Black Peter > | 1985-03-28 | Grateful Dead

Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)

Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort; Mastered by Scott Clugston

gd1985-03-28.151044.sbd.latvala.eaton.dalton.miller.clugston.flac1648

Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48)

Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648

gd1985-03-28.137507.set1-sbd.pcm.miller.flac16

View NotesNotes:
- Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
- Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort
- Thanks to Charlie Miller for the PCM soundboard source which supplies a 0:08 patch in the beginning of "China Cat Sunflower"
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Scarlet Begonias" (0:28 total), a 0:29 patch in "Looks Like Rain", a 0:34 patch in Drums, as well as a 0:10 patch in "The Other One > Black Peter" transition
- Other One space included in "The Other One"
- "Smokestack Lightning" with Matt Kelly
- Pitch corrected

Mastered by Scott Clugston
February 2020

Transferrer: Charlie Miller

SBD -> PCM Master > Dat Clone (44.1k)

Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC

View NotesNotes:
-- Thanks to David Gans for lending me his Dat
-- I was front row in front of Phil for this show

Transferrer: SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin

2:26:33

SBD

SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin

gd1985-03-28.145221.mtx.tobin.flac1644

SBD + AUD Matrix 3 Source Mix (44/16)

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 15-FEB-2019 - Trader Little Helper
- Tagged 15-FEB-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Pitch correction by acetboy

2:27:50

SBD

Pitch correction by acetboy

gd1985-03-28.141047.sbd.acetboy.flac1644

Soundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for <a href="http://db.etree.org/shn/118304">source ID 118304</a>; see info file for details

gd1985-03-28.137534.mtx.set1.photoleon.flac24

View NotesThis is a fix for shn# 118304.
The channels were 180 degrees out of phase.  Fixed now.
The speed/pitch of the show was slow/flat.  Fixed now.
There were 2 or 3 gaps in the audio. They could be
fixed by just closing them up.  Fixed now.
There was a bit of a dc offset. Fixed now.
The stereo image has been centered up.

This great show still has a few issues.
During Drums the recording level overloaded somewhat 
especially from The Beam and the big drums on The Beast.
There's also some kinda nasty sounds coming out of
Bob's guitar amp.  Some on purpose, some not.
Bob forgets a lyric or two.

There is an earlier soundboard share of this show shn# 5313.
The speed/pitch is good and there is no phase problem but it has other issues.
Left and right channels switched in the first set.
Gaps in the waveform at all of the track starts.  The remains of earlier SBE's.
And chunks of the show are missing.  That's the way my shn files are that I grabbed
years ago from The Archive.  Back when soundboards could be had there.


acetboy 2018-02-14

Transferrer: Matrix by photoleon

Set 1 Matrix of SBD & AUD (both FLAC/24) -> Audacity 2.0.6 -> alignment -> Dynamic Range Compression -> Normalization -> Export FLAC 24 (single file) -> Audacity -> labeled, tracked & exported (multiple files) -> FLAC 24 (level 8)

Source 6 of 33

gd1985-03-28.118304.sbd.healy.damico.flac16

Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico

Transferrer: Hunter Seamons

gd1985-03-28.set1.mtx.seamons.94544.sbeok.flac16

Matrix mix (SBD/AUD)

gd1985-03-28.mtx.seamons.94484.flac16

View Notes*Matrix*

----------------------------------------------------
SBD:

PCM > DAT > Sonic Solutions > CD

----------------------------------------------------
AUD:

Recorded by the Oade Brothers
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Field:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

---------------------------------------------------
Thank you to Alan Fink and Mark Ferguson for the SBD transfer,
and to the Oade Brothers and Darrin Sacks for the AUD transfer.

Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC)
September 15, 2008


Set I
-----
d1t01 Tuning
d1t02 Truckin' ->
d1t03 Smokestack Lightning* ->
d1t04 High Time
d1t05 El Paso
d1t06 Peggy-O
d1t07 Cassidy
d1t08 China Cat Sunflower ->
d1t09 I Know You Rider

* with Matthew Kelly on harp


Notes:

The reason I did not initially use the PCM SBD source for the original full-length matrix - a source I was fully aware of - was due to somewhat misleading information, but ultimately my lack of full investigation.

So here's the whole story:

I first came across PLS's matrix of this show at shnflac.net, which included a fixed version and a DTS version. Scarfire, one of my matrix heroes, commented how awful the matrix was and that it should be redone. I heartily took up the task. The reasons I did not use the PCM initially are:

1) The PCM source had an "OCD" category icon next to it (although I don't think it should), which lead me to believe there was a "better" source out there.

2) Since PLS used the Griesman SBD, a source that came after the PCM, I assumed that that was the better version, despite a previous PCM being available. I thought there must have been problems with the PCM.

3) The preview button for the PCM source at shnflac.net had "vbr" listed in the streaming info, so I assumed it was the Hi-Fi vbr streaming sound. In spite of this, I think it is actually a straight 64Kbps Lo-Fi sound - which lead me to believe the source was poor sounding, for whatever reason.

4) For the PCM source at db.etree.org, it states there is an "upgrade" in circulation, referring to the Griesman SBD (which I think is not the best descriptor). However, I think the term "upgrade" is used to refer to the SBD source that has the whole show, not just set 1. But it is NOT an "upgrade" in terms of sound.

All these things naturally threw me off - and I did not have the actual PCM on hand at the time to verify, so this was ultimately my oversight.

Coincidentally, I recently downloaded the DVD bootleg of this show on shnflac.net and noticed the music used for the audio was awesome. I gathered that it must have been the PCM source that I never got to fully consult. Luckily, some good folk were still seeding the PCM at shnflac.net (via project '85), so I got it and realized it was really all good and not a "downgrade," as it were.

IN COMPARING THIS TO THE OTHER SBD SOURCE THEN:

1) This sounds MUCH better and is SIGNIFICANTLY less harsh on the ears.

2) Coincidentally, while I initially thought set 2 from the Griesman SBD was worse than set 1 because of some higher hiss, greater scrutiny has revealed that set 1 actually sounds worse in that it is harsher on the ears (sharper sounding, like knives digging in my ears). Luckily, the PCM was available for set 1, so now these files can essentially replace set 1 in the other matrix I did. So now a nice, smooth sounding matrix is available via two sources, as inconvenient - yet convenient - that is.


My suggestion to future seeders of this matrix as a whole, if so desired, is to seed a torrent with these "replacement" tracks along with set 2 from the other matrix source. Then it will be ALL GOOD in the end.

Peace.

-Hunter

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

gd1985-03-28.dts.griesman.89043.sbeok.flac16

View Notes*Matrix* 

----------------------------------------------------
SBD:

SBD> MC> DAT> CDR

EAC'd and converted on 9/17/2001 by Randy Griesman(randyg@ameritech.net)

----------------------------------------------------
AUD:

Recorded by the Oade Brothers
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Field:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac 

---------------------------------------------------
Thank you to Randy Griesman for the SBD transfer,
and to the Oade Brothers and Darrin Sacks for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
September 10, 2008

Notes:

1) Some occasional clicks and pops in the sources, particularly during set two - I made sure these were not from my edits (my edits are 99.98% stealth style). Some of the clicks/pops were miniscule gaps squished together. 

2) Some brief cuts in the SBD during High Time, China Cat, LL Rain, and Other One, and between some songs.

3) The second set in the SBD source had a slightly different tonal quality. There was a louder, high-end hissing sound that I reduced only slightly.

4) Miniscule track gap glitches in the SBD source were removed. (I've been using this awesome technique for a while now.)

5) Last Truckin' opener: 09/28/72

6) The show appears to be seamless.

7) For mysterious purposes only, I synced this to the analogue source, which was consistently within 0.25% speed of the PCM, if not exact at times - virtually the same sound, IMO...and it moves like analogue!

8) Awesome, awesome show (unless you hate the 80's, of course).

----------------------------------
This being my 20th matrix, I'd like to thank all the good folk at bt.etree.org and shnflac.net for their support and helping me to do these matrices better since my first efforts in July '07. I especially want to thank Chris Chappell and Dan Haugh for their stellar matrix work and output, which have given me much aural inspiration. 'Till the next Trix rolls around - ENJOY!

Transferrer: Randy Griesman

SBD (5313) + AUD (23443)

gd1985-03-28.mtx.griesman.77465.sbeok.flac16

View NotesThis is the DTS version of the seed -- the MTX was shared previously.

Transferrer: Randy Griesman

SBD (5313) + AUD (23443)

gd85-03-28.sbd.griesman.5313.sbeok.shnf

View NotesObsolete: 89074 fixes significant flaw

Source 11 of 33

SBD> MC> DAT> CDR

gd85-03-28.sbd-set1.fink.357.sbeok.shnf

View Notescomplete; SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32

Source 12 of 33

SBD PCM > DAT > Sonic Solutions > CD

View Notesset 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson

Taper: Jim Vita

gd1985-03-28.167093.beyer.m160.vita.miller.clugston.flac2496

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:05 patch in "China Cat Sunflower", as well as a 0:23 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
February 2024

Taper: Jim Vita

gd1985-03-28.167092.beyer.m160.vita.miller.clugston.flac1648

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:05 patch in "China Cat Sunflower", as well as a 0:23 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
February 2024

Taper: Stephen Thomas

gd1985-03-28.165009.nak304.thomas.miller.clugston.flac2496

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Rob Eaton and the folks responsible for the AKG 451, Neumann U87 blend source which supplies an 0:18 patch in "I Know You Rider ", as well as an 0:11 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2023

Taper: Stephen Thomas

gd1985-03-28.165008.nak304.thomas.miller.clugston.flac1648

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Rob, Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Rob Eaton and the folks responsible for the AKG 451, Neumann U87 blend source which supplies an 0:18 patch in "I Know You Rider ", as well as an 0:11 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2023

Taper: Rob Eaton

gd1985-03-38.163428.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496

Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Rob, Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the beginning of "China Cat Sunflower (0:06 total),as well as a0:07 in "Drums"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Taper: Rob Eaton

gd1985-03-38.163427.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648

Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the beginning of "China Cat Sunflower (0:06 total),as well as a0:07 in "Drums"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Taper: Rob Hunt and Ted Mattes

2:25:10

Rob Hunt and Ted Mattes

Scott Clugston and Charlie Miller

gd1985-03-28.149306.senn441.hunt.mattes.miller.clugston.flac2496

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in "Drums"
- "Smokestack Lightning" with Matt Kelly
- Pitch verified

Mastered by Scott Clugston
March 2020

Taper: Rob Hunt and Ted Mattes

2:25:10

Rob Hunt and Ted Mattes

Scott Clugston and Charlie Miller

gd1985-03-28.149305.senn441.hunt.mattes.miller.clugston.flac1648

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in "Drums"
- "Smokestack Lightning" with Matt Kelly
- Pitch verified

Mastered by Scott Clugston
March 2020

Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt

2:21:52

Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt

Kyle Holbrook

gd1985-03-28.152068.beyerm88.holbrook.flac2448

Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up

View Notes* with Matt Kelly on harmonica
// tape flip

Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt

2:21:52

Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt

Kyle Holbrook

gd1985-03-28.152067.beyerm88.holbrook.flac1644

Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up

gd1985-03-28.149979.dyche.flac16

View Notes* with Matt Kelly on harmonica
// tape flip

Taper: David Dyche

AKG 224’s > Sony TCD5M

Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT

View Notes* Matt Kelly On Harmonica

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:21:50

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1985-03-28.145224.5-1.tobin.flac1648

gd1985-03-28.124745.chasingwilma.flac24

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 15-FEB-2019 - Trader Little Helper
- Tagged 15-FEB-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: chasingwilma

lineage: sennheiser 441 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1985-03-28.nak300.morris.106785.flac16

Nakamichi CM-300 x2 > Cassette Master

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Dave Barfield and David Lane

View NotesTape flips spliced using Soundforge 9.0 in China Cat (at 0:09) and drums (at 6:51).
Recorded by Bob Morris. Thanks to Sam for help.

Taper: Dave Barfield and David Lane

Dave Barfield

gd1985-03-28.nak300.barfield-lane.103184.flac24

nakamichi 300/cp4 (ots 12') > tcd5m (tdk mar, +dolby) > master cassette

master cassette > tcd5m (original recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)

Source 28 of 33

gd1985-03-28.mtx.fix-shnid-77465.griesman.89074.flac16

View NotesShortly after 77465 was circulated in 2005, its creator learned of a serious
problem with one of the tracks, d1t04. A replacement track was circulated,
but does not seem to have made it into the etree database or into wide
circulation.

This new seed fixes 77465 by providing the "fixed" version
of d1t04 along with the rest of the tracks. If you already have 77465,
you only need the new txt and fingerprint files and the one new track and
you will have this seed.

SteveSw, 12-15-2007

Source 29 of 33

gd1985-03-28.nak300.damico.87226.sbeok.flac16

Taper: Brian Mandel

gd1985-03-28.nak300.bmandel.78436.sbeok.shnf

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade.

View Notes*with Matt Kelly

Taper: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade.

Alex Ford

gd1985-03-28.nak700.mccue.ford.34839.sbeok.flac16

MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s

MAC>Nakamichi CD2 [azimuth adjusted]>RCA>Audiophile 2496>CEP 2.0>CD Wave Editor>TLH>FLAC16

View NotesNotes:

- * with Mathew Kelly
- d1t03 (Smokestack Lightnin') minor static @ 0:06.
- @ NAk 700s modified by Tracy from Pittsburgh, PA w/ plexiglass shock mounts. Thank you very much. 
  Nice craftsmanship on the modification. 
- 3 photos of mics and Mark McCue included with this fileset.  
- Much thanks to McCue & friends for another beautiful recording!

Mic Config: pointed at the stacks

Location: FOB, 20-25 feet from the stage, dfc.

Taper: Oade Brothers

Doug Oade - Darren Sacks

gd85-03-28.oade-schoeps.sacks.23443.sbeok.flacf

Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

View NotesSchoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac 
Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)

Taper: Brian Tartus

Transfer by Chuck Lewis

gd1985-03-28.169427.Nassau.Uniondale.NY.akg.451.guns.master.tartus.t-flac16

Bryan Tartus' Master Audience Recording: 2 AKG 451 Shotguns > D6 (Maxell XLII, Dolby B) > Tascam 122 mk III > Cool Edit Pro 2.0 > CDWav > SHN