Franklin's Tower | 1988-12-31 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- With Clarence Clemons on sax
-- Drums with Baba Olatunji, Sikiru Adepoju and Kitaro
-- I used the PCM Master (shind=140702) to cover the tape flips
-- This is 152286 24 -> 16 @ 44.1

Taper: Don Pearson and Dan Healy

3:02:26

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net April 19, 2021

SHNID:

gd1988-12-31.152286.ultramatrix.miller.flac2496

Source:

UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- With Clarence Clemons on sax
-- Drums with Baba Olatunji, Sikiru Adepoju and Kitaro
-- I used the PCM Master (shind=140702) to cover the tape flips

Transferrer: Charlie Miller

gd1988-12-31.140702.ultramatrix.sbd.pcm.miller.flac1644

Source:

UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500)

Lineage:

PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- With Clarence Clemons on sax
-- Drums with Baba Olatunji, Sikiru Adepoju and Kitaro

Pre-Show:
01 - Crowd
02 - Radio Interviews

Transferrer: Charlie Miller

gd1988-12-31.sbd.walker-scotton.miller.85966.sbeok.flac16

Source:

SBD -> Cassette Master (Sony D5/TDK MAX-G90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
Pre-FM -> PCM -> Dat supplies the following patches:
Tuning between Masterpiece and Cold Rain And Snow
Drums (9:09 - 9:26)
Morning Dew (10:49) through Sunshine Daydream (0:06)
Notes:

-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- [1] w/Clarence Clemons on sax
-- [2] w/Baba Olatunji, Sikiru Adepoju and Kitaro

Taper: Greg Holtz

Brian Green and SIRMick

SHNID:

gd1988-12-31.sbd-fm.holtz.lmpp.97786.sbeok.flac16

Source:

fm > Sony Walkman Fm stereo receiver > Marantz PMD-431 (probably) > mac

Lineage:

mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16

Taper Notes:

View NotesNotes:

- there are several patches of  static where the receiver slightly wandered off channel, these mostly occur on disc 3.
   The worst instances of this are during Gimme Some Lovin' and to some extent, Morning Dew
- Several small dropouts in the left channel  of Drums have been repaired by copying over the right channel.

patches:

- d1t08  0:07 - 0:17
- d2t06  8:59 - 9:04
- Morning Dew  10:47 - end
- Sugar Magnolia Jam  first few notes

source used - SBD: Healy Mix > PCM > DAT > DALCardDeluxe > WAV > CD > EAC > SHN
                           Healy Mix = SBD+AKG C 424b mic.

- seamless change between discs 2 and 3

Source 6 of 11

gd88-12-31.matrix.ashley-bertha.9396.sbeok.shnf

Source:

Jay Ashley (Bertha) Remaster of <a href= "http://db.etree.org/shninfo_detail.php?shnid=3189">Healy SBD Mix</a>

Taper Notes:

View NotesJay Ashley (Bertha) Remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=3189" rel="nofollow">Healy SBD Mix</a>; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA

Source 7 of 11

Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN

Taper Notes:

View NotesHealy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out

Taper: Rich Gastwirk

Charlie Miller and SIRMick

SHNID:

gd1988-12-31.138904.s1.schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16

Source:

Set 1 Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (44.1k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017

Taper Notes:

View Notes- With Clarence Clemons - saxophone *
- Unfortunately the dat with set II on it is water damaged and not playable.

Taper: OldNeumanntapr

gd1988-12-31.168751.FM.KFOG.ont.flac1644

Source:

KFOG FM Broadcast; Marantz Receiver >Sony WM-D6C [XLIIS / MX 90s]

Lineage:

Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 Tape 1 - Maxell XLIIS 90 Tape 2 - Maxell MX 90

Taper Notes:

View NotesOldNeumanntapr Notes;
For the final night of the NYE run, after missing out on the lottery for New Years tickets, we decided to set up camp in my friend Ron's living room in Oakland and record the show from the KFOG FM Broadcast. I called my friend Gene, a taper who lived in Pennsylvania at the time and would later purchase a Sony TCD-D10 DAT recorder, because he was giving a NYE party and did not live in range of a station that carried the nationwide broadcast. I tipped him off to the 'Let The Good Times Roll' opener because he had a bet going as to what song the Dead would open with on New Years, so I called him long distance as soon as the first set started. This was the second show that I recorded with my new D6 that I had gotten for Christmas in 1988. Thanks mom!!!

I thought that the drum solo for the '88 NYE show was really cool, with the addition of Olatunji, Sikiru Adepoju , and Kitaro.

Though I had tried for the lottery mail order for NYE tickets starting in 1986, it wouldn't be until New Years '89 that I would actually get tickets. 1988 was the last Grateful Dead NYE show that I would record of the radio, because I had the privilege of being at the show for the 1989, 1990, and 1991 NYE shows. Unfortunately, I was not able to record the 1991 New Years show because once I got inside the Coliseum I found that people had 'reserved' the entire tapers section with coats placed over the seats, so we ended up sitting up in the nosebleed seats and leaving my recording gear in the bag. That was kind of a bummer show because Bill Graham had recently died and they just showed films of past NYE shows.

Taper: Dave Boedicker

gd1988-12-31.149469.nak300-cp4.boedicker.flac1644

Source:

Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>3 TDK SA-X 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Masterpiece"(No Music Missed On Next Song "Cold Rain And Snow")

2)Tape Flip During Drums

3)Tape Flip After "Morning Dew"(Only A Second Or Two Missed On Next Song "Sunshine Daydream")

Enjoy!!!

Taper: PO and Stucco TINA Holmes

PO and Stucco TINA Holmes

Transferrer:

Jason Chastain;Norm

SHNID:

gd1988-12-31.136731.pre-fm.GEMS.flac16

Source:

Healy Matrix pre-fm -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm; 16 bit 44.1kHz a project **GEMS**