Uncle John's Band > | 1985-09-07 | Grateful Dead

SBD -> PCM Master -> Dat/0 (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC

gd1985-09-07.mtx.seamons.fix.92521.sbeok.flac16

View NotesPatch Info:
Source 1: Schoeps CMC4/MK2 + Schoeps CMC4/MK41>Oade Mixer>PCM>Dat>CD
Source 2: SBD>Cassette Master>Dat>CD

Patch source 1 supplies 0:00 - 2;28 of d1t01 (the whole track)
Patch source 1 supplies 0:00 - 0:08 of d1t02
Patch source 2 supplies 0:08 - 0:13 of d1t02
Patch source 2 supplies 3:08 - 4:18 of d1t02
Patch source 2 supplies 0:00 - 4:52 of d1t03

Notes:
-- Seamless transition between Discs 2 and 3
-- Cool Edit Pro was used to remove dozens of static pops
-- Thanks to David Gans for the PCM SBD source Dats

Transferrer: Hunter Seamons

SBD (18102) + AUD (17078)

gd1985-09-07.mtx.chappell.sb26.92184.flac16

View NotesNotes:

1) There is occasional, minor static in the SBD.
2) Significantly, there are cuts in the SBD during Uncle John's Band and Lovelight.
3) There are some fluctuations in the SBD near the beginning of the sets.
4) This show is seamless.

Taper: See notes

Matrix (SBD/AUD mix) ratio = Phi (the Golden Ratio) - 1.618/1 or 62%/38%

See notes

View NotesSource: Matrix (SBD/AUD mix)
ratio = Phi (the Golden Ratio) - 1.618/1 or 62%/38%

SBD: (shnid=33954) via Charlie Miller
Recording Info:
SBD -> PCM Master -> Dat/0 (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 ->
Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC)

AUD: (shnid=17078)
Source: Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > 
Oade power supply. Then both into custom Oade mixer into Oade modified 
PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > 
yarec > wav2cdr > wav (CD) > EAC > SHN

Matrixed by Chris Chappell
April 24, 2006

I've had this matrix in the can for over two years, but I was waiting
to do the the whole run before releasing it.  There seemed to be some
desire to have the PCM source of the SBD used for the matrix, so here
it is.  Both sources are digital making the synching rather easy.  I
removed a few baloon pops in the AUD.  Light Waves L2 was used for 
limiting (-0.7 threshold), and no EQ or other processing was employed.

One of the favorite shows I attended - the crowd freaked on the
Hey Jude rezi.  Loser - Dupree's, and Shakedown -> Fingers were great
Jerry suites.

Thanks to Charlie Miller for the PCM source on the SBD, and to Doug and
Jim Oade for recording the AUD - a great combination!

Enjoy!
-Chappy

Transferrer: Matrix by Hunter Seamons

Matrix by Hunter Seamons

gd1985-09-07.mtx.seamons.fix.92124.sbeok.flac16

MATRIX MIX: About 60%SBD/40%AUD

View NotesMATRIX MIX: About 60%SBD/40%AUD

----------------------------------------------------
SBD:

SBD>Cm>Dat>CD>EAC>SHN (CM GEM)

Conversion By Charlie Miller
charliemiller87@earthlink.net
6/11/03

(Yes, it's not the PCM source, but that should not deter you in any way.)

----------------------------------------------------
AUD:

Oade Brothers Recording
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1

Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac

---------------------------------------------------

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
June 4, 2008

Notes:

1) There is occasional, minor static in the SBD.

2) Significantly, there are cuts in the SBD during Uncle John's Band and Lovelight.

3) There are some fluctuations in the SBD near the beginning of the sets.

4) This show is seamless.

Fixes 06/04/08

1) Many clicks and pops were removed, or greatly reduced, using Soundtrack Pro. Some of the heavy stuff in Frozen Logger just would not come out, but much was cleaned up.

Transferrer: Matrix by Hunter Seamons

Matrix by Hunter Seamons

gd1985-09-07.mtx.seamons.92111.sbeok.flac16

MATRIX MIX: About 60%SBD/40%AUD

gd85-09-07.sbd.miller.18102.sbeok.shnf

View NotesMATRIX MIX: About 60%SBD/40%AUD

----------------------------------------------------
SBD:

SBD>Cm>Dat>CD>EAC>SHN “CM GEM”

Conversion By Charlie Miller
charliemiller87@earthlink.net
6/11/03

----------------------------------------------------
AUD:

Oade Brothers Recording
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1

Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac

---------------------------------------------------

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
June 4, 2008

Notes:

1) There is occasional, minor static in the SBD.

2) Significantly, there are cuts in the SBD during Uncle John's Band and Lovelight.

3) There are some fluctuations in the SBD near the beginning of the sets.

4) This show is seamless.

Source 7 of 22

Soundboard

SBD>Cm>Dat>CD>EAC>SHN

View NotesSBD>Cm>Dat>CD>EAC>SHN via Charlie Miller

Source 8 of 22

SBD > Master Cassette

Master Cassette > PCM > DAT > M-1 > 7-pin optical > Co2 > SB Live > CDwave Record > CE 200 FTT NR > CDwave Index > FLAC > SHN

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

gd1985-09-07.163915.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Shakedown Street" (2:13 total), as well as a 2:58 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2021

Taper: Michael Hessberg

gd1985-09-07.163914.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Shakedown Street" (2:13 total), as well as a 2:58 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2021

Taper: Robert Bryant

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: Robert Bryant

Charlie Miller and Joe Noel

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

gd1985-09-07.153182.beyerm201.holbrook-murtha.flac2448

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

View NotesDedicated to Kenny Davis RIP

*The Frozen Logger was played before the set started
Star Spangled Banner Tuning - Mickey & Phil on kazoos and slidewhistles
Healy and Owsley on sound effects
#Deadbase marks this as first Hey Jude Reprise

/    tape paused between songs
//   tape flip
///  tape swap

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

2:33:44

Taper:

Transferrer:

Kyle Holbrook

gd1985-09-07.153181.beyerm201.holbrook-murtha.flac1644

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]

gd1985-09-07.150520.mtx.chappell.sb26.vgrm618.flac16

View Notes
Dedicated to Kenny Davis RIP

*The Frozen Logger was played before the set started
Star Spangled Banner Tuning - Mickey & Phil on kazoos and slidewhistles
Healy and Owsley on sound effects
#Deadbase marks this as first Hey Jude Reprise

/    tape paused between songs
//   tape flip
///  tape swap

Source 15 of 22

Remaster of source ID 7637:

Taper: Mike Darby

gd1985-09-07.Senn421.Darby.119596.Flac1644

Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

gd1985-09-07.Senn421.Darby.119595.Flac2448

View NotesComments:Another Huge Huge Thanks out to Mr. Darby 
for recording and sharing his source for this final
show of the 1985 Red Rocks run of shows!Another
excellent share from the Darby collection of master
audiences and performance from the Grateful Dead!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Mike Darby

gd1985-09-07.aud.morris.106059.sbeok.flac16

View NotesComments:Another Huge Huge Thanks out to Mr. Darby 
for recording and sharing his source for this final
show of the 1985 Red Rocks run of shows!Another
excellent share from the Darby collection of master
audiences and performance from the Grateful Dead!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Bob Morris

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Transferrer:

Alex Ford

gd1985-09-07.senn441.mccue.ford.80723.sbeok.flac16

MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s

MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16.

Doug Oade and Darrin Sacks

View NotesNotes:

- *levels raised by taper @?
- d2t07 patched from 01:06 - 01:22 &  02:38 - 01:17 on d3t01
- All patches created using SHN ID #373 (http://db.etree.org/shninfo_detail.php?shnid=373)

Taper: The Oade Brothers

gd1985-09-07.schoeps.oade.sacks.29305.sbeok.flac16

90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac

Taper: Doug Oade

gd85-09-07.oade.georges.17078.sbeok.shnf

Audience: Schoeps CMC42S

Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN

gd85-09-07.schoeps.oade.373.sbeok.shnf

View NotesSource: Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply.  Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN
Note: This version hosted by Nicks Picks.  It is unclear what may be different from the previous schoeps source.

Taper: Doug Oade

Audience: Schoeps CMC42S

Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441> Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade> DAT > TB Fiji digi I/O > yarec > wav2cdr > wav