Sugaree | 1991-08-13 | Grateful Dead

View NotesPatch Info:
(FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies:
Drums (19:08 - end of track)
Space (0:00 - 0:20)
All Along The Watchtower (4:47 - 5:23)

Notes:
-- Recorded by Don Pearson and Dan Healy
-- The SBD feed going to all recorders cut out twice during Set 2
-- Master DAT was used to cover the flips and some tuning at the start of the sets
-- Thanks to Tim Dalton and Joe Noel for the patch source
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:45:08

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 28, 2020

SHNID:

gd1991-08-13.150306.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies:
Drums (19:08 - end of track)
Space (0:00 - 0:20)
All Along The Watchtower (4:47 - 5:23)

Notes:
-- Recorded by Don Pearson and Dan Healy
-- The SBD feed going to all recorders cut out twice during Set 2
-- Master DAT was used to cover the flips and some tuning at the start of the sets
-- Thanks to Tim Dalton and Joe Noel for the patch source

Transferrer: Charlie Miller

gd1991-08-13.sbd.miller.109241.flac16

Source:

SBD -> Dat (44.1k)

Lineage:

Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless

Taper: PO and Stucco TINA Holmes

2:41:19

SBD

Taper:

PO and Stucco TINA Holmes

Transferrer:

Mastering and editing by acetboy

SHNID:

gd1991-08-13.137912.sbd.flac16

Source:

DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11

Taper Notes:

View NotesIf burning to CD, split set two between 05 and 06.

The soundboard recordings of this show all seem to have the same
problems in the latter part of Space and the first part of All
Along the Watchtower. The left channel starts dropping out and then is gone.  It comes back in here and there.
And then there is a complete 45 second gap where both channels are gone in Watchtower.  To fix this the good channel is used for mono sound.  Starting in Space the audio becomes a matrix with aud source shnid91678.  So it's a matrix with stereo aud and mono sbd.This goes on until the aud takes over completely for the sdb gap in Watchtower. After the gap the aud fades out leaving the good stereo sound of the sdb. I prefer this fix rather than having nothing but mono sound and then an abrupt switch to an aud source.

Source 5 of 13

gd91-08-13.sbd.oconnor.10927.sbeok.shnf

Source:

SBD>CM>DAT>CDR

Taper Notes:

View NotesSBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr)

Taper: Tim Dalton

Charlie Miller and Joe Noel

Lineage:

PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44

Taper Notes:

View NotesPatch info;
- shnid 91678 (Sennheiser ME-80) supplies
- s1t02; all
- s1t03; all
- shnid; 138191 (Schoeps CMC34) supplies
- s2t08; 1:53 - 4:57

Notes:
- Thanks to Tim Dalton for sharing his PCM
- Thanks to ___________ for recording the show
- Thanks to Charlie for his work on the transfer.
- Thanks to Keith Litzenberger for the s1 patch source
- Thanks to John Ammons for the s2 patch source.
- Sadly this digital recording didn't fade gracefully into the sunset.  Thanks to Charlie for walking me off the ledge & showing me a way out as it was riddled with drop outs & diginoise.  Lost are Sugaree, Walkin' Blues, & a bout a third of Black Peter.  This remarkable source has been painstakingly restored.  Its not perfect, but I assure you its a hell of lot better then it was.  For the most part, I left s1t01's digital deterioration alone to give the listener an idea what needed to be undertaken.  Plus, it kinda reminded me of old scratchy vinyl, only difference being scratchy vinyl sounds better.

Transferrer: Pete Ebel

gd1991-08-13.148404.set1.fob.BK4011.ebel.flac1648

Source:

FOB B&K 4011-> Sony D10 Pro II-> DAT

Lineage:

DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)

Taper Notes:

View NotesTransfers by Pete Ebel
Late 90's and November 26, 2019


Notes:
Set #1 Only - This DAT Look's be be From One Of Clay Brennecke Master's. Jamie Young?

There are 2 Let It Grow's...08. Let it Grow - Edit  has filler from Schoeps CMC 32 (Source # 143088)
to cover FOB Bust (00:01:21-> 11:48) 08. Let It Grow is What was on The DAT.
It has the Mic's placed in bag during FOB bust. No music is missing, just muffled sound.
Set #2 is Seamless

This is a different Source than # 138191 B&K 4011

Transferrer: Pete Ebel

gd1991-08-13.148403.fob.BK4011.ebel.flac16

Source:

FOB B&K 4011-> DAT

Lineage:

Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)

Taper Notes:

View NotesTransfers by Pete Ebel
Late 90's and November 26, 2019


Notes:
Set #1 Let it Grow has filler from Schoeps CMC 32 (Source # 143088)
to cover FOB Bust (00:01:26-> End Of Song) and  Tuning To Start Set #2

Set #2 is Seamless

This is a different Source than # 138191 B&K 4011

Taper: Rob Darroch & John Ammons

2:02:02

Taper:

Rob Darroch & John Ammons

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1991-08-13.138191.BK4011.Schoeps.fob.Darroch.Ammons.t-flac16

Source:

<b>flac16/48kHz</b>; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons

Lineage:

master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes- Rob, using the B&Ks, got busted after High Time.  Like a true pro, however, he retained the partial tape, so there is some filler from set 1.  Much like the story from 12-27-90, we realized between sets that we had enough gear left to assemble an emergency rig.  It was Pete Oshman's equipment he'd brought as back up. So the set up happened in the OTS, just behind the board, and just before the band came on stage we were making our way back to the sweet spot. No stand was used due to security risk, and Rob couldn't be around the mics, so I hand held.  Not the most fun way to see a show.  Boy were we obsessed.  [aka Deadicated].  - John.

- Misery loves company.  I did these shows the other not the most fun way, on crutches.
- The low end is Philicious. 
- Good morning Mr Benson I see you're doing well.
- Phil is tremendous throughout, but hold onto your hat coming out of Space.

Taper: Mike Darby

gd1991-08-13.119112.akg451.darby.flac16

Source:

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2

Lineage:

ascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Darby for
recording and sharing his source for this show from
the GD 1991 summer tour!
As always ENJOY!!!!!!!!!!!!!!!!!!

Taper: Mike Darby

gd1991-08-13.119111.akg451.darby.flac24

Source:

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2

Lineage:

Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Darby for
recording and sharing his source for this show from
the GD 1991 summer tour!
As always ENJOY!!!!!!!!!!!!!!!!!!

Taper: Da Weez

gd1991-08-13.113426.NeumannKMF4.daweez.d5scott.flac16

Source:

<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Keith Litzenberger

gd1991-08-13.wklitz.me80.91678.flac

Source:

Sennheiser ME-80's>Technics SV-MD1

Lineage:

DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC