1991-09-10 | Grateful Dead

Polo Field, Golden Gate Park

San Francisco, CA, USA

Shoreline Amphitheater

Buckeye Lake Music Center

Sandstone Ampitheatre

Bonner Springs, KS, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Pine Knob Music Theater

Pine Knob Music Theater

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Deer Creek Music Center

Deer Creek Music Center

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Oakland, CA, USA

3:15:01

5 tapes

Sources

Taper: Don Pearson and Dan Healy

2:44:02

Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 4, 2018

gd1991-09-10.157119.dsbd.miller.flac1644

SBD > DAT (44.1k)

DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/16

View NotesNotes:
-- With Branford Marsalis
-- Recorded by Don Pearson and Dan Healy

Taper: Don Pearson and Dan Healy

2:44:32

Don Pearson and Dan Healy

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 11, 2020

gd1991-09-10.149650.sbd.cm.miller.flac16

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

View NotesNotes:
-- With Brandford Marsalis
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:44:32

Don Pearson and Dan Healy

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 11, 2020

gd1991-09-10.149509.sbd.person-healy.miller.flac2496

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

View NotesNotes:
-- With Brandford Marsalis
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:41:49

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

gd1991-09-10.167381.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-APR-2024 - Trader Little Helper
- Tagged 13-APR-2024 - Tag&Rename
---------------------------------------------------------
rBrain Pro was used for 96/24 > 44/16 encoding.

Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin

2:41:40

SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin

gd1991-09-10.167379.mtx.tobin.flac24

SBD + AUD Matrix 2 Source Mix (96/24)

gd1991-09-10.dts.mtx.haugh.gems.98701.flac24

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-APR-2024 - Trader Little Helper
- Tagged 13-APR-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Dan Haugh

SBD AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)

Transferrer: Dan Haugh

gd1991-09-10.dts.mtx.haugh.gems.98655.flac16

DTS 5.1 Matrix mix (SBD/AUD)

gd1991-09-10.sbd.waddell.89085.sbeok.flac16

View NotesSource Info

SBD (shnID = 89085)
SBD Dat(2) stored on Ampex 467 DAT Tape  
Transfer:  DAT from the collection of Todd Evans
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif 
innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 
Transferred 12/09/07
Editing:    All editing and mastering by Jamie Waddell     
A **GEMS** Production  www.shnflac.net  


AUD (shnID = 96422)
Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com
Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > 
Modified Sony TCD D-10 Pro  
Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
A **GEMS** Production  www.shnflac.net 

---------------------------------------------------------

Tech Notes

Jamie Waddell sent me the 16/48 waves files as one long track
for both the SBD and the AUD.  CEP2.0 was used to align & synch 
both sources time compress and expand).  SF8.0 was used for the 
EQ setting on the LFE and CTR channels.  SF8.0 used to adjust the 
volume for the center, surround and LFE channels.   SF8.0 used to 
adjust the volume for the center, surround and LFE channels.  SF8.0 
was used to perform the hard limiting on the LFE channel.  Surcode 
CD Pro DTS was used to encode to DTS.   This incorporates 6 
channels of DTS encoded 16/44 wave files.      
- Mixed by dan@am-dig.com
- FLAC conversion 18-MAR-2000 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim, double CD case.

---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD  
Right Channel SBD 

Center 	
Mono Mixdown Left/Right -5db D'EQ SBD

Surround 
Left Channel -2db AUD 
Right Channel -2db AUD

Sub/LFE
Mono Mixdown Left/Right -3db D'EQ SBD

---------------------------------------------------------

Notes

d1t06 "High Time" - 2 small digi snits have been fixed

---------------------------------------------------------

Lineup

Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these new 
sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure that 
your receiver will recognize a DTS-Audio-CD, so the first 
time you're trying to playback a DTS-Audio-CD you must do 
a test to determine if it can. Begin with the volume very 
low, start the disc and rise the volume gradually. NEVER 
listen to a DTS-Audio-CD through the analogue audio outputs 
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal 
Audio-CD from FLAC files.

---------------------------------------------------------

Additional Formats

This show is available in the following formats:

1. The SBD and AUD sources listed above at 16/44 
2. The AUD sources listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44 
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)

Transferrer: Jamie Waddell

SBD > ?? > DAT

DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0

Darrin Sacks and Bill Tetzeli

View NotesWith Branford Marsalis

Transferrer: Darrin Sacks and Bill Tetzeli

gd1991-09-10.sbd.sacks.tetzeli.fix-511.34678.reflac.flac16

DSBD>DATs>CDRs>EAC>SHN

gd91-09-10.sbd.dan.30755.sbexx.flacf

View NotesEntire show with Branford Marsalis

Bill Tetzeli made the transition between CD2 and CD3 seamless.

SteveSw fixed the REPLAYGAIN.

Source 10 of 25

SBD: DAT(M) > DAT(1) > DAT(2)

DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com

gd91-09-10.sbd.sacks.511.sbeok.shnf

View NotesSource: SBD: DAT(M) > DAT(1) > DAT(2) 
Transfer: DAT R500 >  M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com

Source 11 of 25

DSBD> DATs> CDRs> EAC> SHN

Charlie Miller, Mark Goldey

View Notescomplete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks

Taper: Dan Rogosa

gd1991-09-10.167443.me88.mc.rogosa.flac2496

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)

Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD AUdio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496

Charlie Miller, Mark Goldey

View NotesEntire show with Branford Marsalis.  Pitch corrected against Dan's DAT, SHNID 150558, which also provides a patch for the tape flip during Drums.  The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two.

Enjoy!

--mhg:  2024-04-20

Taper: Dan Rogosa

gd1991-09-10.167442.me88.mc.rogosa.flac1644

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)

Sirmick and Charlie Miller

View NotesEntire show with Branford Marsalis.  Pitch corrected against Dan's DAT, SHNID 150558, which also provides a patch for the tape flip during Drums.  The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two.

Enjoy!

--mhg:  2024-04-20

Taper: Dan Rogosa

gd1991-09-10.150558.senn-me88.rogosa.miller.sirmick.flac1648

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View NotesComments:

- Whole show with Branford Marsalis.

Thanks to Dan Rogosa for sharing his recording.

Thanks to Charlie Miller for doing the transfer.

edited and mastered
SIRMick
September 2020

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1991-09-10.167383.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-APR-2024 - Trader Little Helper
- Tagged 13-APR-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Patched and pitch corrected audience (44/16) Kevin Tobin

2:41:49

Patched and pitch corrected audience (44/16) Kevin Tobin

gd1991-09-10.167377.PandP-aud.tobin.flac16

Patched and pitch corrected audience (44/16)

View NotesDuring the 1st Set, patch tuning mainly between songs. Patched close to the end of Drums. This recording was a bit fast - about .75 second per minute. rBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

Transferrer: Patched and pitch corrected audience (24/96) by Kevin Tobin

2:41:51

Patched and pitch corrected audience (24/96) by Kevin Tobin

gd1991-09-10.167376.PandP-aud.tobin.flac24

Patched and pitch corrected audience (96/24)

View NotesDuring the 1st Set, patch tuning mainly between songs. Patched close to the end of Drums. This recording was a bit fast - about .75 second per minute.

Brokedown House Production

Source 18 of 25

2:46:41

gd1991-09-10.153418.mtx.photoleon.flac1644

A photoLeon Matrix

View NotesMatrix Created in Adobe Audition by Joe Noel
August 03, 2021

Notes;
- Branford Marsalis (saxophone) sat in for both sets.
- Thanks to Dan O'Neill & JC Mahoney for the FOB recording & transfer.
- Thanks to JB, Keo & Heaton for the OTS recording.
- Thanks to Todd Evans & Jamie Waddell for the DAT sourced SBD recording.
- Thanks to Jack Schlottman for the critique
- Source #2 was pitch corrected.

Taper: Recording by Dan O'Neill

2:49:03

Recording by Dan O'Neill

Transfer by JC Mahoney Edited & Mastered (Adobe Audition) by Joe Noel January 25, 2021

gd1991-09-10.151921.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648

Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research / Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6')

Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16/48

gd1991-09-10.138917.cmc34.flac16

View NotesNotes:
- Fresh transfer & mastering of shnid 138917
- Branford Marsalis sits in for both sets
- Dan considers this his best solo recording. It’s stellar.

Taper: Dan O'Neill

<b>flac16/48kHz</b>; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k);

(DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3

Taper: Ted Gidley

gd1991-09-10.nak300.gidley.122424.flac2448

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012

gd1991-09-10.Nak300CP4.JB.Keo.117024.Flac1644

View NotesBranford Marsalis, guest through entire show

Note: ID-117023 patches, Drums 4:58 > 5:13, and crowd 
track after Lovelight 0:00 > 0:30

Taper: JB

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

gd1991-09-10.Nak300CP4.JB.Keo.117023.Flac2496

View NotesComments:A huge thanks out to Heaton for the source
tapes and JB for recording this smoking show.This is 
an excellent recording and the only flaw is a little 
tape warble at the start of the second set.
As always ENJOY!

Taper: JB

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

gd1991-09-10.mtx.amdig.gems.98132.flac16

View Notes* With Branford Marsalis On Saxophone Throughout *

 Comments:A huge thanks out to Heaton for the source
tapes and JB for recording this smoking show.This is 
an excellent recording and the only flaw is a little 
tape warble at the start of the second set.
As always ENJOY!

Transferrer: Matrix by Dan Haugh

Matrix of GEMS sources (See notes)

James Young and Clay Brennecke

View Notes**Note this matrix was created using the raw non-dithered transfers from the GEMS sources 


Transfer: DATs > TASCAM DA-20 (SPDIF out) -> 
LynxTWO-B Audio Reference Interface (SPDIF in) -> 
Wavelab 6.0 by Todd Evans January 15, 2009 (todd@bluedakota.com)
Weiss Saracon used for 24-bit, 48kHz SRC (no dither)


Matrix synch completed by Amdig
SBD + AUD Matrix from 2 GEMS Source Mix
(65%-SBD/35%-AUD)
* Time sych done in CEPro 2.0
* Multitrack matrix mixdown to 24/48 in CEPro 2.0


Final Matrix Matstering: 
Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. 
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither 
Encoding by BlueDakota. Tracked in Wavelab 6.0, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.

Art: Gyro

A **GEMS** Production  www.shnflac.net

Taper: James Young and Clay Brennecke

Todd Evans and Jamie Waddell

gd1991-09-10.fob.brennecke-young.GEMS.96422.flac16

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2

16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging