Women Are Smarter | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

249

Playback	Listens	Hours
48h	3	13m
7d	47	5
30d	249	28

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	12m
30d	81	11

Playback	Listens	Hours
48h	11	2
7d	54	8
30d	624	87

Playback	Listens	Hours
48h	139	18
7d	418	52
30d	2.2k	288

Playback	Listens	Hours
48h	11.5k	1.1k
7d	19.9k	2k
30d	97.6k	9.8k

Playback	Listens	Hours
48h	158	11
7d	318	22
30d	2.1k	150

62 shows

76 tapes

Blueground Undergrass

244

Playback	Listens	Hours
48h	59	7
7d	62	7
30d	244	25

Playback	Listens	Hours
48h	99	10
7d	173	17
30d	1.8k	194

Playback	Listens	Hours
48h	351	44
7d	760	98
30d	6.2k	815

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	2	15m
7d	0	0m
30d	19	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	7	2

Playback	Listens	Hours
48h	121	20
7d	105	16
30d	867	140

Playback	Listens	Hours
48h	19	2
7d	21	3
30d	142	16

Playback	Listens	Hours
48h	83	7
7d	83	8
30d	771	74

Playback	Listens	Hours
48h	79	9
7d	126	13
30d	690	72

Playback	Listens	Hours
48h	120	8
7d	90	5
30d	707	40

Playback	Listens	Hours
48h	79	10
7d	108	15
30d	641	82

Playback	Listens	Hours
48h	6	22m
7d	84	6
30d	548	36

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	6	1
7d	6	1
30d	15	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	11	56m
30d	21	2

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	111	23
7d	248	51
30d	1.5k	300

Playback	Listens	Hours
48h	25	4
7d	53	11
30d	321	62

Playback	Listens	Hours
48h	24	2
7d	47	4
30d	477	41

Playback	Listens	Hours
48h	14	2
7d	35	5
30d	563	80

Playback	Listens	Hours
48h	446	69
7d	969	144
30d	4.1k	603

Playback	Listens	Hours
48h	238	31
7d	486	74
30d	5.8k	781

786 shows

1,037 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	5

Playback	Listens	Hours
48h	8	58m
7d	26	3
30d	304	34

Playback	Listens	Hours
48h	1.6k	253
7d	4.1k	649
30d	29k	4.6k

Playback	Listens	Hours
48h	15	2
7d	97	10
30d	445	49

Playback	Listens	Hours
48h	58	4
7d	202	13
30d	1.2k	73

Playback	Listens	Hours
48h	159	19
7d	162	18
30d	1.5k	176

Playback	Listens	Hours
48h	807	169
7d	1.4k	294
30d	11.8k	2.5k

Playback	Listens	Hours
48h	59	5
7d	63	6
30d	454	44

Playback	Listens	Hours
48h	199	36
7d	446	76
30d	2.3k	367

Playback	Listens	Hours
48h	0	0m
7d	3	45m
30d	139	27

Playback	Listens	Hours
48h	175	18
7d	112	11
30d	1.5k	155

Playback	Listens	Hours
48h	45	9
7d	68	12
30d	482	77

Playback	Listens	Hours
48h	95	9
7d	295	26
30d	2.1k	186

Playback	Listens	Hours
48h	69	12
7d	116	20
30d	671	116

Playback	Listens	Hours
48h	10	58m
7d	35	3
30d	152	18

Playback	Listens	Hours
48h	156	27
7d	226	37
30d	2.8k	466

141 shows

270 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	196	28
7d	457	59
30d	2.8k	380

Playback	Listens	Hours
48h	2	2
7d	17	3
30d	103	30

Playback	Listens	Hours
48h	166	10
7d	68	4
30d	752	42

Playback	Listens	Hours
48h	8	52m
7d	35	5
30d	392	52

Playback	Listens	Hours
48h	3	24m
7d	7	1
30d	142	28

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	67	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	4	26m
30d	17	2

Playback	Listens	Hours
48h	90	9
7d	42	4
30d	431	45

Playback	Listens	Hours
48h	5	23m
7d	12	48m
30d	375	25

Playback	Listens	Hours
48h	0	0m
7d	13	53m
30d	284	22

Playback	Listens	Hours
48h	9	28m
7d	43	2
30d	448	27

Playback	Listens	Hours
48h	775	123
7d	1.2k	191
30d	10.1k	1.6k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	3

14 shows

G. Love and Special Sauce

855

Playback	Listens	Hours
48h	31	3
7d	94	9
30d	855	78

Playback	Listens	Hours
48h	87	9
7d	137	15
30d	946	103

Playback	Listens	Hours
48h	1	12m
7d	37	5
30d	266	39

Playback	Listens	Hours
48h	68	13
7d	56	10
30d	518	103

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	55	6

Playback	Listens	Hours
48h	16	2
7d	48	7
30d	213	41

Playback	Listens	Hours
48h	116	13
7d	106	13
30d	1.2k	139

369 shows

496 tapes

Godspeed You Black Emperor!

239

Playback	Listens	Hours
48h	51	13
7d	37	9
30d	239	57

Playback	Listens	Hours
48h	30	5
7d	108	15
30d	314	47

Playback	Listens	Hours
48h	1.7k	323
7d	3.2k	617
30d	21.3k	4.1k

Playback	Listens	Hours
48h	11	1
7d	13	1
30d	324	31

362 shows

591 tapes

Grahame Lesh and Friends

5.8k

Playback	Listens	Hours
48h	350	51
7d	929	145
30d	5.8k	915

32 shows

106 tapes

Grampas Grass

Playback	Listens	Hours
48h	23	2
7d	22	3
30d	78	9

Playback	Listens	Hours
48h	278	29
7d	460	48
30d	4.4k	488

Playback	Listens	Hours
48h	65	7
7d	195	22
30d	1.4k	163

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	12	2
7d	7	59m
30d	56	8

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	72	10

Playback	Listens	Hours
48h	8	35m
7d	68	4
30d	575	41

747 shows

1,024 tapes

Hard Working Americans

336

Playback	Listens	Hours
48h	21	2
7d	54	6
30d	336	37

Playback	Listens	Hours
48h	59	8
7d	61	10
30d	726	114

186 shows

225 tapes

Horseshoes and Hand Grenades

289

Playback	Listens	Hours
48h	0	0m
7d	101	9
30d	289	24

Playback	Listens	Hours
48h	30	3
7d	70	6
30d	364	34

677 shows

850 tapes

Infamous Stringdusters

1.5k

Playback	Listens	Hours
48h	69	6
7d	125	12
30d	1.5k	138

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	155	10
7d	798	53
30d	3.6k	237

Playback	Listens	Hours
48h	33	3
7d	79	8
30d	656	67

364 shows

489 tapes

Jazz Mandolin Project

554

Playback	Listens	Hours
48h	19	3
7d	50	7
30d	554	82

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	8	40m
30d	85	8

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

201

Playback	Listens	Hours
48h	10	57m
7d	0	0m
30d	201	19

Playback	Listens	Hours
48h	43	5
7d	64	9
30d	815	111

112 shows

160 tapes

2.5k

Playback	Listens	Hours
48h	283	49
7d	373	62
30d	2.5k	420

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.3k

Playback	Listens	Hours
48h	194	30
7d	317	47
30d	2.3k	318

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	22	3
7d	18	3
30d	97	14

2 shows

5 tapes

Joe Russo's Almost Dead

21.8k

Playback	Listens	Hours
48h	1.5k	262
7d	2.9k	528
30d	21.8k	3.9k

358 shows

1,172 tapes

John Kadlecik

Playback	Listens	Hours
48h	31	5
7d	125	16
30d	1k	113

Playback	Listens	Hours
48h	173	16
7d	413	39
30d	2.4k	217

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	2	23m
7d	2	13m
30d	65	7

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	117	9

Playback	Listens	Hours
48h	7	46m
7d	3	35m
30d	110	12

71 shows

104 tapes

Karl Denson's Tiny Universe

364

Playback	Listens	Hours
48h	13	1
7d	44	6
30d	364	54

Playback	Listens	Hours
48h	240	23
7d	551	54
30d	3.4k	318

Playback	Listens	Hours
48h	31	5
7d	99	14
30d	384	51

40 shows

51 tapes

King Gizzard & the Lizard Wizard

12.7k

Playback	Listens	Hours
48h	647	86
7d	1.4k	188
30d	12.7k	1.7k

Playback	Listens	Hours
48h	111	14
7d	309	38
30d	2.2k	278

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	4	40m
7d	6	55m
30d	85	12

Playback	Listens	Hours
48h	20	5
7d	95	20
30d	543	103

Playback	Listens	Hours
48h	88	11
7d	100	12
30d	1.9k	225

Playback	Listens	Hours
48h	238	24
7d	397	38
30d	2.4k	235

Playback	Listens	Hours
48h	150	21
7d	427	62
30d	2.9k	425

454 shows

703 tapes

Little Feat

Playback	Listens	Hours
48h	180	16
7d	400	34
30d	4k	371

Playback	Listens	Hours
48h	58	4
7d	151	11
30d	1.1k	86

Playback	Listens	Hours
48h	151	29
7d	225	43
30d	1.8k	357

Playback	Listens	Hours
48h	23	3
7d	39	5
30d	182	19

Playback	Listens	Hours
48h	51	5
7d	155	17
30d	1.4k	148

Playback	Listens	Hours
48h	19	2
7d	59	5
30d	422	42

348 shows

447 tapes

Matt Pond PA

Playback	Listens	Hours
48h	10	48m
7d	1	5m
30d	2	9m

Playback	Listens	Hours
48h	292	46
7d	476	75
30d	3.9k	586

Playback	Listens	Hours
48h	58	4
7d	57	4
30d	475	27

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	241	27

Playback	Listens	Hours
48h	6	13m
7d	58	2
30d	223	6

Playback	Listens	Hours
48h	8	36m
7d	44	3
30d	469	37

Playback	Listens	Hours
48h	629	102
7d	1.1k	177
30d	10.1k	1.7k

1,965 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	1	7m
7d	2	9m
30d	75	8

Playback	Listens	Hours
48h	1	5m
7d	39	3
30d	244	19

Playback	Listens	Hours
48h	225	25
7d	567	59
30d	4.5k	460

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	5	17m
30d	24	2

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	44	4

Playback	Listens	Hours
48h	91	13
7d	148	21
30d	662	96

Playback	Listens	Hours
48h	7	1
7d	3	49m
30d	164	25

61 shows

71 tapes

New Riders of the Purple Sage

1.2k

Playback	Listens	Hours
48h	109	9
7d	183	17
30d	1.2k	103

404 shows

591 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	105	10
7d	123	12
30d	1.1k	113

Playback	Listens	Hours
48h	27	3
7d	101	13
30d	701	79

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	5	32m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	1	7m
7d	26	4
30d	174	34

Playback	Listens	Hours
48h	0	0m
7d	5	41m
30d	217	31

Playback	Listens	Hours
48h	71	12
7d	195	32
30d	1.5k	254

687 shows

915 tapes

Phil Lesh and Friends

14.4k

Playback	Listens	Hours
48h	916	169
7d	2k	361
30d	14.4k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.5k

Playback	Listens	Hours
48h	25	4
7d	146	23
30d	1.5k	230

Playback	Listens	Hours
48h	193	26
7d	430	56
30d	3.4k	427

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	21	2
7d	0	0m
30d	53	4

Playback	Listens	Hours
48h	190	26
7d	370	49
30d	2.8k	368

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	81	10
7d	119	15
30d	774	105

Playback	Listens	Hours
48h	655	84
7d	1.1k	142
30d	8.8k	1.2k

Playback	Listens	Hours
48h	196	15
7d	267	22
30d	1.3k	105

Playback	Listens	Hours
48h	83	8
7d	50	4
30d	943	81

Playback	Listens	Hours
48h	97	8
7d	330	29
30d	1.7k	143

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	26m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	24m
30d	44	5

Playback	Listens	Hours
48h	186	18
7d	405	39
30d	2.7k	262

Playback	Listens	Hours
48h	2	35m
7d	13	3
30d	215	29

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	2	6m
7d	1	9m
30d	41	6

Playback	Listens	Hours
48h	2	16m
7d	31	4
30d	154	17

Playback	Listens	Hours
48h	51	4
7d	101	8
30d	991	82

Playback	Listens	Hours
48h	191	31
7d	363	58
30d	3.2k	497

Playback	Listens	Hours
48h	89	17
7d	121	27
30d	1.8k	407

Playback	Listens	Hours
48h	45	2
7d	81	5
30d	295	19

Playback	Listens	Hours
48h	3	30m
7d	3	27m
30d	145	27

Playback	Listens	Hours
48h	133	19
7d	193	30
30d	1.1k	165

Playback	Listens	Hours
48h	145	31
7d	269	61
30d	1.3k	281

Playback	Listens	Hours
48h	62	8
7d	115	14
30d	961	123

664 shows

1,137 tapes

String Cheese Incident

11.4k

Playback	Listens	Hours
48h	729	125
7d	1.5k	236
30d	11.4k	1.8k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	8	39m
7d	21	2
30d	80	8

Playback	Listens	Hours
48h	29	5
7d	68	14
30d	471	89

Playback	Listens	Hours
48h	4	30m
7d	41	5
30d	291	37

Playback	Listens	Hours
48h	88	10
7d	148	16
30d	992	110

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	1

Playback	Listens	Hours
48h	854	100
7d	2.6k	304
30d	31.6k	3.6k

Playback	Listens	Hours
48h	49	3
7d	57	3
30d	396	20

Playback	Listens	Hours
48h	40	6
7d	92	12
30d	810	107

Playback	Listens	Hours
48h	33	5
7d	38	7
30d	229	32

473 shows

629 tapes

The California Honeydrops

881

Playback	Listens	Hours
48h	22	2
7d	117	16
30d	881	112

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	265	40
7d	338	52
30d	2.7k	390

Playback	Listens	Hours
48h	15	1
7d	36	4
30d	403	35

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	87	13

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	8

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	2m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	40	7
7d	75	13
30d	184	29

Playback	Listens	Hours
48h	6	50m
7d	10	1
30d	253	35

Playback	Listens	Hours
48h	109	5
7d	238	12
30d	1.1k	56

Playback	Listens	Hours
48h	25	2
7d	23	2
30d	441	32

Playback	Listens	Hours
48h	44	5
7d	19	5
30d	166	40

Playback	Listens	Hours
48h	81	8
7d	253	25
30d	1.1k	110

Playback	Listens	Hours
48h	52	8
7d	176	30
30d	1.4k	191

Playback	Listens	Hours
48h	327	33
7d	787	77
30d	5.2k	515

Playback	Listens	Hours
48h	1	4m
7d	31	2
30d	116	8

Playback	Listens	Hours
48h	47	5
7d	201	21
30d	949	101

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	234	46

Playback	Listens	Hours
48h	70	7
7d	152	17
30d	962	88

Playback	Listens	Hours
48h	83	6
7d	31	2
30d	889	64

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	7	36m
7d	1	7m
30d	42	4

Playback	Listens	Hours
48h	326	50
7d	553	82
30d	4.8k	695

Playback	Listens	Hours
48h	14	1
7d	33	3
30d	139	14

Playback	Listens	Hours
48h	177	27
7d	117	20
30d	1.4k	226

Playback	Listens	Hours
48h	376	54
7d	714	102
30d	5.9k	869

Playback	Listens	Hours
48h	33	3
7d	47	4
30d	461	39

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	43	3
7d	135	10
30d	1k	76

Playback	Listens	Hours
48h	905	71
7d	1.8k	135
30d	11k	857

Playback	Listens	Hours
48h	26	2
7d	86	6
30d	137	9

Playback	Listens	Hours
48h	7.7k	919
7d	17.6k	2.1k
30d	132.9k	16k

Playback	Listens	Hours
48h	84	9
7d	100	14
30d	751	103

1,417 shows

2,244 tapes

Yonder Mountain String Band

Playback	Listens	Hours
48h	696	70
7d	1.3k	123
30d	9k	845

Playback	Listens	Hours
48h	104	18
7d	76	13
30d	1.5k	228

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	25m

Playback	Listens	Hours
48h	52	9
7d	176	32
30d	1.2k	211

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	2	18m
7d	3	23m
30d	47	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	236
7d	3k	426
30d	20k	2.7k

Playback	Listens	Hours
48h	1.9k	261
7d	2.7k	354
30d	19.3k	2.6k

Playback	Listens	Hours
48h	975	131
7d	4.2k	547
30d	41.4k	5.3k

Playback	Listens	Hours
48h	525	68
7d	1.1k	142
30d	26.9k	3.5k

Playback	Listens	Hours
48h	3.3k	451
7d	7.9k	1.1k
30d	38.3k	5.4k

Playback	Listens	Hours
48h	3k	398
7d	12.4k	1.6k
30d	113.9k	14.5k

Playback	Listens	Hours
48h	6.2k	765
7d	15.1k	1.8k
30d	46k	5.7k

Playback	Listens	Hours
48h	3.7k	443
7d	9.6k	1k
30d	48k	5.5k

Playback	Listens	Hours
48h	5.1k	565
7d	11.6k	1.3k
30d	54.3k	6.3k

Playback	Listens	Hours
48h	812	95
7d	3.2k	368
30d	21.7k	2.5k

Playback	Listens	Hours
48h	5.1k	630
7d	9.8k	1.1k
30d	44.6k	5.4k

Playback	Listens	Hours
48h	4.2k	506
7d	3.7k	458
30d	22.5k	2.8k

Playback	Listens	Hours
48h	1.2k	154
7d	2.8k	369
30d	25.5k	3.2k

Playback	Listens	Hours
48h	5.8k	717
7d	11.3k	1.4k
30d	34k	4.4k

Playback	Listens	Hours
48h	2.1k	261
7d	4.2k	525
30d	70.1k	9k

Playback	Listens	Hours
48h	2k	231
7d	5.3k	611
30d	35.7k	4.1k

Playback	Listens	Hours
48h	1.2k	169
7d	3.4k	464
30d	24.8k	3.4k

Playback	Listens	Hours
48h	10.6k	1.4k
7d	8.6k	1.1k
30d	37.6k	5k

Playback	Listens	Hours
48h	5.4k	767
7d	14.6k	2.1k
30d	112.2k	15.8k

Playback	Listens	Hours
48h	1.5k	204
7d	3.7k	493
30d	24.8k	3.3k

Playback	Listens	Hours
48h	358	36
7d	848	85
30d	7.4k	792

Playback	Listens	Hours
48h	2.9k	372
7d	7.4k	943
30d	53.7k	6.8k

Playback	Listens	Hours
48h	3.9k	478
7d	11.1k	1.3k
30d	100.3k	12.2k

Playback	Listens	Hours
48h	3.3k	394
7d	6.8k	813
30d	56.6k	6.8k

Playback	Listens	Hours
48h	7k	727
7d	13.1k	1.5k
30d	40.4k	4.6k

Playback	Listens	Hours
48h	1.2k	139
7d	7.1k	717
30d	27.8k	3k

Playback	Listens	Hours
48h	1.9k	284
7d	5.2k	722
30d	19.8k	2.8k

Playback	Listens	Hours
48h	460	59
7d	918	115
30d	7.5k	912

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	141	21
7d	236	33
30d	4k	441

Playback	Listens	Hours
48h	562	40
7d	734	46
30d	6.2k	451

Playback	Listens	Hours
48h	29	2
7d	50	3
30d	488	29

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

166

Playback	Listens	Hours
48h	6	39m
7d	59	7
30d	166	19

4:59:06

19 tapes

12/30SBD

111

Playback	Listens	Hours
48h	1	5m
7d	10	1
30d	111	12

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	2	10m
7d	5	47m
30d	86	12

2:15:35

11 tapes

11/21SBD

229

Playback	Listens	Hours
48h	1	3m
7d	41	5
30d	229	26

2:15:55

11/20SBD

Community War Memorial Auditorium

222

Playback	Listens	Hours
48h	58	6
7d	32	3
30d	222	25

Playback	Listens	Hours
48h	0	0m
7d	2	18m
30d	66	8

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	66	8

East Rutherford, NJ, USA

149

Playback	Listens	Hours
48h	10	1
7d	5	32m
30d	149	17

East Rutherford, NJ, USA

150

Playback	Listens	Hours
48h	12	1
7d	28	3
30d	150	17

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

184

Playback	Listens	Hours
48h	9	57m
7d	18	2
30d	184	21

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

346

Playback	Listens	Hours
48h	4	38m
7d	30	3
30d	346	37

Playback	Listens	Hours
48h	4	25m
7d	3	20m
30d	178	21

Playback	Listens	Hours
48h	14	2
7d	26	2
30d	213	23

Playback	Listens	Hours
48h	11	1
7d	20	2
30d	207	27

Playback	Listens	Hours
48h	57	6
7d	30	3
30d	289	32

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

336

Playback	Listens	Hours
48h	82	9
7d	151	16
30d	336	36

Playback	Listens	Hours
48h	63	7
7d	105	13
30d	480	60

Playback	Listens	Hours
48h	8	1
7d	42	5
30d	203	24

Playback	Listens	Hours
48h	29	2
7d	63	6
30d	333	31

Pembroke Pines, FL, USA

100

Playback	Listens	Hours
48h	22	3
7d	35	5
30d	100	14

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

297

Playback	Listens	Hours
48h	13	2
7d	35	4
30d	297	32

2:21:39

12 tapes

9/12SBD

Playback	Listens	Hours
48h	10	1
7d	8	1
30d	95	12

2:30:28

9/11SBD

127

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	127	15

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	5

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

537

Playback	Listens	Hours
48h	13	1
7d	102	11
30d	537	60

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	20	2
7d	4	33m
30d	31	4

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

187

Playback	Listens	Hours
48h	35	5
7d	68	9
30d	187	25

Playback	Listens	Hours
48h	37	4
7d	28	3
30d	122	13

Oklahoma City, OK, USA

Playback	Listens	Hours
48h	47	5
7d	46	5
30d	95	10

Playback	Listens	Hours
48h	39	5
7d	23	3
30d	58	8

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

161

Playback	Listens	Hours
48h	37	4
7d	25	3
30d	161	20

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

145

Playback	Listens	Hours
48h	69	8
7d	52	6
30d	145	16

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

281

Playback	Listens	Hours
48h	39	4
7d	93	10
30d	281	31

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

270

Playback	Listens	Hours
48h	11	2
7d	83	11
30d	270	37

Playback	Listens	Hours
48h	12	2
7d	50	6
30d	140	15

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

529

Playback	Listens	Hours
48h	76	11
7d	140	19
30d	529	71

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.1k

Playback	Listens	Hours
48h	97	11
7d	205	26
30d	1.1k	136

Playback	Listens	Hours
48h	39	5
7d	154	20
30d	514	66

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

544

Playback	Listens	Hours
48h	46	5
7d	148	16
30d	544	57

Cuyahoga Falls, OH, USA

400

Playback	Listens	Hours
48h	61	6
7d	114	12
30d	400	41

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

480

Playback	Listens	Hours
48h	10	54m
7d	93	10
30d	480	53

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

283

Playback	Listens	Hours
48h	21	3
7d	52	6
30d	283	32

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

258

Playback	Listens	Hours
48h	2	19m
7d	14	2
30d	258	30

Playback	Listens	Hours
48h	8	1
7d	73	9
30d	409	52

Playback	Listens	Hours
48h	5	37m
7d	51	6
30d	334	37

Playback	Listens	Hours
48h	31	4
7d	39	5
30d	368	44

Playback	Listens	Hours
48h	28	3
7d	43	5
30d	468	53

Playback	Listens	Hours
48h	77	9
7d	74	9
30d	548	64

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	9	42m
30d	18	1

Playback	Listens	Hours
48h	0	0m
7d	40	4
30d	261	30

Playback	Listens	Hours
48h	31	4
7d	63	8
30d	594	74

Philadelphia, PA, USA

356

Playback	Listens	Hours
48h	112	11
7d	105	11
30d	356	37

Philadelphia, PA, USA

688

Playback	Listens	Hours
48h	2.1k	271
7d	341	44
30d	688	88

Philadelphia, PA, USA

1.2k

Playback	Listens	Hours
48h	1.1k	139
7d	949	114
30d	1.2k	139

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

3.9k

Playback	Listens	Hours
48h	116	13
7d	3.4k	364
30d	3.9k	415

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

1.6k

Playback	Listens	Hours
48h	47	7
7d	1.5k	204
30d	1.6k	226

2:51:34

26 tapes

4/01

Portland, ME, USA

854

Playback	Listens	Hours
48h	25	3
7d	99	11
30d	854	99

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

2.5k

Playback	Listens	Hours
48h	46	5
7d	109	13
30d	2.5k	290

Playback	Listens	Hours
48h	40	4
7d	28	4
30d	469	55

Playback	Listens	Hours
48h	29	3
7d	137	16
30d	716	92

Playback	Listens	Hours
48h	5	31m
7d	66	8
30d	1k	121

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

2.7k

Playback	Listens	Hours
48h	36	5
7d	94	13
30d	2.7k	372

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

718

Playback	Listens	Hours
48h	4	33m
7d	17	2
30d	718	84

Playback	Listens	Hours
48h	1	11m
7d	40	5
30d	1.4k	184

Playback	Listens	Hours
48h	20	2
7d	18	2
30d	1.3k	139

2:21:56

17 tapes

3/13SBD

4.2k

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	4.2k	520

2:23:36

9 tapes

3/12

2.1k

Playback	Listens	Hours
48h	8	49m
7d	8	49m
30d	2.1k	256

2:13:21

8 tapes

3/10

2.7k

Playback	Listens	Hours
48h	39	5
7d	29	4
30d	2.7k	338

2:18:50

3/09SBD

1.4k

Playback	Listens	Hours
48h	1	12m
7d	35	4
30d	1.4k	178

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	4	4m
7d	0	0m
30d	20	32m

13:28

1 tape

2/20SBD

207

Playback	Listens	Hours
48h	5	46m
7d	5	33m
30d	207	26

2:16:03

2/19SBD

216

Playback	Listens	Hours
48h	17	2
7d	43	5
30d	216	26

1:58:18

5 tapes

2/18SBD

495

Playback	Listens	Hours
48h	32	4
7d	83	9
30d	495	56

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.