Scarlet Begonias > Fire On The Mountain | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

236

Playback	Listens	Hours
48h	11	1
7d	50	5
30d	236	27

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	9m
7d	1	12m
30d	74	10

Playback	Listens	Hours
48h	20	3
7d	60	9
30d	608	85

Playback	Listens	Hours
48h	133	18
7d	474	60
30d	2.2k	286

Playback	Listens	Hours
48h	12.2k	1.2k
7d	26k	2.6k
30d	99.8k	10k

537 shows

1,050 tapes

Blind Melon

Playback	Listens	Hours
48h	80	5
7d	383	27
30d	2k	149

62 shows

76 tapes

Blueground Undergrass

269

Playback	Listens	Hours
48h	33	4
7d	91	10
30d	269	28

Playback	Listens	Hours
48h	114	11
7d	241	25
30d	1.8k	195

Playback	Listens	Hours
48h	303	40
7d	966	125
30d	6.2k	803

305 shows

505 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	20	4

20 shows

26 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	7	2

Playback	Listens	Hours
48h	110	18
7d	169	27
30d	875	142

Playback	Listens	Hours
48h	5	33m
7d	26	3
30d	145	16

Playback	Listens	Hours
48h	91	8
7d	137	13
30d	770	73

Playback	Listens	Hours
48h	73	9
7d	173	19
30d	690	72

Playback	Listens	Hours
48h	222	14
7d	162	10
30d	722	41

Playback	Listens	Hours
48h	51	7
7d	148	20
30d	665	86

Playback	Listens	Hours
48h	26	1
7d	88	6
30d	551	36

241 shows

270 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	15	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	11	56m
30d	21	2

79 shows

93 tapes

Circles Around The Sun

G. Love and Special Sauce

Playback	Listens	Hours
48h	123	25
7d	285	58
30d	1.5k	287

Playback	Listens	Hours
48h	24	3
7d	65	12
30d	332	63

Playback	Listens	Hours
48h	37	3
7d	49	4
30d	457	39

Playback	Listens	Hours
48h	11	2
7d	43	6
30d	544	77

Playback	Listens	Hours
48h	429	64
7d	1.2k	181
30d	4.1k	611

Playback	Listens	Hours
48h	311	40
7d	623	91
30d	5.7k	764

786 shows

1,037 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	4

Playback	Listens	Hours
48h	8	58m
7d	34	4
30d	290	32

Playback	Listens	Hours
48h	1.7k	277
7d	4.9k	784
30d	28.9k	4.6k

Playback	Listens	Hours
48h	47	6
7d	107	12
30d	441	49

Playback	Listens	Hours
48h	69	5
7d	210	13
30d	1.2k	73

Playback	Listens	Hours
48h	169	19
7d	250	28
30d	1.5k	179

Playback	Listens	Hours
48h	829	178
7d	1.8k	382
30d	11.7k	2.4k

Playback	Listens	Hours
48h	73	7
7d	117	11
30d	471	46

Playback	Listens	Hours
48h	269	47
7d	548	94
30d	2.3k	372

Playback	Listens	Hours
48h	0	0m
7d	3	45m
30d	133	25

Playback	Listens	Hours
48h	115	13
7d	226	24
30d	1.6k	163

Playback	Listens	Hours
48h	28	6
7d	77	14
30d	467	76

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	101	9
7d	321	29
30d	2k	180

Playback	Listens	Hours
48h	70	11
7d	174	30
30d	705	122

Playback	Listens	Hours
48h	6	41m
7d	41	4
30d	158	18

Playback	Listens	Hours
48h	186	31
7d	301	50
30d	2.8k	457

141 shows

270 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	266	32
7d	526	69
30d	2.8k	378

Playback	Listens	Hours
48h	2	2
7d	17	3
30d	103	30

Playback	Listens	Hours
48h	212	13
7d	192	11
30d	826	47

Playback	Listens	Hours
48h	52	7
7d	43	6
30d	376	50

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	132	26

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	66	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	4	26m
30d	17	2

Playback	Listens	Hours
48h	76	7
7d	116	11
30d	467	48

Playback	Listens	Hours
48h	5	23m
7d	17	1
30d	375	25

Playback	Listens	Hours
48h	0	0m
7d	13	53m
30d	284	22

Playback	Listens	Hours
48h	15	52m
7d	46	2
30d	434	26

Playback	Listens	Hours
48h	940	150
7d	1.6k	256
30d	10.2k	1.6k

246 shows

1,218 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	2

14 shows

15 tapes

815

Playback	Listens	Hours
48h	28	2
7d	118	12
30d	815	74

Playback	Listens	Hours
48h	89	10
7d	171	19
30d	942	103

Playback	Listens	Hours
48h	3	26m
7d	38	5
30d	226	33

Playback	Listens	Hours
48h	21	4
7d	89	16
30d	549	109

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	8	1
7d	0	0m
30d	55	6

Playback	Listens	Hours
48h	29	4
7d	57	8
30d	222	41

Playback	Listens	Hours
48h	59	7
7d	144	17
30d	1.2k	141

369 shows

496 tapes

Godspeed You Black Emperor!

242

Playback	Listens	Hours
48h	23	5
7d	52	13
30d	242	59

Playback	Listens	Hours
48h	44	7
7d	112	16
30d	305	47

Playback	Listens	Hours
48h	1.8k	350
7d	4.2k	800
30d	21.4k	4.1k

Playback	Listens	Hours
48h	42	4
7d	14	1
30d	318	30

362 shows

591 tapes

Grahame Lesh and Friends

Playback	Listens	Hours
48h	293	41
7d	1.1k	170
30d	6k	940

32 shows

106 tapes

Grampas Grass

Playback	Listens	Hours
48h	31	3
7d	45	5
30d	98	11

Playback	Listens	Hours
48h	263	29
7d	617	64
30d	4.3k	481

Playback	Listens	Hours
48h	25	3
7d	213	24
30d	1.3k	152

220 shows

304 tapes

GrooveSession

Playback	Listens	Hours
48h	4	41m
7d	12	2
30d	61	8

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	51	3
7d	0	0m
30d	23	2

52 shows

56 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	61	8

Playback	Listens	Hours
48h	13	52m
7d	70	4
30d	559	40

747 shows

1,024 tapes

Hard Working Americans

334

Playback	Listens	Hours
48h	35	4
7d	68	7
30d	334	36

Playback	Listens	Hours
48h	30	5
7d	96	14
30d	756	117

186 shows

225 tapes

Horseshoes and Hand Grenades

289

Playback	Listens	Hours
48h	1	2m
7d	101	9
30d	289	24

Playback	Listens	Hours
48h	12	1
7d	72	6
30d	365	34

677 shows

850 tapes

Infamous Stringdusters

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	95	8
7d	157	14
30d	1.5k	136

623 shows

1,001 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	128	8
7d	902	60
30d	3.7k	240

Playback	Listens	Hours
48h	52	4
7d	105	10
30d	650	65

364 shows

489 tapes

Jazz Mandolin Project

502

Playback	Listens	Hours
48h	29	5
7d	57	8
30d	502	75

218 shows

275 tapes

Playback	Listens	Hours
48h	0	0m
7d	8	40m
30d	85	8

12 shows

14 tapes

Jeff Austin And Friends

191

Playback	Listens	Hours
48h	36	3
7d	3	25m
30d	191	18

Playback	Listens	Hours
48h	50	6
7d	95	12
30d	817	109

112 shows

160 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	238	41
7d	500	85
30d	2.6k	428

1,123 shows

1,518 tapes

Jerry's Middle Finger

2.3k

Playback	Listens	Hours
48h	166	26
7d	423	63
30d	2.3k	329

247 shows

297 tapes

Joe Russo Presents: Hooteroll? + Plus

104

Playback	Listens	Hours
48h	16	2
7d	25	4
30d	104	15

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

21.7k

Playback	Listens	Hours
48h	1.5k	270
7d	3.7k	669
30d	21.7k	3.9k

358 shows

1,172 tapes

John Kadlecik

Playback	Listens	Hours
48h	117	14
7d	131	16
30d	1k	112

Playback	Listens	Hours
48h	137	13
7d	494	46
30d	2.5k	220

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	17m
7d	3	30m
30d	63	7

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	115	9

77 shows

95 tapes

Karina Rykman

Playback	Listens	Hours
48h	11	1
7d	10	1
30d	83	9

71 shows

104 tapes

366

Playback	Listens	Hours
48h	6	26m
7d	52	7
30d	366	53

Playback	Listens	Hours
48h	232	24
7d	637	63
30d	3.3k	309

Playback	Listens	Hours
48h	15	2
7d	106	14
30d	383	50

40 shows

51 tapes

King Gizzard & the Lizard Wizard

12.7k

Playback	Listens	Hours
48h	730	99
7d	1.8k	242
30d	12.7k	1.7k

Playback	Listens	Hours
48h	109	13
7d	368	46
30d	2.1k	266

308 shows

393 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	6	55m
30d	85	12

Playback	Listens	Hours
48h	15	3
7d	108	23
30d	529	100

Playback	Listens	Hours
48h	64	8
7d	160	19
30d	1.8k	218

Playback	Listens	Hours
48h	215	21
7d	517	50
30d	2.5k	243

Playback	Listens	Hours
48h	160	23
7d	523	76
30d	2.9k	426

Playback	Listens	Hours
48h	229	22
7d	510	44
30d	3.9k	367

Playback	Listens	Hours
48h	37	3
7d	166	12
30d	1.1k	86

Playback	Listens	Hours
48h	145	32
7d	347	66
30d	1.9k	365

Playback	Listens	Hours
48h	4	27m
7d	39	5
30d	180	19

Playback	Listens	Hours
48h	79	8
7d	181	20
30d	1.4k	146

Playback	Listens	Hours
48h	24	3
7d	71	6
30d	425	42

348 shows

447 tapes

Matt Pond PA

Playback	Listens	Hours
48h	10	48m
7d	8	39m
30d	9	44m

Playback	Listens	Hours
48h	210	34
7d	619	97
30d	3.9k	597

Playback	Listens	Hours
48h	18	2
7d	92	6
30d	487	28

Playback	Listens	Hours
48h	13	1
7d	28	3
30d	241	27

Playback	Listens	Hours
48h	33	57m
7d	60	2
30d	225	6

Playback	Listens	Hours
48h	45	3
7d	51	4
30d	473	37

Playback	Listens	Hours
48h	653	109
7d	1.5k	235
30d	10k	1.7k

1,965 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	69	8

Playback	Listens	Hours
48h	1	5m
7d	39	3
30d	244	19

Playback	Listens	Hours
48h	248	27
7d	712	75
30d	4.5k	458

411 shows

597 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	5	17m
30d	24	2

46 shows

50 tapes

Neal Francis

Playback	Listens	Hours
48h	6	40m
7d	10	1
30d	42	4

Playback	Listens	Hours
48h	66	9
7d	185	26
30d	696	100

Playback	Listens	Hours
48h	7	1
7d	9	2
30d	168	26

61 shows

71 tapes

New Riders of the Purple Sage

1.2k

Playback	Listens	Hours
48h	75	6
7d	233	21
30d	1.2k	99

404 shows

591 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	63	6
7d	186	18
30d	1.2k	118

Playback	Listens	Hours
48h	36	4
7d	113	14
30d	630	71

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	1	9m
7d	5	32m
30d	6	37m

Playback	Listens	Hours
48h	2	11m
7d	27	4
30d	172	34

Playback	Listens	Hours
48h	0	0m
7d	5	41m
30d	192	28

Playback	Listens	Hours
48h	53	9
7d	224	37
30d	1.4k	244

687 shows

915 tapes

Phil Lesh and Friends

14.3k

Playback	Listens	Hours
48h	1k	192
7d	2.5k	443
30d	14.3k	2.5k

788 shows

2,852 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	63	10
7d	161	26
30d	1.5k	221

Playback	Listens	Hours
48h	273	33
7d	522	68
30d	3.4k	419

290 shows

430 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	21	2
7d	21	2
30d	74	6

Playback	Listens	Hours
48h	219	29
7d	445	59
30d	2.8k	368

1,231 shows

2,193 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	3

Playback	Listens	Hours
48h	75	10
7d	151	19
30d	797	106

Playback	Listens	Hours
48h	535	69
7d	1.3k	176
30d	8.7k	1.2k

Playback	Listens	Hours
48h	172	14
7d	382	31
30d	1.4k	112

Playback	Listens	Hours
48h	97	9
7d	102	9
30d	943	82

Playback	Listens	Hours
48h	121	11
7d	378	33
30d	1.7k	141

580 shows

728 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	26m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	24m
30d	20	3

Playback	Listens	Hours
48h	273	26
7d	510	49
30d	2.7k	256

Playback	Listens	Hours
48h	0	0m
7d	13	3
30d	153	21

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	2	6m
7d	3	15m
30d	43	6

Playback	Listens	Hours
48h	18	2
7d	32	4
30d	152	16

Playback	Listens	Hours
48h	66	6
7d	123	10
30d	990	82

Playback	Listens	Hours
48h	201	33
7d	450	72
30d	3.1k	491

Playback	Listens	Hours
48h	63	13
7d	154	33
30d	1.7k	392

Playback	Listens	Hours
48h	50	3
7d	120	7
30d	315	20

Playback	Listens	Hours
48h	1	13m
7d	4	40m
30d	124	24

Playback	Listens	Hours
48h	75	10
7d	275	41
30d	1.1k	172

Playback	Listens	Hours
48h	111	25
7d	314	72
30d	1.3k	287

Playback	Listens	Hours
48h	98	13
7d	154	19
30d	965	124

664 shows

1,137 tapes

String Cheese Incident

11.3k

Playback	Listens	Hours
48h	833	145
7d	1.9k	303
30d	11.3k	1.8k

1,275 shows

2,059 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	4	19m
7d	25	3
30d	80	8

Playback	Listens	Hours
48h	43	8
7d	92	18
30d	468	88

Playback	Listens	Hours
48h	39	5
7d	45	6
30d	293	37

178 shows

276 tapes

Tea Leaf Green

Playback	Listens	Hours
48h	67	7
7d	176	19
30d	1k	113

727 shows

1,112 tapes

Playback	Listens	Hours
48h	7	34m
7d	0	0m
30d	21	1

Playback	Listens	Hours
48h	1.1k	126
7d	3k	354
30d	31.6k	3.6k

Playback	Listens	Hours
48h	18	1
7d	82	4
30d	388	20

Playback	Listens	Hours
48h	24	4
7d	96	13
30d	811	108

Playback	Listens	Hours
48h	39	6
7d	65	10
30d	254	36

473 shows

629 tapes

The California Honeydrops

882

Playback	Listens	Hours
48h	25	3
7d	125	17
30d	882	112

76 shows

83 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	4

Playback	Listens	Hours
48h	323	46
7d	489	75
30d	2.7k	398

Playback	Listens	Hours
48h	10	50m
7d	45	5
30d	399	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	87	13

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	8

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	2m
7d	1	2m
30d	17	2

Playback	Listens	Hours
48h	17	2
7d	93	16
30d	202	32

Playback	Listens	Hours
48h	8	1
7d	12	1
30d	244	33

Playback	Listens	Hours
48h	81	4
7d	288	15
30d	1.1k	59

Playback	Listens	Hours
48h	42	3
7d	35	3
30d	452	33

Playback	Listens	Hours
48h	57	6
7d	55	9
30d	202	44

Playback	Listens	Hours
48h	77	7
7d	302	30
30d	1.1k	110

Playback	Listens	Hours
48h	91	13
7d	190	32
30d	1.4k	186

Playback	Listens	Hours
48h	356	36
7d	889	88
30d	5.2k	507

Playback	Listens	Hours
48h	0	0m
7d	31	2
30d	116	8

Playback	Listens	Hours
48h	79	8
7d	223	23
30d	918	97

Playback	Listens	Hours
48h	3	35m
7d	0	0m
30d	234	46

Playback	Listens	Hours
48h	76	7
7d	187	20
30d	982	90

Playback	Listens	Hours
48h	54	3
7d	109	7
30d	876	63

175 shows

208 tapes

Trevor Garrod

Playback	Listens	Hours
48h	12	1
7d	1	7m
30d	20	2

Playback	Listens	Hours
48h	302	45
7d	691	104
30d	4.7k	683

Playback	Listens	Hours
48h	2	16m
7d	33	3
30d	139	14

Playback	Listens	Hours
48h	207	32
7d	236	39
30d	1.5k	235

Playback	Listens	Hours
48h	425	59
7d	900	130
30d	5.8k	851

Playback	Listens	Hours
48h	63	5
7d	66	6
30d	466	39

36 shows

49 tapes

Warren Zevon

Playback	Listens	Hours
48h	97	7
7d	172	13
30d	1k	76

Playback	Listens	Hours
48h	920	71
7d	2.2k	170
30d	11.1k	871

Playback	Listens	Hours
48h	0	0m
7d	86	6
30d	126	8

Playback	Listens	Hours
48h	8.8k	1k
7d	21.5k	2.6k
30d	132.7k	16k

Playback	Listens	Hours
48h	90	11
7d	155	20
30d	746	101

1,417 shows

2,244 tapes

Yonder Mountain String Band

9.2k

Playback	Listens	Hours
48h	742	73
7d	1.7k	162
30d	9.2k	857

Playback	Listens	Hours
48h	126	20
7d	160	26
30d	1.5k	232

12 shows

16 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	25m

Playback	Listens	Hours
48h	97	17
7d	210	38
30d	1.2k	211

461 shows

663 tapes

Zoofunkyou

Playback	Listens	Hours
48h	13	1
7d	3	23m
30d	47	6

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	231
7d	4.1k	582
30d	20.8k	2.9k

Playback	Listens	Hours
48h	1.7k	254
7d	3.6k	485
30d	19.8k	2.7k

Playback	Listens	Hours
48h	934	125
7d	4.8k	620
30d	37.5k	4.8k

Playback	Listens	Hours
48h	568	75
7d	1.3k	167
30d	26.4k	3.4k

Playback	Listens	Hours
48h	4.5k	592
7d	10.1k	1.4k
30d	39.7k	5.6k

Playback	Listens	Hours
48h	3.3k	437
7d	13.9k	1.8k
30d	114.1k	14.6k

Playback	Listens	Hours
48h	5.9k	684
7d	17.2k	2.1k
30d	47k	5.8k

Playback	Listens	Hours
48h	4.7k	562
7d	12.2k	1.4k
30d	49.9k	5.7k

Playback	Listens	Hours
48h	3.4k	376
7d	13.9k	1.6k
30d	55.4k	6.4k

Playback	Listens	Hours
48h	685	78
7d	3.6k	409
30d	21.7k	2.5k

Playback	Listens	Hours
48h	6.3k	719
7d	12.8k	1.5k
30d	44k	5.3k

Playback	Listens	Hours
48h	4.3k	525
7d	6.3k	770
30d	24.4k	3.1k

Playback	Listens	Hours
48h	1.3k	160
7d	3.4k	442
30d	25.4k	3.2k

Playback	Listens	Hours
48h	3k	378
7d	13.3k	1.7k
30d	35.2k	4.5k

Playback	Listens	Hours
48h	2k	255
7d	5.2k	644
30d	60k	7.6k

Playback	Listens	Hours
48h	1.9k	216
7d	6.5k	741
30d	35.8k	4.1k

Playback	Listens	Hours
48h	1.7k	233
7d	4k	546
30d	24.3k	3.3k

Playback	Listens	Hours
48h	11.4k	1.5k
7d	11.5k	1.5k
30d	38.7k	5.2k

Playback	Listens	Hours
48h	5.7k	799
7d	17.3k	2.4k
30d	111.4k	15.7k

Playback	Listens	Hours
48h	1.6k	217
7d	4.4k	588
30d	24.4k	3.2k

Playback	Listens	Hours
48h	409	41
7d	1k	101
30d	7.4k	791

Playback	Listens	Hours
48h	3.1k	406
7d	8.8k	1.1k
30d	53.1k	6.7k

Playback	Listens	Hours
48h	3.8k	461
7d	13.1k	1.6k
30d	100.2k	12.2k

Playback	Listens	Hours
48h	7.7k	925
7d	8.5k	1k
30d	56.8k	6.8k

Playback	Listens	Hours
48h	6.4k	651
7d	16.3k	1.8k
30d	42.5k	4.8k

Playback	Listens	Hours
48h	1.3k	146
7d	7.8k	789
30d	27.3k	2.9k

Playback	Listens	Hours
48h	1.3k	193
7d	6.2k	864
30d	19.9k	2.8k

Playback	Listens	Hours
48h	447	54
7d	1.1k	143
30d	7.5k	908

Playback	Listens	Hours
48h	288	29
7d	331	48
30d	3.9k	435

Playback	Listens	Hours
48h	386	32
7d	993	66
30d	6.1k	446

Playback	Listens	Hours
48h	31	2
7d	70	5
30d	496	30

1977

Playback	Listens	Hours
48h	2	3
7d	2	3
30d	2	3

353

Playback	Listens	Hours
48h	15	3
7d	105	16
30d	353	54

352

Playback	Listens	Hours
48h	25	4
7d	63	10
30d	352	55

753

Playback	Listens	Hours
48h	54	7
7d	107	13
30d	753	91

838

Playback	Listens	Hours
48h	101	12
7d	300	35
30d	838	102

Playback	Listens	Hours
48h	36	5
7d	168	20
30d	837	102

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

621

Playback	Listens	Hours
48h	66	7
7d	104	14
30d	621	79

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

845

Playback	Listens	Hours
48h	25	3
7d	174	21
30d	845	106

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

395

Playback	Listens	Hours
48h	0	0m
7d	85	9
30d	395	49

Playback	Listens	Hours
48h	2	17m
7d	49	7
30d	274	36

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

370

Playback	Listens	Hours
48h	53	7
7d	55	7
30d	370	46

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

1.6k

Playback	Listens	Hours
48h	90	12
7d	369	49
30d	1.6k	208

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

144

Playback	Listens	Hours
48h	20	3
7d	20	3
30d	144	21

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

507

Playback	Listens	Hours
48h	13	2
7d	120	19
30d	507	75

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

205

Playback	Listens	Hours
48h	9	1
7d	38	5
30d	205	26

Playback	Listens	Hours
48h	2	21m
7d	68	10
30d	461	65

Playback	Listens	Hours
48h	13	1
7d	38	4
30d	288	32

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

588

Playback	Listens	Hours
48h	90	13
7d	141	21
30d	588	88

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

371

Playback	Listens	Hours
48h	35	4
7d	48	6
30d	371	46

Playback	Listens	Hours
48h	14	2
7d	34	6
30d	99	16

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

475

Playback	Listens	Hours
48h	17	2
7d	47	7
30d	475	66

Playback	Listens	Hours
48h	72	9
7d	183	24
30d	953	127

Playback	Listens	Hours
48h	46	6
7d	38	5
30d	302	37

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

Playback	Listens	Hours
48h	63	10
7d	96	16
30d	1.5k	247

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

227

Playback	Listens	Hours
48h	20	2
7d	26	4
30d	227	31

Playback	Listens	Hours
48h	92	11
7d	328	44
30d	1.9k	258

2.4k

Playback	Listens	Hours
48h	163	22
7d	524	69
30d	2.4k	309

1.8k

Playback	Listens	Hours
48h	137	19
7d	397	60
30d	1.8k	267

2.4k

Playback	Listens	Hours
48h	72	10
7d	278	39
30d	2.4k	343

Playback	Listens	Hours
48h	19	2
7d	125	15
30d	551	73

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

1.6k

Playback	Listens	Hours
48h	80	14
7d	323	48
30d	1.6k	242

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.4k

Playback	Listens	Hours
48h	113	16
7d	304	43
30d	1.4k	203

Playback	Listens	Hours
48h	84	11
7d	408	55
30d	1.6k	211

Pembroke Pines, FL, USA

2.8k

Playback	Listens	Hours
48h	211	29
7d	481	66
30d	2.8k	381

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.2k

Playback	Listens	Hours
48h	81	10
7d	250	31
30d	1.2k	156

Playback	Listens	Hours
48h	37	6
7d	158	24
30d	1.1k	158

Playback	Listens	Hours
48h	77	11
7d	139	20
30d	1k	148

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

2.1k

Playback	Listens	Hours
48h	195	25
7d	542	72
30d	2.1k	277

Playback	Listens	Hours
48h	111	15
7d	201	26
30d	1.4k	184

Playback	Listens	Hours
48h	80	9
7d	187	23
30d	1.2k	147

Playback	Listens	Hours
48h	3	36m
7d	13	2
30d	150	19

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

2.5k

Playback	Listens	Hours
48h	298	40
7d	477	63
30d	2.5k	335

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

7.6k

Playback	Listens	Hours
48h	406	59
7d	1.4k	208
30d	7.6k	1.1k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

7.6k

Playback	Listens	Hours
48h	674	102
7d	1.6k	236
30d	7.6k	1.2k

Playback	Listens	Hours
48h	205	30
7d	1.1k	154
30d	4.6k	658

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	166	25
7d	528	83
30d	2.9k	427

Playback	Listens	Hours
48h	103	18
7d	648	106
30d	2.4k	390

Playback	Listens	Hours
48h	33	4
7d	124	15
30d	672	82

Playback	Listens	Hours
48h	35	4
7d	81	11
30d	651	83

Playback	Listens	Hours
48h	26	3
7d	118	13
30d	490	56

Playback	Listens	Hours
48h	46	7
7d	92	14
30d	386	56

Playback	Listens	Hours
48h	81	12
7d	247	38
30d	991	153

Playback	Listens	Hours
48h	58	8
7d	46	6
30d	247	32

Playback	Listens	Hours
48h	118	13
7d	139	15
30d	785	87

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

2.9k

Playback	Listens	Hours
48h	212	30
7d	585	81
30d	2.9k	400

Philadelphia, PA, USA

Playback	Listens	Hours
48h	114	18
7d	445	69
30d	1.5k	239

9.8k

Playback	Listens	Hours
48h	55	8
7d	328	44
30d	9.8k	1.3k

9.7k

Playback	Listens	Hours
48h	92	15
7d	457	72
30d	9.7k	1.5k

Robertson Gym, UC Santa Barbara

10.5k

Playback	Listens	Hours
48h	140	19
7d	441	65
30d	10.5k	1.5k

Playback	Listens	Hours
48h	28	3
7d	14	2
30d	71	8

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

575

Playback	Listens	Hours
48h	72	9
7d	174	22
30d	575	70

San Bernardino, CA, USA

6.1k

Playback	Listens	Hours
48h	250	34
7d	1k	140
30d	6.1k	817

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

Playback	Listens	Hours
48h	12	2
7d	12	2
30d	81	11

Playback	Listens	Hours
48h	27	3
7d	56	6
30d	417	48

5/8/77

Lazy Lightnin' > Supplication

Dancing In The Street

16:24

Scarlet Begonias > Fire On The Mountain

One More Saturday Night

5:31

FIN

View on archive.org

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive