Hours
48h	56	9
7d	81	14
30d	796	137

Playback	Listens	Hours
48h	2	11m
7d	19	3
30d	139	17

Playback	Listens	Hours
48h	165	30
7d	400	71
30d	2.7k	452

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	17	3

Playback	Listens	Hours
48h	164	22
7d	471	67
30d	2.7k	371

Playback	Listens	Hours
48h	0	0m
7d	19	7
30d	103	31

Playback	Listens	Hours
48h	13	45m
7d	70	4
30d	987	55

Playback	Listens	Hours
48h	10	2
7d	89	11
30d	390	55

Playback	Listens	Hours
48h	0	0m
7d	20	4
30d	243	49

Playback	Listens	Hours
48h	0	0m
7d	8	50m
30d	152	20

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	70	11

Playback	Listens	Hours
48h	23	2
7d	16	2
30d	461	49

Playback	Listens	Hours
48h	55	4
7d	54	4
30d	404	27

Playback	Listens	Hours
48h	17	1
7d	39	3
30d	562	46

Playback	Listens	Hours
48h	51	3
7d	70	4
30d	456	28

Playback	Listens	Hours
48h	691	105
7d	1.4k	211
30d	11.6k	1.8k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	5

14 shows

15 tapes

788

Playback	Listens	Hours
48h	63	5
7d	68	6
30d	788	74

203 shows

234 tapes

Galactic

Playback	Listens	Hours
48h	137	14
7d	180	20
30d	1k	115

Playback	Listens	Hours
48h	11	2
7d	10	2
30d	312	44

Playback	Listens	Hours
48h	18	4
7d	64	14
30d	655	136

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	4	55m
7d	16	1
30d	88	10

Playback	Listens	Hours
48h	22	5
7d	13	2
30d	243	48

Playback	Listens	Hours
48h	60	6
7d	113	12
30d	1.5k	169

369 shows

496 tapes

Godspeed You Black Emperor!

346

Playback	Listens	Hours
48h	6	2
7d	30	7
30d	346	83

Playback	Listens	Hours
48h	10	2
7d	34	5
30d	295	44

Playback	Listens	Hours
48h	1.4k	266
7d	3k	571
30d	22.9k	4.4k

Playback	Listens	Hours
48h	3	14m
7d	33	4
30d	461	41

362 shows

591 tapes

Grahame Lesh and Friends

3.1k

Playback	Listens	Hours
48h	724	115
7d	1.9k	296
30d	3.1k	497

32 shows

100 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	4	27m
30d	98	12

Playback	Listens	Hours
48h	292	32
7d	561	64
30d	4.6k	514

870 shows

1,445 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	102	12
7d	129	15
30d	2k	232

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	17	2
7d	10	1
30d	80	13

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	36	2

Playback	Listens	Hours
48h	0	0m
7d	7	60m
30d	104	15

Playback	Listens	Hours
48h	21	2
7d	117	9
30d	584	42

747 shows

1,024 tapes

Hard Working Americans

353

Playback	Listens	Hours
48h	12	1
7d	62	6
30d	353	40

Playback	Listens	Hours
48h	36	5
7d	130	19
30d	920	141

186 shows

225 tapes

Horseshoes and Hand Grenades

252

Playback	Listens	Hours
48h	2	19m
7d	36	3
30d	252	19

Playback	Listens	Hours
48h	19	2
7d	60	6
30d	557	53

677 shows

850 tapes

Infamous Stringdusters

Playback	Listens	Hours
48h	51	4
7d	240	22
30d	2k	186

622 shows

1,000 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	4

Playback	Listens	Hours
48h	272	17
7d	477	31
30d	3.4k	215

Playback	Listens	Hours
48h	84	9
7d	72	6
30d	768	80

364 shows

489 tapes

Jazz Mandolin Project

728

Playback	Listens	Hours
48h	33	5
7d	61	9
30d	728	114

218 shows

275 tapes

Jeff Austin and Chris Castino

144

Playback	Listens	Hours
48h	30	3
7d	7	35m
30d	144	13

12 shows

14 tapes

Jeff Austin And Friends

306

Playback	Listens	Hours
48h	32	4
7d	48	5
30d	306	24

34 shows

47 tapes

Jeff Austin Band

Playback	Listens	Hours
48h	91	13
7d	240	30
30d	1k	143

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.8k

Playback	Listens	Hours
48h	131	21
7d	399	67
30d	2.8k	453

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.2k

Playback	Listens	Hours
48h	240	31
7d	353	49
30d	2.2k	309

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

134

Playback	Listens	Hours
48h	2	21m
7d	48	7
30d	134	19

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

25.1k

Playback	Listens	Hours
48h	1.4k	245
7d	3.3k	588
30d	25.1k	4.5k

Playback	Listens	Hours
48h	72	9
7d	244	20
30d	1.1k	122

Playback	Listens	Hours
48h	104	8
7d	323	26
30d	2.9k	259

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	6	32m
30d	211	16

Playback	Listens	Hours
48h	0	0m
7d	15	1
30d	166	17

71 shows

104 tapes

645

Playback	Listens	Hours
48h	15	2
7d	20	2
30d	645	95

Playback	Listens	Hours
48h	218	21
7d	363	37
30d	3.6k	337

Playback	Listens	Hours
48h	16	2
7d	25	3
30d	191	27

40 shows

51 tapes

King Gizzard & the Lizard Wizard

14k

Playback	Listens	Hours
48h	802	110
7d	1.9k	250
30d	14k	1.8k

Playback	Listens	Hours
48h	72	10
7d	396	50
30d	2.6k	336

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	205	30

Playback	Listens	Hours
48h	45	8
7d	53	11
30d	718	132

Playback	Listens	Hours
48h	189	22
7d	192	23
30d	2.4k	296

Playback	Listens	Hours
48h	159	15
7d	430	41
30d	2.7k	261

956 shows

1,274 tapes

Lettuce

Playback	Listens	Hours
48h	202	29
7d	326	52
30d	3k	433

Playback	Listens	Hours
48h	253	23
7d	614	57
30d	4.5k	428

Playback	Listens	Hours
48h	28	2
7d	167	14
30d	1.3k	96

Playback	Listens	Hours
48h	192	36
7d	243	48
30d	1.7k	330

Playback	Listens	Hours
48h	19	2
7d	7	1
30d	262	29

Playback	Listens	Hours
48h	84	8
7d	215	21
30d	1.6k	176

Playback	Listens	Hours
48h	34	4
7d	99	9
30d	434	44

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	19m

14 shows

21 tapes

Max Creek

Playback	Listens	Hours
48h	291	41
7d	637	100
30d	4k	620

Playback	Listens	Hours
48h	39	2
7d	44	2
30d	480	29

Playback	Listens	Hours
48h	13	1
7d	39	4
30d	181	20

Playback	Listens	Hours
48h	2	3m
7d	15	23m
30d	219	6

Playback	Listens	Hours
48h	89	7
7d	39	3
30d	554	46

Playback	Listens	Hours
48h	599	97
7d	1.5k	253
30d	11.5k	2k

Playback	Listens	Hours
48h	19	2
7d	14	2
30d	224	25

Playback	Listens	Hours
48h	25	2
7d	17	1
30d	188	14

Playback	Listens	Hours
48h	332	33
7d	706	71
30d	4.8k	488

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	6	26m
30d	44	3

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	119	10

Playback	Listens	Hours
48h	53	8
7d	98	14
30d	528	75

Playback	Listens	Hours
48h	9	2
7d	7	1
30d	165	24

59 shows

69 tapes

New Riders of the Purple Sage

North Mississippi Allstars

Playback	Listens	Hours
48h	53	4
7d	201	18
30d	1.6k	141

402 shows

587 tapes

1.4k

Playback	Listens	Hours
48h	72	8
7d	205	20
30d	1.4k	140

Playback	Listens	Hours
48h	11	1
7d	104	11
30d	814	89

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	9m

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	348	64

Playback	Listens	Hours
48h	34	5
7d	52	7
30d	224	33

Playback	Listens	Hours
48h	113	18
7d	269	46
30d	1.5k	270

686 shows

913 tapes

Phil Lesh and Friends

14.5k

Playback	Listens	Hours
48h	902	166
7d	1.9k	337
30d	14.5k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	70	10
7d	258	39
30d	1.9k	301

Playback	Listens	Hours
48h	188	23
7d	602	80
30d	3.9k	470

289 shows

429 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	21	1
30d	64	5

Playback	Listens	Hours
48h	124	16
7d	376	49
30d	3.1k	409

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	17	4

27 shows

30 tapes

Raq

Playback	Listens	Hours
48h	28	4
7d	192	25
30d	1k	131

Playback	Listens	Hours
48h	638	81
7d	1.2k	161
30d	9.5k	1.3k

Playback	Listens	Hours
48h	207	17
7d	127	9
30d	1.1k	85

Playback	Listens	Hours
48h	91	9
7d	187	16
30d	1.4k	111

Playback	Listens	Hours
48h	79	8
7d	301	24
30d	1.8k	156

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	9	59m
30d	96	11

Playback	Listens	Hours
48h	190	19
7d	494	46
30d	3.1k	295

Playback	Listens	Hours
48h	9	1
7d	4	27m
30d	505	61

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	9

Playback	Listens	Hours
48h	24	2
7d	10	1
30d	168	18

Playback	Listens	Hours
48h	107	8
7d	168	14
30d	960	83

Playback	Listens	Hours
48h	133	22
7d	421	64
30d	3.6k	566

Playback	Listens	Hours
48h	77	16
7d	277	65
30d	2.4k	535

Playback	Listens	Hours
48h	23	2
7d	24	2
30d	272	17

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	200	37

Playback	Listens	Hours
48h	37	7
7d	163	28
30d	1.3k	195

Playback	Listens	Hours
48h	70	16
7d	187	42
30d	1.3k	288

Playback	Listens	Hours
48h	81	10
7d	160	22
30d	1.4k	179

664 shows

1,137 tapes

String Cheese Incident

11.8k

Playback	Listens	Hours
48h	659	108
7d	1.8k	289
30d	11.8k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	92	9

Playback	Listens	Hours
48h	19	4
7d	59	11
30d	437	80

Playback	Listens	Hours
48h	13	2
7d	41	5
30d	314	40

Playback	Listens	Hours
48h	35	4
7d	208	23
30d	1.5k	167

727 shows

1,112 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	63	4

Playback	Listens	Hours
48h	2.3k	279
7d	4.4k	521
30d	26.3k	3k

Playback	Listens	Hours
48h	14	42m
7d	102	5
30d	422	22

Playback	Listens	Hours
48h	23	4
7d	203	28
30d	898	116

Playback	Listens	Hours
48h	23	3
7d	57	8
30d	330	45

473 shows

629 tapes

The California Honeydrops

652

Playback	Listens	Hours
48h	41	5
7d	155	17
30d	652	81

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	8

Playback	Listens	Hours
48h	192	28
7d	286	37
30d	3.3k	475

Playback	Listens	Hours
48h	32	2
7d	83	6
30d	476	39

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	133	19

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	1	14m
7d	0	0m
30d	99	17

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	6	34m
30d	26	3

Playback	Listens	Hours
48h	18	3
7d	11	1
30d	154	25

Playback	Listens	Hours
48h	6	57m
7d	43	6
30d	444	59

Playback	Listens	Hours
48h	146	9
7d	240	13
30d	981	52

Playback	Listens	Hours
48h	20	2
7d	39	3
30d	633	47

Playback	Listens	Hours
48h	22	8
7d	27	6
30d	288	68

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	96	9
7d	129	12
30d	1k	99

Playback	Listens	Hours
48h	82	9
7d	144	21
30d	1.7k	234

Playback	Listens	Hours
48h	401	39
7d	660	65
30d	5.9k	581

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	9	17m
30d	86	6

Playback	Listens	Hours
48h	36	3
7d	91	10
30d	979	104

Playback	Listens	Hours
48h	0	0m
7d	17	4
30d	235	47

145 shows

196 tapes

The Wood Brothers

Playback	Listens	Hours
48h	108	9
7d	54	5
30d	1k	89

Playback	Listens	Hours
48h	47	3
7d	124	9
30d	1.2k	88

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	4

Playback	Listens	Hours
48h	311	43
7d	712	111
30d	5.2k	735

Playback	Listens	Hours
48h	2	14m
7d	20	2
30d	133	13

Playback	Listens	Hours
48h	107	16
7d	136	22
30d	1.8k	297

Playback	Listens	Hours
48h	324	48
7d	846	120
30d	7.3k	1k

Playback	Listens	Hours
48h	47	4
7d	61	5
30d	320	26

Playback	Listens	Hours
48h	54	4
7d	113	8
30d	1.6k	118

Playback	Listens	Hours
48h	732	57
7d	1.2k	98
30d	10.7k	839

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	22	2
30d	52	4

Playback	Listens	Hours
48h	9.9k	1.2k
7d	24.6k	3k
30d	126.6k	15k

Playback	Listens	Hours
48h	36	4
7d	80	10
30d	1.1k	143

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.8k

Playback	Listens	Hours
48h	698	66
7d	1k	95
30d	9.8k	916

Playback	Listens	Hours
48h	64	10
7d	364	53
30d	1.6k	262

11 shows

15 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	51m

Playback	Listens	Hours
48h	76	12
7d	166	30
30d	1.5k	260

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	9	37m
7d	0	0m
30d	20	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	218
7d	3.5k	490
30d	15.9k	2.1k

Playback	Listens	Hours
48h	1.5k	192
7d	2.2k	307
30d	26.1k	3.4k

Playback	Listens	Hours
48h	3k	383
7d	4.5k	579
30d	39k	5k

Playback	Listens	Hours
48h	599	79
7d	2.7k	344
30d	48.3k	6.3k

Playback	Listens	Hours
48h	2.8k	391
7d	5.2k	709
30d	31.3k	4.4k

Playback	Listens	Hours
48h	10.9k	1.4k
7d	17.1k	2.1k
30d	90.7k	11.6k

Playback	Listens	Hours
48h	4.3k	520
7d	3.6k	448
30d	34.5k	4.3k

Playback	Listens	Hours
48h	3.5k	415
7d	5.1k	583
30d	33.2k	3.9k

Playback	Listens	Hours
48h	5.6k	641
7d	11.2k	1.3k
30d	53.1k	6.2k

Playback	Listens	Hours
48h	1.5k	169
7d	3.8k	434
30d	17.8k	2k

Playback	Listens	Hours
48h	4k	486
7d	5.7k	718
30d	37.7k	4.6k

Playback	Listens	Hours
48h	3.3k	398
7d	2.5k	311
30d	20.2k	2.6k

Playback	Listens	Hours
48h	2.6k	318
7d	5.8k	702
30d	24.6k	3.1k

Playback	Listens	Hours
48h	1.4k	167
7d	2.2k	274
30d	29.8k	3.8k

Playback	Listens	Hours
48h	2.8k	372
7d	5.4k	686
30d	124.1k	16k

Playback	Listens	Hours
48h	1.9k	224
7d	3.1k	364
30d	29.9k	3.4k

Playback	Listens	Hours
48h	1.5k	212
7d	3.1k	439
30d	28.6k	3.9k

Playback	Listens	Hours
48h	2.2k	303
7d	3.9k	531
30d	40.4k	5.5k

Playback	Listens	Hours
48h	7.2k	1k
7d	11k	1.6k
30d	122.9k	17.3k

Playback	Listens	Hours
48h	2.1k	275
7d	3.3k	428
30d	28.1k	3.7k

Playback	Listens	Hours
48h	348	39
7d	1.4k	151
30d	9.2k	1k

Playback	Listens	Hours
48h	3.7k	479
7d	13.2k	1.6k
30d	61.4k	7.8k

Playback	Listens	Hours
48h	9.6k	1.2k
7d	14.8k	1.8k
30d	94.3k	11.7k

Playback	Listens	Hours
48h	6.3k	770
7d	11.9k	1.4k
30d	59.9k	7.1k

Playback	Listens	Hours
48h	1.4k	158
7d	3.2k	353
30d	37.7k	4.2k

Playback	Listens	Hours
48h	1.4k	158
7d	3.4k	389
30d	36.2k	3.9k

Playback	Listens	Hours
48h	2.2k	379
7d	2k	284
30d	30.8k	4.5k

Playback	Listens	Hours
48h	841	99
7d	514	69
30d	8.4k	1.1k

Playback	Listens	Hours
48h	156	20
7d	206	25
30d	3.9k	470

Playback	Listens	Hours
48h	282	19
7d	762	55
30d	6.7k	492

Playback	Listens	Hours
48h	26	2
7d	89	5
30d	526	31

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

398

Playback	Listens	Hours
48h	23	3
7d	36	6
30d	398	56

474

Playback	Listens	Hours
48h	10	2
7d	20	4
30d	474	72

964

Playback	Listens	Hours
48h	61	8
7d	74	9
30d	964	118

798

Playback	Listens	Hours
48h	65	8
7d	101	13
30d	798	96

Playback	Listens	Hours
48h	179	21
7d	73	9
30d	899	106

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

633

Playback	Listens	Hours
48h	13	1
7d	14	2
30d	633	79

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

880

Playback	Listens	Hours
48h	54	7
7d	121	15
30d	880	112

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

332

Playback	Listens	Hours
48h	39	7
7d	64	9
30d	332	45

Playback	Listens	Hours
48h	3	27m
7d	2	18m
30d	324	43

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

479

Playback	Listens	Hours
48h	23	3
7d	59	8
30d	479	61

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

1.4k

Playback	Listens	Hours
48h	76	10
7d	264	35
30d	1.4k	188

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

212

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	212	29

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

523

Playback	Listens	Hours
48h	85	13
7d	93	13
30d	523	75

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

172

Playback	Listens	Hours
48h	4	37m
7d	46	5
30d	172	22

Playback	Listens	Hours
48h	4	26m
7d	75	10
30d	708	100

Playback	Listens	Hours
48h	31	3
7d	42	5
30d	319	35

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

561

Playback	Listens	Hours
48h	26	5
7d	57	10
30d	561	82

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

455

Playback	Listens	Hours
48h	11	2
7d	5	51m
30d	455	60

Playback	Listens	Hours
48h	9	2
7d	2	19m
30d	117	17

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

513

Playback	Listens	Hours
48h	12	2
7d	22	3
30d	513	75

Playback	Listens	Hours
48h	82	11
7d	85	11
30d	1.1k	151

Playback	Listens	Hours
48h	39	5
7d	16	2
30d	361	44

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

2.6k

Playback	Listens	Hours
48h	54	9
7d	165	28
30d	2.6k	452

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

289

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	289	40

Playback	Listens	Hours
48h	161	20
7d	74	10
30d	2.3k	309

2.5k

Playback	Listens	Hours
48h	91	11
7d	119	16
30d	2.5k	325

Playback	Listens	Hours
48h	43	7
7d	270	38
30d	1.6k	239

2.6k

Playback	Listens	Hours
48h	209	29
7d	214	30
30d	2.6k	376

Playback	Listens	Hours
48h	76	11
7d	50	8
30d	669	89

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

1.7k

Playback	Listens	Hours
48h	106	14
7d	259	40
30d	1.7k	254

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.7k

Playback	Listens	Hours
48h	103	14
7d	143	21
30d	1.7k	243

Playback	Listens	Hours
48h	237	32
7d	241	34
30d	2k	264

Pembroke Pines, FL, USA

3.1k

Playback	Listens	Hours
48h	168	23
7d	209	29
30d	3.1k	433

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

Playback	Listens	Hours
48h	157	21
7d	100	13
30d	1k	130

Playback	Listens	Hours
48h	94	13
7d	108	16
30d	1.4k	192

Playback	Listens	Hours
48h	78	11
7d	51	8
30d	981	143

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

2.4k

Playback	Listens	Hours
48h	189	26
7d	109	14
30d	2.4k	318

Playback	Listens	Hours
48h	101	13
7d	167	21
30d	1.4k	178

Playback	Listens	Hours
48h	120	15
7d	251	32
30d	1.3k	161

Playback	Listens	Hours
48h	3	22m
7d	7	50m
30d	122	16

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

2.7k

Playback	Listens	Hours
48h	179	24
7d	214	28
30d	2.7k	357

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

7.8k

Playback	Listens	Hours
48h	556	81
7d	750	109
30d	7.8k	1.1k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.6k

Playback	Listens	Hours
48h	831	127
7d	1.2k	186
30d	8.6k	1.3k

Playback	Listens	Hours
48h	587	82
7d	373	55
30d	4.3k	625

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	318	49
7d	641	93
30d	2.9k	426

Playback	Listens	Hours
48h	138	22
7d	183	28
30d	2.2k	362

Playback	Listens	Hours
48h	48	5
7d	56	7
30d	836	103

Playback	Listens	Hours
48h	55	8
7d	51	6
30d	629	80

Playback	Listens	Hours
48h	56	6
7d	16	2
30d	649	76

Playback	Listens	Hours
48h	29	5
7d	66	9
30d	526	76

Playback	Listens	Hours
48h	47	7
7d	96	15
30d	1k	156

Playback	Listens	Hours
48h	18	2
7d	54	7
30d	196	25

Playback	Listens	Hours
48h	69	8
7d	86	10
30d	666	73

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.2k

Playback	Listens	Hours
48h	210	29
7d	398	54
30d	3.2k	442

Philadelphia, PA, USA

1.1k

Playback	Listens	Hours
48h	113	18
7d	178	28
30d	1.1k	173

9.9k

Playback	Listens	Hours
48h	108	14
7d	622	90
30d	9.9k	1.3k

10.1k

Playback	Listens	Hours
48h	67	11
7d	536	84
30d	10.1k	1.6k

Robertson Gym, UC Santa Barbara

11k

Playback	Listens	Hours
48h	135	19
7d	474	68
30d	11k	1.6k

Playback	Listens	Hours
48h	12	1
7d	14	2
30d	419	56

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

Playback	Listens	Hours
48h	55	7
7d	66	8
30d	1.6k	204

San Bernardino, CA, USA

9.5k

Playback	Listens	Hours
48h	524	70
7d	1k	142
30d	9.5k	1.3k

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

175

Playback	Listens	Hours
48h	0	0m
7d	7	50m
30d	175	22

Playback	Listens	Hours
48h	43	6
7d	60	7
30d	513	62

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive