Scarlet Begonias > | 1985-04-27 | Grateful Dead

G. Love and Special Sauce

814

Playback	Listens	Hours
48h	83	8
7d	181	16
30d	814	74

Playback	Listens	Hours
48h	37	4
7d	136	15
30d	898	98

Playback	Listens	Hours
48h	31	3
7d	47	7
30d	334	48

Playback	Listens	Hours
48h	13	2
7d	93	16
30d	595	120

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	63	7

Playback	Listens	Hours
48h	12	2
7d	38	7
30d	199	39

Playback	Listens	Hours
48h	56	6
7d	117	14
30d	1.3k	153

369 shows

496 tapes

Godspeed You Black Emperor!

250

Playback	Listens	Hours
48h	0	0m
7d	26	7
30d	250	61

Playback	Listens	Hours
48h	37	5
7d	40	7
30d	244	38

Playback	Listens	Hours
48h	1.7k	324
7d	3.3k	630
30d	22k	4.2k

Playback	Listens	Hours
48h	2	18m
7d	14	1
30d	326	30

362 shows

591 tapes

Grahame Lesh and Friends

4.9k

Playback	Listens	Hours
48h	380	60
7d	1.1k	161
30d	4.9k	770

Playback	Listens	Hours
48h	14	2
7d	14	2
30d	106	13

Playback	Listens	Hours
48h	145	16
7d	644	74
30d	4.5k	501

Playback	Listens	Hours
48h	52	6
7d	187	21
30d	1.8k	210

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	1	15m
7d	3	28m
30d	66	10

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	8	47m
30d	29	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	4	37m
7d	7	54m
30d	75	11

Playback	Listens	Hours
48h	33	2
7d	116	8
30d	526	38

747 shows

1,024 tapes

Hard Working Americans

348

Playback	Listens	Hours
48h	5	24m
7d	40	5
30d	348	39

Playback	Listens	Hours
48h	61	9
7d	144	22
30d	783	123

186 shows

225 tapes

Horseshoes and Hand Grenades

226

Playback	Listens	Hours
48h	71	6
7d	31	3
30d	226	18

Playback	Listens	Hours
48h	55	5
7d	64	6
30d	372	35

677 shows

850 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	106	10
7d	182	16
30d	1.8k	165

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	512	35
7d	644	43
30d	3.5k	228

Playback	Listens	Hours
48h	22	3
7d	128	14
30d	704	71

364 shows

489 tapes

Jazz Mandolin Project

587

Playback	Listens	Hours
48h	43	6
7d	67	10
30d	587	88

218 shows

275 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	7	41m
30d	97	9

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

230

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	230	22

Playback	Listens	Hours
48h	35	4
7d	108	14
30d	898	121

112 shows

160 tapes

2.5k

Playback	Listens	Hours
48h	193	31
7d	415	68
30d	2.5k	412

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.3k

Playback	Listens	Hours
48h	204	28
7d	324	47
30d	2.3k	316

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	13	2
7d	5	56m
30d	98	14

2 shows

5 tapes

Joe Russo's Almost Dead

22.7k

Playback	Listens	Hours
48h	1.5k	268
7d	3k	540
30d	22.7k	4.1k

358 shows

1,172 tapes

John Kadlecik

Playback	Listens	Hours
48h	70	7
7d	307	33
30d	1k	112

Playback	Listens	Hours
48h	191	17
7d	350	31
30d	2.5k	223

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	7m
7d	30	3
30d	77	9

Playback	Listens	Hours
48h	0	0m
7d	5	26m
30d	141	11

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	142	15

71 shows

104 tapes

Karl Denson's Tiny Universe

408

Playback	Listens	Hours
48h	20	2
7d	43	6
30d	408	59

Playback	Listens	Hours
48h	209	20
7d	314	31
30d	3.2k	306

Playback	Listens	Hours
48h	56	8
7d	139	16
30d	306	39

40 shows

51 tapes

King Gizzard & the Lizard Wizard

13.7k

Playback	Listens	Hours
48h	750	107
7d	1.9k	245
30d	13.7k	1.8k

Playback	Listens	Hours
48h	163	19
7d	280	34
30d	2.1k	272

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	1	10m
7d	0	0m
30d	87	13

Playback	Listens	Hours
48h	70	15
7d	78	13
30d	632	117

Playback	Listens	Hours
48h	64	8
7d	307	37
30d	2.2k	261

Playback	Listens	Hours
48h	251	22
7d	453	44
30d	2.5k	245

956 shows

1,274 tapes

Lettuce

Playback	Listens	Hours
48h	278	40
7d	444	64
30d	3k	442

Playback	Listens	Hours
48h	230	20
7d	427	38
30d	4.2k	397

Playback	Listens	Hours
48h	50	4
7d	83	6
30d	1.1k	82

Playback	Listens	Hours
48h	112	21
7d	405	76
30d	1.9k	372

Playback	Listens	Hours
48h	20	3
7d	20	2
30d	221	23

Playback	Listens	Hours
48h	78	8
7d	137	12
30d	1.4k	151

Playback	Listens	Hours
48h	33	3
7d	110	11
30d	401	40

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	1	5m
7d	1	4m
30d	1	4m

Playback	Listens	Hours
48h	256	41
7d	527	75
30d	3.9k	585

Playback	Listens	Hours
48h	17	57m
7d	120	6
30d	475	26

Playback	Listens	Hours
48h	26	3
7d	52	6
30d	222	25

Playback	Listens	Hours
48h	1	1m
7d	42	1
30d	180	5

Playback	Listens	Hours
48h	15	1
7d	174	13
30d	554	45

Playback	Listens	Hours
48h	550	95
7d	1.6k	233
30d	10.9k	1.9k

Playback	Listens	Hours
48h	1	3m
7d	21	2
30d	180	20

Playback	Listens	Hours
48h	40	3
7d	24	2
30d	234	18

Playback	Listens	Hours
48h	308	31
7d	578	60
30d	4.5k	456

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	1

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	10	1
7d	2	10m
30d	39	3

Playback	Listens	Hours
48h	28	4
7d	118	16
30d	583	85

Playback	Listens	Hours
48h	2	12m
7d	14	3
30d	169	25

61 shows

71 tapes

New Riders of the Purple Sage

1.2k

Playback	Listens	Hours
48h	84	8
7d	99	7
30d	1.2k	101

403 shows

589 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	31	3
7d	216	22
30d	1.2k	122

Playback	Listens	Hours
48h	62	8
7d	138	15
30d	727	80

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	1	4m

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	243	46

Playback	Listens	Hours
48h	1	9m
7d	56	8
30d	240	35

Playback	Listens	Hours
48h	77	14
7d	180	30
30d	1.4k	253

686 shows

913 tapes

Phil Lesh and Friends

14.5k

Playback	Listens	Hours
48h	976	174
7d	1.9k	351
30d	14.5k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	64	10
7d	170	25
30d	1.7k	252

Playback	Listens	Hours
48h	264	34
7d	342	43
30d	3.5k	435

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	58	5

Playback	Listens	Hours
48h	172	22
7d	388	50
30d	2.8k	364

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	33	4
7d	89	13
30d	782	107

Playback	Listens	Hours
48h	511	71
7d	1.4k	177
30d	9.2k	1.2k

Playback	Listens	Hours
48h	123	10
7d	301	24
30d	1.3k	99

Playback	Listens	Hours
48h	32	3
7d	201	17
30d	1.1k	92

Playback	Listens	Hours
48h	185	16
7d	214	19
30d	1.6k	135

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	1	26m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	56	6

Playback	Listens	Hours
48h	143	14
7d	355	36
30d	2.7k	265

Playback	Listens	Hours
48h	5	59m
7d	11	1
30d	285	35

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	7

Playback	Listens	Hours
48h	19	2
7d	13	1
30d	142	15

Playback	Listens	Hours
48h	107	9
7d	160	13
30d	954	79

Playback	Listens	Hours
48h	177	27
7d	542	85
30d	3.4k	536

Playback	Listens	Hours
48h	65	16
7d	152	33
30d	2.2k	491

Playback	Listens	Hours
48h	13	53m
7d	40	3
30d	242	15

Playback	Listens	Hours
48h	1	10m
7d	37	6
30d	153	29

Playback	Listens	Hours
48h	65	9
7d	124	15
30d	971	151

Playback	Listens	Hours
48h	136	31
7d	247	54
30d	1.2k	266

Playback	Listens	Hours
48h	64	7
7d	90	12
30d	955	123

664 shows

1,137 tapes

String Cheese Incident

11.8k

Playback	Listens	Hours
48h	788	120
7d	1.8k	283
30d	11.8k	1.9k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	11	1
7d	1	12m
30d	77	7

Playback	Listens	Hours
48h	67	12
7d	76	15
30d	470	88

Playback	Listens	Hours
48h	48	6
7d	48	6
30d	270	34

Playback	Listens	Hours
48h	86	9
7d	129	14
30d	969	107

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	7	23m
30d	22	1

Playback	Listens	Hours
48h	1.6k	189
7d	5.2k	601
30d	30.7k	3.5k

Playback	Listens	Hours
48h	19	59m
7d	35	2
30d	374	19

Playback	Listens	Hours
48h	42	6
7d	105	15
30d	744	98

Playback	Listens	Hours
48h	22	4
7d	17	2
30d	245	34

473 shows

629 tapes

The California Honeydrops

866

Playback	Listens	Hours
48h	25	3
7d	239	30
30d	866	109

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	107	17
7d	507	75
30d	2.9k	418

Playback	Listens	Hours
48h	40	4
7d	15	2
30d	389	33

Playback	Listens	Hours
48h	0	0m
7d	3	14m
30d	103	15

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	9

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	16	2

Playback	Listens	Hours
48h	1	22m
7d	47	7
30d	109	16

Playback	Listens	Hours
48h	6	45m
7d	12	1
30d	318	43

Playback	Listens	Hours
48h	109	6
7d	199	12
30d	854	46

Playback	Listens	Hours
48h	8	30m
7d	70	5
30d	527	38

Playback	Listens	Hours
48h	18	5
7d	13	2
30d	183	44

Playback	Listens	Hours
48h	146	14
7d	143	15
30d	951	95

Playback	Listens	Hours
48h	41	6
7d	187	25
30d	1.4k	192

Playback	Listens	Hours
48h	421	41
7d	788	74
30d	5.3k	515

1,447 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	15	1
7d	3	12m
30d	88	6

Playback	Listens	Hours
48h	112	12
7d	139	15
30d	881	93

Playback	Listens	Hours
48h	0	0m
7d	19	4
30d	235	46

Playback	Listens	Hours
48h	107	14
7d	206	19
30d	977	85

Playback	Listens	Hours
48h	20	1
7d	64	4
30d	1.1k	79

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	41	3

Playback	Listens	Hours
48h	199	29
7d	774	106
30d	5.1k	728

Playback	Listens	Hours
48h	5	30m
7d	20	2
30d	109	11

Playback	Listens	Hours
48h	50	8
7d	271	39
30d	1.7k	273

Playback	Listens	Hours
48h	382	53
7d	673	106
30d	6.3k	931

Playback	Listens	Hours
48h	22	2
7d	77	7
30d	433	37

Playback	Listens	Hours
48h	25	2
7d	73	5
30d	1.2k	89

Playback	Listens	Hours
48h	760	58
7d	1.7k	135
30d	10.9k	850

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	53	4
7d	15	1
30d	51	4

Playback	Listens	Hours
48h	9.2k	1.1k
7d	19.4k	2.4k
30d	132k	15.8k

Playback	Listens	Hours
48h	33	4
7d	136	18
30d	754	103

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.2k

Playback	Listens	Hours
48h	753	72
7d	1.4k	128
30d	9.2k	856

Playback	Listens	Hours
48h	70	11
7d	205	28
30d	1.6k	257

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	32m

Playback	Listens	Hours
48h	68	12
7d	135	24
30d	1.2k	219

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	6m
7d	29	4
30d	45	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	250
7d	3.4k	461
30d	18.4k	2.5k

Playback	Listens	Hours
48h	979	134
7d	2.6k	364
30d	20.9k	2.8k

Playback	Listens	Hours
48h	2k	264
7d	3.6k	471
30d	41.5k	5.3k

Playback	Listens	Hours
48h	681	89
7d	1.2k	159
30d	37.1k	4.8k

Playback	Listens	Hours
48h	3.7k	481
7d	5.8k	830
30d	34k	4.8k

Playback	Listens	Hours
48h	9.7k	1.3k
7d	20k	2.5k
30d	107.2k	13.7k

Playback	Listens	Hours
48h	5.9k	676
7d	6.9k	864
30d	36.3k	4.6k

Playback	Listens	Hours
48h	4.7k	507
7d	8.7k	984
30d	41.6k	4.8k

Playback	Listens	Hours
48h	6.4k	711
7d	9.1k	1.1k
30d	48.5k	5.6k

Playback	Listens	Hours
48h	1.7k	196
7d	3.6k	425
30d	20.2k	2.3k

Playback	Listens	Hours
48h	4.3k	519
7d	5.8k	684
30d	40.5k	4.9k

Playback	Listens	Hours
48h	1.3k	171
7d	5.2k	640
30d	22.1k	2.8k

Playback	Listens	Hours
48h	1.3k	167
7d	3.8k	439
30d	26.2k	3.3k

Playback	Listens	Hours
48h	5.5k	733
7d	2.2k	270
30d	26.7k	3.4k

Playback	Listens	Hours
48h	2.1k	266
7d	3.4k	444
30d	94.5k	12.3k

Playback	Listens	Hours
48h	3.2k	373
7d	10.9k	1.3k
30d	35.3k	4.1k

Playback	Listens	Hours
48h	1.6k	217
7d	3k	408
30d	26.2k	3.6k

Playback	Listens	Hours
48h	2.9k	385
7d	3.7k	501
30d	35.8k	4.8k

Playback	Listens	Hours
48h	7.2k	1k
7d	11.5k	1.6k
30d	114k	16.1k

Playback	Listens	Hours
48h	1.9k	250
7d	3k	403
30d	26.1k	3.5k

Playback	Listens	Hours
48h	458	43
7d	516	52
30d	7.6k	812

Playback	Listens	Hours
48h	3.7k	470
7d	6.2k	800
30d	55.8k	7.1k

Playback	Listens	Hours
48h	9.1k	1k
7d	15.8k	1.9k
30d	98.5k	12.1k

Playback	Listens	Hours
48h	3.4k	409
7d	5k	597
30d	58.4k	7k

Playback	Listens	Hours
48h	2.8k	302
7d	2.8k	298
30d	32.3k	3.6k

Playback	Listens	Hours
48h	5.4k	537
7d	2.1k	227
30d	29.7k	3.2k

Playback	Listens	Hours
48h	1.3k	193
7d	1.9k	279
30d	18.1k	2.6k

Playback	Listens	Hours
48h	502	62
7d	1.5k	162
30d	7.6k	931

Playback	Listens	Hours
48h	97	12
7d	670	52
30d	4.1k	455

Playback	Listens	Hours
48h	247	17
7d	330	24
30d	6.1k	450

Playback	Listens	Hours
48h	32	2
7d	65	4
30d	473	28

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

123

Playback	Listens	Hours
48h	49	6
7d	5	38m
30d	123	14

4:59:06

19 tapes

12/30SBD

129

Playback	Listens	Hours
48h	2	11m
7d	5	21m
30d	129	14

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	16	2
7d	31	4
30d	88	12

2:15:35

11 tapes

11/21SBD

205

Playback	Listens	Hours
48h	18	2
7d	24	3
30d	205	23

2:15:55

11/20SBD

Community War Memorial Auditorium

240

Playback	Listens	Hours
48h	33	4
7d	11	1
30d	240	28

Playback	Listens	Hours
48h	4	34m
7d	9	59m
30d	73	9

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	67	8

East Rutherford, NJ, USA

187

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	187	22

East Rutherford, NJ, USA

126

Playback	Listens	Hours
48h	11	1
7d	30	3
30d	126	15

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

203

Playback	Listens	Hours
48h	8	49m
7d	37	4
30d	203	24

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

341

Playback	Listens	Hours
48h	16	2
7d	33	4
30d	341	36

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	204	23

Playback	Listens	Hours
48h	9	43m
7d	15	2
30d	202	22

Playback	Listens	Hours
48h	26	3
7d	25	3
30d	243	31

Playback	Listens	Hours
48h	9	1
7d	57	7
30d	346	38

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

236

Playback	Listens	Hours
48h	27	3
7d	40	5
30d	236	24

Playback	Listens	Hours
48h	26	3
7d	64	7
30d	401	50

Playback	Listens	Hours
48h	21	3
7d	35	4
30d	165	20

Playback	Listens	Hours
48h	39	4
7d	37	3
30d	308	28

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	42	6
7d	9	54m
30d	65	8

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

273

Playback	Listens	Hours
48h	12	2
7d	4	32m
30d	273	30

2:21:39

12 tapes

9/12SBD

Playback	Listens	Hours
48h	2	12m
7d	6	55m
30d	87	11

2:30:28

9/11SBD

145

Playback	Listens	Hours
48h	5	24m
7d	14	2
30d	145	17

2:22:15

12 tapes

9/10SBD

185

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	185	19

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

521

Playback	Listens	Hours
48h	57	6
7d	44	5
30d	521	59

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	4	33m
7d	0	0m
30d	31	4

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

141

Playback	Listens	Hours
48h	43	6
7d	5	27m
30d	141	19

Playback	Listens	Hours
48h	7	56m
7d	37	4
30d	99	10

Oklahoma City, OK, USA

Playback	Listens	Hours
48h	29	3
7d	5	47m
30d	65	7

Playback	Listens	Hours
48h	10	1
7d	16	2
30d	35	5

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

196

Playback	Listens	Hours
48h	2	11m
7d	29	4
30d	196	24

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

118

Playback	Listens	Hours
48h	12	1
7d	1	6m
30d	118	13

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

247

Playback	Listens	Hours
48h	15	2
7d	5	32m
30d	247	27

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

236

Playback	Listens	Hours
48h	11	2
7d	16	2
30d	236	32

Playback	Listens	Hours
48h	5	30m
7d	39	4
30d	91	10

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

472

Playback	Listens	Hours
48h	36	5
7d	55	7
30d	472	64

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.1k

Playback	Listens	Hours
48h	105	14
7d	113	14
30d	1.1k	142

Playback	Listens	Hours
48h	80	10
7d	98	12
30d	438	55

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

492

Playback	Listens	Hours
48h	64	7
7d	80	9
30d	492	52

Cuyahoga Falls, OH, USA

312

Playback	Listens	Hours
48h	57	6
7d	36	4
30d	312	31

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

515

Playback	Listens	Hours
48h	78	8
7d	73	8
30d	515	57

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

255

Playback	Listens	Hours
48h	47	5
7d	38	5
30d	255	29

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

244

Playback	Listens	Hours
48h	59	7
7d	21	3
30d	244	28

Playback	Listens	Hours
48h	43	5
7d	68	8
30d	366	47

Playback	Listens	Hours
48h	35	4
7d	38	4
30d	318	34

Playback	Listens	Hours
48h	20	3
7d	61	7
30d	374	45

Playback	Listens	Hours
48h	41	5
7d	98	11
30d	473	53

Playback	Listens	Hours
48h	17	2
7d	39	4
30d	604	69

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	8	38m
30d	18	1

Playback	Listens	Hours
48h	38	4
7d	92	10
30d	246	29

Playback	Listens	Hours
48h	20	3
7d	133	17
30d	579	72

Philadelphia, PA, USA

325

Playback	Listens	Hours
48h	30	3
7d	85	9
30d	325	33

Philadelphia, PA, USA

436

Playback	Listens	Hours
48h	35	5
7d	65	9
30d	436	55

Philadelphia, PA, USA

275

Playback	Listens	Hours
48h	29	4
7d	44	5
30d	275	33

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

535

Playback	Listens	Hours
48h	813	84
7d	140	15
30d	535	57

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

212

Playback	Listens	Hours
48h	1.4k	186
7d	49	7
30d	212	30

2:51:34

26 tapes

4/01

Portland, ME, USA

762

Playback	Listens	Hours
48h	49	6
7d	627	73
30d	762	89

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

2.5k

Playback	Listens	Hours
48h	77	10
7d	2.2k	255
30d	2.5k	290

Playback	Listens	Hours
48h	20	3
7d	284	33
30d	459	53

Playback	Listens	Hours
48h	73	9
7d	227	30
30d	625	82

Playback	Listens	Hours
48h	26	3
7d	53	7
30d	970	114

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

2.7k

Playback	Listens	Hours
48h	40	6
7d	22	3
30d	2.7k	367

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

758

Playback	Listens	Hours
48h	4	28m
7d	0	0m
30d	758	88

Playback	Listens	Hours
48h	18	2
7d	16	2
30d	1.4k	185

Playback	Listens	Hours
48h	13	1
7d	41	4
30d	1.3k	141

2:21:56

17 tapes

3/13SBD

4.3k

Playback	Listens	Hours
48h	9	55m
7d	38	5
30d	4.3k	532

2:23:36

9 tapes

3/12

2.1k

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	2.1k	256

2:13:21

8 tapes

3/10

2.7k

Playback	Listens	Hours
48h	17	2
7d	3	24m
30d	2.7k	342

2:18:50

7 tapes

3/09SBD

3.9k

Playback	Listens	Hours
48h	25	3
7d	113	13
30d	3.9k	498

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	2	2m
7d	0	0m
30d	20	32m

13:28

1 tape

2/20SBD

237

Playback	Listens	Hours
48h	14	2
7d	18	2
30d	237	31

2:16:03

7 tapes

2/19SBD

197

Playback	Listens	Hours
48h	25	3
7d	3	19m
30d	197	23

1:58:18

5 tapes

2/18SBD

Goin' Down The Road Feeling Bad ->

441

Playback	Listens	Hours
48h	52	6
7d	2	16m
30d	441	49

4/27/85

5:01

Man Smart (Woman are Smarter) ->

One More Saturday Night

5:09

FIN

View on archive.org

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.