1992-12-11 | Grateful Dead

Bands

Featured

Bob Weir

278 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

150 shows

181 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,119 shows

1,510 tapes

Jerry's Middle Finger

241 shows

289 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

401 shows

585 tapes

North Mississippi Allstars

Phil Lesh and Friends

787 shows

2,825 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,273 shows

2,041 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1992

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

Buckeye Lake Music Center

Deer Creek Music Center

Deer Creek Music Center

Star Lake Ampitheater

Burgettstown, PA, USA

Star Lake Ampitheater

Burgettstown, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Auburn Hills, MI, USA

Auburn Hills, MI, USA

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sources

Transferrer: Charlie Miller

gd1992-12-11.140846.sbd.cm.miller.flac1644

Source:

SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit

Transferrer: Charlie Miller

gd1992-12-11.140828.sbd.miller.flac2496

Source:

SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete

Source 3 of 12

gd92-12-11.sbd-2track.scott.9534.sbeok.shnf

Source:

Soundboard

Lineage:

SBD DAT master > DAT/1 > CDR > iMac > SHN

Taper Notes:

View NotesSBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of <a href="http://db.etree.org/shninfo_detail.php?shnid=9186" rel="nofollow">previous</a> shn set, via Nathan Scott; seekable

Source 4 of 12

gd1992-12-11.sbd.stonebear.5548.shnf

Source:

Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR

Taper: OldNeumanntapr

gd1992-12-11.168865.cm300.ont.flac1644

Source:

Nakamichi CM 300 Shotguns >Sony TC-D5M [SA 90s] OTS; SEC 109, Row O, Seat #3

Lineage:

Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Balance Levels, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

Taper Notes:

View NotesOldNeumanntapr Notes;
This was the second to last time that I recorded the Grateful Dead at the Oakland Coliseum. I recorded the 12/18/93 Dead show in the tapers section at the Coliseum but those tapes are missing from my collection. I have the ticket stub, but that's all. My friend Jack recorded the 12/18/93 show up front with the Nyquist Omni's >TCD-D3 DAT, and I'm sure that I thought his recording sounded better than mine so I most likely ditched my tapes.

I couldn't find the ticket stub to the 12/11/92 show, but at least I still had the tapes in my cassette collection. I can remember being in the tapers section of the 12/18/93 Oakland show because that's when I first saw a new Sony TCD-D7 DAT recorder. I wouldn't be able to afford one until May of 1995. (I've recorded the Dead at the Oakland Coliseum Arena a lot over the years and they all seem to run together in a blur.)  I always thought that 5/22/93 Shoreline was my first show mastered with my D5, but apparently this one was, because I bought the D5 from my friend Jack in late 1992 when he switched to DAT. I remember that I used the D5 to record James Cotton through the board at the SLO Vets' Hall and liked the loud headphone amp  because it made it easier to monitor the sound. Thanks to my friend Dave for the use of his Denon cassette deck so could transfer all my cassette masters that hadn't been completed before. I don't believe that this show has ever been shared, or at least not for a long time.

Taper: Master Digital FOB Recording by Marcus Buick & Rob Darroch w/ assistance of John Ammons

2:35:15

Taper:

Master Digital FOB Recording by Marcus Buick & Rob Darroch w/ assistance of John Ammons

Transferrer:

Transfer by Marcus Buick Edited & Mastered using Adobe Audition (2020) by Joe Noel August 08, 2020

SHNID:

gd1992-12-11.150535.FOB.Schoeps.Buick.Darroch.Noel.t.flac1648

Source:

Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO/Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) Location, FOB, DFC. Mics handheld 5'9"-1st Set, 5'10"-2nd Set

Lineage:

Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16

Taper Notes:

View NotesNotes;
- Thanks to Marcus Buick & Rob Darroch for recording the show.
- Thanks to Pete Oshman for the use of the SV3800
- Thanks to John Ammons for coordinating this
- Set I is an upgrade to shnid 141731

Taper: Jeff Silberman

Joe Noel and John Ammons

SHNID:

gd1992-12-11.141731.FOB.Schoeps.AMS250.Silberman.Ammons.Noel-flac1648

Source:

<b>flac16/48kHz</b>; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT

Taper Notes:

View NotesPatch info:
- shnid 079264 (Neumann km140) supplies
- first 2 & last 2 tracks of s2

Notes:
- Thanks to Ammons & Silverman recording & sharing
- Thanks to John for the transfer.
- Grateful for Chip Copeland's efforts & the GEMS team that provides the patch source
- Sadly Iko & US Blues could not be resuscitated. 
- people of the earth

Taper: Jim Wise

Jim Wise and Joel Noel

SHNID:

gd1992-12-11.139686.FOB.AKG.Wise.Noel.t-flac16

Source:

<b>flac16/48kHz</b>; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise

Lineage:

DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT

Taper: Ed Boardman

gd1992-12-11.schoeps.boardman.swayne.86010.sbeok.flac1648

Source:

Schoeps CMC-441's > Panasonic SV-255> DAT (clone)

Lineage:

Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)

Taper Notes:

View Notes------------------
ABOUT THIS SOURCE
------------------
This is the 48k version.
Down-sampling to 44.1k required for burning to audio CD.
The 44.1k version was also seeded for this source.

Great recording of a well-played show. Some good jams to be heard.

There is a split-second blank-out at 00:02 of Looks Like Rain, and one at 00:02 of Sunshine Daydream. Very minor.

Taper: Ed Boardman

gd1992-12-11.schoeps.boardman.swayne.86009.sbeok.flac16

Source:

Schoeps CMC-441's > Panasonic SV-255> DAT (clone)

Lineage:

Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)

Taper Notes:

View Notes------------------
ABOUT THIS SOURCE
------------------
This is the 44.1k version. 
The 48k version was also seeded for this source.

Great recording of a well-played show. Some good jams to be heard.

There is a split-second blank-out at 00:02 of Looks Like Rain, and one at 00:02 of Sunshine Daydream. Very minor.

Taper: Chip Copeland

gd1992-12-11.fob.neumann.copeland.gems.79264.sbeok.flac16

Source:

Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255

Lineage:

DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav

Taper Notes:

View Notesnotes: why another source?
Circulating Sources
5548(sbd) no Deal
9534(sbd) not seemless for longer media; EAC
9973(aud) presumably OTS

Thanks to Todd Evans for all his taping and DAT **GEMS**.  It is appreciated.

Taper: Unknown

gd92-12-11.akg.vernon.9773.sbeok.shnf

Source:

Audience Recording

Lineage:

AUD (AKG-460's) >DAT>CDR

Taper Notes:

View NotesAUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon