02 - Touch Of Grey | 1985-06-15 | Grateful Dead

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net April 15, 2021

gd1985-06-15.152254.sbd.miller.flac2496

SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Charlie Miller and Scott Clugston

View NotesNotes:
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Doug Oade, Darrin Sacks and Scott Clugston for the patch material
-- Thanks to Joe B. Jones for the pitch correction settings

Taper: David Gans

gd1985-06-15.140073.set2.sbd.pcm.gans.miller.clugston.flac1644

Master Soundboard PCM > PCM

Joani Walker and Paul Scotton

View NotesNotes:
- Thanks to David Gans for the PCM clone
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid24586 Oade Schoeps CMC441 source which supplies some of the crowd/tunings and first few notes of "She Belongs To Me" (0:13 in total) 
- Wheel space included in "The Wheel"
- Phil's bass "farts" left un-touched

Transfer by Charlie Miller
Mastered by Scott Clugston
Date 12/1/17

Taper: Joani Walker and Paul Scotton

Charlie Miller

gd1985-06-15.sbd.walker-scotton.miller.96317.sbeok.flac16

SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16

View NotesPatch Info:
SBD -> PCM -> Sonic Solutions -> CD (shnid=28449) supplies:
Drums (8:29 - 8:50)
She Belongs To Me (0:00 - 0:14)

Notes:
-- Encore moved to end of Set 1 to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Source 5 of 29

1:32:24

SBD

gd1985-06-15.171296.set2.sbd.gans.miller.clugston.fixed.flac1644

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) Matrix by Kevin Tobin

2:26:45

SBD

SBD + AUD Matrix 2 Source Mix (44/16) Matrix by Kevin Tobin

gd1985-06-15.154458.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

See info files for details

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 25-NOV-2021 - Trader Little Helper
- Tagged 25-NOV-2021 - Tag&Rename
---------------------------------------------------------
rBrain Pro was used for 96/24 & 48/16 > 44/16 encoding.

Brokedown House Production

Taper: See info files for details

Chris Chappell

gd1985-06-15.matrix.chappell.85832.sbeok.flac16

Matrix: (SBD/AUD mix) See info file for details

See info file for details

gd1985-06-15.sbd.griesman.tetzeli.fix-5682.34302.sbeok.shnf

View NotesGeneral Notes:

This is my favorite show from this run, as evident in the double
encore which included one of only 9 She Belongs To Me in 1985 (only
other version was in 1966).  Minglewood through Dupree's is sick,
an epic China->Rider for the era, and the transition into Gimme Some 
Lovin' is quintessential.

Both SBD sources were synched to the AUD.  Set 1 SBD was pitched up
on average of 50 cents, and set 2 SBD was pitched up around 2 cents,
except the 2nd encore where I synched the AUD to the SBD because of
a 700 millesecond dropout in the AUD @ 0:42. No EQ was applied, and 
very spare Waves L2 limiting was employed to the matrix mix.

Thanks to Randy Griesman for the set 1 SBD source, and to David Gans
for the set 2 SBD editing (it really helped!) and to Joe Samaritano
for transferring David's work.  Thanks to Jim and Doug Oade for 
recording the wonderful AUD, Doug for transferring it, and Darrin Sacks 
for tracking it.

Enjoy!
-Chappy

Transferrer: Bill Tetzeli

SBD > ?

? > CD-R > EAC > CD Wave > MKW > SHN

gd85-06-15.set2.sbd.gans-samaritano.28449.sbeok.flacf

View NotesFix of GDLive download source (shnid 5682).  Overlap between CDs 2 and 3 was eliminated in Cool Edit 2000, allowing for a seamless transition between the two - perfect for playing on hard drive or recording to DAT or DVD audio.  The dropout between TStones and NFA was patched using Doug Oade's excellent AUD source.  The AUD was pitch adjusted in CE2K, then the splice was done with fades to ease the transition using DDClip.  Wavmerge was used to merge fixed d2t06/d3t01 combo file with all succeeding files on CD 3 (including the patched TS>NFA), then retracked in CDWave to compensate for "ripple effect" on sector boundaries from deleting overlap between discs 2 and 3.

Note: There are 3 loud pops at the beginning of Throwing Stones, most likely from Phil's amp.  Although I originally softened them in Cool Edit, I ended up pasting that section back in from the original GDLive download (being extremely careful to match the beginning and end points in both sources at the sample level - that section is now restored exactly as it was before I touched it).  The pops also appear on the Oade recording, so even though they're annoying they are part of what was heard at the concert and not physically hurtful to ears or equipment, so it should be left as is. - 4/26/06

Known errors:
Minor dropout before d2t05.
[Dropout between d3t04 & d3t05.]-patched

Source 9 of 29

<b>flac16</b> *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano

gd1985-06-15.sbd.etter.20878.sbeok.shnf

View Notes<b>flac16</b>; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano

Transferrer: Peter Etter

compiled from two different bootleg CDs; patched from Oade AUD

gd85-06-15.sbd.griesman.5682.sbeok.shnf

View NotesTwo different bootlegs were used to compile this new seed:
- "Greek Theater 15/6/85" supplies all of Set 1, China>Rider and U.S.Blues;
- "Dead Man's Tape" suppiles the remainder of Set 2 and She Belongs To Me.

Both bootlegs are apparently from the same source tape. "Dead Man's Tape"
was only a part of Set 2 but was cleaner than "Greek Theatre".
"Greek Theatre" was complete but a bit hissy. Both bootleg versions had a
bad edit in Throwing->NFA, which is now repaired with Doug Oade's AUD.

Some of the between-song silence during Set1 has been edited -
this is already on the bootleg source.

Source 11 of 29

SBD> ?> CD-R> EAC> CDWAV retrack> SHN

Scott Clugston, Charlie Miller

View NotesSBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman

Taper: Chris Hecht

gd1985-06-15.166993.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies the final 2:21 of "Big Railroad Blues", an 0:18 patch in "Drums", as well as the final 3:23 of "US Blues"
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Chris Hecht

gd1985-06-15.166992.neumann.km84i.hecht.miller.clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies the final 2:21 of "Big Railroad Blues", an 0:18 patch in "Drums", as well as the final 3:23 of "US Blues"
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Mark Severson

gd1985-06-15.148771.nak700.severson.miller.clugston.flac2496

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:06 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2019

Taper: Mark Severson

gd1985-06-15.148770.nak700.severson.miller.clugston.flac1648

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:06 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2019

Taper: Robert Bryant

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Charlie Miller and Joe Noel

View NotesNotes:
- files have been speed corrected
- tape pauses & flip cross faded
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: Robert Bryant

gd1985-06-15.140889.s1.unkown.Bryant.Miller.Noel.t-flac2496

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

gd1985-06-15.158881.Nak100.pasternak.vernon.flac2448

View NotesNotes:
- files have been speed corrected
- tape pauses & flip cross faded

Taper: Jon Pasternak

OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90

All transfers made from Nakamchii DR-3 to SD 722 at 24/48

gd1985-06-15.158880.Nak100.pasternak.vernon.flac1648

View NotesTracking by Matt Vernon

File type - 24 bit 48 khz

- tape paused between some songs
- tape flip start of Might As Well with subsequent volume adjustments, drums
- tape flip ends of drums

Taper: Jon Pasternak

OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90

All transfers made from Nakamchii DR-3 to SD 722 at 24/48

View NotesTracking by Matt Vernon

File type - 16 bit 48 khz

- tape paused between some songs
- tape flip start of Might As Well with subsequent volume adjustments, drums
- tape flip ends of drums

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:26:45

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1985-06-15.154489.5-1.tobin.flac1648

5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014

Recorded, Transferred & Mastered by Anon

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 25-NOV-2021 - Trader Little Helper
- Tagged 25-NOV-2021 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Recorded, Transferred & Mastered by Anon

2:27:23

Taper:

Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021

gd1985-06-15.152789.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648

Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.

Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.

Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021

View NotesNotes;
- Thanks to Anon for sharing his masters & the outstanding transfer while hiding out away from the Bay Area.
- Thanks to Marc Severson & the Oade Bros for the patch sources.
- The tape pauses/flips were cross faded were applicable
- This source has been pitch corrected
- 24/48 > dBpoweramp > 16/48

Taper: Anon

gd1985-06-15.152642.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448

Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.

gd1985-06-15.112725.BeyerM160.daweez.d5scott.flac16

View NotesNotes;
- Thanks to Anon for sharing his masters & the outstanding transfer while hiding out away from the Bay Area.
- Thanks to Marc Severson & the Oade Bros for the patch sources.
- The tape pauses/flips were cross faded were applicable
- This source has been pitch corrected

Taper: Da Weez

Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes;

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

anonymous taper, Jamie Poris, Mark Severson

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: anonymous taper, Jamie Poris, Mark Severson

Brian Green and Evan K.

gd1985-06-15.nak700.anon-severson-poris.lmpp.97497.flac16

FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )

MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )

gd1985-06-15.nak300.andrewf.97125.flac16

View NotesNotes:

- Many thanks again to mr X, Mark and Jamie for taping these shows, and to Mr. X for supplying his masters.

- This show has a few intermittent pops in it. They are pretty minor and fairly sparse. These are not digital anomalies as they are present on the masters.

- Encores patched from shnID# 24586

- Encore moved to end of Set 1 to fit show onto 2 discs

- Encore can be re-joined with Set 2 seamlessly

Taper: Andrew F.

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby.

MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644.

gd1985-06-15.nak300.andrewf.97124.flac24

View Notes- Patches from ShnID-24586 cover tape-flips as follows: 
- Might as Well 0:00 > 0:23, and Drums 9:02 > 9:28. 
- Disc break is seamless. 
- Alternate CDR-burn option: S1 + Encores = D1, S2 = D2.

Taper: Andrew F

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby.

MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496.

View Notes- Patches from ShnID-24586 cover tape-flips as follows: 
- Might as Well 0:00 > 0:23, and Drums 9:02 > 9:28. 
- R8Brain used to convert patch sections to 2496.

Taper: Adam, Justin & Monica

2:17:17

Taper:

Adam, Justin & Monica

Alex Ford

gd1985-06-15.senn441.mccue.ford.33338.sbeok.flac16

Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes

MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>tracks joined> CEP 2.0(normalized %100, edits & fades applied)>CD Wave Editor>Flac Frontend>FLAC16

View NotesNotes:

 - d1t08 Might As Well missing first 5 seconds.
 - there is distortion on Disc 02 (from original recording)

Taper: Oade Brothers

Doug Oade - Darren Sacks

gd85-06-15.oade-schoeps.sacks.24586.sbeok.flacf

Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Source 29 of 29

2:28:05

gd85-06-15.oade.sacks.7086.sbeok.shnf

Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT

(Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks