Brown Eyed Women | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

236

Playback	Listens	Hours
48h	29	3
7d	41	4
30d	236	27

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	12m
7d	9	2
30d	80	11

Playback	Listens	Hours
48h	19	3
7d	40	6
30d	622	86

Playback	Listens	Hours
48h	154	20
7d	305	38
30d	2.1k	281

Playback	Listens	Hours
48h	9.3k	927
7d	15.6k	1.6k
30d	94.4k	9.6k

Playback	Listens	Hours
48h	144	10
7d	268	19
30d	2.1k	152

62 shows

76 tapes

Blueground Undergrass

234

Playback	Listens	Hours
48h	9	1
7d	55	6
30d	234	23

Playback	Listens	Hours
48h	71	6
7d	272	29
30d	1.9k	208

Playback	Listens	Hours
48h	326	42
7d	821	108
30d	6.5k	854

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	19	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	7	2

Playback	Listens	Hours
48h	32	5
7d	96	16
30d	829	136

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	128	14

Playback	Listens	Hours
48h	49	5
7d	99	10
30d	789	76

Playback	Listens	Hours
48h	60	7
7d	119	12
30d	619	64

Playback	Listens	Hours
48h	6	31m
7d	170	9
30d	761	42

Playback	Listens	Hours
48h	51	6
7d	144	20
30d	615	79

Playback	Listens	Hours
48h	27	2
7d	119	8
30d	566	38

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	11	56m
7d	0	0m
30d	13	1

79 shows

93 tapes

Circles Around The Sun

G. Love and Special Sauce

Playback	Listens	Hours
48h	99	20
7d	278	54
30d	1.6k	312

Playback	Listens	Hours
48h	12	3
7d	52	10
30d	344	64

Playback	Listens	Hours
48h	42	3
7d	39	4
30d	515	44

Playback	Listens	Hours
48h	13	2
7d	40	5
30d	577	81

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	392	58
7d	985	141
30d	4k	592

Playback	Listens	Hours
48h	213	29
7d	579	87
30d	6.1k	821

784 shows

1,034 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	5

Playback	Listens	Hours
48h	2	9m
7d	61	7
30d	359	39

Playback	Listens	Hours
48h	1.9k	293
7d	4.3k	672
30d	29.8k	4.7k

Playback	Listens	Hours
48h	25	3
7d	134	15
30d	473	52

Playback	Listens	Hours
48h	138	8
7d	266	16
30d	1.2k	71

Playback	Listens	Hours
48h	50	5
7d	196	22
30d	1.6k	187

Playback	Listens	Hours
48h	506	106
7d	1.6k	337
30d	11.8k	2.5k

Playback	Listens	Hours
48h	20	2
7d	77	7
30d	472	46

Playback	Listens	Hours
48h	153	27
7d	445	74
30d	2.2k	350

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	153	30

Playback	Listens	Hours
48h	16	2
7d	193	20
30d	1.6k	167

Playback	Listens	Hours
48h	4	59m
7d	73	11
30d	557	89

Playback	Listens	Hours
48h	69	6
7d	273	25
30d	2.2k	195

Playback	Listens	Hours
48h	76	14
7d	64	10
30d	660	113

Playback	Listens	Hours
48h	18	2
7d	32	3
30d	140	16

Playback	Listens	Hours
48h	93	14
7d	296	47
30d	2.8k	466

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	14	2

Playback	Listens	Hours
48h	153	19
7d	444	62
30d	2.8k	376

Playback	Listens	Hours
48h	8	1
7d	14	5
30d	104	31

Playback	Listens	Hours
48h	47	3
7d	100	6
30d	748	42

Playback	Listens	Hours
48h	16	2
7d	35	5
30d	410	55

Playback	Listens	Hours
48h	1	13m
7d	13	2
30d	153	32

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	77	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	4	26m
7d	12	1
30d	39	6

Playback	Listens	Hours
48h	2	12m
7d	42	4
30d	438	46

Playback	Listens	Hours
48h	8	33m
7d	109	7
30d	387	26

Playback	Listens	Hours
48h	10	42m
7d	72	6
30d	288	23

Playback	Listens	Hours
48h	11	35m
7d	54	3
30d	473	29

Playback	Listens	Hours
48h	552	88
7d	1.4k	215
30d	10.4k	1.6k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	17	4

14 shows

15 tapes

833

Playback	Listens	Hours
48h	27	3
7d	155	15
30d	833	76

Playback	Listens	Hours
48h	57	6
7d	127	14
30d	917	101

Playback	Listens	Hours
48h	26	4
7d	51	8
30d	309	45

Playback	Listens	Hours
48h	13	2
7d	56	9
30d	530	107

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	60	7

Playback	Listens	Hours
48h	36	6
7d	46	8
30d	227	43

Playback	Listens	Hours
48h	34	4
7d	83	10
30d	1.3k	149

369 shows

496 tapes

Godspeed You Black Emperor!

238

Playback	Listens	Hours
48h	4	44m
7d	13	3
30d	238	57

Playback	Listens	Hours
48h	72	10
7d	74	10
30d	286	43

Playback	Listens	Hours
48h	1.3k	243
7d	3.7k	696
30d	21.8k	4.2k

Playback	Listens	Hours
48h	11	54m
7d	13	1
30d	315	30

362 shows

591 tapes

Grahame Lesh and Friends

5.4k

Playback	Listens	Hours
48h	459	72
7d	912	141
30d	5.4k	845

32 shows

106 tapes

Grampas Grass

Playback	Listens	Hours
48h	8	57m
7d	27	3
30d	98	12

Playback	Listens	Hours
48h	309	32
7d	467	52
30d	4.4k	493

Playback	Listens	Hours
48h	105	12
7d	133	14
30d	1.7k	193

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	2	20m
30d	59	9

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	23	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	14	2
7d	9	1
30d	67	9

Playback	Listens	Hours
48h	57	4
7d	94	7
30d	543	39

747 shows

1,024 tapes

Hard Working Americans

311

Playback	Listens	Hours
48h	46	5
7d	39	5
30d	311	34

Playback	Listens	Hours
48h	8	1
7d	88	14
30d	785	123

186 shows

225 tapes

Horseshoes and Hand Grenades

283

Playback	Listens	Hours
48h	35	3
7d	87	7
30d	283	22

Playback	Listens	Hours
48h	8	43m
7d	95	8
30d	356	33

677 shows

850 tapes

Infamous Stringdusters

1.7k

Playback	Listens	Hours
48h	50	5
7d	190	17
30d	1.7k	150

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	305	19
7d	837	57
30d	3.7k	240

Playback	Listens	Hours
48h	62	6
7d	88	10
30d	718	73

364 shows

489 tapes

Jazz Mandolin Project

574

Playback	Listens	Hours
48h	9	1
7d	68	9
30d	574	85

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	8	40m
7d	0	0m
30d	82	7

12 shows

14 tapes

Jeff Austin And Friends

211

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	211	20

Playback	Listens	Hours
48h	34	5
7d	61	7
30d	832	112

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	125	21
7d	366	60
30d	2.5k	415

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.2k

Playback	Listens	Hours
48h	154	22
7d	351	51
30d	2.2k	306

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	97	14

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

22.3k

Playback	Listens	Hours
48h	1.2k	222
7d	3.2k	580
30d	22.3k	4k

Playback	Listens	Hours
48h	32	5
7d	239	24
30d	1.1k	113

Playback	Listens	Hours
48h	154	17
7d	364	33
30d	2.5k	218

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	31	4
30d	64	7

Playback	Listens	Hours
48h	1	5m
7d	4	20m
30d	121	9

Playback	Listens	Hours
48h	3	35m
7d	0	0m
30d	123	13

71 shows

104 tapes

429

Playback	Listens	Hours
48h	24	4
7d	84	12
30d	429	62

Playback	Listens	Hours
48h	235	24
7d	472	46
30d	3.3k	315

Playback	Listens	Hours
48h	25	3
7d	170	20
30d	364	47

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13.3k

Playback	Listens	Hours
48h	591	77
7d	1.9k	246
30d	13.3k	1.8k

Playback	Listens	Hours
48h	125	17
7d	343	40
30d	2.2k	278

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	1	6m
7d	1	10m
30d	80	11

Playback	Listens	Hours
48h	35	7
7d	96	19
30d	574	108

76 shows

131 tapes

LaMP

Playback	Listens	Hours
48h	37	4
7d	195	23
30d	2k	246

Playback	Listens	Hours
48h	140	14
7d	428	40
30d	2.6k	247

959 shows

1,278 tapes

Lettuce

Playback	Listens	Hours
48h	164	23
7d	482	70
30d	3k	441

Playback	Listens	Hours
48h	154	13
7d	521	46
30d	4.2k	393

Playback	Listens	Hours
48h	55	4
7d	121	9
30d	1.1k	84

Playback	Listens	Hours
48h	136	26
7d	286	53
30d	1.9k	361

Playback	Listens	Hours
48h	4	30m
7d	28	3
30d	237	25

Playback	Listens	Hours
48h	61	8
7d	173	15
30d	1.4k	146

Playback	Listens	Hours
48h	29	2
7d	69	6
30d	410	41

348 shows

447 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	2	9m

Playback	Listens	Hours
48h	185	28
7d	490	74
30d	3.8k	584

Playback	Listens	Hours
48h	35	2
7d	55	3
30d	454	25

Playback	Listens	Hours
48h	4	24m
7d	49	6
30d	241	27

Playback	Listens	Hours
48h	56	2
7d	14	28m
30d	175	5

Playback	Listens	Hours
48h	34	3
7d	95	7
30d	528	43

Playback	Listens	Hours
48h	485	71
7d	1.5k	227
30d	10.5k	1.8k

Playback	Listens	Hours
48h	1	7m
7d	4	15m
30d	174	19

Playback	Listens	Hours
48h	0	0m
7d	54	4
30d	254	20

Playback	Listens	Hours
48h	265	28
7d	590	61
30d	4.6k	466

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	5	17m
7d	5	17m
30d	24	2

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	46	4

Playback	Listens	Hours
48h	69	10
7d	148	20
30d	594	87

Playback	Listens	Hours
48h	1	36m
7d	4	34m
30d	163	25

61 shows

71 tapes

New Riders of the Purple Sage

1.2k

Playback	Listens	Hours
48h	73	7
7d	187	16
30d	1.2k	100

403 shows

589 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	80	8
7d	195	20
30d	1.1k	113

Playback	Listens	Hours
48h	46	6
7d	148	17
30d	717	79

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	1	4m

Playback	Listens	Hours
48h	26	4
7d	7	2
30d	190	37

Playback	Listens	Hours
48h	4	32m
7d	28	4
30d	227	33

Playback	Listens	Hours
48h	96	16
7d	188	31
30d	1.4k	250

687 shows

915 tapes

Phil Lesh and Friends

14.4k

Playback	Listens	Hours
48h	967	170
7d	1.9k	344
30d	14.4k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	97	15
7d	169	27
30d	1.6k	241

Playback	Listens	Hours
48h	130	17
7d	417	53
30d	3.5k	429

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	4

Playback	Listens	Hours
48h	193	25
7d	437	55
30d	2.8k	365

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	52	7
7d	99	14
30d	781	107

Playback	Listens	Hours
48h	387	51
7d	1.2k	165
30d	8.9k	1.2k

Playback	Listens	Hours
48h	113	10
7d	213	17
30d	1.4k	105

251 shows

372 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	6	35m
7d	138	11
30d	1k	88

Playback	Listens	Hours
48h	131	11
7d	300	27
30d	1.7k	144

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	1	26m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	2	24m
7d	2	17m
30d	43	5

Playback	Listens	Hours
48h	259	25
7d	314	31
30d	2.7k	259

Playback	Listens	Hours
48h	10	2
7d	13	3
30d	261	33

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	41	6

Playback	Listens	Hours
48h	12	2
7d	24	3
30d	165	18

89 shows

91 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	38	3
7d	155	13
30d	1k	83

Playback	Listens	Hours
48h	166	26
7d	512	82
30d	3.1k	497

561 shows

759 tapes

Spafford

Playback	Listens	Hours
48h	33	8
7d	143	32
30d	2k	444

Playback	Listens	Hours
48h	50	3
7d	78	5
30d	303	19

Playback	Listens	Hours
48h	0	0m
7d	33	5
30d	154	29

Playback	Listens	Hours
48h	97	15
7d	155	21
30d	1.1k	160

Playback	Listens	Hours
48h	89	22
7d	301	67
30d	1.2k	276

Playback	Listens	Hours
48h	53	7
7d	109	13
30d	966	123

664 shows

1,137 tapes

String Cheese Incident

11.6k

Playback	Listens	Hours
48h	600	94
7d	1.8k	283
30d	11.6k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	6	45m
7d	12	2
30d	74	7

Playback	Listens	Hours
48h	33	7
7d	87	17
30d	476	90

Playback	Listens	Hours
48h	1	11m
7d	50	6
30d	294	37

Playback	Listens	Hours
48h	76	9
7d	148	16
30d	971	108

727 shows

1,112 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	1

Playback	Listens	Hours
48h	924	107
7d	3.8k	437
30d	31.5k	3.6k

Playback	Listens	Hours
48h	14	38m
7d	38	2
30d	369	19

Playback	Listens	Hours
48h	32	4
7d	132	18
30d	773	103

Playback	Listens	Hours
48h	16	3
7d	37	6
30d	245	35

473 shows

629 tapes

The California Honeydrops

845

Playback	Listens	Hours
48h	89	12
7d	187	24
30d	845	107

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	149	24
7d	410	60
30d	2.7k	390

Playback	Listens	Hours
48h	0	0m
7d	45	5
30d	402	35

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	13

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	9

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	55	9
7d	31	5
30d	113	17

Playback	Listens	Hours
48h	4	29m
7d	16	2
30d	291	39

Playback	Listens	Hours
48h	118	6
7d	165	9
30d	956	51

Playback	Listens	Hours
48h	11	50m
7d	39	3
30d	522	38

Playback	Listens	Hours
48h	3	18m
7d	21	5
30d	179	45

Playback	Listens	Hours
48h	99	10
7d	229	24
30d	1.1k	108

Playback	Listens	Hours
48h	121	22
7d	100	14
30d	1.4k	186

Playback	Listens	Hours
48h	273	26
7d	699	68
30d	5.3k	517

Playback	Listens	Hours
48h	2	11m
7d	30	2
30d	118	8

Playback	Listens	Hours
48h	94	10
7d	196	21
30d	967	103

Playback	Listens	Hours
48h	0	0m
7d	6	57m
30d	235	46

Playback	Listens	Hours
48h	39	3
7d	184	20
30d	999	90

220 shows

281 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	7	22m
7d	53	4
30d	1k	73

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	7m
7d	1	4m
30d	41	3

Playback	Listens	Hours
48h	294	42
7d	647	89
30d	4.9k	712

Playback	Listens	Hours
48h	14	1
7d	25	3
30d	125	12

Playback	Listens	Hours
48h	64	11
7d	232	34
30d	1.6k	252

437 shows

723 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	272	38
7d	672	101
30d	6k	883

Playback	Listens	Hours
48h	18	2
7d	80	8
30d	452	38

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	106	8
7d	29	2
30d	1k	77

Playback	Listens	Hours
48h	700	54
7d	1.8k	143
30d	11k	860

Playback	Listens	Hours
48h	0	0m
7d	60	4
30d	111	8

Playback	Listens	Hours
48h	7.2k	863
7d	19.3k	2.3k
30d	133.2k	16k

Playback	Listens	Hours
48h	47	8
7d	150	19
30d	734	100

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.2k

Playback	Listens	Hours
48h	504	46
7d	1.5k	143
30d	9.2k	857

Playback	Listens	Hours
48h	13	2
7d	153	23
30d	1.6k	248

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	32m

Playback	Listens	Hours
48h	100	19
7d	151	27
30d	1.2k	211

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	45	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	223
7d	3.3k	454
30d	19.2k	2.6k

Playback	Listens	Hours
48h	1.1k	140
7d	2.7k	376
30d	18.8k	2.5k

Playback	Listens	Hours
48h	2.4k	309
7d	5k	651
30d	42.5k	5.4k

Playback	Listens	Hours
48h	405	51
7d	1.4k	181
30d	33.1k	4.3k

Playback	Listens	Hours
48h	4k	585
7d	9.1k	1.3k
30d	36.6k	5.1k

Playback	Listens	Hours
48h	3.3k	434
7d	18.5k	2.3k
30d	113.4k	14.5k

Playback	Listens	Hours
48h	6.8k	864
7d	10.2k	1.2k
30d	39k	4.8k

Playback	Listens	Hours
48h	4.6k	506
7d	12.7k	1.4k
30d	45.9k	5.3k

Playback	Listens	Hours
48h	4.5k	509
7d	11.2k	1.3k
30d	52.3k	6k

Playback	Listens	Hours
48h	1.3k	150
7d	4.3k	494
30d	21.4k	2.5k

Playback	Listens	Hours
48h	4.4k	497
7d	10.5k	1.2k
30d	45k	5.4k

Playback	Listens	Hours
48h	1.6k	198
7d	5.6k	693
30d	21.8k	2.8k

Playback	Listens	Hours
48h	1.3k	168
7d	3.9k	472
30d	25.8k	3.2k

Playback	Listens	Hours
48h	3.6k	440
7d	6.1k	814
30d	29.5k	3.8k

Playback	Listens	Hours
48h	1.7k	214
7d	4.4k	566
30d	81k	10.5k

Playback	Listens	Hours
48h	2.2k	251
7d	11k	1.3k
30d	35.9k	4.2k

Playback	Listens	Hours
48h	1.6k	230
7d	3.6k	497
30d	25.6k	3.5k

Playback	Listens	Hours
48h	3.4k	446
7d	5.9k	792
30d	35.7k	4.8k

Playback	Listens	Hours
48h	6.6k	936
7d	15.2k	2.1k
30d	113.6k	16k

Playback	Listens	Hours
48h	1.6k	220
7d	3.8k	503
30d	25.6k	3.4k

Playback	Listens	Hours
48h	367	37
7d	789	80
30d	7.5k	800

Playback	Listens	Hours
48h	3.4k	434
7d	8k	1k
30d	55k	6.9k

Playback	Listens	Hours
48h	3.6k	447
7d	18k	2.1k
30d	101k	12.4k

Playback	Listens	Hours
48h	2.9k	347
7d	6.6k	790
30d	57k	6.8k

Playback	Listens	Hours
48h	7.8k	898
7d	6k	651
30d	33.9k	3.8k

Playback	Listens	Hours
48h	1.5k	161
7d	7k	700
30d	31.9k	3.4k

Playback	Listens	Hours
48h	3.3k	448
7d	2.6k	390
30d	18k	2.6k

Playback	Listens	Hours
48h	340	44
7d	1.1k	131
30d	7.6k	927

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	140	21
7d	646	49
30d	4k	438

Playback	Listens	Hours
48h	344	21
7d	446	31
30d	6.1k	448

Playback	Listens	Hours
48h	15	58m
7d	74	5
30d	487	29

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

374

Playback	Listens	Hours
48h	39	6
7d	99	15
30d	374	56

399

Playback	Listens	Hours
48h	4	40m
7d	56	9
30d	399	61

836

Playback	Listens	Hours
48h	19	3
7d	131	15
30d	836	101

692

Playback	Listens	Hours
48h	132	16
7d	105	12
30d	692	85

Playback	Listens	Hours
48h	64	8
7d	147	19
30d	834	102

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

590

Playback	Listens	Hours
48h	41	6
7d	139	20
30d	590	76

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

816

Playback	Listens	Hours
48h	123	15
7d	118	14
30d	816	103

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

411

Playback	Listens	Hours
48h	11	1
7d	106	9
30d	411	50

Playback	Listens	Hours
48h	9	1
7d	63	8
30d	268	35

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

395

Playback	Listens	Hours
48h	1	8m
7d	26	3
30d	395	49

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

1.5k

Playback	Listens	Hours
48h	80	10
7d	287	38
30d	1.5k	199

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

132

Playback	Listens	Hours
48h	7	1
7d	29	4
30d	132	19

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

543

Playback	Listens	Hours
48h	33	5
7d	103	16
30d	543	79

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

187

Playback	Listens	Hours
48h	19	2
7d	27	3
30d	187	24

Playback	Listens	Hours
48h	33	5
7d	62	9
30d	486	68

Playback	Listens	Hours
48h	7	59m
7d	35	4
30d	297	33

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

533

Playback	Listens	Hours
48h	20	3
7d	81	12
30d	533	79

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

375

Playback	Listens	Hours
48h	16	2
7d	25	3
30d	375	46

Playback	Listens	Hours
48h	17	3
7d	15	3
30d	90	14

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

517

Playback	Listens	Hours
48h	15	2
7d	132	17
30d	517	72

Playback	Listens	Hours
48h	64	8
7d	136	18
30d	1k	138

Playback	Listens	Hours
48h	14	1
7d	64	8
30d	335	41

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

1.5k

Playback	Listens	Hours
48h	19	3
7d	79	13
30d	1.5k	257

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

238

Playback	Listens	Hours
48h	6	56m
7d	17	2
30d	238	33

Playback	Listens	Hours
48h	127	18
7d	300	41
30d	2k	266

2.3k

Playback	Listens	Hours
48h	221	28
7d	281	37
30d	2.3k	299

1.7k

Playback	Listens	Hours
48h	154	23
7d	291	48
30d	1.7k	255

2.5k

Playback	Listens	Hours
48h	128	18
7d	198	27
30d	2.5k	352

Playback	Listens	Hours
48h	80	9
7d	111	14
30d	512	68

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

Playback	Listens	Hours
48h	93	14
7d	238	34
30d	1.6k	248

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

Playback	Listens	Hours
48h	139	20
7d	325	45
30d	1.6k	221

Playback	Listens	Hours
48h	158	21
7d	237	32
30d	1.6k	214

Pembroke Pines, FL, USA

2.9k

Playback	Listens	Hours
48h	132	19
7d	455	62
30d	2.9k	396

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.2k

Playback	Listens	Hours
48h	132	16
7d	248	32
30d	1.2k	151

Playback	Listens	Hours
48h	89	13
7d	161	25
30d	1.3k	188

Playback	Listens	Hours
48h	46	7
7d	267	37
30d	1.1k	160

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

2.1k

Playback	Listens	Hours
48h	263	35
7d	340	45
30d	2.1k	270

Playback	Listens	Hours
48h	107	14
7d	299	39
30d	1.4k	190

Playback	Listens	Hours
48h	72	9
7d	148	18
30d	1.2k	148

Playback	Listens	Hours
48h	4	36m
7d	40	5
30d	169	21

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

2.5k

Playback	Listens	Hours
48h	153	20
7d	451	57
30d	2.5k	330

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

Playback	Listens	Hours
48h	584	84
7d	1.3k	195
30d	8k	1.2k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

Playback	Listens	Hours
48h	627	93
7d	1.4k	204
30d	8k	1.2k

Playback	Listens	Hours
48h	376	55
7d	1.2k	178
30d	4.7k	677

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

Playback	Listens	Hours
48h	180	29
7d	529	74
30d	3k	431

Playback	Listens	Hours
48h	299	48
7d	642	107
30d	2.3k	378

Playback	Listens	Hours
48h	64	8
7d	71	8
30d	705	86

Playback	Listens	Hours
48h	5	42m
7d	121	16
30d	698	90

Playback	Listens	Hours
48h	74	9
7d	115	13
30d	539	61

Playback	Listens	Hours
48h	15	2
7d	46	7
30d	409	59

Playback	Listens	Hours
48h	86	14
7d	180	28
30d	963	148

Playback	Listens	Hours
48h	29	4
7d	40	6
30d	230	30

Playback	Listens	Hours
48h	73	8
7d	164	19
30d	761	85

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.2k

Playback	Listens	Hours
48h	251	36
7d	583	82
30d	3.2k	439

Philadelphia, PA, USA

1.4k

Playback	Listens	Hours
48h	175	27
7d	359	57
30d	1.4k	220

9.8k

Playback	Listens	Hours
48h	125	16
7d	233	31
30d	9.8k	1.3k

9.8k

Playback	Listens	Hours
48h	148	23
7d	277	44
30d	9.8k	1.5k

Robertson Gym, UC Santa Barbara

10.6k

Playback	Listens	Hours
48h	177	27
7d	321	48
30d	10.6k	1.5k

Playback	Listens	Hours
48h	1	4m
7d	1	4m
30d	64	7

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

605

Playback	Listens	Hours
48h	62	7
7d	148	18
30d	605	74

San Bernardino, CA, USA

6.4k

Playback	Listens	Hours
48h	385	52
7d	872	116
30d	6.4k	862

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

106

Playback	Listens	Hours
48h	1	17m
7d	11	1
30d	106	13

Playback	Listens	Hours
48h	17	2
7d	43	5
30d	412	49

5/8/77

Lazy Lightnin' > Supplication

Dancing In The Street

16:24

Scarlet Begonias > Fire On The Mountain

One More Saturday Night

5:31

FIN

View on archive.org

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive