Drums > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

570

Playback	Listens	Hours
48h	7	50m
7d	56	9
30d	570	68

27 shows

29 tapes

Bernie Worrell Orchestra

108

Playback	Listens	Hours
48h	7	1
7d	15	2
30d	108	14

Playback	Listens	Hours
48h	61	8
7d	87	12
30d	799	108

Playback	Listens	Hours
48h	238	30
7d	379	53
30d	1.8k	244

Playback	Listens	Hours
48h	6.2k	624
7d	13k	1.3k
30d	113.5k	11.7k

Playback	Listens	Hours
48h	77	6
7d	288	21
30d	2.3k	166

62 shows

76 tapes

Blueground Undergrass

400

Playback	Listens	Hours
48h	33	3
7d	27	2
30d	400	40

Playback	Listens	Hours
48h	92	10
7d	337	39
30d	2.5k	278

Playback	Listens	Hours
48h	472	64
7d	935	120
30d	8.1k	1.1k

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	5

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	56	9
7d	117	18
30d	1.1k	178

Playback	Listens	Hours
48h	16	2
7d	7	39m
30d	257	28

Playback	Listens	Hours
48h	31	3
7d	107	10
30d	1.2k	117

Playback	Listens	Hours
48h	90	9
7d	60	7
30d	1.3k	135

Playback	Listens	Hours
48h	38	2
7d	120	6
30d	983	57

Playback	Listens	Hours
48h	18	2
7d	73	9
30d	890	117

Playback	Listens	Hours
48h	19	1
7d	40	2
30d	805	56

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	5m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	63	6

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	89	16
7d	256	50
30d	1.6k	336

Playback	Listens	Hours
48h	45	9
7d	62	11
30d	679	128

Playback	Listens	Hours
48h	71	6
7d	41	3
30d	1.4k	117

Playback	Listens	Hours
48h	11	2
7d	118	17
30d	1.7k	239

Playback	Listens	Hours
48h	297	42
7d	406	58
30d	4.8k	718

Playback	Listens	Hours
48h	401	54
7d	850	118
30d	6.8k	919

783 shows

1,033 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	10

Playback	Listens	Hours
48h	12	2
7d	72	8
30d	404	41

Playback	Listens	Hours
48h	1.9k	315
7d	5.4k	832
30d	32k	5.1k

Playback	Listens	Hours
48h	8	59m
7d	55	6
30d	595	67

Playback	Listens	Hours
48h	101	6
7d	147	9
30d	1.9k	119

Playback	Listens	Hours
48h	86	9
7d	158	20
30d	2.3k	273

Playback	Listens	Hours
48h	893	181
7d	1.4k	304
30d	12.8k	2.7k

Playback	Listens	Hours
48h	49	5
7d	61	7
30d	547	54

Playback	Listens	Hours
48h	163	27
7d	205	34
30d	2.1k	335

Playback	Listens	Hours
48h	7	1
7d	18	3
30d	137	26

Playback	Listens	Hours
48h	44	5
7d	245	24
30d	2.8k	292

Playback	Listens	Hours
48h	42	7
7d	81	13
30d	755	118

Playback	Listens	Hours
48h	133	12
7d	328	29
30d	3.1k	275

Playback	Listens	Hours
48h	28	5
7d	88	15
30d	918	158

Playback	Listens	Hours
48h	6	56m
7d	19	2
30d	173	22

Playback	Listens	Hours
48h	157	28
7d	430	73
30d	2.7k	443

141 shows

269 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	28	4

Playback	Listens	Hours
48h	210	29
7d	326	45
30d	3.1k	423

819 shows

1,036 tapes

Electric Beethoven

Playback	Listens	Hours
48h	8	3
7d	13	4
30d	97	28

Playback	Listens	Hours
48h	40	2
7d	87	5
30d	1.1k	62

Playback	Listens	Hours
48h	20	3
7d	37	5
30d	402	56

Playback	Listens	Hours
48h	2	31m
7d	70	14
30d	293	57

Playback	Listens	Hours
48h	3	20m
7d	0	0m
30d	221	29

Playback	Listens	Hours
48h	0	0m
7d	2	25m
30d	132	21

Playback	Listens	Hours
48h	15	2
7d	63	6
30d	550	59

Playback	Listens	Hours
48h	47	3
7d	38	3
30d	378	25

Playback	Listens	Hours
48h	31	2
7d	63	5
30d	1.2k	102

Playback	Listens	Hours
48h	13	56m
7d	81	5
30d	502	31

Playback	Listens	Hours
48h	557	84
7d	1.7k	259
30d	12.6k	1.9k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	5

14 shows

G. Love and Special Sauce

874

Playback	Listens	Hours
48h	28	2
7d	161	16
30d	874	81

Playback	Listens	Hours
48h	51	6
7d	176	18
30d	1.6k	181

Playback	Listens	Hours
48h	0	0m
7d	49	7
30d	467	66

Playback	Listens	Hours
48h	11	2
7d	69	15
30d	719	149

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	16	1
7d	15	2
30d	93	11

Playback	Listens	Hours
48h	12	2
7d	44	9
30d	344	65

Playback	Listens	Hours
48h	38	4
7d	280	32
30d	1.6k	186

369 shows

496 tapes

Godspeed You Black Emperor!

464

Playback	Listens	Hours
48h	10	2
7d	47	12
30d	464	111

Playback	Listens	Hours
48h	7	1
7d	26	4
30d	316	48

Playback	Listens	Hours
48h	1.5k	288
7d	3.3k	632
30d	24k	4.6k

Playback	Listens	Hours
48h	7	42m
7d	41	4
30d	731	65

362 shows

591 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	914	145
7d	1.6k	263
30d	1.7k	273

Playback	Listens	Hours
48h	0	0m
7d	9	59m
30d	115	15

Playback	Listens	Hours
48h	314	36
7d	540	59
30d	5.5k	607

Playback	Listens	Hours
48h	53	7
7d	234	27
30d	2.4k	269

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	171	26

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	38	2

Playback	Listens	Hours
48h	4	33m
7d	0	0m
30d	120	17

Playback	Listens	Hours
48h	93	7
7d	34	2
30d	673	49

747 shows

1,024 tapes

Hard Working Americans

333

Playback	Listens	Hours
48h	49	5
7d	10	1
30d	333	38

Playback	Listens	Hours
48h	42	7
7d	89	16
30d	996	156

186 shows

225 tapes

Horseshoes and Hand Grenades

391

Playback	Listens	Hours
48h	6	25m
7d	57	4
30d	391	30

207 shows

272 tapes

Hot Buttered Rum

Playback	Listens	Hours
48h	13	1
7d	39	4
30d	1k	97

677 shows

850 tapes

Infamous Stringdusters

2.7k

Playback	Listens	Hours
48h	128	12
7d	253	23
30d	2.7k	251

621 shows

998 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	4	58m
30d	30	5

13 shows

Jeff Austin and Chris Castino

Jack Johnson

Playback	Listens	Hours
48h	318	21
7d	491	33
30d	4k	256

Playback	Listens	Hours
48h	28	3
7d	93	8
30d	892	93

364 shows

489 tapes

Jazz Mandolin Project

Playback	Listens	Hours
48h	43	6
7d	75	13
30d	1k	161

218 shows

275 tapes

140

Playback	Listens	Hours
48h	0	0m
7d	8	50m
30d	140	12

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

317

Playback	Listens	Hours
48h	38	3
7d	5	46m
30d	317	24

Playback	Listens	Hours
48h	92	12
7d	139	17
30d	1.1k	150

112 shows

160 tapes

2.8k

Playback	Listens	Hours
48h	235	41
7d	322	56
30d	2.8k	455

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.4k

Playback	Listens	Hours
48h	172	23
7d	374	55
30d	2.4k	337

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

134

Playback	Listens	Hours
48h	11	2
7d	22	3
30d	134	20

2 shows

5 tapes

Joe Russo's Almost Dead

26.6k

Playback	Listens	Hours
48h	1.6k	291
7d	3.3k	591
30d	26.6k	4.8k

Playback	Listens	Hours
48h	78	5
7d	119	13
30d	1.9k	215

Playback	Listens	Hours
48h	159	12
7d	389	37
30d	3.3k	302

Playback	Listens	Hours
48h	13	1
7d	3	18m
30d	130	17

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	455	34

Playback	Listens	Hours
48h	15	1
7d	35	4
30d	190	21

71 shows

104 tapes

Karl Denson's Tiny Universe

1.1k

Playback	Listens	Hours
48h	16	2
7d	51	8
30d	1.1k	156

Playback	Listens	Hours
48h	189	20
7d	372	33
30d	4.3k	398

Playback	Listens	Hours
48h	14	1
7d	31	4
30d	259	37

40 shows

51 tapes

King Gizzard & the Lizard Wizard

14.8k

Playback	Listens	Hours
48h	798	108
7d	2.4k	328
30d	14.8k	2k

Playback	Listens	Hours
48h	217	27
7d	266	33
30d	2.8k	365

Playback	Listens	Hours
48h	2	15m
7d	10	1
30d	307	45

Playback	Listens	Hours
48h	29	5
7d	73	14
30d	851	155

Playback	Listens	Hours
48h	80	10
7d	358	42
30d	3.2k	393

Playback	Listens	Hours
48h	228	22
7d	399	37
30d	3.4k	338

Playback	Listens	Hours
48h	138	22
7d	484	69
30d	3.2k	458

Playback	Listens	Hours
48h	366	34
7d	703	66
30d	4.8k	461

Playback	Listens	Hours
48h	72	6
7d	240	18
30d	1.6k	122

Playback	Listens	Hours
48h	105	22
7d	271	54
30d	1.6k	321

Playback	Listens	Hours
48h	2	19m
7d	17	2
30d	501	50

Playback	Listens	Hours
48h	48	4
7d	248	29
30d	1.8k	190

Playback	Listens	Hours
48h	34	3
7d	70	7
30d	588	62

347 shows

445 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	37m

Playback	Listens	Hours
48h	314	50
7d	585	87
30d	5.7k	863

Playback	Listens	Hours
48h	31	2
7d	55	3
30d	527	32

Playback	Listens	Hours
48h	16	1
7d	4	33m
30d	238	26

Playback	Listens	Hours
48h	3	5m
7d	9	12m
30d	303	8

Playback	Listens	Hours
48h	15	1
7d	39	3
30d	629	52

Playback	Listens	Hours
48h	661	114
7d	1.6k	282
30d	12.7k	2.3k

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	380	41

Playback	Listens	Hours
48h	15	1
7d	34	2
30d	242	18

Playback	Listens	Hours
48h	358	37
7d	829	85
30d	5.2k	536

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	2	11m
7d	16	1
30d	67	5

Playback	Listens	Hours
48h	0	0m
7d	9	53m
30d	137	13

Playback	Listens	Hours
48h	41	5
7d	80	12
30d	576	81

Playback	Listens	Hours
48h	4	26m
7d	47	9
30d	192	28

59 shows

69 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	116	10
7d	147	12
30d	1.7k	160

401 shows

586 tapes

North Mississippi Allstars

1.7k

Playback	Listens	Hours
48h	48	5
7d	245	24
30d	1.7k	165

Playback	Listens	Hours
48h	58	6
7d	73	8
30d	1.2k	140

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	46m

Playback	Listens	Hours
48h	6	2
7d	21	5
30d	464	85

Playback	Listens	Hours
48h	18	3
7d	20	3
30d	278	40

Playback	Listens	Hours
48h	135	23
7d	190	32
30d	1.7k	298

686 shows

913 tapes

Phil Lesh and Friends

15.2k

Playback	Listens	Hours
48h	908	160
7d	2k	350
30d	15.2k	2.6k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	144	22
7d	256	39
30d	2.2k	338

Playback	Listens	Hours
48h	321	42
7d	721	89
30d	4.4k	530

289 shows

429 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	21	1
30d	68	5

Playback	Listens	Hours
48h	242	32
7d	577	76
30d	3.8k	506

1,230 shows

2,191 tapes

RANA

Playback	Listens	Hours
48h	1	2
7d	0	0m
30d	60	5

Playback	Listens	Hours
48h	78	9
7d	138	17
30d	1.3k	173

Playback	Listens	Hours
48h	570	75
7d	1.4k	183
30d	10.4k	1.4k

Playback	Listens	Hours
48h	77	6
7d	156	12
30d	1.4k	110

Playback	Listens	Hours
48h	48	4
7d	118	10
30d	1.8k	147

Playback	Listens	Hours
48h	208	17
7d	243	20
30d	2.3k	199

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

Playback	Listens	Hours
48h	4	26m
7d	1	15m
30d	122	14

Playback	Listens	Hours
48h	260	24
7d	265	26
30d	3.5k	330

Playback	Listens	Hours
48h	0	0m
7d	77	10
30d	658	77

135 shows

253 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	74	10

Playback	Listens	Hours
48h	0	0m
7d	4	28m
30d	271	30

Playback	Listens	Hours
48h	71	6
7d	168	16
30d	1.3k	119

Playback	Listens	Hours
48h	196	31
7d	446	69
30d	3.9k	625

Playback	Listens	Hours
48h	130	33
7d	272	60
30d	2.7k	612

Playback	Listens	Hours
48h	24	2
7d	49	3
30d	391	24

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	280	48

Playback	Listens	Hours
48h	67	11
7d	181	26
30d	1.8k	258

Playback	Listens	Hours
48h	96	22
7d	234	54
30d	1.6k	359

Playback	Listens	Hours
48h	71	10
7d	160	19
30d	2.2k	288

664 shows

1,137 tapes

String Cheese Incident

13.2k

Playback	Listens	Hours
48h	950	152
7d	1.8k	285
30d	13.2k	2.1k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

193

Playback	Listens	Hours
48h	4	23m
7d	5	29m
30d	193	19

Playback	Listens	Hours
48h	23	4
7d	82	14
30d	458	82

Playback	Listens	Hours
48h	8	53m
7d	63	8
30d	474	61

Playback	Listens	Hours
48h	140	16
7d	137	15
30d	2.1k	236

727 shows

1,112 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	84	6

Playback	Listens	Hours
48h	2k	231
7d	5k	587
30d	25k	2.9k

Playback	Listens	Hours
48h	59	2
7d	23	1
30d	395	21

Playback	Listens	Hours
48h	97	12
7d	149	20
30d	1.2k	149

Playback	Listens	Hours
48h	37	6
7d	30	4
30d	470	63

473 shows

629 tapes

The California Honeydrops

580

Playback	Listens	Hours
48h	84	9
7d	133	17
30d	580	75

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	9

Playback	Listens	Hours
48h	140	20
7d	363	50
30d	3.7k	538

Playback	Listens	Hours
48h	47	4
7d	140	12
30d	605	52

Playback	Listens	Hours
48h	0	0m
7d	26	4
30d	229	32

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	173	28

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	7m
7d	3	13m
30d	31	4

Playback	Listens	Hours
48h	11	1
7d	31	5
30d	446	67

Playback	Listens	Hours
48h	32	4
7d	23	3
30d	689	93

Playback	Listens	Hours
48h	83	4
7d	43	2
30d	1.5k	80

Playback	Listens	Hours
48h	20	55m
7d	62	4
30d	774	57

Playback	Listens	Hours
48h	16	5
7d	32	8
30d	316	72

Playback	Listens	Hours
48h	71	6
7d	122	12
30d	1.2k	123

292 shows

453 tapes

The Other Ones

Playback	Listens	Hours
48h	54	8
7d	147	21
30d	2k	272

Playback	Listens	Hours
48h	233	24
7d	1.1k	104
30d	6.7k	656

Playback	Listens	Hours
48h	0	0m
7d	9	17m
30d	100	7

Playback	Listens	Hours
48h	35	4
7d	190	21
30d	1.1k	109

Playback	Listens	Hours
48h	8	2
7d	61	13
30d	248	49

Playback	Listens	Hours
48h	26	2
7d	102	8
30d	1.3k	113

Playback	Listens	Hours
48h	67	5
7d	166	11
30d	1.5k	107

174 shows

207 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	52	4

Playback	Listens	Hours
48h	294	45
7d	613	94
30d	5.9k	837

Playback	Listens	Hours
48h	20	2
7d	3	19m
30d	196	19

Playback	Listens	Hours
48h	90	15
7d	232	38
30d	2.2k	373

Playback	Listens	Hours
48h	467	64
7d	778	110
30d	9.2k	1.3k

Playback	Listens	Hours
48h	42	4
7d	51	4
30d	348	27

Playback	Listens	Hours
48h	73	6
7d	160	11
30d	1.8k	134

Playback	Listens	Hours
48h	483	40
7d	1.8k	145
30d	12.2k	956

618 shows

1,125 tapes

White Denim

Playback	Listens	Hours
48h	22	2
7d	0	0m
30d	86	6

Playback	Listens	Hours
48h	11.2k	1.4k
7d	24.9k	3k
30d	124.1k	14.6k

Playback	Listens	Hours
48h	23	2
7d	81	13
30d	2.2k	295

1,417 shows

2,244 tapes

Yonder Mountain String Band

12k

Playback	Listens	Hours
48h	520	47
7d	1k	95
30d	12k	1.1k

Playback	Listens	Hours
48h	190	28
7d	150	24
30d	1.7k	275

10 shows

Oakland-Alameda County Coliseum

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	2

Playback	Listens	Hours
48h	42	9
7d	231	39
30d	1.9k	326

460 shows

662 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	46	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.4k	184
7d	3.3k	447
30d	17.2k	2.3k

Playback	Listens	Hours
48h	1.3k	176
7d	4.3k	583
30d	29.7k	3.9k

Playback	Listens	Hours
48h	5.1k	655
7d	6k	765
30d	37.2k	4.8k

Playback	Listens	Hours
48h	1.4k	177
7d	5.1k	681
30d	48.7k	6.3k

Playback	Listens	Hours
48h	3.4k	453
7d	7.4k	1.1k
30d	30.7k	4.3k

Playback	Listens	Hours
48h	15.7k	2k
7d	19.4k	2.4k
30d	95.4k	12.3k

Playback	Listens	Hours
48h	2.2k	271
7d	5.1k	652
30d	36.5k	4.6k

Playback	Listens	Hours
48h	2.7k	307
7d	3.3k	387
30d	30.9k	3.6k

Playback	Listens	Hours
48h	4k	457
7d	10.2k	1.2k
30d	49.6k	5.8k

Playback	Listens	Hours
48h	2.6k	288
7d	6.6k	789
30d	17.9k	2.1k

Playback	Listens	Hours
48h	4.4k	560
7d	5.7k	665
30d	36.4k	4.3k

Playback	Listens	Hours
48h	1.4k	178
7d	3.6k	455
30d	21k	2.7k

Playback	Listens	Hours
48h	3.8k	444
7d	2.8k	358
30d	22.4k	2.9k

Playback	Listens	Hours
48h	1.3k	169
7d	3.2k	399
30d	31.9k	4.1k

Playback	Listens	Hours
48h	3.1k	402
7d	14.4k	1.7k
30d	130.9k	16.9k

Playback	Listens	Hours
48h	2k	238
7d	4.3k	493
30d	31.3k	3.6k

Playback	Listens	Hours
48h	2.1k	289
7d	4.2k	579
30d	29.9k	4.1k

Playback	Listens	Hours
48h	2.3k	311
7d	5.6k	740
30d	42.8k	5.8k

Playback	Listens	Hours
48h	6.7k	953
7d	26.2k	3.7k
30d	139.5k	19.5k

Playback	Listens	Hours
48h	1.9k	249
7d	4.4k	585
30d	29.1k	3.9k

Playback	Listens	Hours
48h	586	62
7d	1.5k	160
30d	9.3k	1k

Playback	Listens	Hours
48h	5.2k	642
7d	12.9k	1.6k
30d	68.3k	8.8k

Playback	Listens	Hours
48h	9.9k	1.2k
7d	17.9k	2.3k
30d	93.8k	11.7k

Playback	Listens	Hours
48h	7.6k	926
7d	14.9k	1.8k
30d	57.9k	6.9k

Playback	Listens	Hours
48h	2.9k	315
7d	5.6k	634
30d	41.1k	4.7k

Playback	Listens	Hours
48h	2.1k	236
7d	5.1k	543
30d	37.7k	4.1k

Playback	Listens	Hours
48h	1.2k	164
7d	2.6k	368
30d	34.6k	5k

Playback	Listens	Hours
48h	437	60
7d	895	110
30d	8.9k	1.1k

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	192	20
7d	327	41
30d	4k	481

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	815	65
7d	778	49
30d	9k	669

Playback	Listens	Hours
48h	45	3
7d	99	6
30d	556	34

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

242

Playback	Listens	Hours
48h	24	3
7d	8	52m
30d	242	27

4:59:06

19 tapes

12/30SBD

114

Playback	Listens	Hours
48h	15	2
7d	13	1
30d	114	12

4:28:26

17 tapes

11/22SBD

118

Playback	Listens	Hours
48h	7	49m
7d	4	36m
30d	118	16

2:15:35

11 tapes

11/21SBD

250

Playback	Listens	Hours
48h	3	30m
7d	78	8
30d	250	26

2:15:55

11/20SBD

Community War Memorial Auditorium

370

Playback	Listens	Hours
48h	14	1
7d	55	6
30d	370	42

Playback	Listens	Hours
48h	1	7m
7d	22	3
30d	68	8

Playback	Listens	Hours
48h	10	1
7d	12	2
30d	48	6

East Rutherford, NJ, USA

216

Playback	Listens	Hours
48h	18	2
7d	38	4
30d	216	26

East Rutherford, NJ, USA

Playback	Listens	Hours
48h	15	2
7d	15	2
30d	99	12

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

235

Playback	Listens	Hours
48h	17	2
7d	47	5
30d	235	27

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

279

Playback	Listens	Hours
48h	28	3
7d	19	2
30d	279	30

Playback	Listens	Hours
48h	63	7
7d	56	6
30d	203	23

Playback	Listens	Hours
48h	0	0m
7d	40	4
30d	281	30

Playback	Listens	Hours
48h	23	3
7d	21	3
30d	425	55

Playback	Listens	Hours
48h	47	5
7d	80	8
30d	406	44

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

289

Playback	Listens	Hours
48h	4	28m
7d	19	2
30d	289	28

Playback	Listens	Hours
48h	32	4
7d	143	18
30d	440	56

Playback	Listens	Hours
48h	23	3
7d	35	4
30d	234	27

Playback	Listens	Hours
48h	19	2
7d	129	12
30d	351	33

Pembroke Pines, FL, USA

108

Playback	Listens	Hours
48h	18	2
7d	7	58m
30d	108	14

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

311

Playback	Listens	Hours
48h	38	4
7d	29	3
30d	311	34

2:21:39

12 tapes

9/12SBD

105

Playback	Listens	Hours
48h	1	4m
7d	12	1
30d	105	13

2:30:28

9/11SBD

141

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	141	17

2:22:15

12 tapes

9/10SBD

220

Playback	Listens	Hours
48h	6	31m
7d	17	2
30d	220	23

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

757

Playback	Listens	Hours
48h	24	3
7d	85	10
30d	757	84

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	1	6m
7d	10	1
30d	91	11

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

168

Playback	Listens	Hours
48h	18	2
7d	36	5
30d	168	22

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	230	23

Oklahoma City, OK, USA

Playback	Listens	Hours
48h	11	1
7d	6	39m
30d	72	8

Playback	Listens	Hours
48h	6	48m
7d	6	48m
30d	52	7

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

223

Playback	Listens	Hours
48h	5	45m
7d	23	3
30d	223	27

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

172

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	172	18

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

339

Playback	Listens	Hours
48h	24	3
7d	72	8
30d	339	37

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

255

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	255	34

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	114	13

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

532

Playback	Listens	Hours
48h	78	10
7d	114	15
30d	532	73

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.4k

Playback	Listens	Hours
48h	36	4
7d	249	33
30d	1.4k	173

Playback	Listens	Hours
48h	30	3
7d	100	13
30d	593	73

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

565

Playback	Listens	Hours
48h	7	36m
7d	54	6
30d	565	60

Cuyahoga Falls, OH, USA

302

Playback	Listens	Hours
48h	26	3
7d	72	7
30d	302	29

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

677

Playback	Listens	Hours
48h	31	4
7d	105	12
30d	677	76

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

246

Playback	Listens	Hours
48h	27	3
7d	52	6
30d	246	28

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

255

Playback	Listens	Hours
48h	3	18m
7d	79	9
30d	255	28

Playback	Listens	Hours
48h	32	4
7d	47	6
30d	312	40

Playback	Listens	Hours
48h	27	3
7d	76	8
30d	362	40

Playback	Listens	Hours
48h	25	3
7d	68	8
30d	344	41

Playback	Listens	Hours
48h	22	3
7d	138	15
30d	574	63

Playback	Listens	Hours
48h	12	1
7d	128	15
30d	671	77

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	1

Playback	Listens	Hours
48h	0	0m
7d	49	6
30d	227	27

Playback	Listens	Hours
48h	31	4
7d	94	12
30d	664	81

Philadelphia, PA, USA

391

Playback	Listens	Hours
48h	0	0m
7d	22	2
30d	391	40

Philadelphia, PA, USA

497

Playback	Listens	Hours
48h	1	4m
7d	48	6
30d	497	63

Philadelphia, PA, USA

334

Playback	Listens	Hours
48h	2	11m
7d	19	2
30d	334	41

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

443

Playback	Listens	Hours
48h	41	4
7d	46	5
30d	443	47

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

202

Playback	Listens	Hours
48h	17	3
7d	9	1
30d	202	28

2:51:34

26 tapes

4/01

Portland, ME, USA

193

Playback	Listens	Hours
48h	0	0m
7d	3	18m
30d	193	23

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

369

Playback	Listens	Hours
48h	17	2
7d	18	2
30d	369	45

Playback	Listens	Hours
48h	56	6
7d	11	1
30d	182	20

Playback	Listens	Hours
48h	55	7
7d	35	4
30d	368	47

Playback	Listens	Hours
48h	8	58m
7d	45	5
30d	201	23

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

368

Playback	Listens	Hours
48h	2.3k	314
7d	59	8
30d	368	48

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

218

Playback	Listens	Hours
48h	595	68
7d	50	6
30d	218	25

Playback	Listens	Hours
48h	53	7
7d	1.2k	154
30d	1.3k	170

Playback	Listens	Hours
48h	41	5
7d	1k	110
30d	1.4k	145

2:21:56

17 tapes

3/13SBD

4.3k

Playback	Listens	Hours
48h	58	7
7d	52	6
30d	4.3k	537

2:23:36

9 tapes

3/12

2.1k

Playback	Listens	Hours
48h	56	7
7d	24	3
30d	2.1k	255

2:13:21

8 tapes

3/10

2.7k

Playback	Listens	Hours
48h	26	3
7d	11	2
30d	2.7k	342

2:18:50

3/09SBD

3.9k

Playback	Listens	Hours
48h	55	7
7d	90	11
30d	3.9k	493

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	2	3m
7d	5	9m
30d	61	2

13:28

1 tape

2/20SBD

335

Playback	Listens	Hours
48h	29	4
7d	55	7
30d	335	43

2:16:03

2/19SBD

288

Playback	Listens	Hours
48h	8	54m
7d	43	5
30d	288	35

1:58:18

5 tapes

2/18SBD

441

Playback	Listens	Hours
48h	72	8
7d	144	16
30d	441	50

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.