Space -> | 1986-03-30 | Grateful Dead

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source
-- There were a lot of level changes I had to deal with

Taper: Paul Scotton and Joani Walker

2:28:25

SBD

Rating:

7.00 / 2 ratings

Taper:

Paul Scotton and Joani Walker

Transferrer:

Charlie Miller

SHNID:

gd1986-03-30.sbd.walker-scotton.miller.106110.flac16

Source:

SBD -> ? -> 2nd Gen Cassette

Lineage:

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Michael Hessberg

Charlie Miller and Joe Noel

SHNID:

gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source #25526 (Schoeps) supplies
- s1t07; 7:26 - 7:44
- s2t07; 4:55 - 5:22
- s2t12; 0:49 - 1:30
- s2t13; 0:00 - 0:20

Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

2:37:13

Taper:

Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

Transferrer:

Charlie Miller and SIRMick

SHNID:

gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16

Source:

Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017

Taper Notes:

View Notes- There were a number of small dropouts, most of which occured in Set I. These were probably caused by water damage. They have been been patched with (FOB) Schoeps > PCM > Dat shnid 25526.

Taper: Michael Hessberg

Charlie Miller and Joe Noel

SHNID:

gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.

Source 6 of 13

gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf

Source:

Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper Notes:

View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> 
Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-30.156187.akgc422.davis-murtha-holbrook.flac2448

Source:

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

Lineage:

Taper Notes:

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-30.156186.akgc422.davis-murtha-holbrook.flac1644

Source:

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

Lineage:

Taper Notes:

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: chasingwilma

gd1986-03-30.127545.chasingwilma.flac24

Source:

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1986-03-30.nak300.morris.crazyfingers.106566.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Jon Pasternak

Jon Pasternak and Dave Mallick

SHNID:

gd1986-03-30.nak300.pasternak.mallick.103229.flac16

Source:

Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Lineage:

Master Cassette > Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC

Taper Notes:

View NotesNotes:
- Encore placed at the end of disc 1.

Taper: Joe D'Amico

gd1986-03-30.nak300.damico.87741.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend

Taper Notes:

View Notes2nd set was running long so i switched back to 1st set tape . there is a slight cut in the crowd clapping and singing not fade away . the band was off the stage and it was just the crowd having at it . so no music is cut at all .if you know this show the band went off for the encore and the crowd keep on going with the not fade away then when the band came back on they started the encore with the ending of not fade away and then right into mighty quinn . i started the 3rd disc where i flipped the tape ....so that all for the info on this one lol.

Source 13 of 13

gd86-03-30.nak300.braverman.10076.sbeok.shnf

Source:

Nak 300/Sony D5> Nakamichi BX-300> CD

Taper Notes:

View NotesNak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman