Space > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

532

Playback	Listens	Hours
48h	43	8
7d	62	5
30d	532	61

27 shows

29 tapes

Bernie Worrell Orchestra

122

Playback	Listens	Hours
48h	0	0m
7d	37	6
30d	122	17

Playback	Listens	Hours
48h	74	11
7d	44	6
30d	878	119

Playback	Listens	Hours
48h	133	19
7d	305	42
30d	1.9k	249

Playback	Listens	Hours
48h	5.3k	534
7d	14.5k	1.5k
30d	119.2k	12.2k

Playback	Listens	Hours
48h	73	5
7d	390	27
30d	2.4k	177

62 shows

76 tapes

Blueground Undergrass

471

Playback	Listens	Hours
48h	24	2
7d	0	0m
30d	471	49

Playback	Listens	Hours
48h	152	18
7d	332	36
30d	2.8k	305

Playback	Listens	Hours
48h	421	53
7d	851	115
30d	8.4k	1.1k

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	30	9

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	5

Playback	Listens	Hours
48h	61	9
7d	136	24
30d	1.2k	196

Playback	Listens	Hours
48h	2	17m
7d	5	23m
30d	280	30

Playback	Listens	Hours
48h	63	6
7d	94	9
30d	1.4k	133

Playback	Listens	Hours
48h	44	4
7d	40	4
30d	1.8k	182

Playback	Listens	Hours
48h	39	2
7d	162	9
30d	1.1k	66

380 shows

478 tapes

Charlie Hunter

Playback	Listens	Hours
48h	45	5
7d	97	11
30d	1k	132

Playback	Listens	Hours
48h	0	0m
7d	58	4
30d	1.2k	83

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	5m
30d	19	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	79	8

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	172	32
7d	182	36
30d	1.6k	332

Playback	Listens	Hours
48h	16	3
7d	48	10
30d	849	159

Playback	Listens	Hours
48h	32	3
7d	39	3
30d	1.8k	147

Playback	Listens	Hours
48h	24	4
7d	126	18
30d	2.3k	325

Playback	Listens	Hours
48h	118	16
7d	479	70
30d	5.3k	787

215 shows

326 tapes

Dark Star Orchestra

Playback	Listens	Hours
48h	359	50
7d	925	128
30d	7k	959

782 shows

1,032 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	45	10

Playback	Listens	Hours
48h	36	4
7d	39	4
30d	402	41

Playback	Listens	Hours
48h	2.1k	327
7d	5.1k	803
30d	32k	5.1k

Playback	Listens	Hours
48h	46	5
7d	47	6
30d	659	75

Playback	Listens	Hours
48h	75	5
7d	100	5
30d	2.3k	143

Playback	Listens	Hours
48h	74	9
7d	222	28
30d	2.6k	308

Playback	Listens	Hours
48h	687	145
7d	1.6k	335
30d	13.2k	2.7k

Playback	Listens	Hours
48h	23	2
7d	59	7
30d	546	54

Playback	Listens	Hours
48h	84	14
7d	291	48
30d	2.2k	345

Playback	Listens	Hours
48h	5	59m
7d	30	6
30d	148	28

Playback	Listens	Hours
48h	96	8
7d	181	19
30d	3.2k	338

Playback	Listens	Hours
48h	39	6
7d	60	10
30d	859	135

Playback	Listens	Hours
48h	155	14
7d	290	25
30d	3.3k	287

800 shows

1,164 tapes

Dub Apocalypse

Playback	Listens	Hours
48h	50	8
7d	79	14
30d	1k	173

Playback	Listens	Hours
48h	13	2
7d	12	1
30d	181	23

Playback	Listens	Hours
48h	255	45
7d	537	86
30d	2.6k	425

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	8	1
7d	0	0m
30d	30	5

Playback	Listens	Hours
48h	239	34
7d	220	30
30d	3.2k	445

819 shows

1,036 tapes

Electric Beethoven

Playback	Listens	Hours
48h	8	2
7d	35	9
30d	98	29

Playback	Listens	Hours
48h	32	2
7d	155	9
30d	1.2k	66

Playback	Listens	Hours
48h	37	5
7d	73	10
30d	430	61

Playback	Listens	Hours
48h	32	7
7d	43	9
30d	297	57

Playback	Listens	Hours
48h	1	4m
7d	3	3
30d	267	34

Playback	Listens	Hours
48h	1	15m
7d	0	0m
30d	233	35

Playback	Listens	Hours
48h	9	45m
7d	94	10
30d	631	67

Playback	Listens	Hours
48h	9	44m
7d	64	4
30d	425	28

Playback	Listens	Hours
48h	7	33m
7d	68	5
30d	1.7k	141

Playback	Listens	Hours
48h	33	2
7d	92	6
30d	527	32

Playback	Listens	Hours
48h	767	116
7d	1.7k	271
30d	13k	2k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	2	26m
30d	27	5

14 shows

G. Love and Special Sauce

Playback	Listens	Hours
48h	43	4
7d	141	13
30d	1k	94

Playback	Listens	Hours
48h	156	16
7d	93	10
30d	1.9k	210

Playback	Listens	Hours
48h	13	2
7d	31	4
30d	520	72

Playback	Listens	Hours
48h	48	10
7d	42	10
30d	783	164

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	6m
7d	21	3
30d	92	11

Playback	Listens	Hours
48h	1	1m
7d	39	9
30d	361	68

Playback	Listens	Hours
48h	97	11
7d	272	32
30d	1.7k	202

369 shows

496 tapes

Godspeed You Black Emperor!

585

Playback	Listens	Hours
48h	21	5
7d	50	14
30d	585	148

Playback	Listens	Hours
48h	12	2
7d	33	5
30d	337	51

Playback	Listens	Hours
48h	1.6k	301
7d	3k	565
30d	24.3k	4.6k

Playback	Listens	Hours
48h	12	2
7d	113	11
30d	882	81

362 shows

591 tapes

Grahame Lesh and Friends

856

Playback	Listens	Hours
48h	880	141
7d	832	134
30d	856	138

Playback	Listens	Hours
48h	9	60m
7d	24	3
30d	141	19

Playback	Listens	Hours
48h	167	18
7d	972	110
30d	6.2k	683

Playback	Listens	Hours
48h	63	7
7d	207	24
30d	2.5k	283

Playback	Listens	Hours
48h	10	1
7d	4	29m
30d	226	34

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	3m
7d	2	5m
30d	49	3

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	149	21

Playback	Listens	Hours
48h	15	1
7d	46	3
30d	881	65

747 shows

1,024 tapes

Hard Working Americans

354

Playback	Listens	Hours
48h	11	1
7d	9	1
30d	354	40

Playback	Listens	Hours
48h	42	6
7d	102	17
30d	1.1k	169

186 shows

225 tapes

Horseshoes and Hand Grenades

437

Playback	Listens	Hours
48h	40	3
7d	30	3
30d	437	34

Playback	Listens	Hours
48h	41	4
7d	40	4
30d	1.4k	133

677 shows

850 tapes

Infamous Stringdusters

3.4k

Playback	Listens	Hours
48h	116	10
7d	257	22
30d	3.4k	319

620 shows

997 tapes

J.Wail

Playback	Listens	Hours
48h	4	58m
7d	0	0m
30d	29	5

13 shows

Jeff Austin and Chris Castino

Jack Johnson

Playback	Listens	Hours
48h	241	16
7d	352	24
30d	4k	255

146 shows

172 tapes

Jackie Greene

Playback	Listens	Hours
48h	21	2
7d	47	5
30d	1k	108

364 shows

489 tapes

Jazz Mandolin Project

1.2k

Playback	Listens	Hours
48h	19	3
7d	120	20
30d	1.2k	191

218 shows

275 tapes

135

Playback	Listens	Hours
48h	12	1
7d	0	0m
30d	135	12

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

328

Playback	Listens	Hours
48h	11	2
7d	1	7m
30d	328	25

Playback	Listens	Hours
48h	102	11
7d	54	9
30d	1.2k	162

112 shows

160 tapes

2.9k

Playback	Listens	Hours
48h	123	22
7d	423	72
30d	2.9k	463

1,123 shows

1,517 tapes

Jerry's Middle Finger

2.5k

Playback	Listens	Hours
48h	155	24
7d	370	53
30d	2.5k	351

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

127

Playback	Listens	Hours
48h	37	5
7d	5	26m
30d	127	19

2 shows

5 tapes

Joe Russo's Almost Dead

27.7k

Playback	Listens	Hours
48h	1.5k	276
7d	3.4k	610
30d	27.7k	5k

Playback	Listens	Hours
48h	96	10
7d	66	8
30d	2.4k	270

Playback	Listens	Hours
48h	202	17
7d	353	35
30d	3.5k	323

Playback	Listens	Hours
48h	3	18m
7d	0	0m
30d	147	19

Playback	Listens	Hours
48h	11	54m
7d	7	37m
30d	511	37

Playback	Listens	Hours
48h	4	25m
7d	35	4
30d	189	21

71 shows

104 tapes

Karl Denson's Tiny Universe

1.3k

Playback	Listens	Hours
48h	37	5
7d	23	4
30d	1.3k	183

Playback	Listens	Hours
48h	191	18
7d	493	46
30d	4.7k	443

Playback	Listens	Hours
48h	6	46m
7d	49	6
30d	280	40

40 shows

51 tapes

King Gizzard & the Lizard Wizard

14.9k

Playback	Listens	Hours
48h	1.1k	153
7d	2.3k	302
30d	14.9k	2k

208 shows

437 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	122	15
7d	316	40
30d	3k	389

Playback	Listens	Hours
48h	3	31m
7d	16	2
30d	388	55

Playback	Listens	Hours
48h	26	6
7d	97	17
30d	948	171

Playback	Listens	Hours
48h	126	15
7d	402	48
30d	3.1k	387

67 shows

135 tapes

Leftover Salmon

Playback	Listens	Hours
48h	219	21
7d	276	26
30d	4k	388

Playback	Listens	Hours
48h	165	27
7d	310	47
30d	3.3k	477

Playback	Listens	Hours
48h	249	23
7d	708	68
30d	5.1k	480

Playback	Listens	Hours
48h	160	13
7d	119	8
30d	1.7k	129

Playback	Listens	Hours
48h	74	14
7d	261	48
30d	1.7k	323

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	655	66

Playback	Listens	Hours
48h	107	11
7d	238	31
30d	1.9k	199

Playback	Listens	Hours
48h	29	3
7d	40	4
30d	720	77

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	1

Playback	Listens	Hours
48h	253	40
7d	719	105
30d	6.7k	1k

Playback	Listens	Hours
48h	4	14m
7d	74	4
30d	621	37

Playback	Listens	Hours
48h	0	0m
7d	13	1
30d	274	30

Playback	Listens	Hours
48h	11	14m
7d	34	1
30d	494	13

Playback	Listens	Hours
48h	26	2
7d	61	5
30d	616	52

Playback	Listens	Hours
48h	748	127
7d	1.5k	275
30d	13.6k	2.4k

Playback	Listens	Hours
48h	1	7m
7d	9	55m
30d	507	55

Playback	Listens	Hours
48h	0	0m
7d	100	7
30d	264	20

Playback	Listens	Hours
48h	291	29
7d	815	83
30d	5.5k	562

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	8	36m
7d	7	22m
30d	75	6

Playback	Listens	Hours
48h	6	30m
7d	4	28m
30d	159	15

Playback	Listens	Hours
48h	50	8
7d	72	11
30d	647	90

Playback	Listens	Hours
48h	7	56m
7d	46	8
30d	203	29

59 shows

69 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	45	4
7d	216	20
30d	1.9k	174

401 shows

586 tapes

North Mississippi Allstars

1.9k

Playback	Listens	Hours
48h	121	12
7d	202	19
30d	1.9k	186

Playback	Listens	Hours
48h	18	2
7d	95	11
30d	1.6k	188

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	55m

Playback	Listens	Hours
48h	4	1
7d	81	16
30d	524	96

Playback	Listens	Hours
48h	17	2
7d	20	3
30d	376	55

159 shows

200 tapes

Perpetual Groove

Playback	Listens	Hours
48h	119	20
7d	205	36
30d	2k	355

686 shows

913 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	821	143
7d	2.3k	402
30d	15.4k	2.6k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	127	20
7d	269	40
30d	2.2k	346

Playback	Listens	Hours
48h	283	38
7d	604	71
30d	4.7k	557

289 shows

429 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	21	1
7d	0	0m
30d	47	4

Playback	Listens	Hours
48h	205	27
7d	527	69
30d	4.5k	591

1,230 shows

2,191 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	7	35m
30d	64	5

Playback	Listens	Hours
48h	67	9
7d	188	24
30d	1.5k	199

Playback	Listens	Hours
48h	704	94
7d	1.2k	162
30d	10.6k	1.4k

Playback	Listens	Hours
48h	64	4
7d	204	16
30d	1.5k	125

Playback	Listens	Hours
48h	90	8
7d	146	12
30d	2.2k	176

Playback	Listens	Hours
48h	119	10
7d	205	17
30d	2.4k	214

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	32m

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	162	19

Playback	Listens	Hours
48h	171	17
7d	294	28
30d	3.7k	349

Playback	Listens	Hours
48h	3	20m
7d	60	8
30d	780	89

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	82	11

Playback	Listens	Hours
48h	5	43m
7d	21	2
30d	348	39

Playback	Listens	Hours
48h	57	4
7d	81	8
30d	1.5k	137

Playback	Listens	Hours
48h	218	34
7d	507	74
30d	4.3k	691

Playback	Listens	Hours
48h	123	27
7d	324	73
30d	2.8k	632

Playback	Listens	Hours
48h	0	0m
7d	49	3
30d	461	28

Playback	Listens	Hours
48h	13	3
7d	43	9
30d	342	55

Playback	Listens	Hours
48h	101	15
7d	177	26
30d	1.9k	296

383 shows

612 tapes

Steve Kimock Band

Playback	Listens	Hours
48h	91	19
7d	170	41
30d	2k	444

Playback	Listens	Hours
48h	65	8
7d	150	18
30d	2.8k	374

664 shows

1,137 tapes

String Cheese Incident

14.2k

Playback	Listens	Hours
48h	692	108
7d	1.8k	279
30d	14.2k	2.3k

1,274 shows

2,058 tapes

Surprise Me Mr. Davis

203

Playback	Listens	Hours
48h	5	29m
7d	0	0m
30d	203	20

Playback	Listens	Hours
48h	21	4
7d	84	15
30d	549	100

Playback	Listens	Hours
48h	32	4
7d	34	4
30d	549	70

Playback	Listens	Hours
48h	55	6
7d	165	19
30d	2.5k	282

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	95	7

Playback	Listens	Hours
48h	2.5k	291
7d	5.2k	595
30d	23.3k	2.7k

Playback	Listens	Hours
48h	9	23m
7d	36	2
30d	440	24

Playback	Listens	Hours
48h	104	16
7d	123	16
30d	1.5k	184

Playback	Listens	Hours
48h	19	2
7d	28	4
30d	661	89

473 shows

629 tapes

The California Honeydrops

540

Playback	Listens	Hours
48h	45	5
7d	103	14
30d	540	71

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	58	10

Playback	Listens	Hours
48h	101	12
7d	358	52
30d	3.9k	562

Playback	Listens	Hours
48h	76	7
7d	113	9
30d	635	54

Playback	Listens	Hours
48h	0	0m
7d	59	9
30d	270	38

Playback	Listens	Hours
48h	0	0m
7d	3	34m
30d	210	34

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	3	13m
7d	0	0m
30d	37	4

Playback	Listens	Hours
48h	18	3
7d	13	2
30d	668	99

Playback	Listens	Hours
48h	9	1
7d	47	6
30d	806	111

Playback	Listens	Hours
48h	39	2
7d	133	7
30d	1.9k	100

Playback	Listens	Hours
48h	16	1
7d	54	4
30d	844	62

Playback	Listens	Hours
48h	9	2
7d	26	7
30d	355	79

Playback	Listens	Hours
48h	71	7
7d	141	15
30d	1.4k	142

Playback	Listens	Hours
48h	68	10
7d	147	20
30d	2.3k	303

Playback	Listens	Hours
48h	621	60
7d	836	83
30d	6.9k	672

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	9	17m
7d	1	3m
30d	97	7

Playback	Listens	Hours
48h	60	7
7d	197	21
30d	1.1k	112

Playback	Listens	Hours
48h	10	2
7d	77	15
30d	238	45

Playback	Listens	Hours
48h	8	38m
7d	136	12
30d	1.6k	136

Playback	Listens	Hours
48h	73	5
7d	249	18
30d	1.6k	116

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	52	4

Playback	Listens	Hours
48h	346	55
7d	759	111
30d	6.2k	876

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	256	25

Playback	Listens	Hours
48h	51	9
7d	277	45
30d	2.6k	422

Playback	Listens	Hours
48h	255	38
7d	1k	143
30d	10.4k	1.5k

Playback	Listens	Hours
48h	8	33m
7d	97	8
30d	407	32

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	52	4
7d	230	17
30d	2k	143

Playback	Listens	Hours
48h	773	59
7d	1.7k	135
30d	12.6k	997

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	119	8

Playback	Listens	Hours
48h	13.1k	1.6k
7d	20.4k	2.4k
30d	119.4k	14k

Playback	Listens	Hours
48h	30	4
7d	111	16
30d	2.7k	368

1,417 shows

2,244 tapes

Yonder Mountain String Band

13.5k

Playback	Listens	Hours
48h	385	36
7d	1.4k	127
30d	13.5k	1.3k

Playback	Listens	Hours
48h	105	15
7d	221	37
30d	1.9k	315

10 shows

Oakland-Alameda County Coliseum

Zebu

Playback	Listens	Hours
48h	0	0m
7d	11	25m
30d	74	3

Playback	Listens	Hours
48h	122	20
7d	215	37
30d	2.1k	369

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	54	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2.1k	295
7d	4.5k	598
30d	16.4k	2.2k

Playback	Listens	Hours
48h	1.2k	173
7d	4.8k	627
30d	29.3k	3.8k

Playback	Listens	Hours
48h	2.4k	294
7d	5.2k	689
30d	37.3k	4.9k

Playback	Listens	Hours
48h	1.8k	229
7d	5.5k	743
30d	52.8k	6.9k

Playback	Listens	Hours
48h	3.2k	443
7d	7.5k	1.1k
30d	29.5k	4.1k

Playback	Listens	Hours
48h	10.8k	1.3k
7d	19.3k	2.5k
30d	86.9k	11.3k

Playback	Listens	Hours
48h	2k	256
7d	5.2k	662
30d	37.2k	4.7k

Playback	Listens	Hours
48h	1.5k	169
7d	5.8k	696
30d	30.7k	3.6k

Playback	Listens	Hours
48h	7.1k	807
7d	4.9k	564
30d	44.4k	5.2k

Playback	Listens	Hours
48h	3k	354
7d	5.8k	657
30d	15.9k	1.8k

Playback	Listens	Hours
48h	2.8k	339
7d	4k	458
30d	35.9k	4.3k

Playback	Listens	Hours
48h	1.6k	199
7d	3.4k	436
30d	20.9k	2.7k

Playback	Listens	Hours
48h	1.1k	147
7d	2.8k	370
30d	22.7k	2.9k

Playback	Listens	Hours
48h	1.2k	156
7d	3.5k	440
30d	32.9k	4.2k

Playback	Listens	Hours
48h	4.1k	530
7d	12.1k	1.4k
30d	128.2k	16.6k

Playback	Listens	Hours
48h	2k	230
7d	4.7k	540
30d	31.7k	3.6k

Playback	Listens	Hours
48h	1.9k	269
7d	4.3k	589
30d	29.7k	4.1k

Playback	Listens	Hours
48h	2.3k	310
7d	5.4k	725
30d	43.1k	5.8k

Playback	Listens	Hours
48h	7.2k	1k
7d	37.3k	5.3k
30d	136.8k	19.1k

Playback	Listens	Hours
48h	2k	268
7d	3.9k	525
30d	28.9k	3.8k

Playback	Listens	Hours
48h	1.2k	119
7d	971	106
30d	8.7k	980

Playback	Listens	Hours
48h	10k	1.2k
7d	6.9k	889
30d	82.9k	10.6k

Playback	Listens	Hours
48h	7.6k	962
7d	17.8k	2.2k
30d	90.4k	11.3k

Playback	Listens	Hours
48h	8.7k	1.1k
7d	8.4k	1k
30d	51.6k	6.1k

Playback	Listens	Hours
48h	2k	222
7d	8.1k	893
30d	48.5k	5.5k

Playback	Listens	Hours
48h	1.6k	179
7d	5.1k	555
30d	38.8k	4.3k

Playback	Listens	Hours
48h	1.4k	201
7d	2.3k	315
30d	35.1k	5.1k

Playback	Listens	Hours
48h	380	46
7d	876	106
30d	8.9k	1.1k

Playback	Listens	Hours
48h	110	13
7d	1.8k	191
30d	3.9k	471

Playback	Listens	Hours
48h	303	20
7d	1.3k	92
30d	9.1k	682

Playback	Listens	Hours
48h	41	2
7d	96	6
30d	557	34

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

243

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	243	27

4:59:06

19 tapes

12/30SBD

134

Playback	Listens	Hours
48h	4	30m
7d	9	58m
30d	134	15

4:28:26

17 tapes

11/22SBD

118

Playback	Listens	Hours
48h	0	0m
7d	4	36m
30d	118	16

2:15:35

11 tapes

11/21SBD

234

Playback	Listens	Hours
48h	36	4
7d	60	6
30d	234	25

2:15:55

11/20SBD

Community War Memorial Auditorium

428

Playback	Listens	Hours
48h	15	2
7d	60	7
30d	428	48

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	73	8

Playback	Listens	Hours
48h	10	1
7d	4	28m
30d	46	6

East Rutherford, NJ, USA

215

Playback	Listens	Hours
48h	36	4
7d	25	3
30d	215	26

East Rutherford, NJ, USA

Playback	Listens	Hours
48h	14	2
7d	31	4
30d	88	10

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

209

Playback	Listens	Hours
48h	24	3
7d	29	4
30d	209	23

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

288

Playback	Listens	Hours
48h	0	0m
7d	60	6
30d	288	31

Playback	Listens	Hours
48h	38	4
7d	21	2
30d	165	19

Playback	Listens	Hours
48h	19	2
7d	41	4
30d	284	30

Playback	Listens	Hours
48h	6	58m
7d	17	2
30d	453	59

Playback	Listens	Hours
48h	44	5
7d	35	4
30d	366	40

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

308

Playback	Listens	Hours
48h	5	40m
7d	47	5
30d	308	30

Playback	Listens	Hours
48h	99	13
7d	115	14
30d	399	51

Playback	Listens	Hours
48h	39	5
7d	45	6
30d	252	30

Playback	Listens	Hours
48h	30	3
7d	125	12
30d	321	31

Pembroke Pines, FL, USA

120

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	120	16

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

353

Playback	Listens	Hours
48h	4	26m
7d	29	3
30d	353	38

2:21:39

12 tapes

9/12SBD

161

Playback	Listens	Hours
48h	12	2
7d	12	1
30d	161	20

2:30:28

9/11SBD

144

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	144	17

2:22:15

12 tapes

9/10SBD

299

Playback	Listens	Hours
48h	13	1
7d	1	10m
30d	299	31

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

762

Playback	Listens	Hours
48h	61	7
7d	94	10
30d	762	83

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	8	57m
7d	1	11m
30d	82	10

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

152

Playback	Listens	Hours
48h	33	4
7d	11	2
30d	152	20

Playback	Listens	Hours
48h	17	1
7d	28	3
30d	245	25

Oklahoma City, OK, USA

Playback	Listens	Hours
48h	5	29m
7d	7	44m
30d	76	8

Playback	Listens	Hours
48h	5	40m
7d	1	8m
30d	93	12

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

254

Playback	Listens	Hours
48h	9	1
7d	26	3
30d	254	31

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

182

Playback	Listens	Hours
48h	20	2
7d	15	2
30d	182	20

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

361

Playback	Listens	Hours
48h	21	3
7d	45	5
30d	361	40

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

274

Playback	Listens	Hours
48h	6	43m
7d	15	2
30d	274	36

Playback	Listens	Hours
48h	12	1
7d	28	3
30d	138	16

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

548

Playback	Listens	Hours
48h	27	3
7d	82	11
30d	548	76

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.3k

Playback	Listens	Hours
48h	144	20
7d	186	22
30d	1.3k	163

Playback	Listens	Hours
48h	35	5
7d	86	10
30d	989	119

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

572

Playback	Listens	Hours
48h	33	3
7d	54	6
30d	572	61

Cuyahoga Falls, OH, USA

326

Playback	Listens	Hours
48h	42	4
7d	62	6
30d	326	31

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

672

Playback	Listens	Hours
48h	41	5
7d	113	13
30d	672	76

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

229

Playback	Listens	Hours
48h	34	4
7d	15	2
30d	229	26

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

244

Playback	Listens	Hours
48h	18	2
7d	52	6
30d	244	28

Playback	Listens	Hours
48h	18	2
7d	58	7
30d	351	45

Playback	Listens	Hours
48h	43	5
7d	66	7
30d	364	40

Playback	Listens	Hours
48h	56	7
7d	35	5
30d	290	35

Playback	Listens	Hours
48h	105	12
7d	88	10
30d	513	56

Playback	Listens	Hours
48h	74	9
7d	145	17
30d	643	74

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	16	1

Playback	Listens	Hours
48h	0	0m
7d	56	7
30d	245	29

Playback	Listens	Hours
48h	50	6
7d	118	15
30d	647	79

Philadelphia, PA, USA

407

Playback	Listens	Hours
48h	5	26m
7d	27	3
30d	407	42

Philadelphia, PA, USA

501

Playback	Listens	Hours
48h	8	60m
7d	41	5
30d	501	64

Philadelphia, PA, USA

340

Playback	Listens	Hours
48h	11	1
7d	43	5
30d	340	42

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

420

Playback	Listens	Hours
48h	36	4
7d	42	4
30d	420	45

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

219

Playback	Listens	Hours
48h	1	0m
7d	19	3
30d	219	31

2:51:34

26 tapes

4/01

Portland, ME, USA

214

Playback	Listens	Hours
48h	3	18m
7d	33	4
30d	214	26

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

414

Playback	Listens	Hours
48h	12	2
7d	14	2
30d	414	50

Playback	Listens	Hours
48h	3	21m
7d	10	54m
30d	181	20

Playback	Listens	Hours
48h	6	40m
7d	38	5
30d	406	52

Playback	Listens	Hours
48h	17	2
7d	37	4
30d	205	24

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

397

Playback	Listens	Hours
48h	37	5
7d	72	9
30d	397	51

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

235

Playback	Listens	Hours
48h	95	11
7d	50	6
30d	235	27

Playback	Listens	Hours
48h	994	127
7d	51	7
30d	203	27

Playback	Listens	Hours
48h	69	7
7d	858	91
30d	1.2k	127

2:21:56

17 tapes

3/13SBD

4.3k

Playback	Listens	Hours
48h	39	5
7d	32	4
30d	4.3k	535

2:23:36

9 tapes

3/12

2.1k

Playback	Listens	Hours
48h	6	1
7d	21	2
30d	2.1k	255

2:13:21

8 tapes

3/10

2.7k

Playback	Listens	Hours
48h	8	1
7d	8	1
30d	2.7k	346

2:18:50

3/09SBD

3.9k

Playback	Listens	Hours
48h	62	7
7d	119	15
30d	3.9k	495

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	1	1m
7d	4	8m
30d	68	2

13:28

1 tape

2/20SBD

354

Playback	Listens	Hours
48h	44	6
7d	20	2
30d	354	46

2:16:03

2/19SBD

332

Playback	Listens	Hours
48h	29	3
7d	39	5
30d	332	40

1:58:18

5 tapes

2/18SBD

413

Playback	Listens	Hours
48h	47	5
7d	104	12
30d	413	47

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.