Desolation Row | 1986-12-17 | Grateful Dead

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

328

Playback	Listens	Hours
48h	11	2
7d	1	7m
30d	328	25

Playback	Listens	Hours
48h	102	11
7d	54	9
30d	1.2k	162

112 shows

160 tapes

2.9k

Playback	Listens	Hours
48h	123	22
7d	423	72
30d	2.9k	463

1,123 shows

1,517 tapes

Jerry's Middle Finger

2.5k

Playback	Listens	Hours
48h	155	24
7d	370	53
30d	2.5k	351

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

127

Playback	Listens	Hours
48h	37	5
7d	5	26m
30d	127	19

2 shows

5 tapes

Joe Russo's Almost Dead

27.7k

Playback	Listens	Hours
48h	1.5k	276
7d	3.4k	610
30d	27.7k	5k

Playback	Listens	Hours
48h	96	10
7d	66	8
30d	2.4k	270

Playback	Listens	Hours
48h	202	17
7d	353	35
30d	3.5k	323

Playback	Listens	Hours
48h	3	18m
7d	0	0m
30d	147	19

Playback	Listens	Hours
48h	11	54m
7d	7	37m
30d	511	37

Playback	Listens	Hours
48h	4	25m
7d	35	4
30d	189	21

71 shows

104 tapes

Karl Denson's Tiny Universe

1.3k

Playback	Listens	Hours
48h	37	5
7d	23	4
30d	1.3k	183

Playback	Listens	Hours
48h	191	18
7d	493	46
30d	4.7k	443

Playback	Listens	Hours
48h	6	46m
7d	49	6
30d	280	40

40 shows

51 tapes

King Gizzard & the Lizard Wizard

14.9k

Playback	Listens	Hours
48h	1.1k	153
7d	2.3k	302
30d	14.9k	2k

208 shows

437 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	122	15
7d	316	40
30d	3k	389

Playback	Listens	Hours
48h	3	31m
7d	16	2
30d	388	55

Playback	Listens	Hours
48h	26	6
7d	97	17
30d	948	171

Playback	Listens	Hours
48h	126	15
7d	402	48
30d	3.1k	387

67 shows

135 tapes

Leftover Salmon

Playback	Listens	Hours
48h	219	21
7d	276	26
30d	4k	388

Playback	Listens	Hours
48h	165	27
7d	310	47
30d	3.3k	477

Playback	Listens	Hours
48h	249	23
7d	708	68
30d	5.1k	480

Playback	Listens	Hours
48h	160	13
7d	119	8
30d	1.7k	129

Playback	Listens	Hours
48h	74	14
7d	261	48
30d	1.7k	323

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	655	66

Playback	Listens	Hours
48h	107	11
7d	238	31
30d	1.9k	199

Playback	Listens	Hours
48h	29	3
7d	40	4
30d	720	77

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	1

Playback	Listens	Hours
48h	253	40
7d	719	105
30d	6.7k	1k

Playback	Listens	Hours
48h	4	14m
7d	74	4
30d	621	37

Playback	Listens	Hours
48h	0	0m
7d	13	1
30d	274	30

Playback	Listens	Hours
48h	11	14m
7d	34	1
30d	494	13

Playback	Listens	Hours
48h	26	2
7d	61	5
30d	616	52

Playback	Listens	Hours
48h	748	127
7d	1.5k	275
30d	13.6k	2.4k

Playback	Listens	Hours
48h	1	7m
7d	9	55m
30d	507	55

Playback	Listens	Hours
48h	0	0m
7d	100	7
30d	264	20

Playback	Listens	Hours
48h	291	29
7d	815	83
30d	5.5k	562

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	8	36m
7d	7	22m
30d	75	6

Playback	Listens	Hours
48h	6	30m
7d	4	28m
30d	159	15

Playback	Listens	Hours
48h	50	8
7d	72	11
30d	647	90

Playback	Listens	Hours
48h	7	56m
7d	46	8
30d	203	29

59 shows

69 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	45	4
7d	216	20
30d	1.9k	174

401 shows

586 tapes

North Mississippi Allstars

1.9k

Playback	Listens	Hours
48h	121	12
7d	202	19
30d	1.9k	186

Playback	Listens	Hours
48h	18	2
7d	95	11
30d	1.6k	188

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	55m

Playback	Listens	Hours
48h	4	1
7d	81	16
30d	524	96

Playback	Listens	Hours
48h	17	2
7d	20	3
30d	376	55

159 shows

200 tapes

Perpetual Groove

Playback	Listens	Hours
48h	119	20
7d	205	36
30d	2k	355

686 shows

913 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	821	143
7d	2.3k	402
30d	15.4k	2.6k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	127	20
7d	269	40
30d	2.2k	346

Playback	Listens	Hours
48h	283	38
7d	604	71
30d	4.7k	557

289 shows

429 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	21	1
7d	0	0m
30d	47	4

Playback	Listens	Hours
48h	205	27
7d	527	69
30d	4.5k	591

1,230 shows

2,191 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	7	35m
30d	64	5

Playback	Listens	Hours
48h	67	9
7d	188	24
30d	1.5k	199

Playback	Listens	Hours
48h	704	94
7d	1.2k	162
30d	10.6k	1.4k

Playback	Listens	Hours
48h	64	4
7d	204	16
30d	1.5k	125

Playback	Listens	Hours
48h	90	8
7d	146	12
30d	2.2k	176

Playback	Listens	Hours
48h	119	10
7d	205	17
30d	2.4k	214

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	32m

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	162	19

Playback	Listens	Hours
48h	171	17
7d	294	28
30d	3.7k	349

Playback	Listens	Hours
48h	3	20m
7d	60	8
30d	780	89

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	82	11

Playback	Listens	Hours
48h	5	43m
7d	21	2
30d	348	39

Playback	Listens	Hours
48h	57	4
7d	81	8
30d	1.5k	137

Playback	Listens	Hours
48h	218	34
7d	507	74
30d	4.3k	691

Playback	Listens	Hours
48h	123	27
7d	324	73
30d	2.8k	632

Playback	Listens	Hours
48h	0	0m
7d	49	3
30d	461	28

Playback	Listens	Hours
48h	13	3
7d	43	9
30d	342	55

Playback	Listens	Hours
48h	101	15
7d	177	26
30d	1.9k	296

383 shows

612 tapes

Steve Kimock Band

Playback	Listens	Hours
48h	91	19
7d	170	41
30d	2k	444

Playback	Listens	Hours
48h	65	8
7d	150	18
30d	2.8k	374

664 shows

1,137 tapes

String Cheese Incident

14.2k

Playback	Listens	Hours
48h	692	108
7d	1.8k	279
30d	14.2k	2.3k

1,274 shows

2,058 tapes

Surprise Me Mr. Davis

203

Playback	Listens	Hours
48h	5	29m
7d	0	0m
30d	203	20

Playback	Listens	Hours
48h	21	4
7d	84	15
30d	549	100

Playback	Listens	Hours
48h	32	4
7d	34	4
30d	549	70

Playback	Listens	Hours
48h	55	6
7d	165	19
30d	2.5k	282

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	95	7

Playback	Listens	Hours
48h	2.5k	291
7d	5.2k	595
30d	23.3k	2.7k

Playback	Listens	Hours
48h	9	23m
7d	36	2
30d	440	24

Playback	Listens	Hours
48h	104	16
7d	123	16
30d	1.5k	184

Playback	Listens	Hours
48h	19	2
7d	28	4
30d	661	89

473 shows

629 tapes

The California Honeydrops

540

Playback	Listens	Hours
48h	45	5
7d	103	14
30d	540	71

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	58	10

Playback	Listens	Hours
48h	101	12
7d	358	52
30d	3.9k	562

Playback	Listens	Hours
48h	76	7
7d	113	9
30d	635	54

Playback	Listens	Hours
48h	0	0m
7d	59	9
30d	270	38

Playback	Listens	Hours
48h	0	0m
7d	3	34m
30d	210	34

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	3	13m
7d	0	0m
30d	37	4

Playback	Listens	Hours
48h	18	3
7d	13	2
30d	668	99

Playback	Listens	Hours
48h	9	1
7d	47	6
30d	806	111

Playback	Listens	Hours
48h	39	2
7d	133	7
30d	1.9k	100

Playback	Listens	Hours
48h	16	1
7d	54	4
30d	844	62

Playback	Listens	Hours
48h	9	2
7d	26	7
30d	355	79

Playback	Listens	Hours
48h	71	7
7d	141	15
30d	1.4k	142

Playback	Listens	Hours
48h	68	10
7d	147	20
30d	2.3k	303

Playback	Listens	Hours
48h	621	60
7d	836	83
30d	6.9k	672

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	9	17m
7d	1	3m
30d	97	7

Playback	Listens	Hours
48h	60	7
7d	197	21
30d	1.1k	112

Playback	Listens	Hours
48h	10	2
7d	77	15
30d	238	45

Playback	Listens	Hours
48h	8	38m
7d	136	12
30d	1.6k	136

Playback	Listens	Hours
48h	73	5
7d	249	18
30d	1.6k	116

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	52	4

Playback	Listens	Hours
48h	346	55
7d	759	111
30d	6.2k	876

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	256	25

Playback	Listens	Hours
48h	51	9
7d	277	45
30d	2.6k	422

Playback	Listens	Hours
48h	255	38
7d	1k	143
30d	10.4k	1.5k

Playback	Listens	Hours
48h	8	33m
7d	97	8
30d	407	32

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	52	4
7d	230	17
30d	2k	143

Playback	Listens	Hours
48h	773	59
7d	1.7k	135
30d	12.6k	997

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	119	8

Playback	Listens	Hours
48h	13.1k	1.6k
7d	20.4k	2.4k
30d	119.4k	14k

Playback	Listens	Hours
48h	30	4
7d	111	16
30d	2.7k	368

1,417 shows

2,244 tapes

Yonder Mountain String Band

13.5k

Playback	Listens	Hours
48h	385	36
7d	1.4k	127
30d	13.5k	1.3k

Playback	Listens	Hours
48h	105	15
7d	221	37
30d	1.9k	315

10 shows

Zebu

Playback	Listens	Hours
48h	0	0m
7d	11	25m
30d	74	3

Playback	Listens	Hours
48h	122	20
7d	215	37
30d	2.1k	369

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	54	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2.1k	300
7d	4.5k	598
30d	16.4k	2.2k

Playback	Listens	Hours
48h	1.2k	173
7d	4.8k	627
30d	29.3k	3.8k

Playback	Listens	Hours
48h	2.4k	297
7d	5.2k	689
30d	37.3k	4.9k

Playback	Listens	Hours
48h	1.8k	229
7d	5.5k	743
30d	52.8k	6.9k

Playback	Listens	Hours
48h	3.2k	443
7d	7.5k	1.1k
30d	29.5k	4.1k

Playback	Listens	Hours
48h	10.8k	1.3k
7d	19.3k	2.5k
30d	86.9k	11.3k

Playback	Listens	Hours
48h	2k	256
7d	5.2k	662
30d	37.2k	4.7k

Playback	Listens	Hours
48h	1.5k	174
7d	5.8k	696
30d	30.7k	3.6k

Playback	Listens	Hours
48h	7.3k	821
7d	4.9k	564
30d	44.4k	5.2k

Playback	Listens	Hours
48h	3k	352
7d	5.8k	657
30d	15.9k	1.8k

Playback	Listens	Hours
48h	2.9k	345
7d	4k	458
30d	35.9k	4.3k

Playback	Listens	Hours
48h	1.6k	202
7d	3.4k	436
30d	20.9k	2.7k

Playback	Listens	Hours
48h	1.1k	149
7d	2.8k	370
30d	22.7k	2.9k

Playback	Listens	Hours
48h	1.2k	156
7d	3.5k	440
30d	32.9k	4.2k

Playback	Listens	Hours
48h	4.2k	539
7d	12.1k	1.4k
30d	128.2k	16.6k

Playback	Listens	Hours
48h	2k	232
7d	4.7k	540
30d	31.7k	3.6k

Playback	Listens	Hours
48h	1.9k	274
7d	4.3k	589
30d	29.7k	4.1k

Playback	Listens	Hours
48h	2.4k	318
7d	5.4k	725
30d	43.1k	5.8k

Playback	Listens	Hours
48h	7.2k	1k
7d	37.3k	5.3k
30d	136.8k	19.1k

Playback	Listens	Hours
48h	2k	271
7d	3.9k	525
30d	28.9k	3.8k

Playback	Listens	Hours
48h	1.1k	118
7d	971	106
30d	8.7k	980

Playback	Listens	Hours
48h	9.9k	1.2k
7d	6.9k	889
30d	82.9k	10.6k

Playback	Listens	Hours
48h	7.7k	979
7d	17.8k	2.2k
30d	90.4k	11.3k

Playback	Listens	Hours
48h	9k	1.1k
7d	8.4k	1k
30d	51.6k	6.1k

Playback	Listens	Hours
48h	2k	220
7d	8.1k	893
30d	48.5k	5.5k

Playback	Listens	Hours
48h	1.6k	176
7d	5.1k	555
30d	38.8k	4.3k

Playback	Listens	Hours
48h	1.5k	209
7d	2.3k	315
30d	35.1k	5.1k

Playback	Listens	Hours
48h	382	47
7d	876	106
30d	8.9k	1.1k

Playback	Listens	Hours
48h	123	15
7d	1.8k	191
30d	3.9k	471

Playback	Listens	Hours
48h	300	20
7d	1.3k	92
30d	9.1k	682

Playback	Listens	Hours
48h	41	2
7d	96	6
30d	557	34

2 shows

2 tapes

1986

12/31SBD

301

Playback	Listens	Hours
48h	3	27m
7d	4	26m
30d	301	36

3:08:48

13 tapes

12/30SBD

168

Playback	Listens	Hours
48h	4	17m
7d	20	2
30d	168	19

2:59:23

19 tapes

12/28SBD

148

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	148	18

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

400

Playback	Listens	Hours
48h	20	2
7d	31	3
30d	400	38

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

120

Playback	Listens	Hours
48h	5	27m
7d	6	49m
30d	120	15

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

Playback	Listens	Hours
48h	57	6
7d	0	0m
30d	62	7

2:56:06

19 tapes

12/15SBD

533

Playback	Listens	Hours
48h	58	6
7d	62	7
30d	533	63

Playback	Listens	Hours
48h	1	6m
7d	1	6m
30d	19	1

Playback	Listens	Hours
48h	19	2
7d	21	3
30d	155	19

Playback	Listens	Hours
48h	12	1
7d	16	2
30d	122	13

Playback	Listens	Hours
48h	9	1
7d	42	4
30d	331	34

1:53:56

Alpine Valley Music Theatre

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

200

Playback	Listens	Hours
48h	32	4
7d	23	2
30d	200	20

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

Playback	Listens	Hours
48h	15	2
7d	5	36m
30d	55	6

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

212

Playback	Listens	Hours
48h	17	2
7d	58	6
30d	212	22

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

208

Playback	Listens	Hours
48h	20	2
7d	18	2
30d	208	22

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	2	11m
7d	9	1
30d	90	11

Playback	Listens	Hours
48h	22	2
7d	38	4
30d	309	36

Playback	Listens	Hours
48h	14	2
7d	19	2
30d	83	10

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	128	14

Playback	Listens	Hours
48h	19	2
7d	8	54m
30d	202	23

Playback	Listens	Hours
48h	15	2
7d	48	7
30d	279	39

Playback	Listens	Hours
48h	0	0m
7d	36	4
30d	166	17

Playback	Listens	Hours
48h	11	1
7d	48	6
30d	351	41

2:13:36

8 tapes

4/22SBD

167

Playback	Listens	Hours
48h	27	3
7d	20	3
30d	167	21

2:27:50

6 tapes

4/21SBD

238

Playback	Listens	Hours
48h	9	58m
7d	36	5
30d	238	28

2:25:24

6 tapes

4/19SBD

242

Playback	Listens	Hours
48h	75	9
7d	45	6
30d	242	30

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

152

Playback	Listens	Hours
48h	14	2
7d	13	1
30d	152	17

Playback	Listens	Hours
48h	12	2
7d	37	4
30d	134	17

Playback	Listens	Hours
48h	0	0m
7d	8	50m
30d	105	12

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

129

Playback	Listens	Hours
48h	25	3
7d	0	0m
30d	129	13

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

302

Playback	Listens	Hours
48h	8	58m
7d	2	14m
30d	302	37

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

147

Playback	Listens	Hours
48h	5	1
7d	6	43m
30d	147	21

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

119

Playback	Listens	Hours
48h	36	4
7d	4	33m
30d	119	14

2:07:33

18 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

366

Playback	Listens	Hours
48h	43	5
7d	62	7
30d	366	40

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

240

Playback	Listens	Hours
48h	12	1
7d	38	4
30d	240	24

2:10:15

20 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

296

Playback	Listens	Hours
48h	25	3
7d	24	3
30d	296	33

Philadelphia, PA, USA

313

Playback	Listens	Hours
48h	3	27m
7d	25	3
30d	313	35

Philadelphia, PA, USA

363

Playback	Listens	Hours
48h	77	8
7d	18	2
30d	363	39

Philadelphia, PA, USA

290

Playback	Listens	Hours
48h	2k	230
7d	43	5
30d	290	34

Playback	Listens	Hours
48h	87	12
7d	861	110
30d	1.1k	143

Playback	Listens	Hours
48h	129	16
7d	1.8k	230
30d	2.3k	283

Playback	Listens	Hours
48h	85	9
7d	2k	195
30d	2.3k	223

2:30:35

25 tapes

2/14SBD

531

Playback	Listens	Hours
48h	28	3
7d	61	7
30d	531	60

4:31:43

12 tapes

2/12SBD

322

Playback	Listens	Hours
48h	35	4
7d	49	7
30d	322	40

2:54:33

10 tapes

2/11SBD

434

Playback	Listens	Hours
48h	6	41m
7d	41	5
30d	434	50

2:17:07

2/09SBD

241

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	241	25

2:01:34

9 tapes

2/08SBD

418

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	418	44

2:27:10

7 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

gd1986-12-17.141745.mtx.tobin.flac2496

Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin

gd1986-12-17.139919.UltraMatrix.cm.miller.flac16

View NotesSBD + AUD Matrix 2 Source Mix 

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 21-APR-2018 - Trader Little Helper
- Tagged 21-APR-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.139917.sbd.cm.miller.flac1644

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete
-- This fileset is 16 bits

Transferrer: Charlie Miller

SBD > Cassette Master (Tascam Deck/TDK SA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.139728.sbd.ultra.miller.flac2496

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete
-- This fileset is 16 bit

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.139727.sbd.miller.flac2496

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete

Transferrer: Charlie Miller

SBD > Cassette Master (Tascam Deck/TDK SA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.134893.sur5-1.tobin.flac1648

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete

Transferrer: Kevin Tobin

flac16/48kHz; 5.1 LPCM Surround Sound Mix from SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin

gd1986-12-17.134892.dts.tobin.flac16

View NotesSurround Sound Mix 5.1 LPCM (48k)

All recording, transfers, and mastering by Greg Holtz
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

Transferrer: Kevin Tobin

DTS-Audio-CD 5.1 Mix; SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin

gd1986-12-17.134891.mtx.tobin.flac16

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -1db SBD
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

Matrix 2 Source Mix - SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin

Joani Walker and Paul Scotton

View NotesSBD + AUD Matrix 2 Source Mix(48%-SBD/52%-AUD)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD 0

SET TWO

Stereo Matrix
SBD -1
AUD 0
---------------------------------------------------------

Brokedown House Production

Taper: Joani Walker and Paul Scotton

Transferrer:

Charlie Miller

gd1986-12-17.sbd.walker-scotton.miller.99048.sbeok.flac16

SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16

gd1986-12-17.sbd.miller.77410.flac16

View NotesPatch Info:
Nakamichi 300/CP4 -> Cassette Master -> FLAC (shnid=80996) supplies:
Desolation Row (5:10 - 5:24) (9:10 - 10:00)
When Push Comes To Shove (4:07 - end of track)
The Music Never Stopped (0:00 - 0:46) (1:19 - 2:21)
He's Gone (10:12 - 10:27)
Throwing Stones (8:02 - 8:12)

Notes:
-- Drums with Babatunde Olatunji
-- Thanks to Joani Walker and Paul Scotton for the Cassettes
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

Transferrer: Charlie Miller

SBD -> Cassette Master (Sony D5/TDK MX-XG90) D

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->

View NotesNotes:
-- Seamless transition between Discs 2 and 3
-- Thanks to Paul Scotton and Joani Walker for the Cassettes
-- Drums with Babatunde Olatunji
-- Tape flip in He's Gone and Throwing Stones

The 'skips' that you hear are on the master cassette and are not digital flaws. This is the 2nd night of them attempting ultramatrix recordings and they are switching between the sbd and the mics trying to find a good balance. I tried to fix this, but it was too much trouble to do.

Taper: Matrix by Kevin Tobin

2:53:33

SBD

Taper:

Matrix by Kevin Tobin

gd1986-12-17.145501.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

Scott Clugston and Charlie Miller

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 21-APR-2018 - Trader Little Helper
- Tagged 21-APR-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Chris Hecht

gd1986-12-17.148871.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "He's Gone", as well as most of "Drums" (10:13 total)
- Pitch corrected

Mastered by Scott Clugston
November 2019

Taper: Chris Hecht

gd1986-12-17.148870.neumann.km84i.hecht.miller.clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "He's Gone", as well as most of "Drums" (10:13 total)
- Pitch corrected

Mastered by Scott Clugston
November 2019

Taper: Michael Hessberg

gd1986-12-17.141036.Senn.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Charlie Miller, Jim Wise, Scott Clugston

View NotesNotes:
- cross fades applied to tape pauses
- A jam ensues from Drums with the entire ensemble cast before Space.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
* w/ Sikiru Adepoju - Talking Drum
* w/ Jose Lorenzo - Berimbau, Hand Percussion

Patch Info:
- Source #80996 (T. Suraci & D. Beckham) supplies
- s1t07; 08:24 - end
- s1t08; start - 00:01 & 10:22 - end
- s1t09; start - 00:02
- s2t12; 05:18 - 05:26
- s2t13; 00:00 - 01:02

Taper: Oade Brothers

gd1986-12-17.140295.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk, and my apologies for not properly acknowledging their efforts sooner.
- Thanks to Jim Wise for the hard disk drive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the shnid14452 Nakamichi CM300 source which supplies a 0:02 patch in "The Music Never Stopped" from 0:41 thru 0:43
- "Drums" with Babatunde Olatunji
- Other One space included in "The Other One"

Mastered by Scott Clugston
December 16, 2017

Taper: Michael Hessberg

gd1986-12-17.139364.Senn.Hessberg.Miller.Noel.t-flac24

Sennheiser ME80 > Cassette Master (Sony TC-D5M)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered in Audacity by Joe Noel: Flac 24/96

gd1986-12-17.168571.superscopeEC-7.v2.ont.flac1644

View NotesNotes:
- cross fades applied to tape pauses
- A jam ensues from Drums with the entire ensemble cast before Space.
* w/ Sikiru Adepoju - Talking Drum
* w/ Jose Lorenzo - Berimbau, Hand Percussion

Taper: OldNeumanntapr

OTS (Risers); Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]

Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits & Fades) >FLAC (Level 8) + Tags Via xACT 2.53

gd1986-12-17.168571.superscopeEC7.ont.flac1644

View NotesThis is "v2" which differs from "v1" on tracks d1t02, d1t03
OldNeumanntapr Notes;
This was my 5th Dead show, and the 2nd that I recorded. It was also my first time being in the Oakland Coliseum. I had recently purchased a pair of Marantz Superscope EC-7 cardioid microphones and a Sony TC-153SD cassette recorder and this was the 1st show that I recorded with that combo. I thought that the cardioids reproduced the vocals well, but they did allow a lot more room noise so they could sound boomy in large rooms like the Coliseum. I guess it's a trade off, because years later when I started using CM-300 shotguns I felt that though they did a good job of limiting the reverberant room noise, they also had lower vocal response. I almost didn't make it to this show, because I was having mechanical problems with my old '67 VW bus. It had a couple of interesting problems. One was that the accelerator pedal would stick wide open if you pushed it to the floor. I had to stop the bus on an off ramp in San Jose because it stuck, and the only way to get it unstuck was to throw it into neutral, shut the engine off, coast to a stop and pull the counterweights down on the carburetor. Because I had stopped on a banked off ramp, the bus was leaning to the right, and gas was leaking out of the gas tank because the gas cap had a bad seal. The other problem that the bus had was that the electrical system would build up resistance once the motor got hot and the starter wouldn't work unless you took a screw driver and shorted across the terminals on the starter motor. Well, the bus wouldn't start and there was gas leaking out of the tank, so I was worried that a spark would cause an explosion. I told my ex wife to get way back out of the way and I crawled under, held my breath, and shorted the starter, which broke the resistance. Luckily the bus didn't catch fire and we were able to make it to the show OK. I forgot to bring in my new AA batteries for the microphones and I couldn't figure out why I wasn't getting a signal when I hooked my recording equipment together! I ran up the aisle in the taper section with a $5 bill and bought two batteries from another taper. To whomever that was that night, a big THANK YOU!!! The taper section was on the risers for that series of shows and I remember the mic stands all swaying when the crowd got going. I don't remember the risers ever being used again at the Oakland Coliseum for the tapers. In later years Bill Graham had his pre-show volleyball games there, right behind the board. I was really happy at that show because, 1. I made it there alive, and 2., Jerry was playing again! These were the first shows after his diabetic coma. We had driven down to the Ventura Fairgrounds earlier in the summer only to find that those shows had been cancelled because Jerry had gone into the hospital. We stayed over after the Oakland show that night in the bus in the parking lot of the Coliseum, (remember when they let you do that?) and drove home the following morning. This was a good show for me, because it was the 1st time that I had seen an 'Alabama Getaway' opener, and I wouldn't see another one until the June 1995 shows at Shoreline. I always enjoyed hearing Bobby do 'Desolation Row', and the 'Music' 1st set closer was really nice too. In retrospect I wish I had not paused the tape between songs in the first set, but I was still learning and didn't really know what I was doing. At least this recording sounded better with the addition of a decent recorder like the 153, as compared to my old Sharp boom box with auto levels, which is what I recorded the May 11 1986 Frost show with. Sadly the end of the Brokedown Palace encore is cut because I ran out of tape. For some reason I would start the second set at the end of the first set tape when I first started taping, which was dumb because it would give me one extra tape flip to deal with. Again, I was green but I got better.

This was the first 'Not Fade Away' since Jerry's coma, and the 'Not Fade Away Fadeaway' went on FOREVER! I think the whole track was over 11 minutes long! You could really feel the love in the crowd for Jerry's return because, at least for me, there was a time when I wasn't sure that he was Coming back.

Taper: OldNeumanntapr

OTS (Risers); Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]

gd1986-12-17.134890.upg-aud.tobin.flac16

View NotesThis is version 1

OldNeumanntapr Notes;
This was my 5th Dead show, and the 2nd that I recorded. It was also my first time being in the Oakland Coliseum. I had recently purchased a pair of Marantz Superscope EC-7 cardioid microphones and a Sony TC-153SD cassette recorder and this was the 1st show that I recorded with that combo. I thought that the cardioids reproduced the vocals well, but they did allow a lot more room noise so they could sound boomy in large rooms like the Coliseum. I guess it's a trade off, because years later when I started using CM-300 shotguns I felt that though they did a good job of limiting the reverberant room noise, they also had lower vocal response. I almost didn't make it to this show, because I was having mechanical problems with my old '67 VW bus. It had a couple of interesting problems. One was that the accelerator pedal would stick wide open if you pushed it to the floor. I had to stop the bus on an off ramp in San Jose because it stuck, and the only way to get it unstuck was to throw it into neutral, shut the engine off, coast to a stop and pull the counterweights down on the carburetor. Because I had stopped on a banked off ramp, the bus was leaning to the right, and gas was leaking out of the gas tank because the gas cap had a bad seal. The other problem that the bus had was that the electrical system would build up resistance once the motor got hot and the starter wouldn't work unless you took a screw driver and shorted across the terminals on the starter motor. Well, the bus wouldn't start and there was gas leaking out of the tank, so I was worried that a spark would cause an explosion. I told my ex wife to get way back out of the way and I crawled under, held my breath, and shorted the starter, which broke the resistance. Luckily the bus didn't catch fire and we were able to make it to the show OK. I forgot to bring in my new AA batteries for the microphones and I couldn't figure out why I wasn't getting a signal when I hooked my recording equipment together! I ran up the aisle in the taper section with a $5 bill and bought two batteries from another taper. To whomever that was that night, a big THANK YOU!!! The taper section was on the risers for that series of shows and I remember the mic stands all swaying when the crowd got going. I don't remember the risers ever being used again at the Oakland Coliseum for the tapers. In later years Bill Graham had his pre-show volleyball games there, right behind the board. I was really happy at that show because, 1. I made it there alive, and 2., Jerry was playing again! These were the first shows after his diabetic coma. We had driven down to the Ventura Fairgrounds earlier in the summer only to find that those shows had been cancelled because Jerry had gone into the hospital. We stayed over after the Oakland show that night in the bus in the parking lot of the Coliseum, (remember when they let you do that?) and drove home the following morning. This was a good show for me, because it was the 1st time that I had seen an 'Alabama Getaway' opener, and I wouldn't see another one until the June 1995 shows at Shoreline. I always enjoyed hearing Bobby do 'Desolation Row', and the 'Music' 1st set closer was really nice too. In retrospect I wish I had not paused the tape between songs in the first set, but I was still learning and didn't really know what I was doing. At least this recording sounded better with the addition of a decent recorder like the 153, as compared to my old Sharp boom box with auto levels, which is what I recorded the May 11 1986 Frost show with. Sadly the end of the Brokedown Palace encore is cut because I ran out of tape. For some reason I would start the second set at the end of the first set tape when I first started taping, which was dumb because it would give me one extra tape flip to deal with. Again, I was green but I got better.

Transferrer: Kevin Tobin

(original shnid = 88926) AUD: taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin

gd1986-12-17.nak300.andrewf.131309.flac1644

View NotesPatched and pitch corrected Audience

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------
Only minor patching - 1st set had some additional dead air before Desolation Row to match soundboard tracks. 2nd set had 41 seconds added during the end of He's Gone and 10 seconds at the end of Black Peter.  Speedwise the audience was a bit slow compared to other recordings - about .5 seconds per minute.

Brokedown House Production

Taper: Andrew F.

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 09/2014

gd1986-12-17.nak300.andrewf.131308.flac2448

View NotesNotes: Drums > Jam with Babatunde Olatunji. MAC from the lead 
deck provides patches as follows: four seconds at the end of 
He's Gone, four seconds at end of Throwing Stones, and approx 
two minutes of the crowd chant. With thanks to Ted Gidley for 
loaning his tapes for this project.

Taper: Andrew F

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 09/2014

gd1986-12-17.aud.Holtz.Nak-Senn.114701.flac16

View NotesNotes: Drums > Jam with Babatunde Olatunji. MAC from the lead 
deck provides patches as follows: four seconds at the end of 
He's Gone, four seconds at end of Throwing Stones, and approx 
two minutes of the crowd chant. With thanks to Ted Gidley for 
loaning his tapes for this project.

Taper: Greg Holtz

Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz

gd1986-12-17.nak300.damico.88926.flac16

View NotesNotes:

Special Thanks:
-Doug K. for use of the Sennheiser 421's
-to Indydarkstar for use of the UA-5.  
-to Martha W., Doug and Nancy K., and Brian and LeeAnn O. for making this run of shows a very special and memorable time.

Taper: Joe D'Amico

nak 300 mics w/cp4 shotguns > sony d-5 > mac

Taper: Don Beckham and Tony Suraci

Don Beckham and Tony Suraci

Transferrer:

Tony Suraci

gd1986-12-17.nakcm304.beckham.suraci.sbeok.80996.flac16

Nak CM304>Sony D5

Nak CR5A>Lunatec V3>SD722

gd86-12-17.aud.eD.14452.sbeok.shnf

View Notes* Thanks to Don for running my rig.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

Source 25 of 25

AUD>DAT>CDR