Lazy Lightnin' > Supplication | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

557

Playback	Listens	Hours
48h	3	29m
7d	40	4
30d	557	64

27 shows

29 tapes

Bernie Worrell Orchestra

112

Playback	Listens	Hours
48h	7	1
7d	20	3
30d	112	15

Playback	Listens	Hours
48h	63	9
7d	56	8
30d	844	115

Playback	Listens	Hours
48h	148	19
7d	390	54
30d	1.9k	255

Playback	Listens	Hours
48h	5.3k	535
7d	14.2k	1.4k
30d	117.3k	12.1k

Playback	Listens	Hours
48h	72	5
7d	366	26
30d	2.4k	177

62 shows

76 tapes

Blueground Undergrass

444

Playback	Listens	Hours
48h	30	3
7d	10	41m
30d	444	45

Playback	Listens	Hours
48h	107	11
7d	363	41
30d	2.8k	304

Playback	Listens	Hours
48h	457	60
7d	897	117
30d	8.2k	1.1k

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	8

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	62	9
7d	92	15
30d	1.2k	189

Playback	Listens	Hours
48h	2	11m
7d	7	39m
30d	265	29

Playback	Listens	Hours
48h	43	4
7d	105	9
30d	1.3k	127

Playback	Listens	Hours
48h	94	9
7d	61	6
30d	1.6k	162

Playback	Listens	Hours
48h	71	4
7d	171	9
30d	1.1k	63

Playback	Listens	Hours
48h	31	3
7d	70	9
30d	936	124

Playback	Listens	Hours
48h	2	11m
7d	52	3
30d	951	66

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	5m
30d	19	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	77	8

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	81	16
7d	233	46
30d	1.6k	335

Playback	Listens	Hours
48h	32	6
7d	48	9
30d	809	152

Playback	Listens	Hours
48h	43	4
7d	41	3
30d	1.7k	138

543 shows

692 tapes

Cubensis

Playback	Listens	Hours
48h	24	4
7d	129	19
30d	2k	288

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	248	34
7d	458	67
30d	5k	743

Playback	Listens	Hours
48h	320	45
7d	800	111
30d	6.9k	941

783 shows

1,033 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	3	49m
30d	44	10

Playback	Listens	Hours
48h	18	2
7d	65	7
30d	410	41

Playback	Listens	Hours
48h	1.8k	296
7d	5.6k	861
30d	32.3k	5.1k

Playback	Listens	Hours
48h	28	3
7d	65	8
30d	648	73

Playback	Listens	Hours
48h	112	7
7d	149	9
30d	2.2k	138

Playback	Listens	Hours
48h	89	10
7d	190	23
30d	2.4k	292

Playback	Listens	Hours
48h	797	167
7d	1.5k	304
30d	13.1k	2.7k

Playback	Listens	Hours
48h	48	5
7d	57	7
30d	546	54

Playback	Listens	Hours
48h	163	28
7d	229	38
30d	2.2k	342

Playback	Listens	Hours
48h	9	2
7d	24	5
30d	148	28

Playback	Listens	Hours
48h	42	4
7d	189	20
30d	3.1k	322

Playback	Listens	Hours
48h	45	7
7d	80	13
30d	840	133

Playback	Listens	Hours
48h	152	14
7d	257	22
30d	3.2k	283

Playback	Listens	Hours
48h	44	8
7d	74	12
30d	989	169

Playback	Listens	Hours
48h	4	40m
7d	10	1
30d	179	22

Playback	Listens	Hours
48h	191	34
7d	553	89
30d	2.7k	439

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	4

Playback	Listens	Hours
48h	180	25
7d	313	41
30d	3.2k	444

819 shows

1,036 tapes

Electric Beethoven

Playback	Listens	Hours
48h	9	3
7d	19	5
30d	95	27

Playback	Listens	Hours
48h	24	1
7d	113	7
30d	1.2k	65

Playback	Listens	Hours
48h	27	4
7d	61	8
30d	402	57

Playback	Listens	Hours
48h	2	29m
7d	54	11
30d	304	59

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	261	33

Playback	Listens	Hours
48h	0	0m
7d	2	25m
30d	191	30

Playback	Listens	Hours
48h	3	23m
7d	80	8
30d	606	65

Playback	Listens	Hours
48h	31	2
7d	43	3
30d	408	27

Playback	Listens	Hours
48h	34	3
7d	68	5
30d	1.5k	125

Playback	Listens	Hours
48h	3	13m
7d	94	6
30d	496	31

Playback	Listens	Hours
48h	546	82
7d	1.8k	275
30d	12.8k	2k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	2	26m
30d	27	5

14 shows

15 tapes

G. Love and Special Sauce

Playback	Listens	Hours
48h	11	1
7d	152	15
30d	1k	94

Playback	Listens	Hours
48h	67	7
7d	123	12
30d	1.7k	192

Playback	Listens	Hours
48h	3	28m
7d	57	8
30d	510	71

Playback	Listens	Hours
48h	22	5
7d	61	13
30d	755	157

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	13	1
7d	15	2
30d	94	11

Playback	Listens	Hours
48h	12	2
7d	44	9
30d	358	67

Playback	Listens	Hours
48h	30	3
7d	309	36
30d	1.7k	199

369 shows

496 tapes

Godspeed You Black Emperor!

549

Playback	Listens	Hours
48h	6	1
7d	46	12
30d	549	138

Playback	Listens	Hours
48h	11	2
7d	22	3
30d	332	50

Playback	Listens	Hours
48h	1.4k	266
7d	3.2k	612
30d	24.3k	4.7k

Playback	Listens	Hours
48h	9	1
7d	66	6
30d	807	73

362 shows

591 tapes

Grahame Lesh and Friends

1.2k

Playback	Listens	Hours
48h	873	140
7d	1.2k	196
30d	1.2k	201

Playback	Listens	Hours
48h	1	8m
7d	6	40m
30d	125	16

Playback	Listens	Hours
48h	238	26
7d	755	86
30d	5.8k	644

Playback	Listens	Hours
48h	56	7
7d	221	25
30d	2.5k	278

Playback	Listens	Hours
48h	10	1
7d	14	2
30d	213	32

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	45	3

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	144	20

Playback	Listens	Hours
48h	80	6
7d	29	2
30d	789	58

747 shows

1,024 tapes

Hard Working Americans

362

Playback	Listens	Hours
48h	36	4
7d	19	2
30d	362	41

74 shows

135 tapes

Holly Bowling

Playback	Listens	Hours
48h	70	10
7d	91	15
30d	1k	160

186 shows

225 tapes

Horseshoes and Hand Grenades

422

Playback	Listens	Hours
48h	21	2
7d	36	3
30d	422	32

Playback	Listens	Hours
48h	17	2
7d	28	3
30d	1.2k	120

677 shows

850 tapes

Infamous Stringdusters

3.1k

Playback	Listens	Hours
48h	96	8
7d	263	23
30d	3.1k	289

621 shows

998 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	4	58m
30d	31	6

Playback	Listens	Hours
48h	193	12
7d	464	31
30d	4.1k	259

146 shows

172 tapes

Jackie Greene

Playback	Listens	Hours
48h	8	38m
7d	87	8
30d	1k	106

364 shows

489 tapes

Jazz Mandolin Project

1.1k

Playback	Listens	Hours
48h	28	4
7d	123	20
30d	1.1k	183

218 shows

275 tapes

Jeff Austin and Chris Castino

143

Playback	Listens	Hours
48h	4	15m
7d	8	50m
30d	143	12

12 shows

14 tapes

Jeff Austin And Friends

316

Playback	Listens	Hours
48h	12	1
7d	2	18m
30d	316	24

Playback	Listens	Hours
48h	109	12
7d	66	9
30d	1.1k	158

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.9k

Playback	Listens	Hours
48h	164	28
7d	385	67
30d	2.9k	464

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.4k

Playback	Listens	Hours
48h	170	22
7d	393	58
30d	2.4k	340

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

127

Playback	Listens	Hours
48h	27	4
7d	2	2m
30d	127	19

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

27.1k

Playback	Listens	Hours
48h	1.5k	266
7d	3.4k	605
30d	27.1k	4.9k

Playback	Listens	Hours
48h	71	6
7d	63	8
30d	2.1k	246

Playback	Listens	Hours
48h	163	13
7d	348	34
30d	3.4k	309

Playback	Listens	Hours
48h	13	1
7d	0	0m
30d	141	18

Playback	Listens	Hours
48h	3	18m
7d	19	2
30d	479	35

Playback	Listens	Hours
48h	14	1
7d	36	4
30d	195	21

71 shows

104 tapes

1.2k

Playback	Listens	Hours
48h	7	45m
7d	53	8
30d	1.2k	176

Playback	Listens	Hours
48h	232	24
7d	436	40
30d	4.5k	418

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	268	38

40 shows

51 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	784	108
7d	2.4k	319
30d	15k	2k

208 shows

437 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	255	31
7d	323	40
30d	3k	382

Playback	Listens	Hours
48h	2	15m
7d	14	2
30d	359	52

Playback	Listens	Hours
48h	36	7
7d	76	13
30d	895	161

Playback	Listens	Hours
48h	96	11
7d	386	46
30d	3.2k	389

Playback	Listens	Hours
48h	278	26
7d	360	34
30d	3.8k	368

Playback	Listens	Hours
48h	156	26
7d	488	69
30d	3.3k	482

454 shows

703 tapes

Little Feat

Playback	Listens	Hours
48h	297	27
7d	702	67
30d	5k	473

Playback	Listens	Hours
48h	85	7
7d	198	15
30d	1.7k	127

Playback	Listens	Hours
48h	97	20
7d	287	56
30d	1.7k	328

Playback	Listens	Hours
48h	2	19m
7d	17	2
30d	595	60

Playback	Listens	Hours
48h	77	7
7d	257	33
30d	1.8k	194

Playback	Listens	Hours
48h	22	2
7d	55	5
30d	671	71

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	52m

Playback	Listens	Hours
48h	301	48
7d	581	85
30d	6.4k	961

Playback	Listens	Hours
48h	21	53m
7d	51	3
30d	574	35

Playback	Listens	Hours
48h	16	1
7d	4	33m
30d	267	29

Playback	Listens	Hours
48h	9	14m
7d	28	55m
30d	484	12

Playback	Listens	Hours
48h	1	6m
7d	50	4
30d	613	51

Playback	Listens	Hours
48h	681	114
7d	1.4k	264
30d	13.4k	2.4k

Playback	Listens	Hours
48h	0	0m
7d	9	55m
30d	466	51

Playback	Listens	Hours
48h	15	1
7d	53	4
30d	255	19

Playback	Listens	Hours
48h	281	29
7d	818	84
30d	5.4k	553

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	12	46m
30d	75	6

Playback	Listens	Hours
48h	1	5m
7d	9	53m
30d	151	14

Playback	Listens	Hours
48h	43	6
7d	59	9
30d	609	85

Playback	Listens	Hours
48h	4	26m
7d	47	9
30d	194	28

59 shows

69 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	124	11
7d	156	12
30d	1.9k	172

401 shows

586 tapes

North Mississippi Allstars

1.9k

Playback	Listens	Hours
48h	89	9
7d	222	21
30d	1.9k	180

Playback	Listens	Hours
48h	48	5
7d	92	10
30d	1.5k	167

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	51m

Playback	Listens	Hours
48h	1	11m
7d	62	13
30d	505	93

Playback	Listens	Hours
48h	24	4
7d	19	3
30d	320	46

Playback	Listens	Hours
48h	125	23
7d	158	27
30d	1.8k	323

686 shows

913 tapes

Phil Lesh and Friends

15.3k

Playback	Listens	Hours
48h	768	136
7d	2.1k	369
30d	15.3k	2.6k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	114	17
7d	283	42
30d	2.2k	349

Playback	Listens	Hours
48h	287	37
7d	677	79
30d	4.7k	555

289 shows

429 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	47	4

Playback	Listens	Hours
48h	215	29
7d	558	74
30d	4.2k	560

1,230 shows

2,191 tapes

RANA

Playback	Listens	Hours
48h	1	2
7d	7	35m
30d	63	5

Playback	Listens	Hours
48h	106	14
7d	132	16
30d	1.4k	185

Playback	Listens	Hours
48h	565	74
7d	1.4k	194
30d	10.7k	1.5k

Playback	Listens	Hours
48h	44	3
7d	135	10
30d	1.5k	117

248 shows

366 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	70	6
7d	95	8
30d	2k	165

Playback	Listens	Hours
48h	235	18
7d	249	21
30d	2.4k	207

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	15m

Playback	Listens	Hours
48h	9	59m
7d	1	15m
30d	131	15

Playback	Listens	Hours
48h	198	18
7d	253	25
30d	3.6k	341

Playback	Listens	Hours
48h	0	0m
7d	83	11
30d	742	86

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	79	11

Playback	Listens	Hours
48h	5	43m
7d	4	28m
30d	326	36

Playback	Listens	Hours
48h	55	5
7d	161	16
30d	1.5k	132

Playback	Listens	Hours
48h	195	28
7d	499	77
30d	4.1k	666

Playback	Listens	Hours
48h	131	31
7d	294	66
30d	2.8k	624

Playback	Listens	Hours
48h	23	1
7d	49	3
30d	406	25

Playback	Listens	Hours
48h	7	2
7d	25	5
30d	334	55

Playback	Listens	Hours
48h	58	10
7d	190	28
30d	1.9k	283

Playback	Listens	Hours
48h	58	14
7d	206	48
30d	1.9k	406

Playback	Listens	Hours
48h	73	10
7d	131	16
30d	2.5k	338

664 shows

1,137 tapes

String Cheese Incident

14k

Playback	Listens	Hours
48h	733	120
7d	1.9k	294
30d	14k	2.2k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

198

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	198	19

Playback	Listens	Hours
48h	17	4
7d	73	13
30d	523	95

Playback	Listens	Hours
48h	7	43m
7d	31	4
30d	501	64

Playback	Listens	Hours
48h	78	9
7d	105	12
30d	2.4k	261

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	93	6

Playback	Listens	Hours
48h	1.8k	217
7d	5.1k	596
30d	24.2k	2.8k

Playback	Listens	Hours
48h	43	2
7d	20	60m
30d	415	23

Playback	Listens	Hours
48h	99	13
7d	89	12
30d	1.3k	161

Playback	Listens	Hours
48h	40	6
7d	18	3
30d	577	78

473 shows

629 tapes

The California Honeydrops

547

Playback	Listens	Hours
48h	67	7
7d	124	17
30d	547	71

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	56	10

Playback	Listens	Hours
48h	114	15
7d	365	52
30d	3.8k	554

Playback	Listens	Hours
48h	44	3
7d	140	12
30d	638	55

Playback	Listens	Hours
48h	0	0m
7d	28	4
30d	247	34

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	195	31

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	32	4

Playback	Listens	Hours
48h	8	1
7d	31	5
30d	582	88

Playback	Listens	Hours
48h	23	3
7d	26	4
30d	776	106

Playback	Listens	Hours
48h	50	3
7d	75	4
30d	1.8k	93

Playback	Listens	Hours
48h	16	1
7d	61	4
30d	830	61

Playback	Listens	Hours
48h	14	4
7d	32	9
30d	342	76

Playback	Listens	Hours
48h	66	6
7d	149	15
30d	1.3k	132

Playback	Listens	Hours
48h	48	6
7d	168	24
30d	2.2k	293

77 shows

249 tapes

The Radiators

Playback	Listens	Hours
48h	253	26
7d	976	93
30d	7k	678

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	94	7

Playback	Listens	Hours
48h	36	4
7d	174	19
30d	1.1k	113

Playback	Listens	Hours
48h	15	3
7d	71	15
30d	246	48

Playback	Listens	Hours
48h	30	3
7d	132	11
30d	1.4k	122

Playback	Listens	Hours
48h	38	3
7d	164	11
30d	1.6k	113

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	52	4

Playback	Listens	Hours
48h	326	53
7d	712	107
30d	6.2k	872

Playback	Listens	Hours
48h	0	0m
7d	3	19m
30d	231	23

Playback	Listens	Hours
48h	53	9
7d	275	45
30d	2.5k	411

Playback	Listens	Hours
48h	457	65
7d	809	116
30d	9.9k	1.4k

Playback	Listens	Hours
48h	49	4
7d	75	6
30d	385	31

Playback	Listens	Hours
48h	70	5
7d	246	18
30d	1.9k	140

Playback	Listens	Hours
48h	509	40
7d	1.8k	141
30d	12.6k	986

Playback	Listens	Hours
48h	22	2
7d	0	0m
30d	104	7

Playback	Listens	Hours
48h	10.9k	1.3k
7d	22.1k	2.7k
30d	121.7k	14.3k

Playback	Listens	Hours
48h	15	2
7d	90	14
30d	2.5k	342

1,417 shows

2,244 tapes

Yonder Mountain String Band

12.9k

Playback	Listens	Hours
48h	470	43
7d	1.1k	103
30d	12.9k	1.2k

Playback	Listens	Hours
48h	213	30
7d	191	32
30d	1.9k	302

10 shows

14 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	51	2

Playback	Listens	Hours
48h	63	11
7d	237	42
30d	2.1k	360

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	53	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.5k	206
7d	3.8k	492
30d	17k	2.3k

Playback	Listens	Hours
48h	1.3k	175
7d	4.1k	553
30d	29.5k	3.8k

Playback	Listens	Hours
48h	4.3k	540
7d	5.9k	755
30d	37.5k	4.8k

Playback	Listens	Hours
48h	1.7k	214
7d	4.7k	629
30d	50.7k	6.6k

Playback	Listens	Hours
48h	3.3k	441
7d	6.6k	968
30d	29.7k	4.2k

Playback	Listens	Hours
48h	14.1k	1.7k
7d	21.1k	2.7k
30d	92.3k	12k

Playback	Listens	Hours
48h	1.9k	246
7d	5.4k	684
30d	37.2k	4.7k

Playback	Listens	Hours
48h	2.4k	281
7d	3.9k	456
30d	31k	3.6k

Playback	Listens	Hours
48h	4.5k	516
7d	7.1k	824
30d	46.5k	5.4k

Playback	Listens	Hours
48h	2.7k	301
7d	6.4k	734
30d	16.4k	1.9k

Playback	Listens	Hours
48h	3.4k	418
7d	5.3k	611
30d	36.5k	4.4k

Playback	Listens	Hours
48h	1.4k	177
7d	3.5k	445
30d	21.1k	2.7k

Playback	Listens	Hours
48h	2.4k	277
7d	2.8k	366
30d	22.8k	2.9k

Playback	Listens	Hours
48h	1.2k	155
7d	3.5k	436
30d	32.4k	4.1k

Playback	Listens	Hours
48h	3.4k	446
7d	12.9k	1.5k
30d	129.5k	16.7k

Playback	Listens	Hours
48h	2k	241
7d	4.4k	508
30d	31.4k	3.6k

Playback	Listens	Hours
48h	2k	283
7d	4.4k	595
30d	30k	4.1k

Playback	Listens	Hours
48h	2.2k	303
7d	5.5k	732
30d	43k	5.8k

Playback	Listens	Hours
48h	6.2k	883
7d	33.3k	4.7k
30d	139k	19.4k

Playback	Listens	Hours
48h	1.9k	251
7d	4.1k	554
30d	28.8k	3.8k

Playback	Listens	Hours
48h	568	60
7d	931	98
30d	8.8k	985

Playback	Listens	Hours
48h	6.6k	802
7d	7.7k	981
30d	75k	9.7k

Playback	Listens	Hours
48h	9.9k	1.2k
7d	21.6k	2.6k
30d	93.4k	11.6k

Playback	Listens	Hours
48h	6.2k	770
7d	11.9k	1.4k
30d	55.1k	6.5k

Playback	Listens	Hours
48h	3k	327
7d	6.3k	703
30d	44.6k	5.1k

Playback	Listens	Hours
48h	2.4k	271
7d	5.4k	579
30d	38.3k	4.2k

Playback	Listens	Hours
48h	1.1k	161
7d	2.6k	359
30d	34.8k	5.1k

112 shows

324 tapes

1968

Playback	Listens	Hours
48h	466	63
7d	997	121
30d	9k	1.1k

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	152	17
7d	651	75
30d	4k	480

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	657	50
7d	1.3k	90
30d	9k	671

Playback	Listens	Hours
48h	55	3
7d	101	6
30d	549	34

1977

Playback	Listens	Hours
48h	1	2
7d	0	0m
30d	0	0m

429

Playback	Listens	Hours
48h	26	4
7d	60	8
30d	429	60

502

Playback	Listens	Hours
48h	1	10m
7d	38	6
30d	502	77

1.1k

Playback	Listens	Hours
48h	37	5
7d	136	17
30d	1.1k	129

752

Playback	Listens	Hours
48h	60	8
7d	139	16
30d	752	91

Playback	Listens	Hours
48h	22	3
7d	189	23
30d	996	118

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

726

Playback	Listens	Hours
48h	15	1
7d	117	14
30d	726	91

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

902

Playback	Listens	Hours
48h	9	1
7d	79	11
30d	902	115

3:03:06

11 tapes

11/02SBD

Field House, Seneca College

Toronto, Ontario, Canada

282

Playback	Listens	Hours
48h	13	2
7d	103	14
30d	282	38

Playback	Listens	Hours
48h	27	4
7d	70	9
30d	441	58

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

478

Playback	Listens	Hours
48h	30	4
7d	71	9
30d	478	61

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

1.4k

Playback	Listens	Hours
48h	167	22
7d	215	29
30d	1.4k	183

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

305

Playback	Listens	Hours
48h	17	3
7d	23	3
30d	305	42

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

513

Playback	Listens	Hours
48h	49	7
7d	69	10
30d	513	75

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

140

Playback	Listens	Hours
48h	36	4
7d	10	2
30d	140	18

Playback	Listens	Hours
48h	23	3
7d	62	9
30d	895	125

Playback	Listens	Hours
48h	7	49m
7d	70	7
30d	283	31

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

600

Playback	Listens	Hours
48h	18	3
7d	96	14
30d	600	85

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

480

Playback	Listens	Hours
48h	11	1
7d	139	17
30d	480	63

Playback	Listens	Hours
48h	2	19m
7d	21	3
30d	125	19

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

618

Playback	Listens	Hours
48h	10	2
7d	81	12
30d	618	90

Playback	Listens	Hours
48h	69	10
7d	258	34
30d	1.2k	162

Playback	Listens	Hours
48h	8	1
7d	32	4
30d	429	52

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

2.5k

Playback	Listens	Hours
48h	88	15
7d	310	52
30d	2.5k	435

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

304

Playback	Listens	Hours
48h	8	60m
7d	19	3
30d	304	42

Playback	Listens	Hours
48h	158	21
7d	414	54
30d	2.7k	359

2.9k

Playback	Listens	Hours
48h	96	12
7d	453	60
30d	2.9k	379

1.5k

Playback	Listens	Hours
48h	124	16
7d	294	41
30d	1.5k	218

2.7k

Playback	Listens	Hours
48h	71	10
7d	289	42
30d	2.7k	377

Playback	Listens	Hours
48h	28	5
7d	66	10
30d	664	87

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

1.6k

Playback	Listens	Hours
48h	79	13
7d	359	55
30d	1.6k	236

3:19:35

11 tapes

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.8k

Playback	Listens	Hours
48h	61	9
7d	177	25
30d	1.8k	249

Playback	Listens	Hours
48h	147	20
7d	321	42
30d	2k	264

Pembroke Pines, FL, USA

3.3k

Playback	Listens	Hours
48h	147	21
7d	535	75
30d	3.3k	465

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

Playback	Listens	Hours
48h	60	8
7d	187	24
30d	1k	134

Playback	Listens	Hours
48h	35	5
7d	310	43
30d	1.4k	197

Playback	Listens	Hours
48h	25	4
7d	189	27
30d	1.1k	163

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

2.6k

Playback	Listens	Hours
48h	161	20
7d	406	54
30d	2.6k	346

Playback	Listens	Hours
48h	89	11
7d	280	37
30d	1.4k	182

Playback	Listens	Hours
48h	113	15
7d	329	43
30d	1.3k	159

Playback	Listens	Hours
48h	6	33m
7d	27	3
30d	123	16

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

Playback	Listens	Hours
48h	252	34
7d	702	94
30d	3k	392

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

7.9k

Playback	Listens	Hours
48h	379	57
7d	1.5k	224
30d	7.9k	1.1k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.5k

Playback	Listens	Hours
48h	594	92
7d	1.5k	222
30d	8.5k	1.3k

Playback	Listens	Hours
48h	276	42
7d	739	106
30d	4.7k	696

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.5k

Playback	Listens	Hours
48h	537	82
7d	391	58
30d	2.5k	372

Playback	Listens	Hours
48h	61	9
7d	417	69
30d	2.3k	382

Playback	Listens	Hours
48h	45	6
7d	142	17
30d	890	110

Playback	Listens	Hours
48h	43	6
7d	73	9
30d	696	89

Playback	Listens	Hours
48h	97	12
7d	46	5
30d	669	78

Playback	Listens	Hours
48h	57	8
7d	102	15
30d	526	77

Playback	Listens	Hours
48h	61	9
7d	191	30
30d	1.1k	178

Playback	Listens	Hours
48h	35	5
7d	64	9
30d	211	28

Playback	Listens	Hours
48h	81	9
7d	119	13
30d	728	81

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.3k

Playback	Listens	Hours
48h	140	19
7d	465	64
30d	3.3k	458

Philadelphia, PA, USA

1.1k

Playback	Listens	Hours
48h	92	15
7d	212	34
30d	1.1k	170

9.5k

Playback	Listens	Hours
48h	310	44
7d	8k	1.1k
30d	9.5k	1.3k

9.8k

Playback	Listens	Hours
48h	244	38
7d	7.4k	1.1k
30d	9.8k	1.5k

Robertson Gym, UC Santa Barbara

10.7k

Playback	Listens	Hours
48h	165	24
7d	2.9k	409
30d	10.7k	1.5k

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	434	64

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

3.9k

Playback	Listens	Hours
48h	26	3
7d	69	8
30d	3.9k	491

San Bernardino, CA, USA

21.3k

Playback	Listens	Hours
48h	456	61
7d	1.1k	152
30d	21.3k	2.8k

5:39:22

11 tapes

2/20SBD

Studio (Terrapin Station Outtakes)

Novato, CA

194

Playback	Listens	Hours
48h	14	2
7d	24	3
30d	194	25

Playback	Listens	Hours
48h	43	5
7d	125	14
30d	514	62

5/8/77

Lazy Lightnin' > Supplication

Dancing In The Street

16:24

Scarlet Begonias > Fire On The Mountain

One More Saturday Night

5:31

FIN

View on archive.org

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive