1985-10-29 | Grateful Dead

Joani Walker and Paul Scotton

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 29, 2021

gd1985-10-29.154300.sbd.miller.flac2496

SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24

Paul Scotton and Joani Walker

View NotesNotes:
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to the Oade brothers for the patch source

Taper: Paul Scotton and Joani Walker

Charlie Miller

gd1985-10-29.sbd.walker-scotton.miller.105818.flac16

SBD -> Cassette Master (Sony D5/Maxell MX90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16

Paul Scotton and Joani Walker

View NotesNotes:
-- Set 2 disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the cassettes

Taper: Paul Scotton and Joani Walker

Charlie Miller

gd1985-10-29.sbd.miller.33704.sbeok.flac16

SBD -> Cassette Master (Sony D5/Maxell MX90)

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

gd1985-10-29.sbd.fix-shnid-33704.tetzeli.76118.flac16

View NotesNotes: 
-- Thanks to Paul Scotton and Joani Walker for the Cassettes
-- Seamless transition between Discs 2 and 3

Transferrer: Bill Tetzeli

Pitch-corrected fix of shnid 33704

See info file

gd85-10-29.sbd.hinko.21533.sbeok.shnf

View Notes-------------------------------------------------------------------------------------
Pitch-corrected fix of shnid 33704

All editing done in CE Pro.  The CE Pro temp directory and the files being worked on were on 2 separate, defragged external drives.
This source was pitch/time stretched to 101.5%.  Various tones generated in CE 2000 were compared with Brent's synthesizer played back in CE Pro.  All tracks were worked on individually.  Resulting SBEs were cleaned up using shntool.
The patch in drums was redone using the same source as Charlie Miller.  A 5 second crossfade was applied to the beginning and a 2-second crossfade to the end.  The patch source was time/pitch stretched to 97.79% to match the stretched SBD source (AUD source was also a little off-pitch, flat as opposed to the SBD being sharp).  After the crossfade back into the SBD there's a sudden, brief dropoff in volume, that's part of the SBD and not the patch.
Many thanks to Charlie Miller for the SBD source and to Doug Nawrocki for the fine AUD. CAVEATS: This is as close to the correct pitch as my ears and equipment could make it.  100% correct pitch is not guaranteed but expressly disavowed - this is nearer the target but not a bullseye.  Also, while any decreasing of pitch and speed automatically exaggerates any cassette wow, it's so infinitesimal in the original source as to be nonexistent, so it's not really a problem here.

Bill Tetzeli (btet@adelphia.net)8:16 PM 7/25/2006
-------------------------------------------------------------------------------------

Source 6 of 27

SBD > MC > C > DAT > CD > EAC > SHN

gd1985-10-29.sbd-set2.harrison.12182.shnf

View NotesSBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko

Transferrer: Rob (Odeo) Harrison

SBD>Cassette>Cassette>DAT

Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN)

Rob Eaton, Scott Clugston, Charlie Miller

View NotesMissing encore.
the transition from d1t08 to d2t01 is seamless

Taper: Rob Eaton

gd1985-10-29.164047.akg451.ck8.eaton.miller.clugston.flac2496

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of "Deal", as well as a 0:31 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
December 2022

Taper: Rob Eaton

gd1985-10-29.164046.akg451.ck8.eaton.miller.clugston.flac1648

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of "Deal", as well as a 0:31 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
December 2022

Taper: Recorded by Doug Lamarre

2:21:19

Recorded by Doug Lamarre

gd1985-10-29.151884.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2021

Taper: Recorded by Doug Lamarre

2:21:19

Recorded by Doug Lamarre

gd1985-10-29.151883.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2021

Taper: Ted Mattes, Bobby Hunt

2:22:39

Ted Mattes, Bobby Hunt

gd1985-10-29.148859.senn441.mattes.hunt.miller.clugston.flac2496

Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2019

Taper: Ted Mattes, Bobby Hunt

2:22:39

Ted Mattes, Bobby Hunt

gd1985-10-29.148858.senn441.mattes.hunt.miller.clugston.flac1648

Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2019

Taper: Michael Hessberg

gd1985-10-29.148424.fob.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Michael Hessberg

gd1985-10-29.148423.fob.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Transferrer: Matrix by Hunter Seamons

2:21:35

Matrix by Hunter Seamons

gd1985-10-29.157450.mtx.seamons.ht143.flac16

Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)

View NotesNotes:

Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15).

Some occasional pops and crackles from the PA.

Transferrer: Matrix by Hunter Seamons

2:21:34

Matrix by Hunter Seamons

gd1985-10-29.157449.mtx.seamons.ht143.flac24

Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)

gd1985-10-29.132358.schoeps.oade.BCE.flac16

View NotesNotes:

Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15).

Some occasional pops and crackles from the PA.

Taper: The Oade Brothers

Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5

gd1985-10-29.126305.chasingwilma.flac24

View NotesMastering by Dave Usborne:
Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts.
Editing done in Reaper V4.591/X64
BCE de-emphasis curve (modified PCM de-emphasis) applied.
Tracks cut and Flac files created in Audacity 2.0.5
01-28-2015

Patches:
gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16
---a few drop outs in Deal


metadata added

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration
twentydegreesofsolitude@gmail.co

Taper: chasingwilma

source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Stan Roberts

gd1985-10-29.119948.sony.roberts.flac16

Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts

Taper: D5scott

gd1985-10-29.108081.BeyerM160s-SonyD5.D5scott.flac16

2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet ~ 16th row-center ~ Maxell MX90's

Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

gd1985-10-29.nak300.cohen.104708.sbeok.flac16

View NotesAt the end of Hell In A Bucket and the begining of Deal, the right channel drops out, so I fixed it (80 seconds worth) by making it mono.
Tape flip after Hell In A Bucket. 
What a beautiful Theater!!!
-------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy- aka "Bigfoot"   He was a friend of mine, who had nothing to do with this recording, but we sure do miss him!
------------------------------------------------------------------------------------------------------------------------------------------

Taper: Dave Cohen

3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. Orchestra Floor Sec. L/C Row RR Seat 73

The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

Taper: Bill Koucky

gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16

MAC > Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] > iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC

gd1985-10-29.senn441.pa-deli-mike.83024.sbeok.flac16

View NotesCrossfades applied for tape flips and before encore.
Discs 2 and 3 are seamless.

Taper: PA Deli Mike

2x Sennheiser 441's -> Sony TCD5-M -> Maxell MX

Nakamichi CR-7A -> DAT (Sony DTC-60ES with SBM) -> CD -> EAC -> WAV -> FLAC

Source 25 of 27

gd85-10-29.aud-fixed.nawrocki.16756.sbeok.shnf

Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):Nak 300 > Sony D-5

gd1985-10-29.nak300.danscuk.dodd.8599.sbeok.shnf

View NotesPitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):

Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000  > CDwav > Shnv3
Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy
Eac > cool edit > CDwav > shnv3 Ernie Dodd
shntool verified

Taper: Tommy Danscuk

Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3

Eac > cool edit > CDwav > shnv3

CDR > EAC > CDR > EAC > SHN

View Notes* dropout in right channel at 4:01,4:31,6:13
  replaced with the left channel for 350,260,172
  milliseconds, respectively.
# missing a few seconds due to tape flip
& tape flip at beginning of drums
x drums fade in

Source 27 of 27