Drums -> | 1995-03-17 | Grateful Dead

Bands

Featured

Bob Weir

301 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

212 shows

265 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,119 shows

1,510 tapes

Jerry's Middle Finger

241 shows

289 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

401 shows

585 tapes

North Mississippi Allstars

Phil Lesh and Friends

787 shows

2,825 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,273 shows

2,041 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1995

Riverport Amphitheatre

Maryland Heights, MO, USA

Riverport Amphitheatre

Maryland Heights, MO, USA

Deer Creek Music Center

Auburn Hills, MI, USA

Auburn Hills, MI, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Franklin County Airport

Shoreline Amphitheatre

Mountain View, CA, USA

2:46:43

8 tapes

6/03

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Jefferson Civic Center Coliseum

Jefferson Civic Center Coliseum

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Salt Lake City, UT, USA

Salt Lake City, UT, USA

Salt Lake City, UT, USA

Sources

Transferrer: Charlie Miller

gd1995-03-17.sbd.miller.97658.flac16

Source:

SBD -> Dat -> Cassette Master -> Dat

Lineage:

Dat-> Samplitude Professional v10.2 -> FLAC

Taper Notes:

View Notes-- Set 2 is seamless
-- There is some occasional quiet static from the master Dat

Transferrer: Dolphinmile Production

2:44:27

SBD

Transferrer:

Dolphinmile Production

SHNID:

gd1995-03-17.150765.dsbd.dolphinsmile.flac1648

Source:

DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8

Transferrer: Marc Pujol

gd95-03-17.soundcheck.sbd.17951.sbeok.shnf

Source:

Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol

Taper Notes:

View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol

Source 4 of 12

gd95-03-17.sbd.16057.sbeok.shnf

Source:

Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles

Taper Notes:

View NotesSources: 
Primary - DSBD >?>Bootleg CD>EAC>SHN.
Secondary audience source (Schoeps MK4) used for drums > space.

This source represents a composite of the two previously circulated sources.  An audience source for drums and space has been (relatively) seamlessly spliced in.  A droupout in Loose Lucy in the SBD source was removed using soundforge 5.

Taper: Ray Ackerman

Charlie Miller and Joe Noel

SHNID:

gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48

Taper Notes:

View NotesPatch info:
- shnid 92087 (Nakamichi CM-300 CP-4) supplies
- s1t01; start - 1:30

Notes:
- Thanks to Ray for sharing his excellent recording.
- Thanks to Charlie for being the broker.
- Grateful to Greg Holtz for providing the patch source
- features Weir on acoustic guitar

Taper: Dave Boedicker

gd1995-03-17.142982.Boedicker.flac1644

Source:

Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section

Taper Notes:

View NotesNotes:

1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity")

2)Tape Flip During Drums.

Transferrer: Pete Ebel

gd1995-03-17.141179.FOB-BK4011.ebel.flac1644

Source:

<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel

Taper Notes:

View NotesNotes:

* Set #2 is Seamless

Taper: Greg Holtz

gd1995-03-17.nak300.holtz.jaz.92087.flac16

Source:

Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz

Lineage:

Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8

Taper Notes:

View NotesNote: * Weir on acoustic

Taper: John Bleich

gd1995-03-17.aud.bleich.91840.flac16

Source:

Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)

Taper Notes:

View Notes-------------------------------------------------------

Notes:

- This is a nice source of this show. There is some sporadic over saturation 
in the low end that I've done my best to attenuate. All tape flips are cross 
faded,EQ and plugins added to flavor. 

- Huge Thanks to John "the wild man" Bleich for supplying his source tapes

- Transfer and edit by Bgreen

Transferrer: Paul B. and Candyman

gd95-03-17.schoeps.13400.sbeok.shnf

Source:

Audience: Schoeps MK4's

Lineage:

Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN

Taper Notes:

View NotesMinor to moderate crowd intrusiveness.  Fairly decent audience recording considering the venue.
d1t01 - beginning of Here Comes Sunshine missing.
d3t02 - SOTM d/o @ 03:45.
D2>D3 transition restored to seamlessness.

Taper: Mark Van Blunk

gd-1995-03-17MVBtapes

Source:

Senheizer 421 mics> Sony D5 Master Analog Cassette 2 x Maxell MX-90

Lineage:

Master Analog Cassette playback on Sony D5>CDR> Windows Media Player FLAC Level 8.

Transferrer: James Toland

gd1995-03-17.sndchk.fm.toland.1366.shnf

Source:

FM Analog>DAT>Macromedia Sound Edit>SHN

Taper Notes:

View NotesThis recording, until now, was coveted by only 4 tapers that I know of.
It was recorded using a portable boom box with a FM radio. The band was
using a low frequency FM signal to power the monitors. What we have here is
Phil's signal intercepted by our Boom box! It was then mastered to DAT.
Enjoy this rare treat, take notice of the banter between band members and
sound people. It will give you a glimps of the dynamics of the worlds
greatest band!

FM Analog>DAT>Macromedia Sound Edit>SHN

Track 1-10 are all different takes of Unbroken Chain. It was debuted that
very night for the first time ever!

Enjoy
James Toland
james@toland.net

Additional comments from Cosmic Chuck ccharlie@home.com: 

> The soundcheck did get around during the late spring of that tour, and
> of course I have an analog tape of it (high gen and lots of hiss).  I
> was specifically told to wait at least a number of months before I could
> trade it in my area (sometimes us tapers have particular rules that are
> forced upon us, although I have gotten a few jems that had these
> "restrictions").
>
> As for the banter between the band members, rumour has it (from a
> reliable personal friend and dead productions source, whose name I can
> not reveal) that Phil pushed very hard to get Unbroken Chain out during
> this Philly run.  A bunch of the band members were disappointed with
> Jerry at that time due to his "getting" back on the train (heroin), and
> his lackluster performance during the rehearsals and you can actually
> hear hardly any jerry during that recording (yeah, I know it was Phil's
> monitor mix).