1991-09-24 | Grateful Dead

Polo Field, Golden Gate Park

San Francisco, CA, USA

Shoreline Amphitheater

Buckeye Lake Music Center

Sandstone Ampitheatre

Bonner Springs, KS, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Pine Knob Music Theater

Pine Knob Music Theater

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Deer Creek Music Center

Deer Creek Music Center

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Beat It On Down The Line \>

Oakland, CA, USA

3:15:01

5 tapes

9/24/91

Let The Good Times Roll

4:45

Let The Good Times Roll

3:07

Beat It On Down The Line >

China Cat Sunflower \>

6:18

China Cat Sunflower >

Man Smart, Woman Smarter \>

8:42

Man Smart, Woman Smarter >

Standing On The Moon \>

10:19

Standing On The Moon >

FIN

Sources

Taper: Recorded by Don Pearson and Dan Healy

2:52:34

Recorded by Don Pearson and Dan Healy

Taper:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 30, 2020

gd1991-09-24.150682.sbd.cm.miller.flac16

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Recorded by Don Pearson and Dan Healy

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Recorded by Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 30, 2020

gd1991-09-24.150638.sbd.pearson-healy.miller.flac2496

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete

Taper: PO and Stucco TINA Holmes

2:51:43

PO and Stucco TINA Holmes

Taper:

Mastering and editing by acetboy

gd1991-09-24.138150.dsbd.GEMS.flac16

DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017

View Notesa project **GEMS** Beta-DATmania Release April 20, 2017

Band:
Jerry Garcia
Bob Weir
Phil Lesh
Bill Kreutzmann
Mickey Hart
Vince Welnick
Bruce Hornsby

Sound:
Dan Healy

originally shared at www.shnflac.net

Transferrer: Matrix by Dave Usborne

2:53:31

Matrix by Dave Usborne

gd1991-09-24.134355.mtx.dusborne.flac16

2 Source Matrix byDusborne; Soundboard (shnid:025939,SBD -> Dat x 3,Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN, Audience (shnid:101441),Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,Transfer:16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) ->Wavelab 6.0

Transfer performed 02/22/2009 by Mark without any edits or adjustments made to the raw files with the exception of tracking.

View NotesMatrix by dusborne

04-27-2015
-------------------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 04-27-2015

Transferrer: Transfer performed 02/22/2009 by Mark without any edits or adjustments made to the raw files with the exception of tracking.

gd1991-09-24.set2-sbd.mark.97595.flac2496

SBD -> Dat x (presumably? - best guess for the era) -> Analog Master -> First Generation Cassette

First Generation Cassette -> Sony TC WE475 Cassette Deck -> Rotel 680BX preamplifier -> M-Audio Audiophile 192 at 96,000 Hz 24bit -> Soundforge 8 -> .flac level 6 via Traders Little Helper

Transferrer: Bill Tetzeli

gd1991-09-24.sbd.miller.tetzeli.fix-25939.35363.reflac.flac16

Fix of shnid 25939

fix of 7693 by Bill Tetzeli

View Notes-----------------------------------------------------------------------------------
Fix of shnid 25939

I deleted the redundant material between CDs 2 and 3.  Nonseekable SHNs were converted to FLAC and shntool was used to clean up SBEs.

Bill Tetzeli (btet@adelphia.net)
6:35 AM 6/30/2006
-----------------------------------------------------------------------------------

Transferrer: fix of 7693 by Bill Tetzeli

gd1991-09-24.sbd.serafin.tetzeli.fix-7693.33813.flac16

Soundboard

gd91-09-24.sbd.miller.25939.sbeok.shnf

View NotesFix of shnid 7693

I redid this fix because the first time I used CDWave to retrack the entire third CD instead of shntool to correct the SBEs resulting from my fix (hadn't gotten the hang of shntool yet).  Probably okay, but better safe than sorry.

I made the transition between CDs 2 and 3 seamless and used shntool to fix all SBEs, mine and Jay's.  I also converted the noneseekable SHNs to FLAC and split drums and space into two tracks.  Thanks to Jay for providing plenty of unfaded overlap to make this fix possible.

Bill Tetzeli (btet@adelphia.net)
11:46 PM 4/9/2006
-------------------------------------------------------------------------------------
The original version of this source had REPLAYGAIN tags in the flac files. This doesn't do anything to the wav file inside the flac files, but it messes with the volume if you play back the flac files directly. The new version has those REPLAYGAIN tags removed. If you have the old version, you can create the new version by extracting the wav files from the flac files and then recompressing the wav's at flac LEVEL 8.

SteveSw 4/22/2009

Source 8 of 20

SBD> Dat x 3

Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies

View NotesSBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies

Source 9 of 20

5:37:58

gd1991-09-24.sbd.serafin.7693.sbefail.shnf

Source 10 of 20

gd91-09-24.sbd.allred.2374.sbeok.shnf

SBD > MC > DAT > CDR

View NotesSBD > MC > DAT > CDR; vtree round 2 (8/00), to etree 11/00

Taper: Dan Rogosa

Charlie Miller, Sirmick

gd1991-09-24.155581.senn-me88.rogosa.miller.sirmick.flac1648

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48

Sirmick and Charlie Miller

View NotesThanks to Don Rogosa for sharing his recording.

Thanks to Charlie Miller for doing thetransfer.

edited and mastered
SIRMick February 2022

Taper: Rich Gastwirt

gd1991-09-24.150196.fob.Schoeps-cmc4-mk4ortf.gastwirt.miller.sirmick.sbeok.flac1648

(FOB) Schoeps cmc4/mk4 (ortf) > Oade modified Panasonic SV-255 > dat master (48k) - Recorded by Rich Gastwirt

Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller Lineage: wav 16/48 > iZotope RX7 Advanced > CD Wave > Flac 16/48

View NotesNotes:

- It was necessary to put a small patch in "Chinacat" - shnid 101441 was used - Thanks to all involved.

Thanks to Rich Gaswirt for this recording.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
June 2020

Source 13 of 20

2:53:53

gd1991-09-24.153421.mtx.photoleon.flac16

A photoLeon Matrix

gd1991-09-24.148445.nak.boedicker.flac1644

View NotesMatrix Created in Adobe Audition by Joe Noel
August 17, 2021

Notes:
- Thanks to James Young & Clay Brennecke for the FOB recording
- Thanks to Todd Evans for the FOB transfer & Jamie Waddell for the processing.
- Thanks to Andrew F. for recording & transferring his EOF pull.
- Thanks to Don Pearson & Dan Healy for the SBD recording.
- Thanks to Charlie Miller for processing the SBD recording.
- Thanks to Jack Schlottman for the critique.
- First 1:04 of s1 is source 1 & 2 only
- First 0:54 of s2 is source 1 & 2 only
- SBD was speed corrected.
- The persistent handicapping on the FOB has been removed.
- one count BIODTL

Taper: Dave Boedicker

Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>2 Maxell XL-II-S Tapes(1 90 Minite For 1st Set,1 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section U, Row E,Seat 10.

Taper: Dan Liff

Rob Berger and Doug Lamarre

gd1991-09-24.139829.aud.liff.lamarre.berger.flac1648

<b>flac16/48kHz</b>; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger

Transferrer: Keo

gd1991-09-24.Nak300CP4.Floater.Keo.116037.Flac1644

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper

gd1991-09-24.Nak300CP4.Floater.Keo.116036.Flac2496

View NotesComments:Another HUGE thanks to Floater for sharing his
master tapes!This was another excellent 91 show and an
excellent recording as well!As always,ENJOY!

Transferrer: Keo

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

James Young and Clay Brennecke

View NotesComments:Another HUGE thanks to Floater for sharing his
master tapes!This was another excellent 91 show and an
excellent recording as well!As always,ENJOY!

Taper: James Young and Clay Brennecke

Todd Evans and Jamie Waddell

gd1991-09-24.fob.bk4011.brennecke-young.gems.101441.flac16

Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10

16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)

gd1991-09-24.schoeps.andrewf.84983.sbeok.flac1648

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.

Taper: Andrew F

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

gd1991-09-24.aud.andrewf.84982.sbeok.flac16

View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be 
burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do 
not downsample and recirculate these files for CDR... 


- Soundforge used to make fades. 
- TLH used for FLAC compression and making checksums.

Taper: Andrew F

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.